Songs like 10,000 Hours (with Justin Bieber) - Piano by Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Dan + Shay
Alone Together
180 bpm • C# Maj • 02:51 • -5db
53% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Anne-Marie
Perfect to Me
180 bpm • G# Maj • 03:17 • -5.69db
55% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Justin Bieber
Lifetime
180 bpm • D Maj • 03:27 • -7.08db
59% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ariana Grande
Stuck with U
179 bpm • G# Maj • 03:48 • -6.66db
79% Popularity • 60% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
79% Popularity • 60% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Niall Horan
Flicker
182 bpm • D# Maj • 04:18 • -9.72db
64% Popularity • 26% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 26% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Rhett
On Me
178 bpm • G# Maj • 02:44 • -4.47db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Dan + Shay
Heartbreak On The Map
180 bpm • A# Maj • 03:16 • -6.51db
49% Popularity • 45% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 45% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Luis Fonsi
Despacito - Remix
178 bpm • D Maj • 03:50 • -4.35db
69% Popularity • 65% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 65% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Andy Grammer
Best Of You
176 bpm • A Maj • 03:05 • -5.99db
38% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mitchell Tenpenny
Anything She Says
186 bpm • G Maj • 02:49 • -5.66db
55% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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MAX
Where Am I At
173 bpm • G min • 03:29 • -5.82db
35% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ali Gatie
Welcome Back
172 bpm • C Maj • 02:52 • -7.33db
42% Popularity • 58% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 58% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Dan + Shay
Steal My Love
180 bpm • D Maj • 02:42 • -5.45db
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Astrid S
It's Ok If You Forget Me
172 bpm • F# Maj • 03:24 • -7.63db
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Smith
To Die For
172 bpm • C Maj • 03:13 • -7.87db
58% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Why Don't We
Grey
171 bpm • D Maj • 04:37 • -8.79db
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Noah Schnacky
Every Girl I Ever Loved
190 bpm • C# min • 02:42 • -7db
35% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Justin Bieber
Confirmation
190 bpm • G# Maj • 02:50 • -8.19db
55% Popularity • 44% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 44% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Dan + Shay
10,000 Hours - Piano
180 bpm • A# Maj • 02:52 • -6.51db
55% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Demi Lovato
Sober
170 bpm • C# Maj • 03:17 • -10.41db
62% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Charlie Puth
That’s Not How This Works - Sabrina�...
170 bpm • A Maj • 02:46 • -3.93db
60% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Kid LAROI
STAY
170 bpm • C# Maj • 02:21 • -5.48db
81% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
81% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dan + Shay
Glad You Exist - Acoustic
184 bpm • B Maj • 02:41 • -7db
49% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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LANY
good guys
170 bpm • C Maj • 03:44 • -7.45db
50% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Puth
That’s Not How This Works
170 bpm • A Maj • 02:45 • -4.56db
67% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Brett Young
Not Yet
170 bpm • C# Maj • 02:54 • -6.11db
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Rajiv Dhall
84
169 bpm • F Maj • 02:35 • -7.41db
33% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Micky Skeel
I Can't Wait
168 bpm • A Maj • 02:59 • -5.82db
27% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dan + Shay
Obsessed
172 bpm • F min • 05:02 • -6.35db
48% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Gabby Barrett
You're the Only Reason
168 bpm • F# Maj • 02:59 • -5db
39% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie Puth
Patient
168 bpm • C# Maj • 03:10 • -6.27db
55% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 68% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Khalid
Saturday Nights
168 bpm • A# Maj • 03:30 • -8.56db
68% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Louis Tomlinson
Don't Let It Break Your Heart - Single E...
166 bpm • A# Maj • 03:16 • -4.05db
43% Popularity • 36% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 36% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dan + Shay
Tequila - Acoustic
172 bpm • B Maj • 03:15 • -5.75db
35% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
74% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Smith
How Do You Sleep?
166 bpm • C# min • 03:22 • -4.89db
68% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Train
Mai Tais
164 bpm • B Maj • 03:44 • -6.04db
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Gryffin
Hold You Tonight
164 bpm • B Maj • 03:39 • -3.6db
51% Popularity • 47% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 47% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Dan + Shay
Stupid Love
170 bpm • C Maj • 03:14 • -4db
43% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Kelsea Ballerini
Better Luck Next Time
199 bpm • G# Maj • 02:52 • -6.39db
50% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
42% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:30 • -5.57db
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Why Don't We
Chills
163 bpm • C# Maj • 02:45 • -5.33db
51% Popularity • 62% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 62% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Andrew Sullivan
Give Your Love Away
160 bpm • C# Maj • 03:26 • -7.47db
16% Popularity • 57% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 57% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Dan + Shay
You
170 bpm • C Maj • 03:16 • -6.21db
60% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Connor Duermit
Your Lips Are Mine
160 bpm • C Maj • 03:52 • -8db
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:29 • -5.45db
61% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Hailee Steinfeld
Most Girls - Acoustic
206 bpm • A Maj • 03:20 • -9db
48% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Westlife
Hello My Love - Acoustic
206 bpm • F Maj • 04:13 • -8.48db
30% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dan + Shay
When I Pray for You
164 bpm • D Maj • 03:29 • -4.24db
49% Popularity • 38% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 38% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Script
The Man Who Can't Be Moved - Acoustic
205 bpm • G# Maj • 03:48 • -7.9db
56% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Why Don't We
Lotus Inn
156 bpm • D Maj • 03:15 • -5db
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Zucker
emily
156 bpm • C Maj • 03:53 • -11.39db
53% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter Hayes
Invisible
156 bpm • C# Maj • 04:36 • -5.71db
50% Popularity • 38% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 38% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Dan + Shay
Road Trippin'
161 bpm • F Maj • 03:32 • -4.65db
46% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Jordan Davis
Cool Anymore
156 bpm • G Maj • 03:20 • -5.45db
49% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Blake McGrath
Harder Than the First Time
208 bpm • A# Maj • 04:28 • -9db
29% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Florida Georgia Line
Meant To Be - Acoustic
154 bpm • A# Maj • 02:44 • -6.24db
36% Popularity • 68% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 68% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Bebe Rexha
Meant to Be
154 bpm • A# Maj • 02:44 • -6.61db
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
59% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness