Songs like ( The Dreamer's Hotel) (Bob Vylan Remix) by Enter Shikari
Based on a tempo of (+/- 10%) and a similar genre
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Enter Shikari
No Sleep Tonight
170 bpm • F Maj • 04:16 • -2.4db
40% Popularity • 30% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 30% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Acres
Lonely World
170 bpm • D min • 04:48 • -4db
36% Popularity • 31% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 31% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Silverstein
Bad Habits
170 bpm • C min • 02:53 • -4.23db
49% Popularity • 45% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 45% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Attack Attack!
The Wretched
170 bpm • G# Maj • 04:05 • -3.02db
37% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Proceed
Visual Field
170 bpm • A min • 03:17 • -5.38db
11% Popularity • 51% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 51% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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We Came As Romans
Wasted Age
170 bpm • F# Maj • 03:46 • -4.29db
55% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Trophy Eyes
Blue Eyed Boy
170 bpm • C# Maj • 02:57 • -5.71db
50% Popularity • 46% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 46% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 28% Positiveness
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Stick To Your Guns
We Still Believe
170 bpm • G Maj • 03:33 • -4.31db
39% Popularity • 42% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 42% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Boston Manor
Bad Machine
170 bpm • D Maj • 03:08 • -3.25db
41% Popularity • 29% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 29% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Dragged Under
Roots
170 bpm • D min • 03:15 • -3.82db
30% Popularity • 48% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 48% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Stray From The Path
The House Always Wins
171 bpm • C# Maj • 03:39 • -2db
28% Popularity • 33% Danceability • 100% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 33% Danceability • 100% Energy • 41% Liveness
0% Instrumentalness • 11% Positiveness
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Arcane Roots
You Are
169 bpm • G# Maj • 04:09 • -4.3db
17% Popularity • 53% Danceability • 82% Energy • 49% Liveness
2% Instrumentalness • 69% Positiveness
17% Popularity • 53% Danceability • 82% Energy • 49% Liveness
2% Instrumentalness • 69% Positiveness
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Stick To Your Guns
Nobody
171 bpm • A# Maj • 03:05 • -6db
44% Popularity • 39% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 39% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Enter Shikari
Antwerpen
171 bpm • F Maj • 03:14 • -2.08db
29% Popularity • 30% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 30% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 17% Positiveness
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You Me At Six
Beautiful Way
171 bpm • F min • 03:45 • -3.61db
48% Popularity • 38% Danceability • 92% Energy • 15% Liveness
11% Instrumentalness • 45% Positiveness
48% Popularity • 38% Danceability • 92% Energy • 15% Liveness
11% Instrumentalness • 45% Positiveness
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WARGASM (UK)
Minigun
171 bpm • B Maj • 02:20 • -5.54db
37% Popularity • 54% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 54% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Four Year Strong
It Must Really Suck To Be Four Year Stro...
168 bpm • G Maj • 03:16 • -3.79db
47% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Twin Atlantic
Human After All
172 bpm • F# min • 04:19 • -4.74db
19% Popularity • 35% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 35% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Reuben
Deadly Lethal Ninja Assassin
168 bpm • A Maj • 04:49 • -5db
23% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Enter Shikari
The Jester
171 bpm • C Maj • 03:55 • -4.49db
39% Popularity • 49% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 49% Danceability • 76% Energy • 71% Liveness
0% Instrumentalness • 53% Positiveness
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The Intersphere
We Are
172 bpm • C# Maj • 03:30 • -4.97db
8% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Stick To Your Guns
Dog Days Are Over
172 bpm • G# min • 03:37 • -3.75db
19% Popularity • 30% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 30% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Boston Manor
Carbon Mono
168 bpm • F# Maj • 03:55 • -4.33db
39% Popularity • 41% Danceability • 97% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 41% Danceability • 97% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
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We Are The Ocean
The Waiting Room
168 bpm • G Maj • 03:34 • -3.55db
37% Popularity • 41% Danceability • 98% Energy • 30% Liveness
12% Instrumentalness • 34% Positiveness
37% Popularity • 41% Danceability • 98% Energy • 30% Liveness
12% Instrumentalness • 34% Positiveness
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Kids In Glass Houses
Peace
168 bpm • D# Maj • 03:38 • -4db
33% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Enter Shikari
A Kiss for the Whole World x
168 bpm • C min • 03:31 • -6.59db
24% Popularity • 39% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 39% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dream State
White Lies - Original
172 bpm • F min • 03:53 • -4db
41% Popularity • 26% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 26% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Biffy Clyro
Living Is a Problem Because Everything D...
