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情歌 - i18版
Songs like
情歌 - i18版
by
香蕉週刊
Based on a tempo of (+/- 10%) and a similar genre
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Lettuce
Silverdome
140 bpm • A Maj • 05:02 • -5.73db
21% Popularity • 48% Danceability • 95% Energy • 39% Liveness
88% Instrumentalness • 51% Positiveness
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ORB
Migration
140 bpm • C Maj • 03:14 • -6.5db
21% Popularity • 20% Danceability • 89% Energy • 74% Liveness
22% Instrumentalness • 55% Positiveness
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香蕉週刊
情歌 - i18版
140 bpm • D# Maj • 01:25 • -4.97db
0% Popularity • 39% Danceability • 98% Energy • 19% Liveness
16% Instrumentalness • 40% Positiveness
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Brian Bailey
Forever In Her Arms
140 bpm • C min • 04:15 • -6.64db
11% Popularity • 17% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
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Hot Lunch
Tragedy Prevention
140 bpm • E min • 04:37 • -7.22db
7% Popularity • 25% Danceability • 90% Energy • 9% Liveness
73% Instrumentalness • 35% Positiveness
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New Trolls
IV Tempo: Shadows (Per Jimi Hendrix)
141 bpm • D min • 05:30 • -10.2db
19% Popularity • 32% Danceability • 59% Energy • 57% Liveness
8% Instrumentalness • 55% Positiveness
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Pappo's Blues
Blues de Santa Fe
141 bpm • D Maj • 04:38 • -8.9db
25% Popularity • 43% Danceability • 50% Energy • 10% Liveness
32% Instrumentalness • 33% Positiveness
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Assemble Head In Sunburst Sound
L.A. Sacrifice
139 bpm • D Maj • 04:11 • -7db
12% Popularity • 15% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Victor Arruda
Bleeding Love
139 bpm • B min • 03:21 • -8.76db
18% Popularity • 36% Danceability • 93% Energy • 71% Liveness
84% Instrumentalness • 37% Positiveness
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La Derecha
Laguna Azul
139 bpm • E min • 04:07 • -9.52db
18% Popularity • 35% Danceability • 90% Energy • 52% Liveness
74% Instrumentalness • 44% Positiveness
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Zuster Zonnebloem
Folklore
142 bpm • A Maj • 08:09 • -7.6db
7% Popularity • 39% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
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Pas Band
Bocah
138 bpm • E min • 03:15 • -6db
37% Popularity • 71% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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My Brother The Wind
Into The Cosmic Halo
138 bpm • A Maj • 06:40 • -9db
11% Popularity • 25% Danceability • 86% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
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The Qualitons
Család
142 bpm • A Maj • 09:05 • -12.85db
7% Popularity • 32% Danceability • 34% Energy • 35% Liveness
53% Instrumentalness • 37% Positiveness
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Rosalie Cunningham
Riddles and Games
142 bpm • F Maj • 04:02 • -7.16db
11% Popularity • 30% Danceability • 64% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
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Afterhours
Superenalotto
142 bpm • A min • 04:28 • -5.34db
9% Popularity • 45% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Siena Root
Rasayana
138 bpm • F# Maj • 09:00 • -9.59db
30% Popularity • 42% Danceability • 52% Energy • 7% Liveness
62% Instrumentalness • 21% Positiveness
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Nana Grizol
From Here
138 bpm • C Maj • 03:01 • -10db
16% Popularity • 32% Danceability • 44% Energy • 33% Liveness
14% Instrumentalness • 29% Positiveness
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Mondo Drag
Tallest Tales
138 bpm • F# min • 06:07 • -6.98db
10% Popularity • 32% Danceability • 62% Energy • 46% Liveness
88% Instrumentalness • 26% Positiveness
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Hibarist
Johnny Joestar
142 bpm • C Maj • 02:48 • -8.05db
10% Popularity • 44% Danceability • 67% Energy • 22% Liveness
85% Instrumentalness • 32% Positiveness
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Wucan
The Rat Catcher
142 bpm • A min • 05:25 • -10db
31% Popularity • 60% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Jimi Hendrix
Bold as Love
142 bpm • C# Maj • 04:11 • -6.39db
55% Popularity • 35% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Mystic 100's
On a Micro Diet
142 bpm • G Maj • 10:01 • -8.49db
15% Popularity • 22% Danceability • 51% Energy • 8% Liveness
72% Instrumentalness • 18% Positiveness
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Osees
Toadstool
137 bpm • D Maj • 04:56 • -10.53db
20% Popularity • 50% Danceability • 48% Energy • 29% Liveness
10% Instrumentalness • 55% Positiveness
