Songs like Soft Boys Make The Grade by Marlon Williams
Based on a tempo of (+/- 10%) and a similar genre
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Erin Rae
Modern Woman
131 bpm • C Maj • 03:24 • -7.56db
24% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
24% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
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The Wild Reeds
Be The Change
131 bpm • D Maj • 03:08 • -10db
31% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 47% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
57% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
57% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
43% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
43% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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Joan Shelley
Like The Thunder
131 bpm • A Maj • 03:49 • -9.45db
21% Popularity • 61% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
21% Popularity • 61% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
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Marlon Williams
Soft Boys Make The Grade
131 bpm • A min • 03:26 • -7.3db
26% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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No-No Boy
St. Denis or Bangkok, From a Hotel Balco...
130 bpm • A min • 02:08 • -16.63db
29% Popularity • 63% Danceability • 17% Energy • 13% Liveness
43% Instrumentalness • 24% Positiveness
29% Popularity • 63% Danceability • 17% Energy • 13% Liveness
43% Instrumentalness • 24% Positiveness
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Kiri and Lou
Bodily Functions
132 bpm • D Maj • 02:21 • -11.04db
27% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Evian
You, Forever
130 bpm • A# Maj • 03:31 • -6.38db
29% Popularity • 45% Danceability • 44% Energy • 14% Liveness
34% Instrumentalness • 46% Positiveness
29% Popularity • 45% Danceability • 44% Energy • 14% Liveness
34% Instrumentalness • 46% Positiveness
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Bedouine
Come Down in Time
130 bpm • G min • 03:08 • -18db
27% Popularity • 68% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
27% Popularity • 68% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
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Jackie Cohen
Darlin'
132 bpm • C Maj • 03:07 • -6.62db
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Marlon Williams
The Fire Of Love
132 bpm • E min • 04:31 • -9.67db
19% Popularity • 53% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 53% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Cut Worms
The Heat Is On
130 bpm • G Maj • 05:35 • -10db
28% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
36% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
36% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Andy Shauf
Early to the Party
130 bpm • C# Maj • 04:05 • -10.72db
45% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Cass McCombs
New Earth
130 bpm • D Maj • 04:11 • -9db
23% Popularity • 72% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 72% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Arsun
White Light
132 bpm • E Maj • 03:08 • -7.19db
17% Popularity • 53% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
17% Popularity • 53% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
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Marlon Williams
Can I Call You
132 bpm • F Maj • 03:48 • -9.81db
23% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Willy Mason
Reservation
133 bpm • F# min • 04:06 • -10.65db
11% Popularity • 74% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 74% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Gunn
Vagabond
130 bpm • B Maj • 05:01 • -3.97db
25% Popularity • 55% Danceability • 79% Energy • 8% Liveness
3% Instrumentalness • 65% Positiveness
25% Popularity • 55% Danceability • 79% Energy • 8% Liveness
3% Instrumentalness • 65% Positiveness
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Joan Shelley
Sweet Dark-Haired Man
129 bpm • F# Maj • 03:08 • -13.21db
42% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny O.
Automechanic
129 bpm • B min • 03:48 • -10.49db
31% Popularity • 56% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
31% Popularity • 56% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Frazey Ford
Firecracker
129 bpm • D Maj • 03:45 • -11db
46% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Gus Seyffert
Hold On
129 bpm • E min • 04:54 • -17.66db
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Daniel Romano
The Motions
133 bpm • E Maj • 04:33 • -12.29db
22% Popularity • 40% Danceability • 41% Energy • 59% Liveness
4% Instrumentalness • 24% Positiveness
22% Popularity • 40% Danceability • 41% Energy • 59% Liveness
4% Instrumentalness • 24% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Alabaster DePlume
Is It Enough
134 bpm • C Maj • 04:05 • -10db
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
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Marlon Williams
Beautiful Dress
134 bpm • G Maj • 03:31 • -8.85db
29% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Bedouine
Under the Night
134 bpm • G# Maj • 03:18 • -17db
30% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
30% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
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Fruit Bats
Baby Bluebird
128 bpm • E Maj • 03:49 • -9.27db
33% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Blitzen Trapper
Don't Let Me Run
128 bpm • F Maj • 03:11 • -10.31db
37% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
37% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Frazey Ford
Let's Start Again
128 bpm • B Maj • 03:50 • -11.22db
32% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Nadia Reid
Other Side Of The Wheel
128 bpm • A Maj • 04:00 • -10.11db
11% Popularity • 63% Danceability • 59% Energy • 12% Liveness
22% Instrumentalness • 64% Positiveness
11% Popularity • 63% Danceability • 59% Energy • 12% Liveness
22% Instrumentalness • 64% Positiveness
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Marlon Williams
I Know A Jeweller
134 bpm • A min • 02:36 • -11db
30% Popularity • 63% Danceability • 47% Energy • 31% Liveness
61% Instrumentalness • 49% Positiveness
30% Popularity • 63% Danceability • 47% Energy • 31% Liveness
61% Instrumentalness • 49% Positiveness
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Hand Habits
Just to Hear You
128 bpm • D Maj • 02:53 • -10.85db
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
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Delaney Davidson
The Ballad Of Minnie Dean
128 bpm • G Maj • 02:48 • -6.45db
34% Popularity • 59% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
34% Popularity • 59% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Honey Harper
Secret
134 bpm • A Maj • 04:26 • -9.09db
22% Popularity • 50% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
22% Popularity • 50% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 23% Positiveness
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Steve Gunn
Protection
128 bpm • F min • 04:34 • -11.13db
33% Popularity • 75% Danceability • 50% Energy • 18% Liveness
52% Instrumentalness • 67% Positiveness
33% Popularity • 75% Danceability • 50% Energy • 18% Liveness
52% Instrumentalness • 67% Positiveness
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This Is The Kit
This Is What You Did
135 bpm • G Maj • 03:12 • -9db
36% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
36% Popularity • 62% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 43% Positiveness
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Marlon Williams
Princes Walk
128 bpm • C Maj • 03:23 • -10db
23% Popularity • 54% Danceability • 47% Energy • 13% Liveness
18% Instrumentalness • 32% Positiveness
23% Popularity • 54% Danceability • 47% Energy • 13% Liveness
18% Instrumentalness • 32% Positiveness
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The Cactus Blossoms
Hey Baby
135 bpm • E Maj • 02:50 • -9db
49% Popularity • 89% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 89% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Bedouine
It Wasn't Me
135 bpm • A Maj • 04:07 • -12db
31% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Pearl Charles
What I Need
127 bpm • D Maj • 03:24 • -8.5db
26% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Turner Cody
Boozing and Losing
127 bpm • D Maj • 03:21 • -9.39db
18% Popularity • 79% Danceability • 31% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
18% Popularity • 79% Danceability • 31% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
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Jonathan Wilson
Can We Really Party Today?
126 bpm • G Maj • 06:40 • -11.63db
29% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Marlon Williams
Strange Things
135 bpm • E min • 03:02 • -9.15db
22% Popularity • 52% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Hill
Loving Spoons
126 bpm • B min • 03:01 • -8.12db
34% Popularity • 63% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 29% Positiveness
34% Popularity • 63% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 29% Positiveness
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Frazey Ford
You're Not Free
126 bpm • C Maj • 04:05 • -8.98db
45% Popularity • 55% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
45% Popularity • 55% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Chris Staples
Hold Onto Something
126 bpm • A Maj • 03:09 • -11.79db
47% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Delaney Davidson
How Lucky You Are
126 bpm • A Maj • 03:52 • -7.44db
13% Popularity • 53% Danceability • 57% Energy • 18% Liveness
14% Instrumentalness • 36% Positiveness
13% Popularity • 53% Danceability • 57% Energy • 18% Liveness
14% Instrumentalness • 36% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Marlon Williams
Beautiful Dress - Live at Auckland Town ...
126 bpm • G Maj • 03:23 • -14.07db
12% Popularity • 54% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Frazey Ford
Saul
126 bpm • A Maj • 03:50 • -12.78db
36% Popularity • 77% Danceability • 24% Energy • 11% Liveness
56% Instrumentalness • 34% Positiveness
36% Popularity • 77% Danceability • 24% Energy • 11% Liveness
56% Instrumentalness • 34% Positiveness
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Jen Cloher
Analysis Paralysis
126 bpm • C Maj • 07:45 • -10db
15% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
15% Popularity • 59% Danceability • 68% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
33% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Samantha Crain
There Is No Mail Today
137 bpm • A Maj • 02:56 • -7.58db
20% Popularity • 51% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 51% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Erin Rae
California Belongs to You
125 bpm • A Maj • 03:37 • -9.13db
23% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Deslondes
Good to Go
125 bpm • G Maj • 03:49 • -8.27db
21% Popularity • 58% Danceability • 42% Energy • 19% Liveness
28% Instrumentalness • 70% Positiveness
21% Popularity • 58% Danceability • 42% Energy • 19% Liveness
28% Instrumentalness • 70% Positiveness
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Cass McCombs
Sweet Lucy
125 bpm • D Maj • 04:10 • -14db
29% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Marlon Williams
Carried Away - Live at Auckland Town Hal...
