Songs like I Love Being Here With You - Soundtrack for the All-New Electric Fiat 500 campaign by Jacob Collier
Based on a tempo of (+/- 10%) and a similar genre
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Ole Børud
Broken People
146 bpm • F# Maj • 05:21 • -5.77db
27% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jacob Collier
I Love Being Here With You - Soundtrack ...
146 bpm • G# Maj • 02:20 • -4.4db
32% Popularity • 79% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 79% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Louis York
Don't You Forget
146 bpm • A# Maj • 05:22 • -6db
23% Popularity • 61% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 61% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Kemp
Ahead of the Game
146 bpm • B Maj • 03:52 • -4.3db
12% Popularity • 54% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 54% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Kirk Whalum
Move on Up
146 bpm • C Maj • 03:56 • -10.43db
10% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Madelyn Grant
Reasons
146 bpm • C# Maj • 04:21 • -7db
31% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Mayo
The Way
145 bpm • F min • 04:08 • -7.89db
20% Popularity • 40% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Isaac Waddington
Let Me Into Your Heart
146 bpm • A# Maj • 05:04 • -10.16db
31% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Lawrence
In The Wind
145 bpm • C Maj • 04:23 • -6.55db
11% Popularity • 65% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 79% Positiveness
11% Popularity • 65% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 79% Positiveness
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John Legend
Crowd Go Crazy
147 bpm • C# Maj • 03:00 • -3.93db
43% Popularity • 79% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 79% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Jacob Collier
Here Comes The Sun
145 bpm • D Maj • 03:58 • -12.24db
44% Popularity • 64% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 64% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Bear
Emotions
147 bpm • C min • 03:25 • -4.5db
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Gabe Dixon
Lay It on Me
144 bpm • F Maj • 03:18 • -7.19db
18% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Georgia Cécile
Always Be Right
148 bpm • C# Maj • 03:18 • -6.2db
10% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Victory
I Wanna Make You Happy
144 bpm • E Maj • 03:39 • -7db
30% Popularity • 73% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 73% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jake and Abe
What's Never Gone
144 bpm • A Maj • 03:19 • -6.85db
10% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jacob Collier
Hideaway
147 bpm • D Maj • 06:52 • -14.54db
44% Popularity • 39% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
44% Popularity • 39% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Tingsek
In the Making
148 bpm • A Maj • 04:14 • -10.64db
20% Popularity • 61% Danceability • 44% Energy • 21% Liveness
1% Instrumentalness • 33% Positiveness
20% Popularity • 61% Danceability • 44% Energy • 21% Liveness
1% Instrumentalness • 33% Positiveness
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Judith Hill
God Bless the Mechanic
143 bpm • A Maj • 03:38 • -5.8db
15% Popularity • 86% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 86% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Benny Benack III
Social Call
142 bpm • C# Maj • 04:21 • -7.46db
27% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ole Børud
Blaming Game
142 bpm • F Maj • 03:48 • -7.74db
10% Popularity • 61% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 61% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The HamilTones
Celebrate
151 bpm • A# min • 03:55 • -8.4db
21% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jacob Collier
Lua
148 bpm • C# Maj • 07:02 • -18.56db
42% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 44% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Stacey Ryan
Bust Your Windows
141 bpm • E min • 04:35 • -14.23db
21% Popularity • 32% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
21% Popularity • 32% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Couch
Fall Into Place
140 bpm • G# Maj • 04:27 • -6db
49% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Phoebe Katis
Make Believe
140 bpm • A Maj • 03:32 • -8.9db
24% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Raul Midón
Disguise
140 bpm • G# Maj • 03:23 • -13.03db
20% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Busty and the Bass
Little Late
140 bpm • C min • 03:50 • -5.97db
20% Popularity • 66% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 66% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Jacob Collier
Down The Line
142 bpm • D Maj • 06:38 • -15.06db
31% Popularity • 86% Danceability • 38% Energy • 7% Liveness
29% Instrumentalness • 92% Positiveness
31% Popularity • 86% Danceability • 38% Energy • 7% Liveness
29% Instrumentalness • 92% Positiveness
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Jordan Rakei
Bruises
140 bpm • C# Maj • 04:26 • -9.57db
33% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Mathilda Homer
Do You Want to Know a Secret
139 bpm • D min • 02:00 • -11db
25% Popularity • 41% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 41% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Isaac Waddington
Bright Skies
139 bpm • G# Maj • 03:42 • -8db
22% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ole Børud
Just for a Little While
154 bpm • D min • 03:48 • -6.85db
19% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Phoebe Katis
You Make Everything Better
138 bpm • C Maj • 02:51 • -6.71db
11% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jacob Collier
Flintstones
141 bpm • A# Maj • 03:10 • -13.26db
33% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 56% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Gabe Dixon
Find My Way
138 bpm • E Maj • 03:13 • -5.88db
40% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Rebecca Ferguson
No Words Needed
155 bpm • C# min • 03:19 • -5.77db
27% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Erez Zobary
Don't Go Chasing
138 bpm • C Maj • 04:07 • -5.65db
27% Popularity • 72% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 72% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Ole Børud
Rock Steady
138 bpm • G Maj • 04:02 • -4.83db
27% Popularity • 78% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 78% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Sammy Rae & The Friends
Let’s Throw a Party!
