Songs like ... and We Thought That Nation-States Were a Bad Idea by Mad Caddies
Based on a tempo of (+/- 10%) and a similar genre
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Solabeat Alliance
Set It Off
130 bpm • A Maj • 03:02 • -4.68db
7% Popularity • 64% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 64% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Suburban Legends
Alternative Is Dead
130 bpm • G Maj • 02:51 • -4.78db
11% Popularity • 74% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 74% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Bandits Of The Acoustic Revolution
Dear Sergio
130 bpm • A min • 03:04 • -8.47db
32% Popularity • 69% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Mad Caddies
... and We Thought That Nation-States We...
130 bpm • A# Maj • 03:14 • -4.43db
33% Popularity • 85% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 85% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Get Dead
This One's for Johnny
130 bpm • C# Maj • 03:15 • -5.13db
31% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 48% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Half Past Two
Mastering Karate
130 bpm • D Maj • 02:58 • -4.8db
20% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Jeffries Fan Club
Milk
131 bpm • C# min • 02:59 • -6.18db
11% Popularity • 53% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 53% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Streetlight Manifesto
Me and Julio Down by the School Yard
129 bpm • A Maj • 02:27 • -3.92db
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Hepcat
I Can't Wait
129 bpm • A Maj • 03:22 • -6.63db
39% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Toasters
Thrill Me Up
131 bpm • F Maj • 03:04 • -6.82db
18% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Sonic Boom Six
Sound of a Revolution
132 bpm • F min • 03:14 • -4.1db
32% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Random Hand
Play Some Ska
128 bpm • C Maj • 03:16 • -2.77db
36% Popularity • 67% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 67% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Mad Caddies
Distress
132 bpm • D Maj • 03:49 • -7.08db
25% Popularity • 76% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 76% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Suburban Legends
I Want More
128 bpm • D Maj • 04:14 • -4.03db
19% Popularity • 63% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 63% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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MU330
La
132 bpm • D Maj • 03:02 • -5.18db
19% Popularity • 66% Danceability • 90% Energy • 66% Liveness
14% Instrumentalness • 98% Positiveness
19% Popularity • 66% Danceability • 90% Energy • 66% Liveness
14% Instrumentalness • 98% Positiveness
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Half Past Two
Lyin' Eyes
128 bpm • A Maj • 03:15 • -6.54db
19% Popularity • 77% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 77% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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My Superhero
Big City
132 bpm • D Maj • 03:41 • -10.12db
10% Popularity • 48% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
10% Popularity • 48% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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The Flatliners
There's A Problem
132 bpm • A# Maj • 01:56 • -2.24db
37% Popularity • 30% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 30% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Good Riddance
Don't Have Time
127 bpm • A Maj • 01:27 • -4.26db
34% Popularity • 57% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 57% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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No Use For A Name
Chasing Rainbows
127 bpm • C Maj • 02:48 • -6db
34% Popularity • 33% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 33% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Streetlight Manifesto
Forty Days
127 bpm • A min • 03:53 • -3.91db
35% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Authority Zero
Sirens
127 bpm • F# Maj • 03:04 • -4.49db
29% Popularity • 71% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
29% Popularity • 71% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Mad Caddies
No Se'
133 bpm • G Maj • 02:41 • -6.92db
21% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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King Prawn
The Loneliest Life
126 bpm • F Maj • 02:49 • -5.93db
17% Popularity • 76% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 76% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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MU330
Speedbump
126 bpm • A# Maj • 02:59 • -4.05db
13% Popularity • 58% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 58% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Aggrolites
Countryman Fiddle
126 bpm • B Maj • 03:49 • -8.15db
33% Popularity • 84% Danceability • 86% Energy • 18% Liveness
4% Instrumentalness • 98% Positiveness
33% Popularity • 84% Danceability • 86% Energy • 18% Liveness
4% Instrumentalness • 98% Positiveness
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The Mighty Mighty Bosstones
Simmer Down
126 bpm • C min • 03:33 • -11db
33% Popularity • 75% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 99% Positiveness
33% Popularity • 75% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 99% Positiveness
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The Gadjits
Beautiful Girl
125 bpm • D Maj • 02:48 • -7db
23% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Mad Caddies
Back to the Bed
134 bpm • C Maj • 03:26 • -6.37db
18% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Random Hand
Anger Management
135 bpm • C Maj • 04:04 • -3.79db
28% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Streetlight Manifesto
Everything Went Numb
135 bpm • G# Maj • 03:29 • -5.17db
49% Popularity • 65% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 91% Positiveness
49% Popularity • 65% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 91% Positiveness
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Suburban Legends
Don Juan
135 bpm • C min • 03:08 • -6.04db
16% Popularity • 68% Danceability • 91% Energy • 32% Liveness
9% Instrumentalness • 97% Positiveness
16% Popularity • 68% Danceability • 91% Energy • 32% Liveness
9% Instrumentalness • 97% Positiveness
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Stupid Flanders
Story
125 bpm • E min • 03:50 • -5.49db
8% Popularity • 55% Danceability • 90% Energy • 29% Liveness
