Songs like 10 Miles by Bill Champlin
Based on a tempo of (+/- 10%) and a similar genre
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Tom Scott
Come Back to Me
77 bpm • C min • 04:19 • -14.62db
27% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Deon Estus
Spell
76 bpm • C Maj • 04:36 • -16.39db
38% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Champlin
Reason to Believe
77 bpm • D min • 04:19 • -6.13db
3% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Dane Donohue
Woman
78 bpm • A Maj • 03:53 • -8.62db
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Reb Blake
Komodo Dragon
78 bpm • C Maj • 02:54 • -8.18db
0% Popularity • 42% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 42% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Crackin'
On the Wing
78 bpm • F Maj • 04:15 • -16.43db
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jeffrey Osborne
Eenie Meenie
76 bpm • G Maj • 04:24 • -12db
38% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Urban Soul
Hands On Love
78 bpm • C# Maj • 04:14 • -9.04db
0% Popularity • 68% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Bill Champlin
The Thunder
78 bpm • G Maj • 06:32 • -12.78db
1% Popularity • 60% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 60% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Champaign
Dancin' Together Again
78 bpm • F min • 03:13 • -13.31db
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Norwegian Fords
Fit In
78 bpm • D Maj • 03:19 • -7.27db
17% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Scarbury
When She Dances
78 bpm • G# Maj • 03:24 • -15.83db
15% Popularity • 63% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 63% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Randy Goodrum
We're So Close
76 bpm • A# min • 03:39 • -13.93db
15% Popularity • 62% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 62% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Four Tops
Who's Right Who's Wrong
76 bpm • D Maj • 05:16 • -8.29db
8% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bill Champlin
When Love Comes Around
78 bpm • C Maj • 04:57 • -8.8db
1% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Pages
Come On Home
75 bpm • F# Maj • 03:30 • -10.06db
32% Popularity • 59% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 59% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Bill LaBounty
Comin' Back
79 bpm • D Maj • 03:45 • -12.35db
22% Popularity • 69% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 69% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Eric Carmen
End Of The World
75 bpm • D min • 03:30 • -11.03db
23% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Brenda Russell
New York Bars
79 bpm • A min • 04:06 • -11.87db
18% Popularity • 71% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Andreas Aleman
If It's a Dream
75 bpm • D Maj • 04:31 • -6.83db
30% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Champlin
Just To Be Loved
78 bpm • F min • 05:10 • -8.98db
5% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dave Grusin
Haunting Me
79 bpm • F Maj • 05:07 • -14.04db
36% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
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Frank Stallone
Finding Out the Hard Way ( Staying Alive...
79 bpm • G Maj • 02:47 • -6.12db
21% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kool & The Gang
Love Affair
80 bpm • C# min • 04:20 • -17.21db
23% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 66% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Narada Michael Walden
Why Did You Turn Me On
74 bpm • G# Maj • 04:43 • -17.72db
10% Popularity • 50% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Melissa Manchester
Your Place Or Mine
80 bpm • A# min • 03:50 • -9.28db
8% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Champlin
Fly By the Light
75 bpm • A# Maj • 05:54 • -8.69db
1% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Photoglo
There's Always Another Chance Left For L...
