Songs like You're Gonna Live Forever in Me by John Mayer
Based on a tempo of (+/- 10%) and a similar genre
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John Mayer
Dreaming with a Broken Heart
136 bpm • C Maj • 04:05 • -9.32db
59% Popularity • 61% Danceability • 35% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
59% Popularity • 61% Danceability • 35% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
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Payung Teduh
Resah
136 bpm • C# min • 04:00 • -9db
67% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
67% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ardhito Pramono
What Do You Feel About Me
136 bpm • F# Maj • 03:27 • -19.17db
40% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
40% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Caesar
Always
136 bpm • A Maj • 03:45 • -8.18db
80% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
80% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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wave to earth
bad
136 bpm • D Maj • 04:23 • -8.88db
77% Popularity • 56% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
77% Popularity • 56% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
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John Mayer
You're Gonna Live Forever in Me
136 bpm • G Maj • 03:10 • -14.1db
71% Popularity • 54% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 32% Positiveness
71% Popularity • 54% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 32% Positiveness
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raissa anggiani
Losing Us.
136 bpm • C Maj • 03:56 • -9.31db
60% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bruno Major
Trajectories
136 bpm • C Maj • 02:58 • -19.05db
52% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Ed Sheeran
Dive
135 bpm • E Maj • 03:58 • -6.16db
73% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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John Mayer
Slow Dancing in a Burning Room - Acousti...
135 bpm • E Maj • 03:52 • -10.24db
54% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bruno Major
We Were Never Really Friends
135 bpm • A Maj • 03:24 • -10.34db
54% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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ABBA
Slipping Through My Fingers
137 bpm • F Maj • 03:53 • -16db
72% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Paramore
The Only Exception
138 bpm • E Maj • 04:27 • -6.61db
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Sezairi
It's You
138 bpm • G# Maj • 04:11 • -8.29db
65% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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John Mayer
Slow Dancing in a Burning Room
134 bpm • C# min • 04:02 • -8.69db
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
72% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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LANY
13
134 bpm • G# min • 03:54 • -8.15db
70% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
70% Popularity • 78% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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HONNE
free love
134 bpm • A Maj • 03:29 • -8.2db
57% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Raim Laode
Komang
134 bpm • G Maj • 03:42 • -8.55db
75% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Coldplay
Fix You
138 bpm • D# Maj • 04:55 • -8.74db
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Reality Club
Alexandra
138 bpm • A Maj • 03:58 • -10.03db
65% Popularity • 38% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 38% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Bruno Major
Fair-Weather Friend
134 bpm • F# Maj • 03:06 • -6.99db
54% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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NIKI
Lose
134 bpm • C Maj • 04:16 • -8.13db
64% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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John Mayer
Rosie
139 bpm • G Maj • 04:00 • -6.55db
58% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Christina Perri
a thousand years
139 bpm • A# Maj • 04:45 • -7.45db
81% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
81% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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James Arthur
A Thousand Years
139 bpm • D Maj • 04:14 • -6.32db
74% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
74% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Passenger
Let Her Go (Acoustic Version)
139 bpm • E min • 04:26 • -13.96db
50% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Ben Rector
Love Like This
140 bpm • D Maj • 03:34 • -11.47db
60% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John Mayer
Never on the Day You Leave
140 bpm • D Maj • 03:40 • -8.61db
49% Popularity • 54% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 54% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Justin Bieber
That Should Be Me
140 bpm • G# Maj • 03:52 • -5.71db
74% Popularity • 55% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 55% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Budi Doremi
Mesin Waktu
140 bpm • A Maj • 04:22 • -9.33db
65% Popularity • 45% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 45% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Sheeran
How Would You Feel (Paean)
140 bpm • A Maj • 04:40 • -5.63db
65% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Music for Sale
So Right
140 bpm • A Maj • 05:11 • -5.19db
26% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Mraz
93 Million Miles
140 bpm • D# Maj • 03:36 • -10.29db
64% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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John Mayer
No Such Thing
132 bpm • E Maj • 03:51 • -4.92db
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Arash Buana
if u could see me cryin' in my room
140 bpm • C# Maj • 04:16 • -11.4db
69% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
73% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Coldplay
Clocks
131 bpm • F min • 05:07 • -7.22db
81% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
81% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Mayer
Born and Raised
132 bpm • C Maj • 04:47 • -9.21db
55% Popularity • 66% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
55% Popularity • 66% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
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Kina Grannis
Iris
131 bpm • F# Maj • 03:01 • -15.57db
57% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bruno Major
Home
131 bpm • B Maj • 03:20 • -7db
56% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Adele
All I Ask
142 bpm • E Maj • 04:31 • -5.49db
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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James Smith
Just The Way You Are
130 bpm • D Maj • 02:36 • -12.73db
51% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Swift
Back To December
142 bpm • D Maj • 04:53 • -5.8db
65% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Johnson
Imagine
142 bpm • F# Maj • 03:39 • -18.25db
61% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
61% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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yuji
Old Love
142 bpm • B Maj • 04:09 • -10.51db
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Amos Lee
Arms Of A Woman
142 bpm • A Maj • 04:11 • -13.78db
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Mraz
Lucky
130 bpm • C Maj • 03:09 • -8.7db
71% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Sal Priadi
Amin Paling Serius
130 bpm • G Maj • 05:03 • -9.92db
69% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rex Orange County
Sunflower
130 bpm • F# Maj • 04:12 • -4.46db
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
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keshi
LIMBO
130 bpm • G# Maj • 03:32 • -11.79db
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Alan Walker
Not You
130 bpm • F Maj • 02:33 • -8.96db
72% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Taylor Swift
You Belong With Me (Taylor’s Version)
130 bpm • F# Maj • 03:51 • -4.86db
83% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
83% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Katy Perry
Unconditionally
129 bpm • G Maj • 03:48 • -4.86db
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nadin Amizah
Sorai
144 bpm • C Maj • 04:38 • -12.45db
73% Popularity • 56% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
73% Popularity • 56% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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GANGGA
Forever
129 bpm • G Maj • 04:13 • -12.57db
51% Popularity • 33% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
51% Popularity • 33% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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boy pablo
honey
144 bpm • C Maj • 04:14 • -10.16db
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
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Harry Styles
Girl Crush - Recorded at Metropolis Stud...
144 bpm • E Maj • 04:03 • -11.73db
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Partohap
P.S. I LOVE YOU
128 bpm • G# Maj • 04:00 • -8.94db
69% Popularity • 48% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
69% Popularity • 48% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
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Coldplay
In My Place
145 bpm • A Maj • 03:46 • -5.46db
74% Popularity • 42% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
74% Popularity • 42% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Colbie Caillat
Bubbly
128 bpm • A Maj • 03:16 • -6.68db
73% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Feby Putri
Runtuh
128 bpm • D# Maj • 03:43 • -13.16db
78% Popularity • 59% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
78% Popularity • 59% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Neck Deep
December
145 bpm • D Maj • 03:38 • -7.73db
69% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
69% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Bruno Mars
Talking to the Moon
146 bpm • C# min • 03:37 • -4.72db
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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John Mayer
Who You Love
146 bpm • A Maj • 04:09 • -10.92db
61% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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FUR
If You Know That I'm Lonely
146 bpm • G Maj • 02:46 • -6.06db
59% Popularity • 40% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 40% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Coldplay
The Scientist
146 bpm • F Maj • 05:09 • -7.22db
85% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
85% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
