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Stay The Way I Left You
Songs like
Stay The Way I Left You (feat. Dahl)
by
Josie Dunne
Based on a tempo of (+/- 10%) and a similar genre
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whatever mike
In Between
90 bpm • C# min • 03:03 • -5.33db
25% Popularity • 68% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Katie Buxton
Alone in L.A.
90 bpm • C Maj • 03:48 • -6.93db
8% Popularity • 57% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Rence
Expensive
90 bpm • C min • 03:07 • -6.5db
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Austin Giorgio
Just the Way You Are
90 bpm • D Maj • 03:05 • -9.5db
4% Popularity • 64% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Greyson Chance
Honeysuckle
90 bpm • B Maj • 02:22 • -9.15db
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Shoffy
Tricky
90 bpm • A min • 02:31 • -7.01db
35% Popularity • 83% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Lauv
Dishes
90 bpm • B Maj • 02:36 • -10db
37% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Balik
Free Fall
90 bpm • C Maj • 02:59 • -12.52db
18% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Abe Parker
Filthy Rich
90 bpm • B Maj • 03:40 • -11db
23% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Stephen Puth
Half Gone
91 bpm • C Maj • 03:12 • -5db
30% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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A R I Z O N A
Hold the Line - Acoustic
91 bpm • F# min • 03:15 • -10.85db
35% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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ROZES
Walls
91 bpm • G Maj • 02:52 • -5.92db
33% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
50% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Drew Ryn
Orchestra
91 bpm • F min • 03:20 • -5db
28% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Clendening
Love Song
91 bpm • C Maj • 02:35 • -10.85db
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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AUSTN
Mean
89 bpm • G Maj • 02:43 • -5db
18% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Dan Talevski
Don't Ever Leave
88 bpm • F# Maj • 02:28 • -5.97db
34% Popularity • 39% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Max Landry
Back to Sleep
88 bpm • C# Maj • 03:27 • -12db
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Joe Baxter
Talk About Us
92 bpm • F# Maj • 02:45 • -6db
31% Popularity • 64% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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Rasmus Hagen
Closer To You
88 bpm • G Maj • 03:25 • -11db
48% Popularity • 64% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 29% Positiveness
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Juke Ross
Trading Places
88 bpm • A# Maj • 03:43 • -8db
29% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Simons
Dust
92 bpm • C# Maj • 03:18 • -10db
41% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Elina
Free
92 bpm • A# Maj • 03:19 • -13db
45% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Abigail Joy
Mind at Ease
88 bpm • F Maj • 03:36 • -6.66db
12% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Quinn Lewis
Only Everything
88 bpm • D Maj • 02:52 • -7.65db
43% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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LIVVIA
Damn
88 bpm • C Maj • 03:01 • -5.55db
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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JP Saxe
More of You
87 bpm • C Maj • 02:34 • -11db
40% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Gamma Skies
Just Say It out Loud
93 bpm • G# min • 03:23 • -9db
36% Popularity • 71% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Josie Dunne
PATTERNS
93 bpm • E Maj • 02:05 • -6.11db
28% Popularity • 77% Danceability • 48% Energy • 18% Liveness
1% Instrumentalness • 68% Positiveness
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Dahl
Ready
93 bpm • A Maj • 03:30 • -7.02db
3% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Grey
Want You Back - Acoustic
93 bpm • C min • 02:59 • -8.9db
25% Popularity • 58% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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JC Stewart
Pick Up Your Phone
87 bpm • D Maj • 02:26 • -6db
30% Popularity • 67% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Will Post
The Kindest Thing
93 bpm • F# min • 03:52 • -6.94db
28% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ingrid Andress
Lady Like
93 bpm • F# min • 03:26 • -7.16db
33% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Josie Dunne
Good Boys
87 bpm • A# min • 02:57 • -5.53db
17% Popularity • 79% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Emily Burns
I Love You, You're The Worst
87 bpm • F# min • 02:54 • -7.5db
22% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lauv
Canada
93 bpm • A Maj • 03:04 • -12.78db
54% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Platt
Everything I Did to Get to You
93 bpm • A# Maj • 03:07 • -6.51db
45% Popularity • 63% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Haley
Jet Lag
87 bpm • E min • 02:30 • -5.36db
35% Popularity • 54% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Marshmello
Be Kind [Stripped]
94 bpm • E Maj • 02:53 • -10.48db
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Fischer
People I Don't Know
94 bpm • B min • 02:05 • -9db
29% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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James TW
