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Zu Zu
Songs like
Zu Zu
by
The Bonnevilles
Based on a tempo of (+/- 10%) and a similar genre
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The Shangri-Las
Remember (Walkin' in the Sand)
67 bpm • A# Maj • 02:19 • -9.87db
24% Popularity • 49% Danceability • 50% Energy • 28% Liveness
27% Instrumentalness • 44% Positiveness
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Frankie Avalon
Don't Let Love Pass Me By
67 bpm • A Maj • 02:47 • -10db
20% Popularity • 48% Danceability • 41% Energy • 52% Liveness
35% Instrumentalness • 39% Positiveness
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The Bonnevilles
Zu Zu
67 bpm • G# Maj • 02:42 • -11.14db
33% Popularity • 31% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The Drifters
The Good Life
67 bpm • A# Maj • 03:16 • -11db
19% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Roosevelt Nettles
Yes Your Honor
68 bpm • G Maj • 02:22 • -5.06db
13% Popularity • 43% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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The Pentagons
To Be Loved (Forever)
68 bpm • F Maj • 02:25 • -8.48db
14% Popularity • 32% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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The Five Keys
Out of Sight Out of Mind
66 bpm • G# Maj • 02:18 • -14.3db
13% Popularity • 38% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Donnie Elbert
Have I Sinned
69 bpm • E min • 03:00 • -7.94db
42% Popularity • 46% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Roomates
Someone to Watch Over Me
69 bpm • A Maj • 02:26 • -10.84db
7% Popularity • 42% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Graham Coxon
Down To The Sea
69 bpm • A# Maj • 03:02 • -7.54db
23% Popularity • 57% Danceability • 56% Energy • 11% Liveness
32% Instrumentalness • 24% Positiveness
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The Tune Weavers
Happy, Happy Birthday Baby
69 bpm • A# Maj • 02:18 • -3.39db
21% Popularity • 34% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Elegants
Please Believe Me
70 bpm • C# Maj • 02:44 • -9.64db
11% Popularity • 34% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Johnnie Ray
Cry
70 bpm • C Maj • 03:01 • -15.5db
47% Popularity • 48% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 35% Positiveness
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The Drifters
There Goes My Baby - Single Version; 201...
64 bpm • F# min • 02:10 • -3.4db
41% Popularity • 40% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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David Hess
Now You're All Alone
70 bpm • E Maj • 02:30 • -25.82db
23% Popularity • 39% Danceability • 5% Energy • 21% Liveness
27% Instrumentalness • 7% Positiveness
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Bob Kelly
Love Really Happened To Me
63 bpm • G# Maj • 02:22 • -5.67db
20% Popularity • 54% Danceability • 36% Energy • 9% Liveness
36% Instrumentalness • 72% Positiveness
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The Dubs
Wisdom of a Fool
63 bpm • F Maj • 02:32 • -11.33db
18% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jerry Vale
Love Me the Way I Love You
72 bpm • F# min • 03:38 • -14db
20% Popularity • 40% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Penguins
My Troubles Are Not at an End
72 bpm • C min • 03:03 • -12.37db
12% Popularity • 46% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Shells
Baby Oh Baby
72 bpm • D# Maj • 02:31 • -8.38db
19% Popularity • 54% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Vocaleers
Love and Devotion
72 bpm • G min • 02:44 • -15db
7% Popularity • 56% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 37% Positiveness
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Connie Francis
Where The Boys Are
72 bpm • G Maj • 02:37 • -6.03db
43% Popularity • 40% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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The Four Aces
Only the Broken Hearted
72 bpm • G# Maj • 02:33 • -10.57db
2% Popularity • 21% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Jet Harris
Chills and Fever
62 bpm • G# Maj • 02:25 • -3.49db
14% Popularity • 49% Danceability • 82% Energy • 26% Liveness
21% Instrumentalness • 86% Positiveness
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Dion & The Belmonts
I'm Through With Love
72 bpm • G Maj • 02:17 • -9.23db
34% Popularity • 30% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ruby Murray
I'll Come When You Call
72 bpm • A# Maj • 02:36 • -14db
22% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Willie West
Baby, Baby I Love You
73 bpm • F Maj • 02:44 • -13db
10% Popularity • 56% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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The Cryin Shames
Please Stay
73 bpm • G Maj • 03:16 • -12db
34% Popularity • 29% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Doris Day
Tunnel of Love
73 bpm • F Maj • 02:11 • -14.25db
12% Popularity • 68% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Connie Francis
He's My Dreamboat
73 bpm • C Maj • 02:46 • -7.29db
10% Popularity • 37% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Ramsey
Kings & Queens
73 bpm • G Maj • 02:21 • -11.73db
13% Popularity • 42% Danceability • 28% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Carla Thomas
Medley: Baby What You Want Me to Do / Fo...