24% Instrumentalness • 65% Positiveness
8% Popularity • 55% Danceability • 90% Energy • 29% Liveness
24% Instrumentalness • 65% Positiveness
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MU330
Baby Rats
135 bpm • A Maj • 03:08 • -8.07db
11% Popularity • 62% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 62% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Mad Caddies
Sorrow
134 bpm • G Maj • 03:28 • -5.39db
33% Popularity • 76% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 76% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Holophonics
Shut Up and Dance
136 bpm • C Maj • 03:06 • -5.36db
10% Popularity • 72% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 72% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Be Like Max
Elitist Punks
124 bpm • D Maj • 01:21 • -3.77db
19% Popularity • 62% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 62% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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The Supervillains
The Pit
124 bpm • B Maj • 02:03 • -12.75db
17% Popularity • 64% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
17% Popularity • 64% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
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Kill Lincoln
Confession Obsession
124 bpm • D Maj • 02:25 • -2.37db
22% Popularity • 55% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 55% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Deal's Gone Bad
Messin' Around
137 bpm • G# Maj • 03:24 • -6.51db
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Mad Caddies
Sink, Florida, Sink
134 bpm • A# Maj • 02:51 • -4.06db
25% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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The Holophonics
In the End
136 bpm • F# Maj • 02:38 • -5.14db
12% Popularity • 47% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 47% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Jeffries Fan Club
She's So Cool
123 bpm • G# Maj • 03:23 • -8.83db
11% Popularity • 50% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 50% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Sonic Boom Six
Bigger Than Punk Rock
137 bpm • C min • 03:29 • -4.22db
22% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Lagwagon
Violins
123 bpm • C Maj • 03:07 • -4db
47% Popularity • 45% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 45% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Deal's Gone Bad
You Get the Keys
138 bpm • A Maj • 02:53 • -6.74db
21% Popularity • 74% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 74% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Mad Caddies
Mary Melody
135 bpm • B Maj • 03:08 • -4.24db
32% Popularity • 47% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 47% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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The Holophonics
Safe And Sound
136 bpm • C Maj • 02:45 • -6.1db
8% Popularity • 79% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 79% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Streetlight Manifesto
We Will Fall Together
138 bpm • B min • 04:49 • -4.32db
49% Popularity • 55% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 55% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Aggrolites
Faster Bullet
138 bpm • A# Maj • 03:12 • -7.5db
22% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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The Hippos
When Will I Learn
122 bpm • E Maj • 02:10 • -6.01db
15% Popularity • 80% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 80% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Dance Hall Crashers
He Wants Me Back
138 bpm • B Maj • 03:39 • -3.88db
24% Popularity • 74% Danceability • 87% Energy • 71% Liveness
28% Instrumentalness • 99% Positiveness
24% Popularity • 74% Danceability • 87% Energy • 71% Liveness
28% Instrumentalness • 99% Positiveness
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Mad Caddies
Cup O' Tea
124 bpm • A Maj • 01:42 • -6.79db
24% Popularity • 56% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 56% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Last Martyrs Of A Lost Cause
With Friends Like These
121 bpm • C# min • 03:42 • -7.4db
10% Popularity • 69% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 69% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Millencolin
Random I Am
121 bpm • D Maj • 02:40 • -4.73db
39% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Snuff
Dippy Egg
140 bpm • E min • 02:32 • -12.3db
29% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Streetlight Manifesto
Here's to Life
140 bpm • A min • 04:41 • -6db
35% Popularity • 45% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 45% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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The Gadjits
Bullet In The Mattress
140 bpm • G Maj • 02:59 • -3.44db
21% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mad Caddies
The Gentleman
137 bpm • C Maj • 02:15 • -4.75db
33% Popularity • 45% Danceability • 97% Energy • 4% Liveness
1% Instrumentalness • 69% Positiveness
33% Popularity • 45% Danceability • 97% Energy • 4% Liveness
1% Instrumentalness • 69% Positiveness
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Do It With Malice
Symphonic Homicide
140 bpm • D min • 04:27 • -3db
12% Popularity • 32% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 32% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Westbound Train
Gutter (I Should Start Listening)
120 bpm • A Maj • 03:31 • -12.62db
10% Popularity • 67% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 67% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Buck-O-Nine
Paint the Night Red
120 bpm • A Maj • 02:28 • -4.48db
27% Popularity • 63% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 63% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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NOFX
Fish in a Gun Barrel
120 bpm • D min • 03:35 • -6.51db
30% Popularity • 83% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 83% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Flatliners
Bad News
120 bpm • G Maj • 03:53 • -2.37db
25% Popularity • 61% Danceability • 98% Energy • 32% Liveness
23% Instrumentalness • 50% Positiveness
25% Popularity • 61% Danceability • 98% Energy • 32% Liveness
23% Instrumentalness • 50% Positiveness
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Mad Caddies
Preppie Girl
123 bpm • G# Maj • 02:35 • -7.92db
17% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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New Riot
Riot.Sleep.Repeat
