A measure on how popular the track is on Spotify. This metric is calculated mostly on how many plays have been recently, so a very popular song from the past will have a lower popularity score than a recent track with many plays. If you click on the 1% underlined to the right, it will take you to Musicstax Metrics which tracks popularity over time.
A measure on how intense a track sounds, through measuring the dynamic range, loudness, timbre, onset rate and general entropy. 0% indicates low energy, 100% indicates high energy.
A measure on how suitable a track could be for dancing to, through measuring tempo, rhythm, stability, beat strength and overall regularity. Tracks near 0% are least danceable, whereas tracks near 100% are more suited for dancing to.
A measure how positive, happy or cheerful track is. Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track.
A measure on the presence of spoken words. Values below 33% suggest it is just music, values between 33% and 66% suggest both music and speech (such as rap), values above 66% suggest there is only spoken word (such as a podcast).
A measure on how likely it is the track has been recorded in front of a live audience instead of in a studio. This is measured by detecting the presence of an audience in the track. Values over 80% suggest that the track was most definitely performed in front of a live audience.
A measure on how likely the track is acoustic. The higher the number, the more likely it is there is no electronic instruments and that the instruments in the track are created through acoustic instruments.
A measure on how likely the track does not contain any vocals. Values over 50% indicate an instrumental track, values near 0% indicate there are lyrics.
Discover songs similar to Salome, Op. 54, TrV 215 / Scene 2: "Jauchze nicht, du Land Palästina"
Gabriel Fauré -
Fauré: Requiem, Op. 48: I. Introït et ...
27% popularity • 72 bpm • D min • 06:34 • 4/4
Richard Strauss -
Alpensymphonie, Op. 64: Nacht (I)
12% popularity • 72 bpm • F# Maj • 03:12 • 3/4
Camille Saint-Saëns -
Carnival of the Animals, R. 125: VII. Aq...
35% popularity • 72 bpm • D min • 02:29 • 4/4
Hugo von Hofmannsthal -
Elektra: Iii. Elektra!
2% popularity • 71 bpm • A# min • 02:28 • 5/4
Ludwig van Beethoven -
Piano Concerto No. 2 in B Flat Major, Op...
23% popularity • 71 bpm • D# Maj • 09:07 • 4/4
Richard Wagner -
Lohengrin, WWV 75: Prelude to Act I
23% popularity • 73 bpm • A Maj • 09:19 • 5/4
Erich Wolfgang Korngold -
Violin Concerto in D Major, Op. 35, TH. ...
12% popularity • 73 bpm • G Maj • 07:57 • 4/4
Richard Strauss -
8 Gedichte aus Letzte Blatter, Op. 10, T...
6% popularity • 72 bpm • C# Maj • 03:21 • 4/4
Camille Saint-Saëns -
Samson et Dalila, Op. 47, R. 288 / Act 2...
21% popularity • 73 bpm • C# Maj • 05:30 • 3/4
Alexander Borodin -
Prince Igor (Knyaz Igor): Overture
23% popularity • 71 bpm • G min • 10:20 • 4/4
Modest Mussorgsky -
Pictures at an Exhibition (Orch. M. Rave...
55% popularity • 73 bpm • G# Maj • 00:55 • 5/4
Dmitri Shostakovich -
Piano Concerto No. 2 Op. 102 in F Major:...
23% popularity • 73 bpm • A# Maj • 07:10 • 4/4
Jules Massenet -
Massenet: Élégie (Arr. for Cello and P...
45% popularity • 73 bpm • E min • 01:44 • 4/4
Richard Strauss -
Eine Alpensinfonie: IX. Ausklang
16% popularity • 72 bpm • D# Maj • 05:50 • 4/4
Salome, Op. 54, TrV 215 / Scene 2: "Jauchze nicht, du Land Palästina" is a song by Richard Strauss, released on 1971-01-01. It is track number 5 in the album Strauss, R.: Salome. Salome, Op. 54, TrV 215 / Scene 2: "Jauchze nicht, du Land Palästina" has a BPM/tempo of 72 beats per minute, is in the key of A# Maj and has a duration of 3 minutes, 50 seconds.
Salome, Op. 54, TrV 215 / Scene 2: "Jauchze nicht, du Land Palästina" is currently not very popular on Spotify, being rated in the bottom 10% of songs popular on Spotify right now, and it has been released more than two weeks ago meaning it is likely the tracks popularity score may remain fairly stable, is fairly energetic and is most likely not the easiest thing to dance to, probably being a bit more of a relaxed song.