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The Shouting Matches
I Had a Real Good Lover
143 bpm • E Maj • 06:32 • -14.02db
39% Popularity • 49% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Sons of Otis
Cosmic Jam
137 bpm • B min • 08:35 • -8.78db
8% Popularity • 28% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Pappo's Blues
Nervioso Visitante
137 bpm • G# min • 05:59 • -12.68db
10% Popularity • 25% Danceability • 66% Energy • 45% Liveness
81% Instrumentalness • 30% Positiveness
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The Runaways
Born To Be Bad
143 bpm • B min • 04:31 • -6.44db
21% Popularity • 34% Danceability • 66% Energy • 13% Liveness
11% Instrumentalness • 46% Positiveness
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Invisible
Perdonado (Niño Condenado)
137 bpm • G Maj • 07:04 • -8.46db
41% Popularity • 44% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Diggin' Dirt
A Year Gone
143 bpm • E min • 04:58 • -4.83db
10% Popularity • 40% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Zappa
Tommy/Vincent Duo II
137 bpm • A min • 06:41 • -8.51db
13% Popularity • 24% Danceability • 85% Energy • 9% Liveness
43% Instrumentalness • 43% Positiveness
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Funkwrench Blues
Grandmother's Child
144 bpm • D Maj • 03:19 • -7.52db
11% Popularity • 42% Danceability • 73% Energy • 13% Liveness
90% Instrumentalness • 63% Positiveness
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Jimi Hendrix
Title #3 (Olympic Studios, London, UK, A...
144 bpm • C# Maj • 02:12 • -5.84db
19% Popularity • 44% Danceability • 94% Energy • 34% Liveness
94% Instrumentalness • 33% Positiveness
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The Runaways
Is It Day Or Night?
143 bpm • C Maj • 02:45 • -11db
32% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Liquid Sound Company
Inside The Acid Temple
144 bpm • C# Maj • 05:54 • -9.98db
9% Popularity • 32% Danceability • 81% Energy • 12% Liveness
37% Instrumentalness • 39% Positiveness
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The Beatles
Being For The Benefit Of Mr Kite! / I Wa...
144 bpm • D min • 03:22 • -8.76db
38% Popularity • 29% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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La Hell Gang
Fireup
136 bpm • C Maj • 01:51 • -2.74db
24% Popularity • 15% Danceability • 58% Energy • 28% Liveness
84% Instrumentalness • 13% Positiveness
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Zepparella
When the Levee Breaks
144 bpm • D# Maj • 07:05 • -6.19db
18% Popularity • 29% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Cream
The Clearout - Demo Version
136 bpm • G# Maj • 03:55 • -14.21db
21% Popularity • 43% Danceability • 65% Energy • 9% Liveness
79% Instrumentalness • 35% Positiveness
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Grand Funk Railroad
Got This Thing On The Move - Remastered
145 bpm • D Maj • 04:39 • -7.33db
34% Popularity • 36% Danceability • 62% Energy • 45% Liveness
5% Instrumentalness • 34% Positiveness
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Blood Ceremony
Faunus
145 bpm • A min • 02:23 • -5.67db
15% Popularity • 36% Danceability • 77% Energy • 12% Liveness
18% Instrumentalness • 60% Positiveness
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Mink Mussel Creek
Makeout Party Girls
145 bpm • D Maj • 04:57 • -5.89db
20% Popularity • 22% Danceability • 83% Energy • 19% Liveness
49% Instrumentalness • 32% Positiveness
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Buffalo
Stay With Me
145 bpm • A# Maj • 03:37 • -4.41db
7% Popularity • 36% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Mike Reed
A Low Frequency Nightmare
135 bpm • A# Maj • 06:54 • -12.09db
14% Popularity • 52% Danceability • 64% Energy • 12% Liveness
82% Instrumentalness • 62% Positiveness
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Killer Boogie
Escape from Reality
135 bpm • A Maj • 03:07 • -6.4db
25% Popularity • 31% Danceability • 88% Energy • 12% Liveness
83% Instrumentalness • 37% Positiveness
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Black Pistol Fire
Stripes or Keys
145 bpm • A Maj • 02:55 • -5.94db
27% Popularity • 24% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Acetone
Bonds
135 bpm • B Maj • 05:56 • -11.45db
13% Popularity • 48% Danceability • 33% Energy • 30% Liveness
82% Instrumentalness • 8% Positiveness
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Guadalupe Plata
Satánica
135 bpm • D Maj • 01:49 • -9.43db
13% Popularity • 48% Danceability • 60% Energy • 14% Liveness
94% Instrumentalness • 81% Positiveness
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Corriendo
El Sol Es un Holgazán
135 bpm • G Maj • 02:21 • -10.07db
21% Popularity • 45% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Led Zeppelin
Two Ones Are Won - Achilles Last Stand R...
146 bpm • B min • 10:28 • -10.74db
24% Popularity • 31% Danceability • 81% Energy • 26% Liveness
18% Instrumentalness • 32% Positiveness
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Antique Scream
Black Magic II
135 bpm • D Maj • 03:50 • -9.49db
12% Popularity • 42% Danceability • 64% Energy • 15% Liveness
35% Instrumentalness • 35% Positiveness
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Goat
Let it Burn
146 bpm • D Maj • 06:03 • -8.58db
33% Popularity • 27% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
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Kadavar
Come Back Life
146 bpm • G Maj • 05:02 • -5db
32% Popularity • 26% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 21% Positiveness
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Buffalo Killers
The Path Before Me
146 bpm • G Maj • 03:30 • -9db
34% Popularity • 33% Danceability • 54% Energy • 11% Liveness
31% Instrumentalness • 45% Positiveness
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Ty Segall
Prison
134 bpm • F# Maj • 01:06 • -11.21db
17% Popularity • 47% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 61% Positiveness
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Brant Bjork
Mankind Woman
146 bpm • B Maj • 04:31 • -10.08db
12% Popularity • 42% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Akiña
Elzéar
147 bpm • B Maj • 05:56 • -9.28db
7% Popularity • 30% Danceability • 60% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Goat
Queen of the Underground - Edit
147 bpm • B Maj • 03:28 • -4.05db
15% Popularity • 20% Danceability • 74% Energy • 6% Liveness
7% Instrumentalness • 51% Positiveness
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Thomas Davy
Snake Eye
147 bpm • A Maj • 02:52 • -11.44db
26% Popularity • 38% Danceability • 63% Energy • 50% Liveness
10% Instrumentalness • 47% Positiveness
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Boris
You Were Holding An Umbrella
133 bpm • G# Maj • 08:54 • -6.13db
10% Popularity • 35% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Ty Segall
She
147 bpm • G Maj • 06:22 • -8.94db
21% Popularity • 20% Danceability • 67% Energy • 20% Liveness
22% Instrumentalness • 41% Positiveness
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ZZ Top
Neighbor, Neighbor
147 bpm • C Maj • 02:21 • -10.97db
31% Popularity • 67% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 96% Positiveness
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King Crimson
One More Red Nightmare
133 bpm • A Maj • 07:10 • -6.9db
40% Popularity • 33% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Goat
Queen of the Underground
147 bpm • A Maj • 06:05 • -5.71db
23% Popularity • 22% Danceability • 75% Energy • 14% Liveness
15% Instrumentalness • 37% Positiveness
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Zior
Entrance of the Devil
148 bpm • A Maj • 02:11 • -9db
22% Popularity • 28% Danceability • 72% Energy • 25% Liveness
43% Instrumentalness • 55% Positiveness
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Dead Meadow
Greensky Greenlake
133 bpm • F# min • 04:34 • -9.16db
31% Popularity • 27% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Faraquet
Review
133 bpm • F Maj • 05:11 • -9.96db
10% Popularity • 41% Danceability • 46% Energy • 24% Liveness
25% Instrumentalness • 24% Positiveness
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Jimi Hendrix
Bold As Love (Olympic Studios, London, U...
148 bpm • G# Maj • 07:08 • -6.03db
27% Popularity • 33% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 55% Positiveness
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Yawning Man
Perpetual Oyster
148 bpm • D Maj • 05:22 • -8.67db
26% Popularity • 32% Danceability • 86% Energy • 26% Liveness
86% Instrumentalness • 46% Positiveness
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SLIFT
Thousand Helmets of Gold
148 bpm • G Maj • 04:52 • -5.4db
28% Popularity • 18% Danceability • 96% Energy • 36% Liveness
88% Instrumentalness • 28% Positiveness
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Brant Bjork
Oui
132 bpm • F Maj • 04:55 • -10.45db
8% Popularity • 46% Danceability • 56% Energy • 15% Liveness
87% Instrumentalness • 66% Positiveness
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GOUTLAW
Baby Drives A Truck
132 bpm • D Maj • 02:49 • -5.75db
14% Popularity • 21% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Pappo's Blues
Pobre Juan
131 bpm • G Maj • 03:30 • -5.75db
28% Popularity • 64% Danceability • 70% Energy • 30% Liveness
22% Instrumentalness • 69% Positiveness
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Thee Oh Sees
Together Tomorrow
131 bpm • A Maj • 01:34 • -5.71db
19% Popularity • 51% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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White Hills
Drop Out
131 bpm • A Maj • 11:01 • -10db
28% Popularity • 48% Danceability • 74% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Newman Vaughan
TTCV
131 bpm • A min • 03:23 • -7.98db
