Songs like 優しき玩具 第2集(1974):R博士の肖像 by Takashi Yoshimatsu
Based on a tempo of (+/- 10%) and a similar genre
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Marcel Tournier
Images, Suite No. 4, Op. 39: XII. La dan...
126 bpm • E min • 04:53 • -22db
6% Popularity • 32% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
6% Popularity • 32% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Takashi Yoshimatsu
優しき玩具 第2集(1974):祭りの�...
124 bpm • E min • 01:22 • -27.79db
3% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
3% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Steve Reich
Duet for two Solo Violins and String Orc...
124 bpm • F Maj • 05:34 • -16db
29% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Erik Satie
Gnossiennes: No. 3, Lent
123 bpm • A min • 03:13 • -35.17db
25% Popularity • 38% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 38% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
43% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
43% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Michio Miyagi
Haro no Umi (for Violin and Harp)
127 bpm • A min • 05:58 • -21db
17% Popularity • 33% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 33% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Takashi Yoshimatsu
Piano Concerto, Op. 67 "Memo Flora": II....
126 bpm • G min • 10:42 • -33.95db
20% Popularity • 26% Danceability • 1% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 1% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Erik Satie
Enfantillages pittoresques: II. Berceuse
127 bpm • A min • 01:17 • -45db
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Jennifer Higdon
Piano Trio: I. Pale Yellow
128 bpm • A Maj • 07:53 • -24db
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Takashi Yoshimatsu
6つのヴィネット Op.105: 時のロ...
127 bpm • E min • 02:55 • -21.28db
5% Popularity • 36% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
5% Popularity • 36% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Jessie Montgomery
Break Away: III. Smoke
122 bpm • A min • 03:26 • -22db
9% Popularity • 40% Danceability • 9% Energy • 44% Liveness
45% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 9% Energy • 44% Liveness
45% Instrumentalness • 32% Positiveness
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Philip Glass
Études: No. 2
122 bpm • C Maj • 06:00 • -25db
31% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Die Geschichte Eines Unbekannten Schausp...
129 bpm • A# Maj • 02:15 • -34db
24% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
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Takashi Yoshimatsu
Dream Colored Mobile II, Op. 58a
121 bpm • A# Maj • 06:54 • -30.38db
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 3. Laideronnette,...
129 bpm • G# min • 03:11 • -25db
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Toru Takemitsu
Litany: I. Adagio
129 bpm • F# Maj • 04:35 • -35db
14% Popularity • 48% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 48% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Alberto Ginastera
Suite de danzas criollas, Op. 15 (2nd ve...
129 bpm • C Maj • 01:56 • -40db
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Francis Poulenc
Trio for Piano, Oboe and Bassoon: III. R...
130 bpm • C# Maj • 03:27 • -16db
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Vladimir Martynov
I. Movement
120 bpm • A Maj • 03:19 • -11.9db
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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György Ligeti
Etudes, Book 1: No. 5, Arc-en-ciel
130 bpm • A Maj • 04:07 • -24db
22% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
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Arvo Pärt
Fratres
120 bpm • A Maj • 10:44 • -16.56db
9% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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![Sisask : Starry Sky Cycle Op.52 : 25. Ursa Minor [Peace] cover art](https://i.scdn.co/image/ab67616d00001e025682e7082c23e0816a325243)
Urmas Sisask
Sisask : Starry Sky Cycle Op.52 : 25. Ur...
131 bpm • G min • 03:20 • -24.41db
13% Popularity • 46% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 46% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": I. 1957...
120 bpm • C min • 04:19 • -23db
28% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
28% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Erik Satie
Gnossiennes: No. 5, Modéré
132 bpm • G Maj • 04:07 • -32db
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Philip Glass
Medeira River
118 bpm • C Maj • 02:58 • -12db
27% Popularity • 47% Danceability • 49% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
27% Popularity • 47% Danceability • 49% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
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Takashi Yoshimatsu
優しき玩具 第1集(1972):イース�...
117 bpm • E min • 01:36 • -28.6db
3% Popularity • 56% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
3% Popularity • 56% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
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Caroline Shaw
Plan & Elevation: IV. The Orangery
117 bpm • A Maj • 01:57 • -23.16db
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
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Michael Nyman
Three movements from String Quartet No. ...
117 bpm • A# Maj • 03:37 • -21.46db
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Takashi Yoshimatsu
タピオラ幻景─左手のピアノ�...
