🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
130 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-33.64db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
4%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
60%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
23%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
65%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
14%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
62%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Totentanz, op. 12,2: XVIII. Dialog


4 Shakespeare Songs: No. 2. Lullaby cover art
Jaakko Mäntyjärvi - 4 Shakespeare Songs: No. 2. Lullaby
11% popularity • 130 bpm • F# Maj • 03:01 • 3/4
Esti dal - Nachtlied cover art
Klaus-Martin Bresgott - Esti dal - Nachtlied
15% popularity • 130 bpm • F Maj • 02:41 • 4/4
Mass for Double Choir: Sanctus cover art
Frank Martin - Mass for Double Choir: Sanctus
11% popularity • 130 bpm • D Maj • 04:31 • 3/4
Nachtlied cover art
Max Reger - Nachtlied
14% popularity • 130 bpm • B min • 03:02 • 4/4
Holy is the True Light cover art
William Henry Harris - Holy is the True Light
8% popularity • 130 bpm • A# Maj • 01:53 • 5/4
Jesus My Lord, My God, My All cover art
Christendom College Choir - Jesus My Lord, My God, My All
11% popularity • 131 bpm • F# Maj • 02:50 • 5/4
3 geistliche Lieder, Op. 36: II. Bleibe, Abend will es werden cover art
Albert Becker - 3 geistliche Lieder, Op. 36: II. Bleibe,...
8% popularity • 131 bpm • A min • 03:53 • 4/4
Mass in G Minor: IVa. Sanctus cover art
Ralph Vaughan Williams - Mass in G Minor: IVa. Sanctus
8% popularity • 129 bpm • C Maj • 02:46 • 4/4
Gradual cover art
The Choir of the Dormition Church of the Novodevichy Convent - Gradual
9% popularity • 131 bpm • F min • 03:45 • 3/4
Motett,
Sara Wennerberg-Reuter - Motett, "Stilla komme och välkomna vare...
9% popularity • 131 bpm • C# Maj • 02:07 • 5/4
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) cover art
George Frideric Handel - Israel in Egypt, HWV 54: Part II, The Ex...
14% popularity • 129 bpm • E min • 02:40 • 5/4
Communion Hymn of Pascha - S. Trubachev cover art
St. Tikhon's Seminary & Monastery Choirs - Communion Hymn of Pascha - S. Trubachev
23% popularity • 129 bpm • B min • 01:18 • 5/4
Venite exsultemus Domino cover art
Jan Pieterszoon Sweelinck - Venite exsultemus Domino
7% popularity • 131 bpm • C Maj • 02:15 • 3/4
Totentanz, Op. 12 No. 2: IV. Vierter Spruch. Der Edelmann cover art
Hugo Distler - Totentanz, Op. 12 No. 2: IV. Vierter Spr...
1% popularity • 129 bpm • B min • 02:47 • 1/4
Totentanz, op. 12,2: XVIII. Dialog is a song by Hugo Distler, released on 1994-01-01. It is track number 18 in the album Hugo Distler: Totentanz, op. 12,2. Totentanz, op. 12,2: XVIII. Dialog has a BPM/tempo of 130 beats per minute, is in the key of C# Maj and has a duration of 56 seconds, 360 milliseconds.

Totentanz, op. 12,2: XVIII. Dialog is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is pretty easy to dance to.


Totentanz, op. 12,2: XVIII. Dialog info

Name
Totentanz, op. 12,2: XVIII. Dialog
Release Date
1st January 1994
ISRC
DEC299421518
Key
C# Maj
Tempo
130
Loudness (db)
-33.64db
Time signature
4/4
Length
00:56
Song Number
18 of 33
Explicit
No