Songs like Be Like That - feat. Swae Lee & Khalid by Kane Brown
Based on a tempo of (+/- 10%) and a similar genre
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Kane Brown
Be Like That - Swae Lee & Khalid
87 bpm • G Maj • 03:11 • -8.42db
69% Popularity • 73% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 73% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Justin Bieber
Holy
87 bpm • F# Maj • 03:32 • -8.34db
66% Popularity • 67% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 67% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Chayce Beckham
23
88 bpm • C min • 03:48 • -7.35db
80% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
80% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
60% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kane Brown
Last Time I Say Sorry
87 bpm • A Maj • 03:14 • -7.78db
48% Popularity • 26% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 26% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
49% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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MAX
BUTTERFLIES
88 bpm • B Maj • 03:11 • -5.79db
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Marshmello
One Thing Right
88 bpm • E Maj • 03:01 • -2.25db
72% Popularity • 66% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
72% Popularity • 66% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kane Brown
Lost in the Middle of Nowhere
86 bpm • F# min • 03:08 • -5db
50% Popularity • 56% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 56% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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24kGoldn
My City
85 bpm • G# Maj • 02:29 • -5.06db
65% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
65% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Giveon
Heartbreak Anniversary
89 bpm • C Maj • 03:18 • -8.96db
80% Popularity • 45% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
80% Popularity • 45% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Alina Baraz
Floating
85 bpm • C# min • 02:54 • -9.03db
65% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
65% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia O'Brien
Josslyn
85 bpm • B min • 03:09 • -5.54db
60% Popularity • 42% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 42% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
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Restless Road
Take Me Home
90 bpm • A Maj • 03:21 • -7db
50% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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benny blanco
Eastside
90 bpm • F# min • 02:50 • -7.67db
80% Popularity • 63% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
80% Popularity • 63% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Ali Gatie
What If I Told You That I Love You
84 bpm • G Maj • 03:13 • -11.14db
62% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kane Brown
Cool Again
90 bpm • E Maj • 02:55 • -5.65db
47% Popularity • 63% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 63% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Post Malone
Sunflower - Spider-Man: Into the Spider-...
90 bpm • D Maj • 02:37 • -4.37db
85% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
85% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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DaBaby
ROCKSTAR
90 bpm • B Maj • 03:01 • -7.96db
76% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
76% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dan + Shay
10,000 Hours
90 bpm • A# Maj • 02:47 • -4.64db
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Russ
BEST ON EARTH - Bonus
90 bpm • F min • 02:40 • -3.51db
65% Popularity • 85% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 85% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
67% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Kane Brown
Cool Again
90 bpm • E Maj • 02:44 • -5.5db
53% Popularity • 61% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 61% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Justin Bieber
Peaches
90 bpm • C Maj • 03:18 • -6.18db
80% Popularity • 68% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
80% Popularity • 68% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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BRELAND
Hot Sauce
90 bpm • D Maj • 02:24 • -6.8db
38% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dylan Scott
Eastside
84 bpm • F Maj • 02:47 • -5.24db
50% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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![Floating (feat. Khalid) [filous Remix] cover art](https://i.scdn.co/image/ab67616d00001e02077773fbfa6b107a317c5fc1)
Alina Baraz
Floating [filous Remix]
90 bpm • C# min • 03:20 • -6.83db
52% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Surfaces
Wave of You
91 bpm • C# Maj • 03:33 • -6.04db
63% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
63% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Ritt Momney
Put Your Records On
91 bpm • F# min • 03:30 • -10.78db
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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P!nk
Hurts 2B Human
83 bpm • G Maj • 03:22 • -6db
43% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Lauv
Fake
83 bpm • F# min • 02:26 • -5.36db
61% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Alina Baraz
Off the Grid
84 bpm • A# Maj • 03:20 • -8.45db
55% Popularity • 68% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 52% Positiveness
55% Popularity • 68% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 52% Positiveness
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Keith Urban