133 bpm • E min • 05:31 • -21.74db
1% Popularity • 33% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
1% Popularity • 33% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Víkingur Ólafsson
Bach mit Zumutungen
134 bpm • A Maj • 03:45 • -27.38db
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
19% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Alban Berg
Schließe mir die Augen beide
117 bpm • C Maj • 01:08 • -23db
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
134 bpm • G# min • 03:07 • -34db
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Erik Satie
Petite Ouverture à danser
134 bpm • A# Maj • 01:15 • -25.16db
33% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Valeria Szervánszky
Ma mère l'oye, M. 60: 1. Pavane de la B...
135 bpm • A min • 01:21 • -42db
35% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
► Preview
Takashi Yoshimatsu
Nonchalantry Prelude
116 bpm • D min • 01:27 • -29.68db
7% Popularity • 38% Danceability • 7% Energy • 8% Liveness
82% Instrumentalness • 44% Positiveness
7% Popularity • 38% Danceability • 7% Energy • 8% Liveness
82% Instrumentalness • 44% Positiveness
► Preview
Erik Satie
Cinq Grimaces pour le songe d'une nuit d...
116 bpm • A# Maj • 01:01 • -28.48db
39% Popularity • 74% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
39% Popularity • 74% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
► Preview
Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Alan Hovhaness
4 Bagatelles, Op. 30: No. 1. —
115 bpm • A min • 02:04 • -26.85db
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
► Preview
Vladimir Martynov
Martynov: "Come in!", Movement IV
115 bpm • A Maj • 05:03 • -25.09db
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
Romance from the Past
116 bpm • F min • 01:29 • -28.72db
14% Popularity • 35% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 35% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Tan Dun
8 Memories in Watercolor, Op. 1: No. 7. ...
114 bpm • G# Maj • 02:33 • -34.45db
10% Popularity • 33% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Giya Kancheli
Simple Music for Piano, N. 26: Herio Bic...
137 bpm • B min • 01:55 • -40.85db
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
► Preview
Anna Clyne
DANCE: V. when you’re perfectly free
113 bpm • G Maj • 06:20 • -15.49db
13% Popularity • 26% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Manuel de Falla
Nana
113 bpm • A min • 02:08 • -26.38db
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Takashi Yoshimatsu
Noel in Midnight
136 bpm • A# Maj • 02:43 • -30.94db
17% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
112 bpm • A# Maj • 01:55 • -30db
17% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
17% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
► Preview
Béla Bartók
44 Duos for 2 Violins, BB 104, Vol. 1: P...
112 bpm • B min • 00:53 • -24.71db
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
23% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Gian Francesco Malipiero
Symphony No. 6 "Degli archi": I. Allegro
112 bpm • A min • 03:37 • -13.97db
7% Popularity • 26% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
7% Popularity • 26% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
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Toru Takemitsu
3 Film Scores: No. 3. Face of Another: W...
112 bpm • G# Maj • 02:28 • -26.07db
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Takashi Yoshimatsu
While an Angel Falls into a Doze . . ., ...
140 bpm • D min • 12:58 • -33.45db
17% Popularity • 14% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Anton Webern
Klavierstück in E Minor - 3
111 bpm • E min • 01:08 • -32db
27% Popularity • 41% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 20% Positiveness
27% Popularity • 41% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 20% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
110 bpm • E min • 04:51 • -15db
10% Popularity • 21% Danceability • 23% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 23% Energy • 14% Liveness
60% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Takashi Yoshimatsu
6つのヴィネット Op.105: 午後の...
111 bpm • D min • 02:17 • -24.7db
3% Popularity • 49% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
3% Popularity • 49% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
40% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
40% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
22% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Philip Glass
String Quartet No. 2, "Company": III. �...
144 bpm • E min • 01:38 • -19.15db
24% Popularity • 22% Danceability • 4% Energy • 27% Liveness
76% Instrumentalness • 38% Positiveness
24% Popularity • 22% Danceability • 4% Energy • 27% Liveness
76% Instrumentalness • 38% Positiveness
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Rebecca Clarke
Chinese Puzzle
108 bpm • G Maj • 01:29 • -36db
17% Popularity • 41% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 53% Positiveness
17% Popularity • 41% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 53% Positiveness
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Takashi Yoshimatsu
Canticle Of Quiet Rain
142 bpm • D Maj • 02:23 • -35.87db
10% Popularity • 44% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
10% Popularity • 44% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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John Adams
China Gates
145 bpm • B Maj • 05:13 • -34.35db
26% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
26% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Toshio Hosokawa
Hosokawa: 2 Japanese Folksongs: II. Itsu...
108 bpm • G min • 04:05 • -27.37db
11% Popularity • 24% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Arvo Pärt
Pärt: Summa for String Orchestra
107 bpm • G min • 05:00 • -28db
23% Popularity • 16% Danceability • 4% Energy • 30% Liveness
79% Instrumentalness • 10% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 30% Liveness
79% Instrumentalness • 10% Positiveness