168 bpm • G Maj • 05:18 • -6db
30% Popularity • 39% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 39% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Ocean Grove
NEO
173 bpm • B Maj • 01:53 • -3.53db
26% Popularity • 27% Danceability • 96% Energy • 39% Liveness
12% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 96% Energy • 39% Liveness
12% Instrumentalness • 12% Positiveness
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LANDMVRKS
Blistering
167 bpm • F# min • 04:22 • -4.08db
45% Popularity • 16% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 16% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Trophy Eyes
Figure Eight
167 bpm • B Maj • 03:21 • -2db
47% Popularity • 34% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 34% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Enter Shikari
Myopia
168 bpm • D min • 04:10 • -5.61db
28% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chunk! No, Captain Chunk!
The Other Line
167 bpm • C# min • 03:29 • -3.75db
46% Popularity • 39% Danceability • 93% Energy • 19% Liveness
46% Instrumentalness • 38% Positiveness
46% Popularity • 39% Danceability • 93% Energy • 19% Liveness
46% Instrumentalness • 38% Positiveness
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Every Time I Die
Post-Boredom
174 bpm • G Maj • 03:16 • -2.18db
41% Popularity • 29% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 29% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Qemists
Take It Back
174 bpm • F min • 04:20 • -2.24db
35% Popularity • 41% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Marmozets
New Religion
166 bpm • C min • 03:09 • -2.12db
24% Popularity • 31% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 14% Positiveness
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Dragged Under
The Real You
174 bpm • G# Maj • 04:07 • -3.37db
31% Popularity • 38% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 38% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Enter Shikari
Sssnakepit
172 bpm • C# Maj • 03:25 • -4.66db
40% Popularity • 32% Danceability • 87% Energy • 80% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 87% Energy • 80% Liveness
0% Instrumentalness • 16% Positiveness
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Twin Atlantic
What Is Light? Where Is Laughter?
174 bpm • A Maj • 03:38 • -3.91db
28% Popularity • 20% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 20% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Silverstein
Bankrupt
166 bpm • C Maj • 03:21 • -4.03db
36% Popularity • 37% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 37% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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From First To Last
Two As One
174 bpm • C# Maj • 03:20 • -2db
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Marmozets
Major System Error
174 bpm • F Maj • 03:25 • -3.31db
42% Popularity • 36% Danceability • 99% Energy • 56% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 36% Danceability • 99% Energy • 56% Liveness
1% Instrumentalness • 26% Positiveness
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We Are The Ocean
The Days, I Have Nothing
175 bpm • B min • 02:54 • -4db
19% Popularity • 31% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 31% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Enter Shikari
Dear Future Historians...
173 bpm • A Maj • 06:28 • -10.03db
28% Popularity • 26% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 26% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Destroy Rebuild Until God Shows
Satellites In Motion
175 bpm • C# Maj • 02:46 • -4db
30% Popularity • 37% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 37% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Stick To Your Guns
Nothing You Can Do To Me
175 bpm • G Maj • 02:22 • -6db
38% Popularity • 42% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Underoath
Let Go
175 bpm • A min • 03:50 • -4.14db
34% Popularity • 32% Danceability • 98% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 98% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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Dragged Under
Covered In Sin
175 bpm • C# Maj • 03:17 • -2.49db
27% Popularity • 42% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 42% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Chiodos
Caves
165 bpm • F Maj • 03:39 • -2db
39% Popularity • 26% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 26% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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Enter Shikari
...Meltdown
172 bpm • C# Maj • 03:23 • -3.37db
31% Popularity • 40% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Silverstein
Our Song
165 bpm • A# min • 03:11 • -3.5db
37% Popularity • 46% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 46% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Boston Manor
Floodlights on the square
175 bpm • B min • 03:29 • -5db
51% Popularity • 37% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Underoath
On My Teeth
165 bpm • C# Maj • 03:10 • -4.22db
42% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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FEVER 333
We're Coming In
175 bpm • F# Maj • 02:16 • -6.25db
34% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Stick To Your Guns
Amber
165 bpm • A# Maj • 03:34 • -3db
42% Popularity • 42% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 42% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Enter Shikari
OK Time for Plan B
165 bpm • C# Maj • 05:06 • -6.61db
36% Popularity • 24% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 24% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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You Me At Six
Deep Cuts
165 bpm • C# Maj • 04:13 • -6.3db
42% Popularity • 34% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 34% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dragged Under
All Of Us
165 bpm • F# Maj • 03:58 • -3.21db
31% Popularity • 39% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 39% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Madina Lake
House of Cards
165 bpm • G Maj • 03:36 • -5db
37% Popularity • 47% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 47% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Finch
Ink
165 bpm • C# min • 03:35 • -4.67db
38% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Stick To Your Guns
The Crown
165 bpm • A min • 03:30 • -6.9db
35% Popularity • 44% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 44% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Frank Carter & The Rattlesnakes
Juggernaut
165 bpm • G# Maj • 03:37 • -4.04db
37% Popularity • 16% Danceability • 99% Energy • 18% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 16% Danceability • 99% Energy • 18% Liveness
1% Instrumentalness • 12% Positiveness
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Enter Shikari
Live Outside
165 bpm • G Maj • 03:40 • -8.26db
47% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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LANDMVRKS
Tired of It All
165 bpm • F# min • 03:37 • -4.83db
