Songs like 100 Days, 100 Nights by Sharon Jones & The Dap-Kings
Based on a tempo of (+/- 10%) and a similar genre
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Mayer Hawthorne
Time For Love
111 bpm • G# min • 03:34 • -5.54db
37% Popularity • 76% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 76% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Gwen McCrae
The Rub
111 bpm • A Maj • 03:31 • -5db
39% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Staple Singers
Respect Yourself
111 bpm • B min • 04:56 • -10.62db
37% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
37% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
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The Budos Band
Up From the South
111 bpm • D Maj • 03:26 • -7db
59% Popularity • 67% Danceability • 83% Energy • 10% Liveness
82% Instrumentalness • 56% Positiveness
59% Popularity • 67% Danceability • 83% Energy • 10% Liveness
82% Instrumentalness • 56% Positiveness
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Little Beaver
Funkadelic Sound
111 bpm • C Maj • 02:31 • -4db
37% Popularity • 89% Danceability • 81% Energy • 13% Liveness
34% Instrumentalness • 98% Positiveness
37% Popularity • 89% Danceability • 81% Energy • 13% Liveness
34% Instrumentalness • 98% Positiveness
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Geater Davis
My Love Is so Strong for You
111 bpm • G min • 03:05 • -9db
33% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
33% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Sharon Jones & The Dap-Kings
Tell Me
111 bpm • F# Maj • 02:46 • -8db
59% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Bobo
Fried Neck Bones And Some Home Fries
111 bpm • C min • 03:03 • -13.23db
50% Popularity • 78% Danceability • 45% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
50% Popularity • 78% Danceability • 45% Energy • 7% Liveness
58% Instrumentalness • 76% Positiveness
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Penny & The Quarters
You And Me
112 bpm • F Maj • 02:40 • -8db
60% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Fred Williams
Tell Her
112 bpm • F min • 02:25 • -10db
50% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Leon Bridges
Bad Bad News
112 bpm • F min • 03:27 • -6.15db
63% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
63% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mayer Hawthorne
The Walk
110 bpm • F# min • 03:38 • -5.68db
58% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Fat Night
Sun Go Down
112 bpm • D Maj • 03:42 • -7.11db
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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James Hunter
People Gonna Talk
109 bpm • G Maj • 03:15 • -9.6db
39% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Sly & The Family Stone
Ha Ha, Hee Hee
109 bpm • C Maj • 03:45 • -9db
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Sharon Jones & The Dap-Kings
100 Days, 100 Nights
109 bpm • A min • 03:45 • -7db
51% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Sam & Dave
Wrap It Up - LP / Single Version
113 bpm • C# Maj • 02:30 • -12db
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Gill Scott
The Bottle
113 bpm • D Maj • 05:16 • -15.01db
45% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
45% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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King Curtis
Memphis Soul Stew
113 bpm • B min • 02:59 • -10.81db
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
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Sharon Jones & The Dap-Kings
Mama Don't Like My Man
109 bpm • C min • 02:30 • -7.48db
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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James Hunter
Carina
114 bpm • F Maj • 04:10 • -9.32db
44% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Willie Wright
Right On For The Darkness
108 bpm • F min • 03:20 • -8db
38% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Syl Johnson
Different Strokes
108 bpm • D Maj • 02:19 • -9.61db
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Womack
Fly Me To The Moon (In Other Words)
114 bpm • D# Maj • 02:08 • -11.12db
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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The Staple Singers
Got To Be Some Changes Made
114 bpm • A Maj • 02:40 • -12db
34% Popularity • 75% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 75% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Bradley
Why Is It So Hard
107 bpm • D# Maj • 04:09 • -8db
45% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
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Syl Johnson
Take Me to the River
114 bpm • A Maj • 03:05 • -8.37db
26% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
26% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Sharon Jones & The Dap-Kings
Let Them Knock
107 bpm • C# Maj • 04:28 • -6.43db
30% Popularity • 57% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 57% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Bradley
You Put the Flame on It
116 bpm • F# min • 03:48 • -6db
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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DeRobert & The Half-Truths
Beg Me
116 bpm • A# min • 02:12 • -9.37db
30% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jackie Wilson
Light My Fire
116 bpm • C# Maj • 02:51 • -8db
32% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
35% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Irma Thomas
It's Raining
106 bpm • G Maj • 02:08 • -12db
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Dusty Springfield
Spooky
106 bpm • E min • 02:44 • -12.73db
73% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jr. Walker & The All Stars
Cleo's Mood
106 bpm • D# min • 02:41 • -7.52db
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
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Khruangbin
Evan Finds the Third Room
106 bpm • A# min • 04:00 • -9.98db
53% Popularity • 78% Danceability • 38% Energy • 17% Liveness
59% Instrumentalness • 84% Positiveness
53% Popularity • 78% Danceability • 38% Energy • 17% Liveness
59% Instrumentalness • 84% Positiveness
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Sly & The Family Stone
Thank You (Falettinme Be Mice Elf Agin) ...
