Songs like 10,000 by Elliot Root
Based on a tempo of (+/- 10%) and a similar genre
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Riley Pearce
Outside the Lines
124 bpm • F# Maj • 03:58 • -9.76db
32% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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MAGIC GIANT
Hideaway
124 bpm • F# min • 04:10 • -4.69db
39% Popularity • 62% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 62% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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VACAY
The Other Side
125 bpm • C Maj • 03:44 • -6.39db
21% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Elliot Root
10,000
124 bpm • D Maj • 04:07 • -7.8db
26% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Mantaraybryn
A Piece of Bone
125 bpm • G min • 03:47 • -6.6db
12% Popularity • 84% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 84% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Future Thieves
Diamonds
125 bpm • G Maj • 04:03 • -5.1db
13% Popularity • 58% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 58% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Riley Pearce
Eastbound
124 bpm • E Maj • 04:04 • -10.44db
26% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Young in the City
Gold in the Sun
123 bpm • D Maj • 04:06 • -7.85db
18% Popularity • 71% Danceability • 53% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
18% Popularity • 71% Danceability • 53% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Grizfolk
Waiting For You
123 bpm • D# Maj • 03:57 • -5.56db
40% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
40% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
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Wooly Mammoth
Edge
125 bpm • B Maj • 04:47 • -8db
22% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Lee DeWyze
Got It Right
123 bpm • G# Maj • 02:55 • -5.27db
9% Popularity • 74% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 74% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Graham Colton
Where You Wanna Go
125 bpm • F Maj • 03:24 • -7db
26% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Wilson
Bare
125 bpm • G min • 03:45 • -6.57db
17% Popularity • 71% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 71% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Arkells
11:11 - Study Version
125 bpm • G Maj • 04:00 • -9.22db
15% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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MisterWives
Drummer Boy
125 bpm • A Maj • 04:00 • -4.8db
34% Popularity • 63% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 63% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Young Mister
The Best Part
125 bpm • A Maj • 03:21 • -9.14db
36% Popularity • 54% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 55% Positiveness
36% Popularity • 54% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 55% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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MAGIC GIANT
Shake Me Up
122 bpm • A# Maj • 03:44 • -7.07db
18% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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niko+
Glendale
126 bpm • A# Maj • 06:10 • -11.12db
25% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Scott Ruth
Are You There
122 bpm • E Maj • 03:16 • -7.78db
19% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dustin Tebbutt
Still In My Heart
126 bpm • F Maj • 03:55 • -9.01db
10% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Yøuth
Hey Carolina
126 bpm • F Maj • 03:50 • -8.05db
17% Popularity • 67% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 67% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Elliot Root
Conjure
126 bpm • D min • 04:14 • -6.43db
9% Popularity • 49% Danceability • 77% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
9% Popularity • 49% Danceability • 77% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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Donovan Woods
Truck Full of Money
122 bpm • C Maj • 03:50 • -8.3db
18% Popularity • 56% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 56% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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BROOKFIELD
Seas of Gold
122 bpm • B Maj • 04:02 • -9db
15% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Bad Suns
Daft Pretty Boys (OurVinyl Sessions)
126 bpm • G# Maj • 03:18 • -9.75db
17% Popularity • 80% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 80% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Skout
Sting
122 bpm • D# Maj • 03:05 • -10.48db
12% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Grizfolk
Spoonful
127 bpm • D min • 03:08 • -6.47db
47% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Elliot Root
Suddenly Everything
126 bpm • F Maj • 01:46 • -12.07db
9% Popularity • 34% Danceability • 43% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
9% Popularity • 34% Danceability • 43% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
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Jon Bryant
Don't Wait
127 bpm • A Maj • 04:09 • -11db
20% Popularity • 60% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 60% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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William Wild
Sleeptalk
127 bpm • A Maj • 03:59 • -9.73db
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Northern Empty
Suzie
127 bpm • D# Maj • 03:12 • -8db
22% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Taylor John Williams
Quite Like You
121 bpm • E Maj • 04:11 • -9.43db
19% Popularity • 85% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 55% Positiveness
19% Popularity • 85% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 55% Positiveness
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Young Mister
American Dream Come True
127 bpm • A Maj • 03:19 • -11db
26% Popularity • 68% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 68% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
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Elliot Root
End Of Our Faults
122 bpm • C Maj • 05:34 • -7.49db
16% Popularity • 61% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 61% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Virginia Man
Let Us Be
121 bpm • A Maj • 03:29 • -8.94db
24% Popularity • 57% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 57% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Future Thieves
Sucker
121 bpm • B min • 03:24 • -5.69db
21% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Grizfolk
Cosmic Angel
121 bpm • D Maj • 03:22 • -6db
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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niko+
Prayers
121 bpm • C Maj • 04:59 • -12.77db
15% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Mantaraybryn
I've Never Seen a Cyclone
128 bpm • F# Maj • 04:41 • -10.69db
21% Popularity • 32% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 32% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Elliot Root
Lost Man Running
128 bpm • F# Maj • 04:10 • -6.56db
16% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Stop Light Observations
coyote
120 bpm • D Maj • 04:44 • -6.05db
27% Popularity • 57% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
27% Popularity • 57% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Young in the City
Waste My Time
128 bpm • E Maj • 03:36 • -4.35db
19% Popularity • 57% Danceability • 74% Energy • 44% Liveness
10% Instrumentalness • 63% Positiveness
19% Popularity • 57% Danceability • 74% Energy • 44% Liveness
10% Instrumentalness • 63% Positiveness
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Grizfolk
Waking Up The Giants
128 bpm • B min • 03:54 • -9db
42% Popularity • 59% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Henry Jamison
Dallas Love Field
120 bpm • C Maj • 03:54 • -8.91db
28% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Young Mister
Carolina
128 bpm • A Maj • 04:05 • -10.04db
37% Popularity • 54% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 49% Positiveness
37% Popularity • 54% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 49% Positiveness
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Dustin Tebbutt
Wild Blood
120 bpm • G Maj • 04:43 • -11.42db
9% Popularity • 38% Danceability • 64% Energy • 11% Liveness
15% Instrumentalness • 24% Positiveness
9% Popularity • 38% Danceability • 64% Energy • 11% Liveness
15% Instrumentalness • 24% Positiveness
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Beach Tiger
Dead of Night
120 bpm • G Maj • 03:42 • -8db
27% Popularity • 59% Danceability • 43% Energy • 27% Liveness
3% Instrumentalness • 28% Positiveness
27% Popularity • 59% Danceability • 43% Energy • 27% Liveness
3% Instrumentalness • 28% Positiveness
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Eighty Ninety
Your Favorite Song
120 bpm • G# Maj • 03:04 • -9.58db
24% Popularity • 74% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
24% Popularity • 74% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
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Andrew Belle
Black Clouds
120 bpm • F# min • 04:11 • -6.83db
24% Popularity • 66% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 70% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 70% Positiveness
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Henry Jamison
The Wilds
128 bpm • C min • 03:55 • -7db
21% Popularity • 71% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
21% Popularity • 71% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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One11Twenty
Last 10 Seconds
120 bpm • B min • 03:08 • -10db
23% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Lyle
Winter Is for Kierkegaard
120 bpm • A# Maj • 03:51 • -8.02db
20% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Bronze Radio Return
Keep or Lose
120 bpm • D min • 03:23 • -5db
24% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
29% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
29% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Elliot Root
Altar
120 bpm • D# min • 03:48 • -8.34db
5% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Young Mister
Take Me Away
120 bpm • G Maj • 03:36 • -8.4db
19% Popularity • 50% Danceability • 68% Energy • 11% Liveness
63% Instrumentalness • 29% Positiveness
19% Popularity • 50% Danceability • 68% Energy • 11% Liveness
63% Instrumentalness • 29% Positiveness
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Cinders
Call It Home
120 bpm • A# Maj • 02:51 • -9.19db
22% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bombargo
Mr. No Good
120 bpm • A# Maj • 02:14 • -5.66db
22% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Feelds
Colourblind
119 bpm • G Maj • 04:09 • -8.59db
27% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Saint Mesa
Jungle
129 bpm • E Maj • 03:22 • -8.13db
22% Popularity • 60% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
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Bad Suns
Disappear Here (OurVinyl Sessions)
129 bpm • G# Maj • 03:02 • -10.49db
16% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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My Brothers And I
Fly Away
130 bpm • D Maj • 04:07 • -7.21db
26% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Among Savages
If You See Her
130 bpm • C min • 04:06 • -8.54db
8% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Grizfolk
Vagabonds
129 bpm • F# Maj • 03:19 • -6db
35% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Hertler & The Rainbow Seekers
Crimson Line
130 bpm • A# Maj • 03:16 • -6.01db
20% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Young Mister
Safety
130 bpm • B min • 03:22 • -11db
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Elliot Root
Chemical Sweat
130 bpm • C Maj • 03:39 • -6.62db
29% Popularity • 64% Danceability • 80% Energy • 26% Liveness
23% Instrumentalness • 66% Positiveness
29% Popularity • 64% Danceability • 80% Energy • 26% Liveness
23% Instrumentalness • 66% Positiveness
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Riley Pearce
The Long Road
130 bpm • A Maj • 03:45 • -9.36db
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Roah Summit
How Could I Not Be Enough
130 bpm • D Maj • 04:26 • -8.4db
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Grizfolk
Bob Marley
118 bpm • F# Maj • 03:36 • -4.66db
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
12% Instrumentalness • 45% Positiveness
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
12% Instrumentalness • 45% Positiveness
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The Kents
I Know
118 bpm • C Maj • 03:13 • -5.55db
14% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Lumineers
Angela (Single Version)
130 bpm • E Maj • 02:58 • -7.99db
44% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Elliot Root
Body Down
118 bpm • F Maj • 05:30 • -9.07db
19% Popularity • 53% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 53% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Edward R.
