🔥Growing Artists | Pitch your song |
The Barber of Seville, Act I Scene 1: Largo al factotum cover art

Gioachino Rossini, Sherrill Milnes, James Levine, London Symphony Orchestra

The Barber of Seville, Act I Scene 1: Largo al factotum

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
141 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-16.46db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
38%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
39%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
46%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
7%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
45%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
98%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
69%




Discover songs similar to The Barber of Seville, Act I Scene 1: Largo al factotum


Il barbiere di Siviglia, Act I: No. 2, Aria. Largo al factotum cover art
Gioachino Rossini - Il barbiere di Siviglia, Act I: No. 2, A...
25% popularity • 142 bpm • C Maj • 04:39 • 4/4
Eljen a Magyar, Op. 332 cover art
Johann Strauss II - Eljen a Magyar, Op. 332
32% popularity • 142 bpm • E min • 02:40 • 4/4
Haydn: Symphony No. 94 in G Major, Hob. I:94
Joseph Haydn - Haydn: Symphony No. 94 in G Major, Hob. ...
33% popularity • 140 bpm • G Maj • 04:01 • 4/4
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon cover art
Georges Bizet - L’arlésienne Suite No. 1, Op. 23bis, ...
36% popularity • 143 bpm • E Maj • 04:20 • 3/4
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza cover art
Gaetano Donizetti - Linda di Chamounix, A. 62, Act I Scene 3...
42% popularity • 144 bpm • D Maj • 01:23 • 4/4
Hungarian Dances No. 5 in G Minor cover art
Bonn Classical Philharmonic - Hungarian Dances No. 5 in G Minor
13% popularity • 144 bpm • G min • 02:36 • 4/4
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) cover art
Gioachino Rossini - Il Barbiere di Siviglia, Act II: Zitti, ...
21% popularity • 142 bpm • F Maj • 01:21 • 4/4
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) cover art
Dmitri Shostakovich - Tahiti Trot, Op. 16 (orchestral transcri...
48% popularity • 138 bpm • G# Maj • 04:09 • 4/4
Norma: Overture cover art
Vincenzo Bellini - Norma: Overture
8% popularity • 144 bpm • G Maj • 05:32 • 4/4
8 Slavonic Dances, Op. 46, B.83: No. 2 in E Minor (Allegretto scherzando) cover art
Antonín Dvořák - 8 Slavonic Dances, Op. 46, B.83: No. 2 i...
24% popularity • 138 bpm • G Maj • 04:55 • 4/4
La belle Hélène: Overture cover art
Jacques Offenbach - La belle Hélène: Overture
20% popularity • 138 bpm • E Maj • 08:31 • 4/4
La Gioconda / Act 3: Dance Of The Hours cover art
Amilcare Ponchielli - La Gioconda / Act 3: Dance Of The Hours
50% popularity • 138 bpm • E Maj • 01:26 • 4/4
Rossini: Stabat Mater: I. Stabat Mater dolorosa cover art
Gioachino Rossini - Rossini: Stabat Mater: I. Stabat Mater d...
20% popularity • 139 bpm • G min • 09:27 • 5/4
Axur:
Antonio Salieri - Axur: "Come fuggir, Fiammetta… Son que...
9% popularity • 138 bpm • D# Maj • 07:35 • 4/4
The Barber of Seville, Act I Scene 1: Largo al factotum is a song by Gioachino Rossini, released on 2017-05-23. It is track number 31 in the album 55 Romantic Era Hits. The Barber of Seville, Act I Scene 1: Largo al factotum has a BPM/tempo of 141 beats per minute, is in the key of C Maj and has a duration of 4 minutes, 33 seconds.

The Barber of Seville, Act I Scene 1: Largo al factotum is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is somewhat easy to dance to.


The Barber of Seville, Act I Scene 1: Largo al factotum info

Name
The Barber of Seville, Act I Scene 1: Largo al factotum
Release Date
23rd May 2017
ISRC
GBAYC9600384
Key
C Maj
Tempo
141
Loudness (db)
-16.46db
Time signature
4/4
Length
04:33
Song Number
31 of 55
Explicit
No