Songs like Brother - Live from Irving Plaza, NYC, 4 Dec 2018 by Kodaline
Based on a tempo of (+/- 10%) and a similar genre
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Kodaline
Brother - Live from Irving Plaza, NYC, 4...
120 bpm • A# Maj • 03:27 • -9.88db
14% Popularity • 52% Danceability • 53% Energy • 93% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 52% Danceability • 53% Energy • 93% Liveness
0% Instrumentalness • 26% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 03:40 • -8.27db
83% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
83% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Mole
Have I Told You
120 bpm • E Maj • 04:09 • -12db
31% Popularity • 74% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 74% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Edith Whiskers
Home
120 bpm • D Maj • 03:17 • -12.49db
73% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
80% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
80% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lukas Graham
7 Years
120 bpm • A# Maj • 04:33 • -6.14db
50% Popularity • 72% Danceability • 54% Energy • 94% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 72% Danceability • 54% Energy • 94% Liveness
0% Instrumentalness • 48% Positiveness
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Kodaline
Talk
120 bpm • C# Maj • 04:28 • -7.31db
47% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Alto Key
sink
120 bpm • G min • 03:16 • -12.2db
30% Popularity • 61% Danceability • 46% Energy • 13% Liveness
37% Instrumentalness • 59% Positiveness
30% Popularity • 61% Danceability • 46% Energy • 13% Liveness
37% Instrumentalness • 59% Positiveness
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John Allred
Someone to Rely On
120 bpm • E Maj • 03:49 • -18.55db
16% Popularity • 72% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 72% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Nick Kingsley
The Day We Fell in Love
120 bpm • D Maj • 02:49 • -7.81db
37% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Chord Overstreet
I Love You More
120 bpm • G Maj • 03:18 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
52% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Kodaline
The Evening
120 bpm • B Maj • 04:20 • -8.05db
29% Popularity • 30% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 30% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
65% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
65% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Chord Overstreet
Hold On - Acoustic
120 bpm • D Maj • 03:20 • -9.73db
46% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
79% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
79% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
74% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
74% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Joe Brooks
Astronaut
120 bpm • G# Maj • 03:10 • -11.02db
12% Popularity • 44% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 44% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Genesis Ritchot
Soon Enough
122 bpm • G# Maj • 04:32 • -8.65db
12% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Chord Overstreet
Take Me Home
119 bpm • C Maj • 04:35 • -9.11db
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Flaherty
Big Drunk Fish
119 bpm • G min • 05:00 • -11.46db
8% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kodaline
Brother - Acoustic
120 bpm • D# Maj • 03:22 • -8.55db
53% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
63% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Caleb James
I Wanna Be OK
122 bpm • C Maj • 03:47 • -8db
25% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chord Overstreet
Wreck Me
119 bpm • C Maj • 04:07 • -9.63db
27% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Kong
Meteor Showers
122 bpm • D# Maj • 04:14 • -10.63db
35% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kodaline
Brother - Stripped Back
120 bpm • A# Maj • 03:20 • -9.36db
41% Popularity • 50% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Wylder
At the End, Pt. 2
122 bpm • C Maj • 05:44 • -9.15db
10% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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A Year on Earth
Where Do I Go From Here
122 bpm • B Maj • 05:06 • -12.83db
35% Popularity • 35% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 35% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jaymes Young
Infinity
122 bpm • B min • 03:57 • -6.94db
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
80% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Belle
The Enemy
122 bpm • C# Maj • 04:46 • -5.22db
53% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 89% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Sam Johnson
Peter Pan
118 bpm • C# Maj • 03:41 • -8.8db
26% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kodaline
All My Friends
122 bpm • D Maj • 05:27 • -12.26db
33% Popularity • 57% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
33% Popularity • 57% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
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Chris Leamy
Holding It Together
122 bpm • A# min • 03:53 • -9.85db
10% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Danny Padilla
Make Believe
118 bpm • D Maj • 03:35 • -9.62db
19% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Eli Lev
I Wanna Tell You
118 bpm • C# Maj • 03:23 • -7db
28% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
74% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Eldar Kedem
Present Moment
118 bpm • G# Maj • 02:57 • -16.59db
15% Popularity • 65% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 65% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Leo Stannard
5 Years Later
118 bpm • A Maj • 03:45 • -5db
23% Popularity • 79% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 79% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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ortoPilot
Don't Leave Me Alone - Acoustic
118 bpm • F min • 02:57 • -15.13db
14% Popularity • 57% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 57% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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St. Lundi
Heavy Words
118 bpm • G# min • 03:28 • -6.55db
24% Popularity • 59% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 59% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Bastille
Good Grief - Live From Capitol Studios, ...