120 bpm • A Maj • 02:53 • -5.57db
10% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Supervillains
It's Been so Long
120 bpm • B Maj • 02:15 • -3.35db
7% Popularity • 53% Danceability • 93% Energy • 23% Liveness
6% Instrumentalness • 76% Positiveness
7% Popularity • 53% Danceability • 93% Energy • 23% Liveness
6% Instrumentalness • 76% Positiveness
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Buck-O-Nine
Callin' In Sick
120 bpm • C Maj • 02:34 • -11.11db
15% Popularity • 55% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 55% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Chase Long Beach
That's No Moon It's A Space Station
120 bpm • A# Maj • 03:14 • -3.96db
17% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The A-OKs
Jessiska
120 bpm • D Maj • 03:12 • -2.69db
13% Popularity • 54% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Mad Caddies
Macho Nachos
137 bpm • C Maj • 03:17 • -5.07db
26% Popularity • 48% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
26% Popularity • 48% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Skankin' Pickle
Special Brew
141 bpm • G# Maj • 03:11 • -11db
31% Popularity • 52% Danceability • 67% Energy • 23% Liveness
6% Instrumentalness • 98% Positiveness
31% Popularity • 52% Danceability • 67% Energy • 23% Liveness
6% Instrumentalness • 98% Positiveness
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Propagandhi
I Want U 2 Vant Me
119 bpm • A Maj • 03:13 • -5.28db
28% Popularity • 37% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 37% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Streetlight Manifesto
Down, Down, Down to Mephisto's Cafe
142 bpm • D Maj • 05:03 • -4.66db
38% Popularity • 63% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 63% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Chase Long Beach
We've Got Pockets Like Nobody's Business
119 bpm • B min • 01:57 • -3.38db
33% Popularity • 50% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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The Taj Motel Trio
OaOaO
142 bpm • D Maj • 02:23 • -5.69db
19% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Mad Caddies
Leavin
139 bpm • D Maj • 02:59 • -3.54db
22% Popularity • 34% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 34% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Gadjits
Sh'Bop
143 bpm • E Maj • 02:48 • -4db
12% Popularity • 63% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 63% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Transplants
Baggy Trousers
142 bpm • F Maj • 02:26 • -5.73db
30% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Pulley
Hooray For Me
143 bpm • A# Maj • 02:19 • -4.13db
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Toasters
Pirate Radio
143 bpm • G Maj • 03:51 • -8.6db
16% Popularity • 59% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 59% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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High School Football Heroes
Beat Of A Rhythmless Drum
118 bpm • E Maj • 02:28 • -3.6db
18% Popularity • 36% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 36% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Mad Caddies
Leavin
139 bpm • D Maj • 02:59 • -3.55db
32% Popularity • 33% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 33% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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MU330
KKK Hiway
143 bpm • C Maj • 00:41 • -6db
28% Popularity • 59% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 59% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 98% Positiveness
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The Holophonics
All I Wanna Do Is Sell Out
118 bpm • C# Maj • 04:24 • -6.49db
7% Popularity • 44% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 44% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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South Central Skankers
Hello Again
118 bpm • E min • 02:44 • -3.85db
28% Popularity • 41% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 41% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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General Tso's Fury
Dirty Pirates
118 bpm • A# Maj • 02:48 • -7.72db
13% Popularity • 61% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 61% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
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Do It With Malice
That Guy
144 bpm • D min • 03:28 • -3.62db
18% Popularity • 38% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 38% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Mad Caddies
Without You
140 bpm • C# Maj • 03:07 • -5db
26% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Flatliners
Fred's Got Slacks
117 bpm • A# min • 02:29 • -3db
44% Popularity • 61% Danceability • 98% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 61% Danceability • 98% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
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Bim Skala Bim
Set Me Up
144 bpm • C Maj • 02:18 • -8.46db
17% Popularity • 62% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 62% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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The Gadjits
Tell Yourself
144 bpm • A Maj • 02:51 • -4.78db
12% Popularity • 54% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 54% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Streetlight Manifesto
Somewhere in the Between
145 bpm • C Maj • 03:43 • -4db
39% Popularity • 41% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 41% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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The Suspects
20 Dollar Hoes
145 bpm • A min • 04:22 • -4.5db
17% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Mad Caddies
Medium Unwell
140 bpm • C Maj • 03:03 • -5.58db
18% Popularity • 59% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 74% Positiveness
18% Popularity • 59% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 74% Positiveness
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Slapstick
Almost Punk Enough
145 bpm • D Maj • 01:52 • -13db
17% Popularity • 43% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 43% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Dance Hall Crashers
Mr. Blue
145 bpm • G Maj • 02:41 • -6.71db
22% Popularity • 56% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 56% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Authority Zero
Find Your Way
146 bpm • A Maj • 04:14 • -4.83db
33% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness