Songs like You're Driving Me Crazy by Dorothy Berry
Based on a tempo of (+/- 10%) and a similar genre
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Lee Dorsey
My Old Car Commercial
138 bpm • G Maj • 01:34 • -11.24db
19% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Dorothy Berry
You're Driving Me Crazy
138 bpm • G# Maj • 02:11 • -4.44db
4% Popularity • 90% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 90% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
Catch That Teardrop
138 bpm • G Maj • 02:25 • -6db
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Tonettes
I Gotta Know
138 bpm • C min • 01:39 • -7.39db
29% Popularity • 62% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 62% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Wilson Pickett
Baby Don't You Weep No More
138 bpm • C# min • 02:15 • -10.71db
14% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
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The Ovations
They Say
138 bpm • D# min • 02:08 • -8.62db
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
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Tommy James & The Shondells
Ya Ya
139 bpm • F Maj • 02:00 • -10.86db
10% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Chubby Checker
You Just Don't Know (What You Do To Me)
138 bpm • A Maj • 02:28 • -4.33db
15% Popularity • 63% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 22% Liveness
3% Instrumentalness • 83% Positiveness
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The Ad Libs
He Ain't No Angel
137 bpm • E min • 02:40 • -6db
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
18% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Sugar Pie DeSanto
There's Gonna Be Trouble
137 bpm • A min • 02:53 • -6.15db
9% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Soul
When Matilda Comes Back
137 bpm • G# Maj • 02:37 • -7.29db
15% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Little Richard
Mississippi
137 bpm • C Maj • 02:43 • -10.4db
8% Popularity • 79% Danceability • 71% Energy • 11% Liveness
9% Instrumentalness • 98% Positiveness
8% Popularity • 79% Danceability • 71% Energy • 11% Liveness
9% Instrumentalness • 98% Positiveness
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Billy Keen
I Finally Got Wise
137 bpm • G min • 02:12 • -5.79db
8% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Mack Rice
Baby I'm Coming Home
137 bpm • G min • 02:30 • -14db
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
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Barbara Lynn
You Don't Sleep At Night
139 bpm • D# Maj • 02:24 • -7.54db
14% Popularity • 64% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 64% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Sugar Pie DeSanto
Tell Me What's The Matter
137 bpm • G Maj • 02:31 • -5.92db
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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O.V. Wright
Love The Way You Love
137 bpm • A# min • 02:28 • -5.35db
9% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Intruders
You're My One & Only Baby
137 bpm • D Maj • 02:14 • -6.27db
10% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Trini Lopez
Cotton Fields
139 bpm • A Maj • 02:16 • -5.5db
9% Popularity • 51% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 51% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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James & Bobby Purify
Let Love Come Between Us
137 bpm • A Maj • 02:25 • -11db
30% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Clyde McPhatter
I'll Love You Till The Cows Come Home
137 bpm • A# min • 02:22 • -6.09db
10% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 60% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Jama
My Life
137 bpm • D Maj • 02:41 • -4.3db
15% Popularity • 41% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 41% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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The Sapphires
Gotta Have Your Love
136 bpm • G# Maj • 02:16 • -11.19db
30% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Royal Five
My Baby Cares For Me
140 bpm • C Maj • 02:23 • -6.37db
13% Popularity • 58% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 58% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Sam & Dave
You Ain't No Big Thing Baby
140 bpm • G Maj • 02:30 • -7.15db
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Mable John
Ain't Giving It Up
140 bpm • C Maj • 02:49 • -10.36db
10% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Anna Dukke
Comfortable Crap
136 bpm • F Maj • 02:22 • -5.83db
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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The Vontastics
Never Let Your Love Grow Cold
136 bpm • C Maj • 02:44 • -7.49db
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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The Sapphires
Evil One
139 bpm • D min • 02:05 • -11.02db
12% Popularity • 52% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 52% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Barbara Lynn
Nice and Easy
140 bpm • D Maj • 01:53 • -9.88db
37% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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The Dixie Cups
Another Boy Like Mine - Mono / Remastere...
