🔥Growing Artists | Pitch your song |

Tempo(?)
Tempo of the track in beats per minute. If the track has multiple BPM's this won't be reflected as only one BPM figure will show.
92 BPM
Key(?)
Key of the track. Useful if you are trying to find songs this will work well with for DJing, singing a cover or trying to find the notes which make up the song.
F# min
Loudness(?)
Average loudness of the track in decibels (dB). Values typically are between -60 and 0 decibels. Tracks are rarely above -4 db and usually are around -4 to -9 db.
-28.13db
Time signature(?)
How many beats there are per measure/bar.
4/4

Popularity
A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 35% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
Energy
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
9%
Danceability
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
40%
Positiveness
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
24%
Speechiness
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
5%
Liveness
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
26%
Acousticness
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
85%
Instrumentalness
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
0%




Discover songs similar to Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten"


Mass in B Minor, BWV 232: Credo. Et in Spiritum Sanctum (Bass) cover art
Johann Sebastian Bach - Mass in B Minor, BWV 232: Credo. Et in S...
15% popularity • 92 bpm • G# Maj • 04:49 • 4/4
III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Recitativo (Alto): Es Muß Die Ganze Welt cover art
Pieter Jan Leusink - III. Wer Dank Opfert, Der Preiset Mich B...
25% popularity • 93 bpm • F min • 01:02 • 5/4
I. Nimm Von Uns, Herr, Du Treuer Gott BWV 101, (1) Coro: Nimm Von Uns, Herr, Du Treuer Gott cover art
Holland Boys Choir, Netherlands Bach Collegium - I. Nimm Von Uns, Herr, Du Treuer Gott BW...
17% popularity • 90 bpm • C# min • 05:55 • 4/4
Matthäus Passion, Parte Seconda: 33. Recitative- Evangelist, Witnesses, High Priest: Und Wiewohl Viel Falsche Zeugen Herzutraten cover art
Stephen Cleobury - Matthäus Passion, Parte Seconda: 33. Re...
9% popularity • 87 bpm • F# min • 01:10 • 4/4
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria cover art
Arts Music Recording, Rotterdam - Goldberg Variations In G Major BWV 988, ...
24% popularity • 85 bpm • F Maj • 05:01 • 4/4
Stabat Mater, RV 621: V. Quis Non Posset cover art
Antonio Vivaldi - Stabat Mater, RV 621: V. Quis Non Posset
24% popularity • 82 bpm • B min • 02:04 • 4/4
Johann Sebastian Bach - "Der Herr denket an uns" BWV 196: Coro: ...
14% popularity • 92 bpm • C# Maj • 01:52 • 4/4
II. Es Ist Nichts Gesundes An Meinem Leibe BWV 25, 4. Recitativo (Soprano): O Jesu, Lieber Meister cover art
Pieter Jan Leusink - II. Es Ist Nichts Gesundes An Meinem Lei...
20% popularity • 96 bpm • B Maj • 01:06 • 3/4
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm cover art
Holland Boys Choir, Netherlands Bach Collegium - I. Christ Lag In Todes Banden BWV 4, 6. ...
21% popularity • 98 bpm • D# min • 03:06 • 3/4
Matthäus Passion, Parte Seconda: 48. Recitative (Soprano): Er Hat Uns Allen Wohlgetan cover art
Stephen Cleobury - Matthäus Passion, Parte Seconda: 48. Re...
34% popularity • 84 bpm • C# min • 01:03 • 4/4
Paulus: I. Teil: Nr. 3 Rezitativ SB
Felix Mendelssohn - Paulus: I. Teil: Nr. 3 Rezitativ SB "Die...
17% popularity • 122 bpm • C Maj • 01:59 • 3/4
Magnificat in D, BWV 243: Quia respexit (soprano 1/Oboe) cover art
Lisa Milne - Magnificat in D, BWV 243: Quia respexit ...
10% popularity • 123 bpm • A# min • 02:18 • 3/4
Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) cover art
Johann Sebastian Bach - Easter Oratorio, BWV 249: Recitative: O ...
27% popularity • 92 bpm • A# min • 00:58 • 3/4
III. Ich Geh Und Suche Mit Verlangen BWV 49, (5) Recitativo (Soprano, Basso): Mein Glaube Hat Mich Selbst cover art
Pieter Jan Leusink - III. Ich Geh Und Suche Mit Verlangen BWV...
12% popularity • 84 bpm • G# Maj • 01:29 • 1/4
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" is a song by Johann Sebastian Bach, released on 1999. It is track number 4 in the album J.S. Bach: Matthäus-Passion BWV 244. Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" has a BPM/tempo of 92 beats per minute, is in the key of F# min and has a duration of 1 minute, 8 seconds.

Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" is very popular on Spotify, being rated between 30 and 90% popularity on Spotify right now. It is likely that this track is being shared by many people across the world, played on the radio and on a number of Spotify playlists receiving thousands of streams, is not very energetic, being quite a low energy/chill track and is somewhat easy to dance to.

Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" info

Name
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten"
Release Date
29th April 1999
ISRC
FRZ149810040
Key
F# min
Tempo
92
Loudness (db)
-28.13db
Time signature
4/4
Length
01:08
Song Number
4 of 68
Explicit
No