73 bpm • F Maj • 05:30 • -13.31db
9% Popularity • 30% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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The Coasters
Searchin'
73 bpm • G# Maj • 02:39 • -13.86db
41% Popularity • 78% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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The Cufflinks
It's Too Late Now
73 bpm • F Maj • 03:05 • -12db
7% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Dominoes
Stardust
74 bpm • D Maj • 03:11 • -10.21db
34% Popularity • 28% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Dubs
Your Very First Love
74 bpm • G Maj • 02:27 • -9.47db
21% Popularity • 44% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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The Penguins
Devil That I See
75 bpm • G Maj • 03:01 • -11.32db
21% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Paragons
Let's Start All over Again
75 bpm • E Maj • 02:40 • -7.57db
15% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Belmonts
That Background Sound
75 bpm • C Maj • 02:33 • -9.31db
17% Popularity • 49% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Chance & The Earls
Never
76 bpm • F Maj • 03:27 • -10.08db
33% Popularity • 48% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Ink Spots
The Gypsy
76 bpm • G Maj • 02:44 • -15.46db
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Marcels
Indian Jane
77 bpm • A Maj • 02:01 • -8.51db
21% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The Penguins
Earth Angel Will You Be Mine
76 bpm • A Maj • 02:26 • -13.35db
16% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Eydie Gormé
After You've Gone
77 bpm • F# min • 02:37 • -16.68db
14% Popularity • 30% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Belmonts
So Wrong
77 bpm • D Maj • 02:22 • -10.03db
22% Popularity • 51% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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Johnnie & Joe
Over The Mountain, Across The Sea
77 bpm • G# Maj • 02:17 • -9db
36% Popularity • 32% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Charms
Hearts Of Stone
77 bpm • B Maj • 02:34 • -8.12db
23% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Naomi Shelton
I'll Take the Long Road
78 bpm • C Maj • 02:55 • -11db
35% Popularity • 59% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Walker
Funny How Time Slips Away
77 bpm • E Maj • 02:50 • -13db
22% Popularity • 38% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Baby Washington
Ah Ha
78 bpm • D min • 01:48 • -4db
13% Popularity • 44% Danceability • 59% Energy • 14% Liveness
90% Instrumentalness • 80% Positiveness
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Graham Coxon
Meaner Than The Sea
78 bpm • A min • 02:03 • -11db
36% Popularity • 46% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Andrea Litkei
I Lie to My Heart
78 bpm • F Maj • 02:03 • -7.58db
10% Popularity • 36% Danceability • 36% Energy • 54% Liveness
0% Instrumentalness • 41% Positiveness
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Earl Grant
Not One Minute More
78 bpm • C# Maj • 02:48 • -13.38db
22% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Duffy As Timi Yuro
Make The World Go Away
57 bpm • F# Maj • 02:10 • -5.91db
33% Popularity • 32% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Dion & The Belmonts
A Teenager In Love
79 bpm • C# Maj • 02:38 • -9.12db
61% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Lloyd Price
Never Let Me Go
80 bpm • C Maj • 02:30 • -9.75db
16% Popularity • 48% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Tommy Steele
Princess
80 bpm • D# Maj • 02:12 • -14db
22% Popularity • 34% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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The Performers
Mini Skirt
80 bpm • D Maj • 02:22 • -4.24db
8% Popularity • 51% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Helen Shapiro
Little Miss Lonely
81 bpm • F Maj • 02:55 • -8.52db
26% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Tru-Tones
Why Oh Why
80 bpm • G Maj • 03:00 • -8.23db
19% Popularity • 32% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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LaVern Baker
Tweedle Dee
81 bpm • C# Maj • 03:04 • -11.37db
32% Popularity • 76% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Barbara Pittman
Handsome Man
81 bpm • A# Maj • 02:21 • -11.84db
9% Popularity • 45% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Little Richard
Hurry Sundown
81 bpm • G# Maj • 02:48 • -10.12db
34% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Patti LaSalle
It's Over
81 bpm • C Maj • 02:19 • -13.03db
27% Popularity • 48% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Roy Orbison
Mama
81 bpm • C Maj • 03:01 • -11.58db
10% Popularity • 41% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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The Paris Sisters
Yes-i Love You
81 bpm • C Maj • 02:36 • -11.82db
14% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Andrea Litkei
The Devil Caught Me Nappin
82 bpm • C Maj • 03:33 • -14db
21% Popularity • 51% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Kitty Kallen