136 bpm • A# Maj • 02:53 • -6.15db
8% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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The Chantells with The Aqua Lads
I'll Never Know
140 bpm • A# Maj • 02:23 • -3.88db
8% Popularity • 50% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 50% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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Curtis Lee
Is She in Your Town?
140 bpm • B min • 02:08 • -9db
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Wilson Pickett
Let Me Be Your Boy
136 bpm • B min • 02:47 • -14.88db
11% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Dorothy Berry
You're so Fine
141 bpm • D Maj • 02:22 • -4.24db
2% Popularity • 40% Danceability • 84% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
2% Popularity • 40% Danceability • 84% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Johnny Love
Chills and Fever
141 bpm • A min • 02:25 • -7.07db
10% Popularity • 55% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 55% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Syl Johnson
(She's So Fine) I Just Gotta Make Her Mi...
141 bpm • C Maj • 02:28 • -4.47db
12% Popularity • 60% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 60% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Ruffin
Don't Feel Sorry for Me
135 bpm • G# Maj • 02:23 • -3.69db
22% Popularity • 69% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 69% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Yvonne Fair
Say Yeah Yeah
135 bpm • G min • 02:22 • -6.4db
17% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
31% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
31% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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The Jarmels
Why Am I A Fool For You
141 bpm • D# Maj • 02:06 • -11.95db
9% Popularity • 62% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Baby Washington
Hush Heart
141 bpm • C# Maj • 02:11 • -12db
14% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Lynn
Take Your Love and Run
135 bpm • A# Maj • 02:53 • -10db
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Syl Johnson
I've Got Love
141 bpm • D Maj • 02:46 • -3.33db
10% Popularity • 63% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Little Jewel
I Want To
141 bpm • F Maj • 02:42 • -3.49db
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
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The Valentinos
I'll Make It Alright
135 bpm • A Maj • 02:14 • -6.8db
12% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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The Informers
Why Did You Give Me Such a Hard Way to G...
135 bpm • C Maj • 02:23 • -5.34db
8% Popularity • 54% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 66% Positiveness
8% Popularity • 54% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 66% Positiveness
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The Eptones
A Love That’s Real
135 bpm • A min • 02:28 • -5db
14% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Willie Jones & The Royal Jokers
Where's My Money
141 bpm • F min • 02:17 • -8db
11% Popularity • 68% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 68% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 97% Positiveness
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The Four J's
Will You Be My Love
141 bpm • F# Maj • 02:08 • -4db
15% Popularity • 60% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 60% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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Maurice Williams & The Zodiacs
Being Without You
141 bpm • C Maj • 02:23 • -7.51db
16% Popularity • 54% Danceability • 74% Energy • 60% Liveness
14% Instrumentalness • 96% Positiveness
16% Popularity • 54% Danceability • 74% Energy • 60% Liveness
14% Instrumentalness • 96% Positiveness
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Barbara Lewis
My Mama Told Me
135 bpm • C Maj • 02:15 • -16.13db
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 78% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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The Apollas
You're Absolutely Right
142 bpm • D# Maj • 02:19 • -5.38db
13% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Eddie Bo
Every Dog Got His Day
142 bpm • G# Maj • 02:17 • -6.71db
25% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Garnet Mimms
A Little Bit Of Soap
134 bpm • D# Maj • 02:22 • -11db
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Dixie Cups
Gee Baby Gee - Mono / Remastered 2022
134 bpm • A# Maj • 02:27 • -7.74db
9% Popularity • 82% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 82% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
It Feels So Nice
134 bpm • D# Maj • 02:05 • -4.82db
13% Popularity • 74% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 74% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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the Kelly Brothers
Love Time
134 bpm • A Maj • 02:32 • -4.49db
16% Popularity • 58% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 82% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 13% Liveness
69% Instrumentalness • 82% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
13% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Nathaniel Mayer
Village of Love
142 bpm • C Maj • 02:01 • -5db
7% Popularity • 48% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 48% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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LaBrenda Ben & The Beljeans
The Chaperone - Single Version
134 bpm • C# Maj • 02:46 • -2.79db
11% Popularity • 60% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 60% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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The Impressions
A New Love
134 bpm • A# Maj • 02:11 • -10.89db
11% Popularity • 58% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 58% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Marilyn Calloway & The 4-Silvertones
Shut Up
133 bpm • G# Maj • 02:28 • -7db
11% Popularity • 63% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 63% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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James & Bobby Purify
Sixteen Tons
133 bpm • C# Maj • 02:25 • -12.68db
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Little Ann
Who Are You Trying to Fool
133 bpm • D Maj • 02:09 • -10db
23% Popularity • 61% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 61% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Danny Williams
Over The Rainbow - Remastered
133 bpm • G# Maj • 02:09 • -9.16db
25% Popularity • 56% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 56% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 82% Positiveness
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Pookie Hudson
This Gets to Me
133 bpm • G Maj • 02:04 • -8.96db
8% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Peppermint Harris
Wait Until It Happens to You
133 bpm • F min • 02:06 • -9db
11% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Varetta Dillard
That's Why I Cry - Alternate Take
143 bpm • D min • 02:31 • -6.16db
8% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette) - Remas...
133 bpm • D# Maj • 02:27 • -7db
8% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Retro Bytes
Ready
143 bpm • G min • 01:12 • -8.04db
12% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Little Richard
Only You
133 bpm • C Maj • 02:26 • -5.43db
8% Popularity • 58% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 58% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Barbara Lewis
Gonna Love You Till the End of Time
133 bpm • G# Maj • 02:23 • -18.13db
10% Popularity • 67% Danceability • 41% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 67% Danceability • 41% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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Irma Thomas
Teasing But You're Pleasing
133 bpm • A# min • 01:46 • -9.41db
37% Popularity • 57% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Carla Thomas
Dance with Me
144 bpm • G min • 02:25 • -8.36db
8% Popularity • 50% Danceability • 61% Energy • 86% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 50% Danceability • 61% Energy • 86% Liveness
0% Instrumentalness • 86% Positiveness
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Don & Dewey
Farmer John
133 bpm • C Maj • 02:29 • -11.02db
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Helene Smith
Gossip Don't Worry Me
133 bpm • C Maj • 02:34 • -10.47db
8% Popularity • 67% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 67% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Gene Vincent
Poor Man's Prison
132 bpm • F Maj • 02:30 • -9.5db
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Stephens
Wait A Minute
144 bpm • A# Maj • 02:24 • -7.85db
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Irma Thomas
Hittin' On Nothing
144 bpm • D min • 02:17 • -10.44db
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Lynn
I Don't Want a Playboy
132 bpm • B min • 02:07 • -9.28db
28% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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B.B. Carter
Cool It Baby
132 bpm • D# Maj • 02:29 • -6.85db
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Gene Chandler
Mr. Big Shot
144 bpm • C# min • 02:10 • -8.83db
8% Popularity • 48% Danceability • 75% Energy • 15% Liveness
24% Instrumentalness • 90% Positiveness
8% Popularity • 48% Danceability • 75% Energy • 15% Liveness
24% Instrumentalness • 90% Positiveness
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Sherri Taylor
Oh Lover - Single Version
132 bpm • F min • 02:55 • -4db
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Dorothy Williams
The Well's Gone Dry
132 bpm • D# Maj • 02:29 • -7.2db
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Jay & The Techniques
Strawberry Shortcake
145 bpm • A# Maj • 02:44 • -11.05db
11% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Little Ann
Sweep It out in the Shed
131 bpm • G min • 03:02 • -5db
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 58% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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The Rev-Lons
Boy Trouble
132 bpm • B Maj • 02:35 • -5.79db
9% Popularity • 74% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 74% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 87% Positiveness
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The Dynamics
Bingo
131 bpm • C# Maj • 02:07 • -5.89db
10% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Patti & The Emblems
Mixed Up Shook Up Girl
131 bpm • F Maj • 02:05 • -8.96db
11% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Patterson
Till You Give In
145 bpm • G min • 02:00 • -6.61db
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