Call Me Home
118 bpm • G Maj • 03:37 • -8.17db
14% Popularity • 54% Danceability • 80% Energy • 9% Liveness
5% Instrumentalness • 20% Positiveness
14% Popularity • 54% Danceability • 80% Energy • 9% Liveness
5% Instrumentalness • 20% Positiveness
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Young Mister
Pasadena
118 bpm • G Maj • 03:46 • -8.84db
39% Popularity • 56% Danceability • 69% Energy • 32% Liveness
94% Instrumentalness • 40% Positiveness
39% Popularity • 56% Danceability • 69% Energy • 32% Liveness
94% Instrumentalness • 40% Positiveness
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Boatkeeper
Cleanse
117 bpm • D Maj • 04:03 • -8.43db
30% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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HAWAI
Fault
118 bpm • D Maj • 04:04 • -4.91db
20% Popularity • 46% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 46% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Henry Jamison
The Rains
117 bpm • F# Maj • 03:31 • -11db
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
44% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Elliot Root
Barcode
130 bpm • E min • 00:35 • -28.51db
8% Popularity • 26% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Kevin Garrett
Precious
117 bpm • G# Maj • 04:27 • -9db
30% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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LaPeer
Heart Haunting
117 bpm • E Maj • 04:06 • -7.9db
14% Popularity • 72% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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Donovan Woods
All Mine
117 bpm • G Maj • 03:22 • -9.79db
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Dermot Kennedy
Boston
116 bpm • E Maj • 04:33 • -10.92db
42% Popularity • 56% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 56% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Elliot Root
Tomorrow
118 bpm • G min • 01:19 • -17.51db
9% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Frances Cone
Arizona
133 bpm • G Maj • 03:17 • -7.27db
31% Popularity • 28% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
31% Popularity • 28% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Scenic Route to Alaska
Taking Its Toll
116 bpm • F Maj • 04:18 • -8.36db
18% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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flor
rely
133 bpm • C Maj • 03:35 • -4.55db
30% Popularity • 50% Danceability • 84% Energy • 15% Liveness
11% Instrumentalness • 17% Positiveness
30% Popularity • 50% Danceability • 84% Energy • 15% Liveness
11% Instrumentalness • 17% Positiveness
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Young Mister
Would It Kill You
132 bpm • A Maj • 02:53 • -9.77db
23% Popularity • 54% Danceability • 66% Energy • 18% Liveness
7% Instrumentalness • 81% Positiveness
23% Popularity • 54% Danceability • 66% Energy • 18% Liveness
7% Instrumentalness • 81% Positiveness
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Patrick James
California Song
133 bpm • D Maj • 04:02 • -5.65db
22% Popularity • 60% Danceability • 84% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
22% Popularity • 60% Danceability • 84% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Elliot Root
Stay
133 bpm • C Maj • 03:59 • -8.06db
23% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Arms Akimbo
Parachute
134 bpm • G Maj • 04:46 • -6.73db
23% Popularity • 33% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew McMahon in the Wilderness
Walking On A Dream - Recorded At Spotify...
115 bpm • G# Maj • 03:57 • -7.26db
35% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Grizfolk
Waiting For You (OurVinyl Sessions)
115 bpm • C min • 04:06 • -12.05db
13% Popularity • 57% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 57% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Skout
Old Friend
115 bpm • F# Maj • 03:16 • -7.57db
12% Popularity • 59% Danceability • 73% Energy • 11% Liveness
15% Instrumentalness • 67% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 11% Liveness
15% Instrumentalness • 67% Positiveness
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The Band CAMINO
My Thoughts on You
115 bpm • D Maj • 03:31 • -7.75db
51% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