106 bpm • A Maj • 04:51 • -12.68db
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Maceo And The Macks
Soul Power 74 - Pt. 2
105 bpm • G Maj • 04:08 • -5.51db
48% Popularity • 82% Danceability • 74% Energy • 44% Liveness
25% Instrumentalness • 94% Positiveness
48% Popularity • 82% Danceability • 74% Energy • 44% Liveness
25% Instrumentalness • 94% Positiveness
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Saun & Starr
Blah Blah Blah Blah Blah Blah Blah
117 bpm • D# Maj • 04:29 • -7.48db
28% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
61% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Gil Scott-Heron
Gun
105 bpm • D# Maj • 03:59 • -11db
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 82% Danceability • 49% Energy • 29% Liveness
1% Instrumentalness • 96% Positiveness
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Menahan Street Band
Every Day a Dream
117 bpm • A# Maj • 03:53 • -7.16db
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
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Darondo
How I Got Over
118 bpm • G min • 03:42 • -9.44db
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
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Khruangbin
B-Side
105 bpm • G Maj • 04:34 • -10.57db
64% Popularity • 73% Danceability • 73% Energy • 33% Liveness
17% Instrumentalness • 69% Positiveness
64% Popularity • 73% Danceability • 73% Energy • 33% Liveness
17% Instrumentalness • 69% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
45% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jr. Walker & The All Stars
Monkey Jump
118 bpm • C Maj • 02:06 • -7.29db
49% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Quantic Soul Orchestra
Pushin On
104 bpm • F# min • 03:19 • -3.61db
46% Popularity • 69% Danceability • 94% Energy • 10% Liveness
19% Instrumentalness • 88% Positiveness
46% Popularity • 69% Danceability • 94% Energy • 10% Liveness
19% Instrumentalness • 88% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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Sugar Pie DeSanto
Going Back To Where I Belong
104 bpm • G min • 02:28 • -6db
49% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Ephemerals
Call It What You Want
104 bpm • E min • 02:34 • -5.83db
29% Popularity • 63% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 94% Positiveness
29% Popularity • 63% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 94% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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The Bamboos
Hard Up
104 bpm • B min • 04:15 • -4.03db
45% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
45% Popularity • 78% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Womack
I'm A Midnight Mover
119 bpm • A Maj • 02:02 • -10.41db
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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Manu Dibango
The Panther
119 bpm • C# Maj • 02:29 • -4.82db
46% Popularity • 64% Danceability • 96% Energy • 5% Liveness
34% Instrumentalness • 81% Positiveness
46% Popularity • 64% Danceability • 96% Energy • 5% Liveness
34% Instrumentalness • 81% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have To Wait For You? - In...
104 bpm • A# min • 03:00 • -5.76db
26% Popularity • 70% Danceability • 83% Energy • 10% Liveness
64% Instrumentalness • 98% Positiveness
26% Popularity • 70% Danceability • 83% Energy • 10% Liveness
64% Instrumentalness • 98% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Neal Francis
Changes, Pts. 1 & 2
103 bpm • B min • 06:30 • -7.25db
50% Popularity • 58% Danceability • 77% Energy • 7% Liveness
40% Instrumentalness • 84% Positiveness
50% Popularity • 58% Danceability • 77% Energy • 7% Liveness
40% Instrumentalness • 84% Positiveness
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Sly & The Family Stone
Remember Who You Are
103 bpm • A# min • 03:17 • -15db
36% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Staple Singers
For What It's Worth
103 bpm • D Maj • 02:24 • -10db
40% Popularity • 76% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 76% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Nina Simone
See-Line Woman
119 bpm • B Maj • 02:35 • -12.59db
45% Popularity • 79% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 79% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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The Meltdown
Better Days
119 bpm • G min • 03:57 • -10.1db
65% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
65% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Benji Hughes
Freaky Feedback Blues
103 bpm • E Maj • 03:44 • -10db
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Dip
Sure Don't Miss You
103 bpm • E min • 02:54 • -8db
61% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
55% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
55% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
66% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
66% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Nina Simone
Take Care Of Business
103 bpm • D min • 02:05 • -8.53db
56% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Meltdown
Such a Fool
120 bpm • C min • 03:44 • -7.4db
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Greyboy
Love
103 bpm • B min • 03:36 • -8.52db
43% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 85% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
63% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
63% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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Mayer Hawthorne
A Long Time
120 bpm • C min • 03:41 • -5.46db
54% Popularity • 90% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
54% Popularity • 90% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Breakestra
Hiding
103 bpm • D Maj • 04:31 • -4db
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Wilson Pickett
Ninety-Nine and One-Half (Won't Do)
103 bpm • A Maj • 02:37 • -10db
40% Popularity • 87% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 87% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
