Songs like 1000 Dollar Car by The Bottle Rockets
Based on a tempo of (+/- 10%) and a similar genre
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Robbie Fulks
Cry, Cry, Cry
101 bpm • A Maj • 02:39 • -4.36db
14% Popularity • 62% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 62% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Scott Miller & The Commonwealth
Dear Sarah
101 bpm • A Maj • 03:33 • -10db
10% Popularity • 49% Danceability • 68% Energy • 96% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 49% Danceability • 68% Energy • 96% Liveness
0% Instrumentalness • 64% Positiveness
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Ramsay Midwood
Monster Truck
101 bpm • A min • 03:30 • -11.58db
23% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Case
Long Time Gone
100 bpm • C min • 04:29 • -8.96db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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John Hiatt
My Baby
101 bpm • D Maj • 04:12 • -5.57db
15% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
26% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Robbie Fulks
I Just Lived a Country Song
100 bpm • C Maj • 04:10 • -6.89db
28% Popularity • 57% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 57% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Scott Miller & The Commonwealth
Amtrak Cresent
103 bpm • F# min • 04:45 • -7.57db
14% Popularity • 42% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 42% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 73% Positiveness
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The Bottle Rockets
Turn for the Worse
102 bpm • G Maj • 02:57 • -7db
22% Popularity • 49% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 49% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Uncle Tupelo
Atomic Power
103 bpm • D Maj • 01:52 • -15db
26% Popularity • 61% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 61% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Thorn
Get You a Healin'
103 bpm • D Maj • 03:29 • -6db
20% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bastard Sons of Johnny Cash
Texas Sun
99 bpm • G Maj • 03:11 • -6.23db
12% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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John Doe
Take These Chains From My Heart
99 bpm • D Maj • 02:08 • -7db
8% Popularity • 66% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Gordon
Down to the Well
104 bpm • D Maj • 04:10 • -7.95db
12% Popularity • 71% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Uncle Tupelo
Whiskey Bottle
104 bpm • A Maj • 04:46 • -12.86db
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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Shinyribs
East Tx Rust
98 bpm • G Maj • 03:24 • -5.94db
32% Popularity • 79% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 79% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Buddy Miller
If Teardrops Were Pennies
104 bpm • C Maj • 02:16 • -8db
29% Popularity • 73% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 73% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Sam Morrow
Paid by the Mile
104 bpm • A Maj • 04:52 • -8db
23% Popularity • 61% Danceability • 65% Energy • 11% Liveness
43% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 65% Energy • 11% Liveness
43% Instrumentalness • 68% Positiveness
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John Hiatt
Only the Song Survives
98 bpm • G Maj • 04:00 • -9.69db
32% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Spaghetti
All Along
98 bpm • G Maj • 02:29 • -5.78db
11% Popularity • 53% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 53% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Hard Working Americans
Down to the Well
105 bpm • D Maj • 04:16 • -11db
29% Popularity • 65% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Sarah Shook & the Disarmers
Misery Without Company
105 bpm • B min • 02:59 • -6.86db
24% Popularity • 56% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 56% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Kirchen
Truck Stop at the End of the World
97 bpm • A Maj • 03:14 • -8.6db
22% Popularity • 55% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 55% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Levon Helm
False Hearted Lover Blues
105 bpm • C# min • 03:29 • -7db
33% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Buddy & Julie Miller
Breakdown On 20th Ave. South
105 bpm • F Maj • 03:54 • -7.59db
20% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Robbie Fulks
Aunt Peg's New Old Man
105 bpm • A# Maj • 03:01 • -9.58db
21% Popularity • 61% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
30% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Elizabeth Cook
Methadone Blues
97 bpm • G Maj • 03:43 • -3.99db
28% Popularity • 68% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 68% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Scott Miller & The Commonwealth
Hawks And Doves
97 bpm • D Maj • 03:19 • -4.3db
9% Popularity • 51% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 51% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Wrinkle Neck Mules
Whistlers & Sparklers
97 bpm • A Maj • 03:48 • -9.28db
15% Popularity • 60% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 60% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Levon Helm
White Dove
106 bpm • A Maj • 03:29 • -6.83db
17% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Shook & the Disarmers
Damned If I Do, Damned If I Don't - Audi...