137 bpm • C Maj • 05:04 • -8db
40% Popularity • 52% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 52% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 37% Positiveness
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Jacob Collier
In Too Deep
152 bpm • A Maj • 03:52 • -14.57db
49% Popularity • 66% Danceability • 29% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
49% Popularity • 66% Danceability • 29% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Couch
Alright
155 bpm • C Maj • 04:10 • -5.88db
40% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 48% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Tom McGuire & the Brassholes
Diminished Returns
137 bpm • C Maj • 04:44 • -3.57db
12% Popularity • 57% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 57% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Raul Midón
I Really Want to See You Again
137 bpm • G Maj • 02:47 • -8.95db
21% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ari Herstand
Retrospect
156 bpm • A# Maj • 04:25 • -8db
17% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Coldplay
❤️
137 bpm • E Maj • 03:08 • -15.43db
59% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jacob Collier
In Too Deep – Acoustic
152 bpm • A Maj • 03:23 • -8.5db
42% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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PYJÆN
PJFC
136 bpm • B min • 05:02 • -6.53db
16% Popularity • 59% Danceability • 71% Energy • 7% Liveness
66% Instrumentalness • 35% Positiveness
16% Popularity • 59% Danceability • 71% Energy • 7% Liveness
66% Instrumentalness • 35% Positiveness
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säje
Dusk Baby
136 bpm • G# Maj • 06:40 • -11db
20% Popularity • 49% Danceability • 39% Energy • 11% Liveness
14% Instrumentalness • 8% Positiveness
20% Popularity • 49% Danceability • 39% Energy • 11% Liveness
14% Instrumentalness • 8% Positiveness
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Lola Lennox
La La Love Me
136 bpm • G# Maj • 03:12 • -3db
21% Popularity • 50% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 50% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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James Francies
My Day Will Come
136 bpm • G Maj • 04:53 • -9.14db
31% Popularity • 29% Danceability • 37% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
31% Popularity • 29% Danceability • 37% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
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Ella Knight
All Around
158 bpm • A min • 04:03 • -6.72db
13% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Tom McGuire & the Brassholes
Stay Rad
158 bpm • B Maj • 04:57 • -8.29db
14% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sammy Rae & The Friends
Creo Lo Sientes
158 bpm • F min • 03:30 • -6.54db
45% Popularity • 66% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 66% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jacob Collier
Hajanga
134 bpm • D Maj • 06:03 • -12.6db
36% Popularity • 65% Danceability • 54% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
36% Popularity • 65% Danceability • 54% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
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Phoebe Katis
I Am
134 bpm • B Maj • 02:54 • -10db
19% Popularity • 80% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Harrison Finks
Work Day
134 bpm • C Maj • 02:53 • -9db
22% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Snarky Puppy
Don't You Know
160 bpm • A# Maj • 10:43 • -12.08db
32% Popularity • 52% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 52% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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David Ryan Harris
Gotyourback
133 bpm • F min • 03:31 • -6.88db
27% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Maya Delilah
Moonflower
160 bpm • A# Maj • 02:39 • -9.7db
36% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 56% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Jacob Collier
You And I
134 bpm • F# Maj • 04:21 • -12.78db
39% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Eric Hutchinson
Born In The Dark
133 bpm • C Maj • 05:17 • -8.51db
11% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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![Tomorrow (A Better You, a Better Me) [feat. Jacob Collier, Rootwords & the Children of the International School of Geneva] cover art](https://i.scdn.co/image/ab67616d00001e026459f2ca4da4f7979917d0a1)
John Aram
Tomorrow (A Better You, a Better Me)
160 bpm • F Maj • 04:38 • -7.03db
22% Popularity • 55% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 55% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Erez Zobary
Shoulda
160 bpm • C Maj • 03:24 • -7.41db
30% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Stormzy
Give It To The Water
133 bpm • D# Maj • 04:12 • -10.66db
48% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sammy Rae & The Friends
Kick It to Me
160 bpm • D Maj • 06:27 • -6.43db
56% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Jacob Collier
Don't You Know
160 bpm • A# Maj • 09:10 • -11.57db
29% Popularity • 66% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 66% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Delegates
Confusion
132 bpm • F min • 03:18 • -9.06db
26% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Allen Stone
Taste of You
132 bpm • A Maj • 03:33 • -6.21db
34% Popularity • 84% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 84% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Tawiah
Borders
163 bpm • F# min • 03:57 • -4.61db
20% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Greg Mayo
Alone Again
162 bpm • F# min • 05:50 • -6.98db