118 bpm • C Maj • 03:31 • -8.39db
44% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Robert Grace
The Good Place
118 bpm • F Maj • 03:29 • -12.44db
25% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
65% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
65% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kodaline
Heart Open
117 bpm • F# min • 03:28 • -10.88db
30% Popularity • 47% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 47% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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X Ambassadors
Unsteady
117 bpm • C Maj • 03:13 • -6.17db
75% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
75% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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lovelytheband
broken - acoustic
123 bpm • D Maj • 03:22 • -10.43db
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Chord Overstreet
Screw Paris
117 bpm • C# min • 04:06 • -7.61db
30% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jamie Lawson
The Haunting Of Me
123 bpm • F Maj • 03:20 • -9.72db
9% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
71% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
71% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Speight
Alice
124 bpm • E Maj • 03:56 • -10.72db
17% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
Amateur Blood
117 bpm • C# Maj • 03:31 • -14db
51% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
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John Adams
For Me, For Her, For You
124 bpm • F Maj • 04:03 • -10.71db
35% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kodaline
All I Want - Today FM Live version
116 bpm • B Maj • 05:21 • -9.9db
33% Popularity • 42% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 42% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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George Ezra
Hold My Girl - Demo Version
124 bpm • B Maj • 03:19 • -7.16db
20% Popularity • 79% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 79% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Jozy
To Let Go
116 bpm • G Maj • 03:35 • -8.52db
31% Popularity • 57% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 57% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Beach
Glass Houses - Acoustic
124 bpm • B Maj • 03:31 • -9db
20% Popularity • 77% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 77% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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WILD
Nothing That I Wouldn’t Do
124 bpm • B Maj • 02:46 • -6.21db
33% Popularity • 64% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 64% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Bastille
Good Grief - Bunker Sessions
116 bpm • C# Maj • 03:28 • -3.75db
43% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kodaline
The Answer
116 bpm • G Maj • 03:41 • -10.95db
38% Popularity • 59% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Edith Whiskers
God Only Knows
116 bpm • A# Maj • 02:51 • -14db
34% Popularity • 66% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 66% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joel Adams
Papercuts
116 bpm • D Maj • 05:23 • -10.43db
37% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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American Authors
Deep Water - Acoustic
125 bpm • A# Maj • 03:13 • -5.36db
34% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Cameron Collective
The Greatest Showman - Rewrite The Stars...
125 bpm • A Maj • 03:34 • -14.68db
31% Popularity • 76% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 76% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
In The End
116 bpm • E Maj • 03:29 • -14.28db
39% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
74% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
74% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Billie Eilish
lovely
115 bpm • E min • 03:20 • -10.11db
89% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
89% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chris Nuoh
Let Your Heart Hold Fast
125 bpm • G Maj • 03:30 • -10.91db
9% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alto Key
Colourless
125 bpm • E min • 02:30 • -8.88db
10% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
43% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Kids In America
Summer of Love (acoustic)
115 bpm • E min • 03:10 • -10.44db
30% Popularity • 78% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 78% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Amber Run
Spark
125 bpm • G# Maj • 03:49 • -6.6db
35% Popularity • 53% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 53% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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5 Seconds of Summer
Youngblood - Acoustic
115 bpm • E min • 03:40 • -6.07db
50% Popularity • 61% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 61% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Kodaline
Spend It With You
115 bpm • C# Maj • 03:20 • -10.76db
46% Popularity • 30% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 30% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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paperthread
Battlefield
126 bpm • D Maj • 03:41 • -12.69db
15% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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RHODES
I'm Not Ok
126 bpm • F Maj • 03:23 • -7.75db
36% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 39% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
43% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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B O R N E
Lovely Cover
114 bpm • E min • 03:20 • -15db
21% Popularity • 39% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 39% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Fin Argus
Fix Me Up
126 bpm • F# min • 04:37 • -8.5db
48% Popularity • 40% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 40% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Kodaline
Temple Bar
126 bpm • C Maj • 03:48 • -3.43db
32% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jaymes Young
Infinity - Piano Version
114 bpm • D min • 03:55 • -13.38db
50% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Joe Hicks
Rest Your Head (Acoustic)
127 bpm • F Maj • 04:02 • -7.74db
22% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Secret Nation
Oceans Apart
113 bpm • D# Maj • 03:26 • -11.44db
30% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
79% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Caryl
Losing You
128 bpm • F Maj • 03:23 • -13db
34% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
54% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
75% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sela Bruce
Time & Love
128 bpm • G Maj • 04:09 • -11.07db
13% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Ajay Friese
Higher Stakes
128 bpm • A# min • 02:53 • -4.86db
10% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jesse Hart
where do we go when the sky moves?
128 bpm • F# min • 04:11 • -9.44db
12% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