Suitcase
86 bpm • C Maj • 03:35 • -9db
45% Popularity • 69% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Emily Burns
Hate Me Too
86 bpm • C# Maj • 03:30 • -8db
26% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Anthony de la Torre
Know Me
94 bpm • C# min • 03:17 • -9.08db
31% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Josie Dunne
Same (Alternate Version)
86 bpm • D# Maj • 02:46 • -9db
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Walker
Fun While It Lasted
94 bpm • C# Maj • 03:48 • -7db
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Haris
Shivers
94 bpm • B Maj • 03:38 • -7.58db
25% Popularity • 64% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ruben Pol
too late
94 bpm • B Maj • 03:03 • -7.6db
18% Popularity • 59% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Jonas Brothers
Five More Minutes
94 bpm • E Maj • 02:30 • -7.95db
50% Popularity • 84% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ross Harris
SAY IT BACK
94 bpm • C min • 03:29 • -12.54db
30% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Josie Dunne
Old School
94 bpm • B min • 03:34 • -8.83db
16% Popularity • 65% Danceability • 67% Energy • 12% Liveness
7% Instrumentalness • 48% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kenzie Nimmo
These Four Walls
95 bpm • E Maj • 03:10 • -5db
20% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Patrick Droney
The Wire
95 bpm • D Maj • 03:32 • -3.17db
40% Popularity • 51% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Josie Dunne
Back To It
94 bpm • C Maj • 02:34 • -7db
16% Popularity • 81% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dahl
Friday Night
95 bpm • C Maj • 03:22 • -11.46db
3% Popularity • 64% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Bochner
Purple
95 bpm • B Maj • 02:53 • -6.84db
29% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Wingtip
Use Your Words
95 bpm • A# Maj • 02:44 • -5.7db
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Shoffy
Cool Again - Stripped
95 bpm • F# min • 03:03 • -11db
42% Popularity • 70% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Lauv
fuck, i’m lonely - stripped
95 bpm • A Maj • 03:07 • -7db
33% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Josie Dunne
Old School - Acoustic
94 bpm • G# Maj • 03:36 • -7.22db
30% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Soran
Stop Myself
95 bpm • A Maj • 03:10 • -10db
26% Popularity • 59% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Gavin Haley
Be There for You
85 bpm • D# Maj • 02:09 • -10db
15% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
27% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Josie Dunne
DUMB
95 bpm • E Maj • 02:07 • -8.56db
10% Popularity • 80% Danceability • 37% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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Emily Weisband
Something I'm Not
85 bpm • C# Maj • 03:16 • -7.22db
14% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dylan Rockoff
You're the One That I Want
85 bpm • C Maj • 02:52 • -12db
40% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Sam DeRosa
Pill for This
96 bpm • G Maj • 02:53 • -5.34db
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Spencer Sutherland
Fine
96 bpm • D Maj • 03:34 • -4.63db
29% Popularity • 70% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Josie Dunne
Cool With It
85 bpm • B min • 03:10 • -9.13db
18% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Patrick Droney
The Wire - Alternate Version
96 bpm • C Maj • 03:41 • -7.77db
33% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Kelsea Ballerini
club - ballerini album version
84 bpm • A Maj • 02:46 • -9.62db
29% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Talevski
If I Ain't Got You
84 bpm • G# Maj • 02:57 • -8.09db
33% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Josie Dunne
Cool With It - Acoustic
84 bpm • D Maj • 03:07 • -6.21db
9% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Craig Stickland
Break Every Rule
84 bpm • G# min • 03:14 • -6.94db
32% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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VOILÀ
Stand Tall
84 bpm • C# Maj • 03:36 • -7.8db
37% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Mason Murphy
Save Me - Acoustic
97 bpm • G Maj • 04:00 • -11.64db
23% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Fly By Midnight
Caffeine
97 bpm • C Maj • 03:02 • -8.13db
41% Popularity • 49% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Cooper & Gatlin
Fragile
83 bpm • E min • 03:23 • -9.98db
33% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Bailey Bryan
Where We Started
97 bpm • B min • 03:21 • -6.49db
16% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eyelar
Daddy’s Girl
97 bpm • D Maj • 03:11 • -6.62db
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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James TW
Happy For Me
83 bpm • G min • 03:40 • -7.76db
33% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tesh Batkins
Holding Her Hand
83 bpm • C Maj • 03:23 • -11.63db
14% Popularity • 47% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Lovaas
How Love Goes
83 bpm • C min • 02:50 • -6.85db
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rasmus Hagen
Thinking Bout You (Acoustic) (Bonus Trac...
83 bpm • A Maj • 03:15 • -14.53db
22% Popularity • 58% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Amber Ais
Anything
98 bpm • C# Maj • 03:46 • -12.95db
10% Popularity • 39% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Stay The Way I Left You