106 bpm • E Maj • 03:58 • -8.94db
7% Popularity • 57% Danceability • 89% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 57% Danceability • 89% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
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Scott H. Biram
Red Wine
96 bpm • A Maj • 05:17 • -6.5db
24% Popularity • 41% Danceability • 65% Energy • 36% Liveness
28% Instrumentalness • 54% Positiveness
24% Popularity • 41% Danceability • 65% Energy • 36% Liveness
28% Instrumentalness • 54% Positiveness
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Lucinda Williams
Jailhouse Tears
106 bpm • D# Maj • 05:25 • -6.12db
14% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Thorn
Bull Mountain Bridge
106 bpm • F Maj • 04:37 • -6.02db
29% Popularity • 70% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 70% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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The Bottle Rockets
Stovall's Grove
96 bpm • A Maj • 03:24 • -5.51db
11% Popularity • 75% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 75% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Scott Miller & The Commonwealth
On A Roll
96 bpm • E Maj • 02:46 • -11.04db
9% Popularity • 74% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 95% Positiveness
9% Popularity • 74% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 95% Positiveness
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Robbie Fulks
Fuck This Town
107 bpm • F# min • 02:24 • -9.59db
27% Popularity • 70% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 70% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah Shook & the Disarmers
Damned If I Do, Damned If I Don't
107 bpm • A Maj • 03:59 • -7.87db
24% Popularity • 69% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 69% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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John Hiatt & The Goners
Fly Back Home
107 bpm • E Maj • 04:44 • -6.98db
19% Popularity • 50% Danceability • 92% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
19% Popularity • 50% Danceability • 92% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Paul Thorn
Don't Let Me Down Again
107 bpm • A Maj • 03:33 • -7db
11% Popularity • 62% Danceability • 74% Energy • 43% Liveness
4% Instrumentalness • 54% Positiveness
11% Popularity • 62% Danceability • 74% Energy • 43% Liveness
4% Instrumentalness • 54% Positiveness
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John Hiatt
Before I Go
107 bpm • E Maj • 03:34 • -7.9db
32% Popularity • 62% Danceability • 74% Energy • 20% Liveness
8% Instrumentalness • 76% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 20% Liveness
8% Instrumentalness • 76% Positiveness
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Son Volt
Drown - 2015 Remaster
108 bpm • G Maj • 03:19 • -6.04db
35% Popularity • 38% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 38% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Patterson Hood
Foolish Young Bastard
108 bpm • F Maj • 02:31 • -7.6db
21% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Sarah Shook & the Disarmers
Nothin' Feels Right But Doin' Wrong
107 bpm • A min • 02:55 • -4.62db
30% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jim Lauderdale
No Later than Soon
95 bpm • B Maj • 02:56 • -9.6db
30% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Thorn
What The Hell Is Goin' On?
95 bpm • C Maj • 04:01 • -7.6db
21% Popularity • 60% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 80% Positiveness
21% Popularity • 60% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 80% Positiveness
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The V-Roys
Fade Away
95 bpm • G Maj • 03:37 • -11.58db
15% Popularity • 58% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
15% Popularity • 58% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Southern Culture on the Skids
My House Has Wheels
108 bpm • E Maj • 02:08 • -5.66db
18% Popularity • 64% Danceability • 90% Energy • 36% Liveness
4% Instrumentalness • 91% Positiveness
18% Popularity • 64% Danceability • 90% Energy • 36% Liveness
4% Instrumentalness • 91% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Bobby Bare Jr.
Visit Me in Music City
94 bpm • B Maj • 04:03 • -8.96db
18% Popularity • 40% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
18% Popularity • 40% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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The Bottle Rockets
Rich Man
108 bpm • D min • 03:03 • -8.55db
10% Popularity • 57% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 71% Positiveness
10% Popularity • 57% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 71% Positiveness
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Paul Thorn
Burn Down The Trailer Park
108 bpm • E min • 03:23 • -6.95db
22% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Otis Gibbs
Panhead
108 bpm • G Maj • 06:14 • -10db
17% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Slaid Cleaves
Little Guys
94 bpm • F Maj • 03:02 • -10.98db
14% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Blackie & The Rodeo Kings
South
94 bpm • G Maj • 04:24 • -4.7db
19% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Bow Thayer
Wingless Angels
94 bpm • F# Maj • 04:06 • -6.53db
31% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Robbie Fulks
The Buck Starts Here
109 bpm • E Maj • 03:44 • -8.74db
21% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Thorn
You Mess Around & Get a Buzz
108 bpm • B Maj • 03:09 • -9.8db
21% Popularity • 69% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
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Mudcrutch
Bootleg Flyer
109 bpm • G Maj • 03:46 • -6.29db
20% Popularity • 48% Danceability • 84% Energy • 42% Liveness
4% Instrumentalness • 38% Positiveness
20% Popularity • 48% Danceability • 84% Energy • 42% Liveness
4% Instrumentalness • 38% Positiveness
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The Flatlanders
Julia
109 bpm • G Maj • 04:19 • -6db
21% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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John Hiatt & The Goners