74 bpm • B Maj • 03:21 • -11.12db
12% Popularity • 63% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 63% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Tower Of Power
Come To A Decision
74 bpm • G# Maj • 05:32 • -8.73db
14% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Melissa Manchester & Peabo Bryson
Lovers After All
80 bpm • B min • 03:59 • -9.91db
11% Popularity • 57% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 57% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Larsen/Feiten Band
Over
81 bpm • G Maj • 05:08 • -14.58db
10% Popularity • 62% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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James Taylor
Woman's Gotta Have It - 2019 Remaster
81 bpm • A# min • 04:20 • -13.39db
24% Popularity • 56% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 56% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Bill Champlin
Keys to the Kingdom
80 bpm • D min • 05:08 • -9.42db
5% Popularity • 38% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
5% Popularity • 38% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ricky Peterson
What You Won't Do for Love
81 bpm • E min • 05:18 • -10.32db
15% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Bill LaBounty
Dream On
81 bpm • C Maj • 04:22 • -12.96db
53% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Art Garfunkel
This Is the Moment
81 bpm • F min • 04:32 • -11.3db
12% Popularity • 56% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 56% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Ruff
Once In a Lifetime
73 bpm • G Maj • 04:24 • -8db
44% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Stephen Bishop
Send a Little Love My Way (Like Always)
73 bpm • A Maj • 03:46 • -11.05db
41% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Bill Champlin
The Fool Is All Alone
80 bpm • A Maj • 04:28 • -16.06db
9% Popularity • 47% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
9% Popularity • 47% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Larsen/Feiten Band
Brown Eyes
82 bpm • A min • 03:29 • -13.02db
13% Popularity • 67% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 67% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Dazz Band
Gamble With My Love
82 bpm • D Maj • 03:59 • -10.06db
28% Popularity • 62% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Lee Ritenour
Is It You
82 bpm • A# Maj • 04:29 • -16.36db
54% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
54% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
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Michael Sembello
Talk
72 bpm • G# min • 03:24 • -7.89db
17% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Philip Bailey
Show You the Way to Love
72 bpm • D Maj • 04:43 • -10.62db
20% Popularity • 57% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Bill Champlin
Gotta Get Back to Love
73 bpm • C# Maj • 03:30 • -14.76db
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Thierry Condor
Heart To Heart
83 bpm • F# min • 04:54 • -6.62db
9% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Doug Kistner
There's the Door
83 bpm • C min • 03:38 • -10.83db
0% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Ritenour
Keep It Alive
83 bpm • F Maj • 04:51 • -14.52db
35% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Byrne & Barnes
Love You out of Your Mind
83 bpm • A# min • 03:15 • -11.38db
40% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Larsen/Feiten Band
Who'll Be the Fool Tonight
83 bpm • C Maj • 04:12 • -14db
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Champlin
Especially Me
82 bpm • G min • 04:39 • -5.88db
2% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Brenda Russell
It's Something
83 bpm • D Maj • 03:31 • -11.87db
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
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Marc Jordan
MARGARITA
83 bpm • B min • 04:10 • -13.39db
45% Popularity • 57% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
45% Popularity • 57% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Jim Photoglo
Fool In Love With You
84 bpm • C# min • 03:46 • -9db
40% Popularity • 73% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 73% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Janey Clewer
Fallin' in Love
84 bpm • G# min • 04:15 • -6.72db
0% Popularity • 58% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 58% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
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Bill LaBounty
Livin' It Up
84 bpm • F min • 04:21 • -14.08db
47% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Bill Champlin
In Love Too Long
83 bpm • A min • 04:38 • -8.02db
1% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Brenda Russell
Deep Dark And Mysterious
84 bpm • E Maj • 02:58 • -9.11db
8% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Roger Voudouris
Get Used to It
85 bpm • C Maj • 03:02 • -7db
45% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 66% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Finis Henderson
Crush On You
86 bpm • F Maj • 04:03 • -8.54db
11% Popularity • 64% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 64% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Jackson, Jr.