138 bpm • C Maj • 04:39 • -9.84db
11% Popularity • 40% Danceability • 60% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 40% Danceability • 60% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
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Damien Jurado
If the Sun Stops Shinin'
138 bpm • D Maj • 02:56 • -6db
33% Popularity • 52% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 52% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
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Chris Staples
Times Square
138 bpm • F# Maj • 02:33 • -11.38db
32% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Frazey Ford
The Kids Are Having None Of It
138 bpm • A min • 04:49 • -10.01db
34% Popularity • 77% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
34% Popularity • 77% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Kacy & Clayton
The Light Of Day
124 bpm • E min • 02:52 • -7.13db
33% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Nau
While You Stand
124 bpm • D Maj • 02:55 • -17.55db
31% Popularity • 74% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
31% Popularity • 74% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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The Cactus Blossoms
Ballad of an Unknown
139 bpm • D min • 03:19 • -10.02db
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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Cassandra Jenkins
Michelangelo
139 bpm • G Maj • 03:29 • -10.23db
33% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
33% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
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Chris Staples
Hepburn In Summertime
124 bpm • C Maj • 02:42 • -8.77db
39% Popularity • 88% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 88% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Delaney Davidson
I'm Only On Fire
123 bpm • A# Maj • 02:32 • -5.36db
19% Popularity • 64% Danceability • 71% Energy • 12% Liveness
10% Instrumentalness • 53% Positiveness
19% Popularity • 64% Danceability • 71% Energy • 12% Liveness
10% Instrumentalness • 53% Positiveness
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Kacy & Clayton
Just Like A Summer Cloud
124 bpm • G Maj • 03:40 • -9.23db
30% Popularity • 52% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
30% Popularity • 52% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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This Is The Kit
Was Magician
139 bpm • C min • 04:26 • -11.96db
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
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Marlon Williams
Everyone's Got Something To Say - Live a...
123 bpm • D Maj • 03:03 • -10.67db
12% Popularity • 54% Danceability • 45% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 54% Danceability • 45% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
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The Leisure Society
God Has Taken A Vacation
140 bpm • E Maj • 02:39 • -10.44db
34% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
34% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
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Chris Staples
Everybody Said
140 bpm • C# Maj • 02:18 • -14db
43% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
43% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
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Tré Burt
Real You
123 bpm • D# Maj • 02:49 • -4db
28% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Courtney Marie Andrews
Older Now
140 bpm • C Maj • 03:23 • -10.94db
24% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Midnight Sister
Foxes
140 bpm • D Maj • 02:56 • -5db
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Marlon Williams
Everyone's Got Something To Say
123 bpm • D Maj • 02:43 • -12.46db
20% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Chris Staples
Full Color Dream
140 bpm • D# min • 03:35 • -8.45db
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ted Lucas
Baby Where You Are
141 bpm • D# Maj • 02:32 • -14.38db
45% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Kacy & Clayton
Light of Love
121 bpm • G Maj • 02:21 • -8.52db
25% Popularity • 57% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
25% Popularity • 57% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Laura Veirs
Seven Falls
121 bpm • E Maj • 04:04 • -8.92db
17% Popularity • 50% Danceability • 55% Energy • 9% Liveness
25% Instrumentalness • 59% Positiveness
17% Popularity • 50% Danceability • 55% Energy • 9% Liveness
25% Instrumentalness • 59% Positiveness
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Marlon Williams
I Know A Jeweller - Live at Auckland Tow...
141 bpm • A min • 02:51 • -11.93db
11% Popularity • 54% Danceability • 68% Energy • 94% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 68% Energy • 94% Liveness
1% Instrumentalness • 60% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Vera Sola
Small Minds
121 bpm • D# Maj • 04:17 • -12.97db
28% Popularity • 67% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 20% Positiveness
28% Popularity • 67% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 20% Positiveness
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Cassandra Jenkins
Tennessee Waltz
121 bpm • C Maj • 03:45 • -8.71db
19% Popularity • 62% Danceability • 57% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
19% Popularity • 62% Danceability • 57% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
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John Andrews & The Yawns
River of Doubt
121 bpm • G Maj • 04:16 • -10.1db
31% Popularity • 46% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 46% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore - Liv...
142 bpm • E Maj • 05:11 • -9.17db
10% Popularity • 34% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 34% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 12% Positiveness
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The Felice Brothers
Days of the Years
142 bpm • A Maj • 03:58 • -10db
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Marc Benno
Speak Your Mind
142 bpm • B Maj • 04:55 • -15.73db
36% Popularity • 49% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
36% Popularity • 49% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
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Grace Cummings
The Look You Gave
121 bpm • A Maj • 03:54 • -8.67db
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Deslondes
Beautiful Friend
142 bpm • D Maj • 02:58 • -13.91db
32% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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This Is The Kit
Solid Grease
120 bpm • C Maj • 03:48 • -8.67db
23% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Marlon Williams
Hello Miss Lonesome
142 bpm • A# min • 03:14 • -6db
27% Popularity • 38% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 38% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