One Too Many
83 bpm • E Maj • 03:23 • -6.5db
60% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
59% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alicia Keys
So Done
82 bpm • G min • 03:54 • -8db
50% Popularity • 59% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 59% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tai Verdes
AOK
82 bpm • B Maj • 02:53 • -6.92db
71% Popularity • 73% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 73% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Pink Sweat$
At My Worst
92 bpm • C Maj • 02:50 • -5.93db
71% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Calvin Harris
Rollin
92 bpm • F# min • 04:32 • -4.52db
62% Popularity • 75% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 75% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Lauv
I Like Me Better
92 bpm • A Maj • 03:17 • -7.62db
81% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Halsey
Graveyard
92 bpm • B min • 03:01 • -5.13db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Pink Sweat$
At My Worst
92 bpm • C Maj • 02:49 • -5.58db
59% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 73% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Majid Jordan
Caught Up
81 bpm • A min • 04:07 • -9db
51% Popularity • 68% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 68% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ed Sheeran
Beautiful People
93 bpm • F min • 03:17 • -8.11db
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
Down To The Honkytonk
82 bpm • D# Maj • 03:06 • -4.12db
70% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Louis The Child
Little Things
82 bpm • F# Maj • 03:17 • -4.38db
51% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jon Langston
All Eyes On Us
81 bpm • A# Maj • 03:02 • -2.54db
55% Popularity • 28% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 28% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
42% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Kane Brown
Baby Come Back to Me
81 bpm • G Maj • 03:46 • -5.78db
42% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Blxst
Chosen
93 bpm • D Maj • 02:41 • -5.16db
70% Popularity • 57% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
70% Popularity • 57% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Glass Animals
Heat Waves
81 bpm • B Maj • 03:58 • -6.9db
87% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
87% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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MAX
Lights Down Low
81 bpm • F min • 03:43 • -7.73db
59% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Noah Schnacky
Don’t You Wanna Know
94 bpm • G min • 02:24 • -9.11db
36% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Maroon 5
Nobody's Love
94 bpm • C# Maj • 03:31 • -6.46db
61% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Kane Brown
Didn't Know What Love Was
81 bpm • D Maj • 03:07 • -5db
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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BRELAND
Throw It Back
94 bpm • C Maj • 03:07 • -4.92db
52% Popularity • 79% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 79% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Khalid
Up All Night
94 bpm • C# Maj • 02:37 • -7.54db
57% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jeremy Zucker
comethru
94 bpm • C Maj • 03:01 • -11.99db
74% Popularity • 80% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
74% Popularity • 80% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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Dustin Lynch
Good Girl
81 bpm • G Maj • 03:09 • -5.05db
59% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
59% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Lennon Stella
Kissing Other People
94 bpm • D Maj • 02:41 • -5.94db
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
Heaven - Acoustic
80 bpm • A Maj • 02:54 • -5.89db
44% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Brown
Go Crazy
94 bpm • C min • 02:56 • -8.93db
75% Popularity • 76% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
75% Popularity • 76% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Scott
Nobody
80 bpm • F Maj • 02:42 • -7db
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Walker Hayes
Fancy Like
80 bpm • C# Maj • 02:41 • -6.46db
73% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
73% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Giveon
For Tonight
80 bpm • A Maj • 03:12 • -8.76db
65% Popularity • 61% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
65% Popularity • 61% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
58% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Kane Brown
Weekend
80 bpm • E Maj • 03:46 • -6.3db
43% Popularity • 64% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 64% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
62% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nelly
Grits & Glamour
95 bpm • C Maj • 02:53 • -5db
42% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lauv
fuck, i'm lonely
95 bpm • A Maj • 03:18 • -7.31db
65% Popularity • 81% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
65% Popularity • 81% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Walker Hayes
Black Sheep - 8Track
95 bpm • C# min • 01:58 • -7.74db
48% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ed Sheeran
Cross Me
95 bpm • E Maj • 03:26 • -6.37db
59% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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The Chainsmokers
Closer
95 bpm • G# Maj • 04:04 • -5.6db
85% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
85% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