Missing Pieces
94 bpm • G Maj • 04:06 • -8.49db
20% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The V-Roys
Mary
110 bpm • D Maj • 01:59 • -11.3db
18% Popularity • 45% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 64% Positiveness
18% Popularity • 45% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 64% Positiveness
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Uncle Tupelo
Screen Door
109 bpm • C Maj • 02:42 • -14.24db
28% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Gurf Morlix
Big Cheeseburgers and Good French Fries
93 bpm • G Maj • 02:51 • -12.01db
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Thorn
I Backslide on Friday
93 bpm • G Maj • 03:34 • -6db
17% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Flatlanders
Homeland Refugee
93 bpm • C Maj • 03:58 • -8.7db
28% Popularity • 65% Danceability • 56% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
28% Popularity • 65% Danceability • 56% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
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Mike Campbell & The Dirty Knobs
Pistol Packin’ Mama
110 bpm • G Maj • 04:10 • -4.67db
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Western Centuries
Weight of the World
110 bpm • E Maj • 03:22 • -7.69db
18% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Terry Allen
Gimme a Ride to Heaven Boy
93 bpm • A Maj • 04:59 • -9.99db
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Kirchen
Down to Seeds and Stems Again
93 bpm • C Maj • 04:02 • -11db
21% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Susan Cattaneo
Lonely Be My Lover
110 bpm • D# Maj • 03:21 • -6.4db
0% Popularity • 53% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 53% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Alejandro Escovedo
Rosalie
111 bpm • G Maj • 03:49 • -6.72db
29% Popularity • 55% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 55% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
42% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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The Bottle Rockets
Bad Time To Be An Outlaw
92 bpm • A Maj • 03:13 • -4.16db
28% Popularity • 66% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 66% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Son Volt
Back Against the Wall
111 bpm • F Maj • 03:27 • -6db
34% Popularity • 43% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Uncle Tupelo
Still Be Around
111 bpm • E Maj • 02:44 • -9.72db
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Elizabeth Cook
Too Drunk to Fuck
111 bpm • D Maj • 02:56 • -6.56db
14% Popularity • 62% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 62% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Ely
The Road Goes On Forever
111 bpm • E Maj • 04:33 • -7.33db
40% Popularity • 47% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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New Riders of the Purple Sage
Truck Driving Man
111 bpm • G Maj • 06:24 • -7.79db
19% Popularity • 60% Danceability • 90% Energy • 73% Liveness
1% Instrumentalness • 92% Positiveness
19% Popularity • 60% Danceability • 90% Energy • 73% Liveness
1% Instrumentalness • 92% Positiveness
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Levon Helm
Growing Trade
111 bpm • A Maj • 04:22 • -8db
28% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Son Volt
Down To The Wire
91 bpm • D Maj • 04:19 • -8.97db
27% Popularity • 54% Danceability • 69% Energy • 8% Liveness
24% Instrumentalness • 71% Positiveness
27% Popularity • 54% Danceability • 69% Energy • 8% Liveness
24% Instrumentalness • 71% Positiveness
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Buddy Miller
Down South in New Orleans
92 bpm • F Maj • 02:58 • -6.49db
25% Popularity • 62% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 62% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Patterson Hood
Better Off Without
112 bpm • F Maj • 02:39 • -6.48db
10% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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John Hiatt
Old Days
112 bpm • G Maj • 04:04 • -7.03db
21% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Shinyribs
Texas Talking
112 bpm • C Maj • 03:26 • -5.92db
19% Popularity • 66% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 66% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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The Bottle Rockets
Bit Logic
112 bpm • A Maj • 03:15 • -4.71db
19% Popularity • 67% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 67% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Otis Gibbs
Where Only the Graves Are Real
91 bpm • E Maj • 03:13 • -8.39db
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mudcrutch
Shady Grove
112 bpm • F min • 03:58 • -9db
33% Popularity • 47% Danceability • 61% Energy • 50% Liveness
4% Instrumentalness • 72% Positiveness
33% Popularity • 47% Danceability • 61% Energy • 50% Liveness
4% Instrumentalness • 72% Positiveness
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Hard Working Americans
Straight to Hell
112 bpm • A# Maj • 05:51 • -10.3db
21% Popularity • 44% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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The V-Roys
How I Got To Memphis
113 bpm • G Maj • 04:38 • -9.13db
12% Popularity • 56% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 56% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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John Hiatt & The Goners
The Most Unoriginal Sin
113 bpm • D Maj • 04:15 • -9.92db
20% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Robbie Fulks
Long I Ride
113 bpm • A Maj • 03:19 • -9.56db
30% Popularity • 53% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 53% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Shinyribs
Song of Lime Juice & Despair
113 bpm • D min • 03:20 • -6.17db
29% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Otis Gibbs
Back in My Day Blues
113 bpm • A Maj • 03:14 • -9.98db
14% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Grayson Capps
Bag of Weed
90 bpm • D Maj • 05:44 • -6.19db
24% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