27% Popularity • 39% Danceability • 84% Energy • 10% Liveness
19% Instrumentalness • 69% Positiveness
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Arco Iris
Abran los Ojos
131 bpm • A min • 04:11 • -7.28db
8% Popularity • 32% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Slippery Crazy
Colors
150 bpm • C# Maj • 03:16 • -3.84db
10% Popularity • 28% Danceability • 92% Energy • 36% Liveness
32% Instrumentalness • 53% Positiveness
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Pappo's Blues
Solitario Juan
131 bpm • E min • 03:20 • -7.78db
16% Popularity • 65% Danceability • 64% Energy • 15% Liveness
47% Instrumentalness • 76% Positiveness
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Thee Oh Sees
Web
131 bpm • A min • 04:59 • -7.45db
35% Popularity • 45% Danceability • 90% Energy • 6% Liveness
78% Instrumentalness • 58% Positiveness
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Zepparella
What Is and What Should Never Be
150 bpm • A Maj • 05:19 • -6db
8% Popularity • 35% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 41% Positiveness
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Buffalo
'Til My Death
131 bpm • E min • 05:39 • -4.26db
14% Popularity • 20% Danceability • 76% Energy • 25% Liveness
8% Instrumentalness • 56% Positiveness
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Naxatras
Shiva's Dance
150 bpm • D Maj • 07:41 • -14db
22% Popularity • 26% Danceability • 38% Energy • 20% Liveness
65% Instrumentalness • 7% Positiveness
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The Heavy Eyes
Aplomado
130 bpm • G Maj • 09:56 • -9.31db
15% Popularity • 44% Danceability • 59% Energy • 62% Liveness
86% Instrumentalness • 14% Positiveness
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Pentagram
Walk in the Blue Light
130 bpm • C min • 05:35 • -7.06db
26% Popularity • 46% Danceability • 78% Energy • 8% Liveness
13% Instrumentalness • 41% Positiveness
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Picanha de Chernobill
Anhangabablues
130 bpm • A Maj • 05:00 • -9.69db
17% Popularity • 67% Danceability • 38% Energy • 13% Liveness
9% Instrumentalness • 54% Positiveness
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Thee Oh Sees
Plastic Plant
130 bpm • F min • 05:39 • -9db
26% Popularity • 39% Danceability • 75% Energy • 27% Liveness
41% Instrumentalness • 10% Positiveness
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Orchid
Son of Misery
151 bpm • G Maj • 02:13 • -10.88db
26% Popularity • 54% Danceability • 56% Energy • 10% Liveness
66% Instrumentalness • 72% Positiveness
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Uzi Ramirez
Axe & Spade
151 bpm • C Maj • 02:31 • -12.6db
7% Popularity • 33% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Buffalo Killers
Baptized
130 bpm • A Maj • 03:06 • -6.2db
15% Popularity • 51% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
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Dans Dans
Blue Silver
130 bpm • A min • 06:11 • -13.45db
8% Popularity • 44% Danceability • 29% Energy • 13% Liveness
89% Instrumentalness • 5% Positiveness
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Lenny Kravitz
Feeling Alright - Instrumental
151 bpm • E min • 03:49 • -8.73db
11% Popularity • 37% Danceability • 81% Energy • 12% Liveness
80% Instrumentalness • 82% Positiveness
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Rosalie Cunningham
Scared of the Dark
130 bpm • E min • 03:34 • -10.34db
10% Popularity • 50% Danceability • 71% Energy • 20% Liveness
22% Instrumentalness • 27% Positiveness
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The London Souls
Steady
151 bpm • A# min • 03:20 • -6.74db
19% Popularity • 40% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Nolan Potter's Nightmare Band
Dosing the President
151 bpm • E Maj • 02:49 • -5.78db
11% Popularity • 28% Danceability • 92% Energy • 63% Liveness
86% Instrumentalness • 28% Positiveness
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Dirty Sound Magnet
Western Lie
130 bpm • F min • 04:01 • -2.97db
15% Popularity • 20% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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The Fire Seeds
Heroes to Whores
130 bpm • G Maj • 03:52 • -9.01db
11% Popularity • 27% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Stooges
Down on the Street - Take 8
129 bpm • B min • 04:15 • -5.59db
9% Popularity • 70% Danceability • 85% Energy • 10% Liveness
61% Instrumentalness • 94% Positiveness
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Pappo's Blues
Abordo
129 bpm • G# Maj • 06:37 • -9.98db
7% Popularity • 27% Danceability • 65% Energy • 31% Liveness
68% Instrumentalness • 43% Positiveness
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Nashimoto Ui
Mochu Mimai (Sympathy)
129 bpm • A Maj • 03:16 • -5.01db
9% Popularity • 35% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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情歌 - i18版