40% Popularity • 32% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 32% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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FEVER 333
Made An America
176 bpm • D# min • 02:53 • -4.23db
45% Popularity • 48% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 48% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Kids In Glass Houses
Easy Tiger
176 bpm • A Maj • 03:31 • -3.23db
23% Popularity • 47% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 47% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Silverstein
Burn It Down
164 bpm • C min • 03:10 • -4.28db
44% Popularity • 45% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 45% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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We Are The Ocean
Look Alive
176 bpm • A min • 03:01 • -4.3db
22% Popularity • 30% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 30% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Enter Shikari
The Last Garrison
176 bpm • D min • 03:42 • -4.77db
43% Popularity • 36% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 36% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Dragged Under
Just Like Me
164 bpm • C Maj • 03:03 • -3.97db
41% Popularity • 47% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 47% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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You Me At Six
Time Is Money
176 bpm • F min • 02:55 • -3.8db
27% Popularity • 21% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 21% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Proceed
A Tricycle Journey
177 bpm • E min • 03:13 • -5.14db
10% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Underoath
Loneliness
177 bpm • C# min • 03:39 • -4.1db
27% Popularity • 35% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 35% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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We Are The Ocean
All of This Has to End
178 bpm • G# min • 03:24 • -5.32db
23% Popularity • 30% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 30% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Enter Shikari
Torn Apart
164 bpm • G min • 03:54 • -5.94db
40% Popularity • 50% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 50% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Silverstein
Massachusetts
178 bpm • C# min • 02:57 • -4db
24% Popularity • 43% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 43% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Dream State
Monsters
162 bpm • F# min • 03:42 • -5.49db
32% Popularity • 47% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 47% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Dragged Under
Riot
162 bpm • A Maj • 03:00 • -4.3db
28% Popularity • 48% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 48% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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As Everything Unfolds
Hiding from Myself
161 bpm • E min • 03:42 • -4db
35% Popularity • 45% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 45% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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We Are The Ocean
What It Feels Like
162 bpm • G# min • 03:02 • -4.83db
28% Popularity • 34% Danceability • 93% Energy • 12% Liveness
6% Instrumentalness • 44% Positiveness
28% Popularity • 34% Danceability • 93% Energy • 12% Liveness
6% Instrumentalness • 44% Positiveness
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Enter Shikari
Jailbreak
163 bpm • G min • 03:54 • -7.04db
20% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Madina Lake
Never Take Us Alive
161 bpm • D min • 02:59 • -3db
36% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Stray From The Path
D.I.E.P.I.G.
161 bpm • G min • 02:31 • -1.47db
30% Popularity • 51% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 51% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Dragged Under
Instability
180 bpm • F# min • 03:45 • -3.95db
51% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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CrazyEightyEight
Shinebox
180 bpm • D min • 03:59 • -7.02db
35% Popularity • 38% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 38% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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We Are The Ocean
Lucky Ones
162 bpm • G Maj • 03:19 • -1.6db
22% Popularity • 32% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 32% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Ocean Grove
The Wrong Way
180 bpm • G# Maj • 03:44 • -3.12db
27% Popularity • 19% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 19% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Arcane Roots
Belief
160 bpm • E Maj • 05:17 • -2.65db
23% Popularity • 39% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 39% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Boston Manor
Sliding Doors
160 bpm • A Maj • 03:26 • -2.32db
48% Popularity • 41% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 41% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Fei Comodo
Break The Ice
160 bpm • G# min • 04:11 • -5.75db
11% Popularity • 44% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 44% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Reuben
Blamethrower
160 bpm • C# Maj • 03:10 • -2db
21% Popularity • 53% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 53% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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We Are The Ocean
Trouble Is Temporary, Time Is Tonic
162 bpm • G min • 02:44 • -3.72db
24% Popularity • 44% Danceability • 97% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
24% Popularity • 44% Danceability • 97% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
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Ocean Grove
When You're This High You Can Say What Y...
160 bpm • E min • 03:28 • -2.8db
22% Popularity • 39% Danceability • 91% Energy • 56% Liveness
78% Instrumentalness • 35% Positiveness
22% Popularity • 39% Danceability • 91% Energy • 56% Liveness
78% Instrumentalness • 35% Positiveness
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Enter Shikari
{ The Dreamer's Hotel }
160 bpm • A# min • 02:53 • -7.41db
48% Popularity • 50% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 50% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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You Me At Six
The Consequence
160 bpm • A Maj • 04:26 • -5.74db
35% Popularity • 36% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 36% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 20% Positiveness
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Ocean Sleeper
Light In My Dark
160 bpm • D min • 03:16 • -3.21db
43% Popularity • 45% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 45% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Stray From The Path
Ring Leader
160 bpm • G# Maj • 03:26 • -2.89db
27% Popularity • 31% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 31% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
