🔥Growing Artists | Pitch your song |
Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell cover art

Various artists

Vanessa, Op. 32: Act III: Scene 2: For every love there is a last fare...

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
84 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-26.18db
Time signature(?)
How many beats there are per measure/bar.
5/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 0% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
8%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
22%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
5%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
19%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
98%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
5%




Discover songs similar to Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell


Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile cover art
Sergei Rachmaninoff - Rachmaninov: Rhapsody on a Theme of Paga...
30% popularity • 84 bpm • C# Maj • 03:39 • 4/4
Prélude à l'après-midi d'un faune, CD 87a cover art
Claude Debussy - Prélude à l'après-midi d'un faune, CD...
37% popularity • 84 bpm • G# min • 09:22 • 4/4
The Poet Acts cover art
Philip Glass - The Poet Acts
47% popularity • 84 bpm • G min • 03:43 • 3/4
Pachelbel: Canon and Gigue in D Major: Canon cover art
Johann Pachelbel - Pachelbel: Canon and Gigue in D Major: C...
64% popularity • 84 bpm • D Maj • 05:00 • 4/4
Spiegel im spiegel cover art
Arvo Pärt - Spiegel im spiegel
55% popularity • 84 bpm • F Maj • 08:23 • 3/4
Le Carnaval des Animaux, R. 125: XIII. Le Cygne cover art
Camille Saint-Saëns - Le Carnaval des Animaux, R. 125: XIII. L...
43% popularity • 84 bpm • G Maj • 02:33 • 4/4
Thaïs: Méditation cover art
Jules Massenet - Thaïs: Méditation
44% popularity • 84 bpm • D Maj • 05:28 • 3/4
The Girl with Flaxen Hair cover art
Claude Debussy - The Girl with Flaxen Hair
31% popularity • 84 bpm • G Maj • 02:32 • 3/4
Barber: Agnus Dei cover art
Samuel Barber - Barber: Agnus Dei
11% popularity • 85 bpm • A# min • 08:26 • 3/4
Vespers, Op. 37: Nunc dimittis cover art
Sergei Rachmaninoff - Vespers, Op. 37: Nunc dimittis
34% popularity • 84 bpm • D# min • 03:48 • 4/4
Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 9, Finale. Andante cover art
Pyotr Ilyich Tchaikovsky - Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
44% popularity • 83 bpm • E Maj • 02:39 • 4/4
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297
Antonio Vivaldi - The Four Seasons, Violin Concerto No. 4 ...
59% popularity • 83 bpm • D# Maj • 01:57 • 4/4
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) cover art
Franz Schubert - Die Nacht (Arr. for Cello and Guitar by ...
56% popularity • 85 bpm • G Maj • 02:23 • 3/4
Pärt: Spiegel im Spiegel cover art
Arvo Pärt - Pärt: Spiegel im Spiegel
44% popularity • 85 bpm • F Maj • 09:04 • 3/4
Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell is a song by Samuel Barber, released on 2003-10-12. It is track number 16 in the album Barber: Vanessa. Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell has a BPM/tempo of 84 beats per minute, is in the key of E min and has a duration of 2 minutes, 10 seconds.

Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell info

Name
Vanessa, Op. 32: Act III: Scene 2: For every love there is a last farewell
Release Date
12th October 2003
ISRC
HKI190318916
Key
E min
Tempo
84
Loudness (db)
-26.18db
Time signature
5/4
Length
02:10
Song Number
16 of 37
Explicit
No