30% Popularity • 43% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 43% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Cheap Cuts
You Make Me Wanna Dance
163 bpm • C Maj • 02:26 • -4.48db
11% Popularity • 68% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 68% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
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Jacob Collier
To Sleep
132 bpm • G# Maj • 03:12 • -15.27db
34% Popularity • 30% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 30% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Becca Stevens
Both Still Here
163 bpm • E min • 04:17 • -13.19db
23% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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David Ryan Harris
Yesterday Shutting Down
163 bpm • C# Maj • 04:32 • -8.46db
32% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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All Day Breakfast Cafe
Old School Struggling
130 bpm • G min • 03:30 • -6.71db
8% Popularity • 78% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 78% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
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Isabelle Brown
In Your Head
164 bpm • C# Maj • 02:57 • -7db
24% Popularity • 57% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 57% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Dirty Loops
Hit Me
130 bpm • B min • 03:31 • -6.07db
43% Popularity • 65% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 65% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Martha Marlow
Don't Want To Grow Up
130 bpm • F# Maj • 04:30 • -9.9db
16% Popularity • 72% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 72% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Jacob Collier
Box Of Stars Pt. 1
130 bpm • G# Maj • 05:16 • -8.06db
53% Popularity • 74% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 74% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
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Lake Street Dive
Hypotheticals
164 bpm • C# Maj • 03:50 • -6.49db
62% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
62% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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Maya Delilah
Thank You
130 bpm • E Maj • 03:24 • -7.89db
47% Popularity • 54% Danceability • 48% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
47% Popularity • 54% Danceability • 48% Energy • 10% Liveness
24% Instrumentalness • 36% Positiveness
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Vulfpeck
Off and Away
130 bpm • C min • 04:03 • -10.72db
32% Popularity • 47% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 47% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
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Aloe Blacc
Made From The Stars
129 bpm • F# Maj • 03:36 • -3.66db
27% Popularity • 64% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 64% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Sonny Cleveland
Don't Stop
129 bpm • C# min • 02:42 • -3.8db
37% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jacob Collier
In My Bones
129 bpm • C# min • 04:09 • -6.27db
39% Popularity • 90% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 90% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Dynamo
Thankful
166 bpm • G min • 05:12 • -8.46db
18% Popularity • 44% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 44% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 43% Positiveness
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Lake Street Dive
Hypotheticals - Edit
164 bpm • C# Maj • 03:10 • -6.12db
41% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
41% Popularity • 70% Danceability • 69% Energy • 23% Liveness
9% Instrumentalness • 72% Positiveness
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Secret Night Gang
Journey
128 bpm • F min • 05:32 • -6.73db
13% Popularity • 64% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 64% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Louis Cole
Things
128 bpm • C# Maj • 04:48 • -11db
35% Popularity • 51% Danceability • 48% Energy • 17% Liveness
71% Instrumentalness • 28% Positiveness
35% Popularity • 51% Danceability • 48% Energy • 17% Liveness
71% Instrumentalness • 28% Positiveness
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Gloria Tells
Out Of Control
128 bpm • G Maj • 03:04 • -4.21db
43% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Jarrod Lawson
Be The Change
128 bpm • C Maj • 05:32 • -8.78db
17% Popularity • 60% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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BEKA
I'll Be There
128 bpm • G# Maj • 03:55 • -7.88db
39% Popularity • 43% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
39% Popularity • 43% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Martha Marlow
Ballad Of A Young Man
127 bpm • C Maj • 03:38 • -10.14db
13% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Zoe Sparks
Admit It
168 bpm • C Maj • 03:31 • -10.65db
20% Popularity • 33% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 33% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shannon Lauren Callihan
Used To Be My Love
168 bpm • C# Maj • 04:12 • -9.44db
30% Popularity • 50% Danceability • 62% Energy • 7% Liveness
13% Instrumentalness • 56% Positiveness
30% Popularity • 50% Danceability • 62% Energy • 7% Liveness
13% Instrumentalness • 56% Positiveness
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Lewis Taylor
Whoever
168 bpm • F min • 04:31 • -9.39db
25% Popularity • 62% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 62% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Sammy Rae & The Friends
The Feeling
127 bpm • F Maj • 03:56 • -4.98db
53% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
