Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists | Pitch your song |
When You're Good to Mama cover art

Mary McCarty

When You're Good to Mama

Chicago: A Musical Vaudeville (Original Broadway Cast Recording)
Preview
Home >> Mary McCarty >> When You're Good to Mama

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
77 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
C# Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-9db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 19% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
19%
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
49%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
63%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
50%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
12%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
15%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
72%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to When You're Good to Mama


Your Daddy's Son cover art
Audra McDonald - Your Daddy's Son
29% popularity • 77 bpm • G# min • 03:42 • 1/4
Entr'acte / Take Back Your Mink cover art
Faith Prince - Entr'acte / Take Back Your Mink
25% popularity • 77 bpm • C min • 05:20 • 4/4
How Lovely to Be a Woman cover art
Ann-Margret - How Lovely to Be a Woman
14% popularity • 78 bpm • B Maj • 02:39 • 4/4
When You're Good to Mama cover art
Mary McCarty - When You're Good to Mama
19% popularity • 77 bpm • C# Maj • 03:13 • 4/4
How To Succeed cover art
Daniel Radcliffe - How To Succeed
30% popularity • 76 bpm • G Maj • 02:34 • 4/4
The God-Why-Don't-You-Love-Me Blues cover art
Gene Nelson - The God-Why-Don't-You-Love-Me Blues
9% popularity • 78 bpm • G Maj • 03:05 • 4/4
There Won't Be Trumpets cover art
Lee Remick - There Won't Be Trumpets
21% popularity • 76 bpm • F Maj • 02:37 • 3/4
Camelot: Fie on Goodness cover art
Frederick Loewe - Camelot: Fie on Goodness
17% popularity • 78 bpm • D# Maj • 03:34 • 4/4
Jet Set cover art
Aaron Tveit - Jet Set
36% popularity • 78 bpm • A# Maj • 03:36 • 4/4
Homework cover art
Mary McCarty - Homework
0% popularity • 78 bpm • F# Maj • 03:18 • 4/4
If I Loved You cover art
Joshua Henry - If I Loved You
33% popularity • 78 bpm • C# Maj • 09:07 • 5/4
Lovely Ladies cover art
"Les Misérables Original London Cast" Ensemble - Lovely Ladies
36% popularity • 78 bpm • C Maj • 04:07 • 4/4
He's a Queer One, That Man o' Mine cover art
Ann Harada - He's a Queer One, That Man o' Mine
20% popularity • 76 bpm • F Maj • 02:19 • 4/4
Keepin' Out of Mischief Now cover art
Charlaine Woodard - Keepin' Out of Mischief Now
10% popularity • 78 bpm • D# Maj • 03:48 • 4/4
Click to view more similar songs to When You're Good to Mama
Discover more songs by Mary McCarty
When You're Good to Mama is a song by Mary McCarty, released on 1975. It is track number 5 in the album Chicago: A Musical Vaudeville (Original Broadway Cast Recording). When You're Good to Mama has a BPM/tempo of 77 beats per minute, is in the key of C# Maj and has a duration of 3 minutes, 13 seconds.

When You're Good to Mama is fairly popular on Spotify. It is beginning to gain traction, being rated between 10-30% popularity on Spotify. It is likely that the track is on the verge of getting onto Spotify owned playlists, is fairly energetic and is pretty easy to dance to.


When You're Good to Mama info

Name
When You're Good to Mama
Artist(s)
Mary McCarty
Album
Chicago: A Musical Vaudeville (Original Broadway Cast Recording)
Release Date
25th April 1975
ISRC
USAR19900939
Key
C# Maj
Tempo
77
Loudness (db)
-9db
Time signature
4/4
Length
03:13
Song Number
5 of 18
Explicit
No