🔥Growing Artists | Pitch your song |
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood cover art

Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner

Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood

Preview

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
137 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
E Maj
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-23db
Time signature(?)
How many beats there are per measure/bar.
3/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 37% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
3%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
15%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
3%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
4%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
16%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
97%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
94%




Discover songs similar to Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood


Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) cover art
Franz Liszt - Schwanengesang, D. 957: No. 4. Standchen...
33% popularity • 137 bpm • D Maj • 05:31 • 4/4
Eine Kleine Nachtmusik (Allegro) cover art
Academy of St. Martin in the Fields - Eine Kleine Nachtmusik (Allegro)
26% popularity • 137 bpm • G Maj • 04:09 • 4/4
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood cover art
Edvard Grieg - Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
38% popularity • 137 bpm • E Maj • 04:17 • 3/4
Canon cover art
Johann Pachelbel - Canon
37% popularity • 137 bpm • D Maj • 03:30 • 4/4
Kol Nidrei, Op. 47 cover art
Max Bruch - Kol Nidrei, Op. 47
33% popularity • 136 bpm • D Maj • 08:16 • 4/4
Suppé: Leichte Kavallerie: Overture cover art
Franz von Suppé - Suppé: Leichte Kavallerie: Overture
10% popularity • 138 bpm • A Maj • 07:06 • 4/4
La Gioconda / Act 3: Dance Of The Hours cover art
Amilcare Ponchielli - La Gioconda / Act 3: Dance Of The Hours
51% popularity • 138 bpm • E Maj • 01:26 • 4/4
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air cover art
Johann Sebastian Bach - Bach, JS: Orchestral Suite No. 3 in D Ma...
24% popularity • 138 bpm • D Maj • 04:56 • 5/4
Lyric Pieces, Op. 57, Book VI: VI. Hjemve (Andante) cover art
Edvard Grieg - Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
44% popularity • 137 bpm • E min • 04:33 • 5/4
Orfeo ed Euridice: Dance of the Blessed Spirits cover art
Christoph Willibald Gluck - Orfeo ed Euridice: Dance of the Blessed ...
9% popularity • 138 bpm • F Maj • 06:08 • 3/4
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto cover art
Gustav Holst - St. Paul's Suite, Op. 29 No. 2, H 118: 3...
31% popularity • 136 bpm • E min • 04:10 • 4/4
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) cover art
Dmitri Shostakovich - Tahiti Trot, Op. 16 (orchestral transcri...
48% popularity • 138 bpm • G# Maj • 04:09 • 4/4
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293,
Karoly Botvay - The 4 Seasons: Violin Concerto in F majo...
45% popularity • 136 bpm • C Maj • 03:40 • 3/4
Sonata No. 15 in C Major, I. Allegro cover art
Maria João Pires - Sonata No. 15 in C Major, I. Allegro
37% popularity • 136 bpm • C Maj • 03:05 • 4/4
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood is a song by Edvard Grieg, released on 1983. It is track number 7 in the album Grieg: Peer Gynt. Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood has a BPM/tempo of 137 beats per minute, is in the key of E Maj and has a duration of 4 minutes, 17 seconds.

Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood is very popular on Spotify, being rated between 30 and 90% popularity on Spotify right now. It is likely that this track is being shared by many people across the world, played on the radio and on a number of Spotify playlists receiving thousands of streams, is not very energetic, being quite a low energy/chill track and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.


Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood info

Name
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
Release Date
26th April 1983
ISRC
GBAYC8200240
Key
E Maj
Tempo
137
Loudness (db)
-23db
Time signature
3/4
Length
04:17
Song Number
7 of 12
Explicit
No