Lost and Never Found
86 bpm • D Maj • 04:18 • -13.59db
18% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Leon Ware
Slippin' Away
86 bpm • F min • 04:10 • -12.82db
23% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Bill Champlin
It's About Time
85 bpm • D min • 05:11 • -9.49db
2% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Dane Donohue
Can't Be Seen
86 bpm • A# Maj • 03:01 • -7.3db
44% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Byrne & Barnes
Keep on Running
87 bpm • C Maj • 03:17 • -11db
18% Popularity • 68% Danceability • 50% Energy • 20% Liveness
9% Instrumentalness • 84% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 20% Liveness
9% Instrumentalness • 84% Positiveness
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Sheena Easton
So Much In Love
86 bpm • F# Maj • 03:04 • -15.06db
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Pages
Tell Me
88 bpm • A Maj • 03:52 • -9.93db
26% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Homi & Jarvis
I'm In Love Again
87 bpm • A# min • 05:12 • -13.46db
14% Popularity • 68% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 68% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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The Imperials
Living Without Your Love
88 bpm • C# min • 03:28 • -16.58db
42% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 69% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Dane Donohue
Where Will You Go
88 bpm • D Maj • 03:38 • -10db
9% Popularity • 54% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 54% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Frank Stallone
I Hope We Never Change (Staying Alive)
88 bpm • F Maj • 03:33 • -7.99db
13% Popularity • 70% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 70% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Steve Porcaro
Painting By Numbers
88 bpm • C Maj • 04:31 • -13.81db
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Davis
Oriental Eyes
89 bpm • F# Maj • 04:26 • -9.33db
17% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Kere Buchanan
Slippin' Away
88 bpm • E min • 05:30 • -9.08db
11% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Brenda Russell
I Want Something to Find Me
89 bpm • A Maj • 03:04 • -9.21db
29% Popularity • 68% Danceability • 56% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
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Bill LaBounty
Look Who's Lonely Now
89 bpm • B min • 03:56 • -12.35db
38% Popularity • 63% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 63% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Nick Vintskevich
When You're in La
89 bpm • C# Maj • 04:23 • -8.86db
0% Popularity • 65% Danceability • 60% Energy • 10% Liveness
22% Instrumentalness • 54% Positiveness
0% Popularity • 65% Danceability • 60% Energy • 10% Liveness
22% Instrumentalness • 54% Positiveness
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Larsen/Feiten Band
Danger Zone
89 bpm • E Maj • 05:04 • -14.32db
16% Popularity • 76% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 93% Positiveness
16% Popularity • 76% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 93% Positiveness
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Robbie Dupree
Saturday Night
90 bpm • F Maj • 03:56 • -7.29db
17% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 56% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Gary Wright
Close to You
90 bpm • F Maj • 04:06 • -15db
38% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Deon Estus
Love Can`t Wait
90 bpm • G# Maj • 03:58 • -14.55db
28% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Exile
You're Good For Me
90 bpm • E Maj • 03:36 • -13.49db
40% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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David Diggs
Holding On To Love
90 bpm • G# Maj • 03:51 • -8db
13% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Faragher Brothers
Never Get Your Love Behind Me
91 bpm • A Maj • 04:01 • -8.72db
37% Popularity • 54% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
37% Popularity • 54% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Sanford Townsend Band
Does It Have to Be You
91 bpm • A Maj • 03:13 • -11db
13% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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LAVA
Give It Up
91 bpm • D Maj • 05:15 • -9.97db
16% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Ronnie Laws
In The Groove
91 bpm • C Maj • 03:33 • -9.55db
13% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Davis
Cry Just a Little
92 bpm • A# Maj • 04:00 • -6.91db
16% Popularity • 56% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 56% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Page 99
Fantasy World
92 bpm • A# Maj • 05:15 • -10.7db
10% Popularity • 67% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Philip Bailey
For Every Heart That's Been Broken
91 bpm • C Maj • 04:16 • -9.23db
18% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Wilson Brothers
Take Me to Your Heaven
92 bpm • D Maj • 03:40 • -6.12db
47% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Robbie Dupree
Thin Line
92 bpm • D Maj • 04:05 • -15.64db
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Stevie Woods
Steal the Night
92 bpm • E Maj • 03:47 • -8.4db
15% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Wright
The Right Place
93 bpm • F Maj • 03:33 • -14.63db
8% Popularity • 74% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 74% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Narada Michael Walden
The Awakening
93 bpm • C# Maj • 04:29 • -15.96db
12% Popularity • 41% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 41% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Christian
What Can There Be
93 bpm • A# Maj • 04:18 • -11.31db
8% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dan Fogelberg
Missing You
93 bpm • A min • 04:05 • -7db
50% Popularity • 63% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 63% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Kool & The Gang
Jones Vs. Jones
93 bpm • G Maj • 04:16 • -15.57db
34% Popularity • 71% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 71% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