Little Things Mean a Lot
81 bpm • G# Maj • 03:00 • -13.97db
16% Popularity • 42% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Don Gibson
We Live in Two Different Worlds
82 bpm • G Maj • 03:34 • -16.76db
7% Popularity • 50% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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James Carr
Forgetting You
82 bpm • G# Maj • 02:54 • -7.23db
25% Popularity • 43% Danceability • 49% Energy • 90% Liveness
0% Instrumentalness • 54% Positiveness
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The Walker Brothers
I Can't Let It Happen To You
83 bpm • A Maj • 03:12 • -10.42db
24% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jack's Four
Dearest One
82 bpm • B min • 02:09 • -4.67db
20% Popularity • 34% Danceability • 90% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
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The Four Coins
Shangri-La
83 bpm • F Maj • 02:47 • -9db
3% Popularity • 31% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Pony Sherrell
Don't Put Off Til Tomorrow
83 bpm • A# Maj • 02:02 • -8db
20% Popularity • 69% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Andrea Litkei
I Waited by the Chapel Door
83 bpm • C Maj • 02:43 • -8.79db
10% Popularity • 60% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Judi & The Affections
Dum Dum De Dip
83 bpm • F Maj • 02:43 • -4.21db
14% Popularity • 34% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
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The Drifters
Fools Fall in Love
84 bpm • D# Maj • 02:32 • -7db
39% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Don McGinnis
Memory Bound
84 bpm • D Maj • 02:46 • -10.22db
21% Popularity • 51% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Smiley Lewis
I Hear You Knocking
83 bpm • D# Maj • 02:45 • -11db
37% Popularity • 35% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
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The Moonglows
We Go Together
85 bpm • F Maj • 02:43 • -9.45db
7% Popularity • 61% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Carl Perkins
Keeper of the Key
84 bpm • A Maj • 03:23 • -13.95db
13% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Dominoes
Rags to Riches
85 bpm • F Maj • 02:40 • -7db
14% Popularity • 24% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Will Grove-White
I Can't Stop Crying (As Featured In "Sta...
85 bpm • A min • 02:56 • -19db
23% Popularity • 59% Danceability • 8% Energy • 11% Liveness
11% Instrumentalness • 28% Positiveness
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The Ink Spots
I Don't Want to Set the World on Fire
85 bpm • F Maj • 03:07 • -21.98db
29% Popularity • 49% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
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The Monzas
Hey! I Know You
85 bpm • F Maj • 02:52 • -3db
16% Popularity • 30% Danceability • 73% Energy • 28% Liveness
6% Instrumentalness • 46% Positiveness
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Julie London
The End Of The World
86 bpm • G Maj • 02:49 • -13.83db
42% Popularity • 19% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Timi Yuro
I Apologize
86 bpm • G Maj • 02:55 • -13.09db
23% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Sivo Band
Come My Love
86 bpm • F min • 02:40 • -15.06db
7% Popularity • 31% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 48% Positiveness
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Edd Henry
Crooked Woman
86 bpm • A# min • 02:53 • -3.93db
18% Popularity • 39% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Marcie Blane
What Does A Girl Do?
87 bpm • D Maj • 02:18 • -8.64db
16% Popularity • 47% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Charles & Friends
Sticks & Stones
87 bpm • C min • 02:14 • -10.58db
26% Popularity • 60% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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The Falconettes
This World We Love In
87 bpm • C Maj • 02:22 • -12.48db
11% Popularity • 39% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Rosie & The Originals
It's Time to Go Home
87 bpm • F Maj • 02:25 • -13.09db
20% Popularity • 60% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 40% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
32% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Dion & The Belmonts
Wonderful Girl
88 bpm • A# Maj • 02:40 • -9.12db
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Penguins
Lover or Fool
88 bpm • F Maj • 02:26 • -13.52db
19% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Connie Francis
Who's Sorry Now
88 bpm • D# Maj • 02:16 • -6db
58% Popularity • 52% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Tommy Sands
Teen-Age Crush
89 bpm • A min • 02:23 • -8.2db
14% Popularity • 56% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Fascinators
Oh Rose Marie
88 bpm • C min • 02:17 • -10.74db
10% Popularity • 36% Danceability • 54% Energy • 39% Liveness
3% Instrumentalness • 87% Positiveness
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The Belles
Come Back
90 bpm • G# Maj • 02:27 • -5.64db
31% Popularity • 58% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Zu Zu