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aftermath
Songs like
aftermath
by
vaultboy
Based on a tempo of (+/- 10%) and a similar genre
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Hayd
Head In The Clouds
116 bpm • E Maj • 03:04 • -17.93db
65% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Heather Sommer
and if i’m being honest…
118 bpm • A Maj • 02:40 • -8db
46% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Peder Elias
Bonfire
118 bpm • G# Maj • 02:46 • -8db
51% Popularity • 87% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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sammy rash
best friends
116 bpm • F min • 02:22 • -9.02db
51% Popularity • 93% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Zach Hood
daphne
118 bpm • B Maj • 02:24 • -7.06db
34% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Keenan Te
Halfway There
118 bpm • E Maj • 03:02 • -10db
46% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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shy martin
Feelings
116 bpm • G Maj • 02:49 • -9db
44% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Zachary Knowles
stranger to me
118 bpm • C# Maj • 02:15 • -7.99db
42% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
43% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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sad alex
room for you
115 bpm • C# min • 02:12 • -10.15db
47% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Caleb Hearn
Where Do We Go from Here?
115 bpm • B Maj • 03:33 • -11.31db
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carter Ryan
Wishes
115 bpm • B Maj • 02:50 • -9.02db
57% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Keenan Te
Never Let You Go
115 bpm • C# Maj • 03:22 • -9.06db
61% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jamie Miller
Here’s Your Perfect
115 bpm • F# Maj • 02:38 • -5.44db
62% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
55% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Fly By Midnight
Different Lives
120 bpm • C min • 03:21 • -5.5db
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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sundial
i just want someone to love me
120 bpm • C Maj • 02:25 • -12.37db
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Beren Olivia
Is That What You Like Now
120 bpm • F Maj • 03:14 • -6.04db
39% Popularity • 65% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fischer
Hopeless Romantic
114 bpm • G# Maj • 03:01 • -6.91db
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Miller
Here's Your Perfect
113 bpm • F# Maj • 02:38 • -5.34db
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Francis Karel
Another
113 bpm • D Maj • 02:50 • -5.97db
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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HRVY
Golden Hour
113 bpm • G# Maj • 02:38 • -6.18db
43% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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New Rules
Cheers
112 bpm • C Maj • 02:29 • -5.96db
43% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Francis Karel
Fall
112 bpm • G Maj • 03:09 • -6db
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan Brady
Nobody's You
112 bpm • A# Maj • 02:36 • -8.74db
51% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
58% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Vwillz
She's Gone
123 bpm • D Maj • 03:44 • -11db
37% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
47% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Provencial
NOT ALRIGHT
111 bpm • E Maj • 02:18 • -8.33db
30% Popularity • 83% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Fly By Midnight
No Choice
124 bpm • D# Maj • 03:51 • -4.8db
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Rosie Darling
Golden Age
124 bpm • C Maj • 03:31 • -8db
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Fenn
Far Away
110 bpm • G# Maj • 02:11 • -9db
53% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Mack
Forever and Ever and Always
110 bpm • C Maj • 02:20 • -10.56db
69% Popularity • 72% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Emily Vaughn
madly
110 bpm • G# min • 01:40 • -9.36db
61% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Francis Karel
I Don't Like How Much I Like You
110 bpm • F# Maj • 02:44 • -6.86db
31% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Moodie
closure
110 bpm • G Maj • 03:03 • -5.68db
59% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Munn
YOU KILLED ME
110 bpm • C Maj • 02:50 • -7db
24% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Grae
Good Side
125 bpm • C# Maj • 02:38 • -5.52db
46% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
57% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Boy In Space
Drown
126 bpm • F Maj • 03:23 • -7.96db
45% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Keenan Te
Nothing
126 bpm • A Maj • 02:50 • -8.84db
53% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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gavn!
lift you up (someone else)
126 bpm • B min • 02:40 • -12.19db
44% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sam MacPherson
Backseat (All I Got)
126 bpm • A# Maj • 02:33 • -7.06db
37% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Fly By Midnight
North
126 bpm • D# Maj • 03:34 • -6db
46% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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vaultboy
i can't do anything right
126 bpm • C# Maj • 02:16 • -7.45db
51% Popularity • 78% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Charlie Puth
That's Hilarious
108 bpm • F# Maj • 02:24 • -6db
68% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hayd
Lost
126 bpm • G# Maj • 03:01 • -14.77db
47% Popularity • 39% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Suriel Hess
Mr. Nice Guy
108 bpm • A Maj • 02:44 • -8.25db
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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elijah woods
matthew
107 bpm • A Maj • 03:13 • -12.13db
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Fly By Midnight
Infinitely Falling
107 bpm • A Maj • 02:43 • -6.88db
61% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
69% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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vaultboy
ghost stories
107 bpm • A# min • 02:44 • -5db
39% Popularity • 49% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Heather Sommer
sometimes
107 bpm • A Maj • 02:43 • -8.72db
50% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Rosie Darling
Say Less
128 bpm • A# Maj • 01:36 • -9db
58% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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aftermath