Songs like 1001 Open Hands by Good Luck
Based on a tempo of (+/- 10%) and a similar genre
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The Sidekicks
Other People's Pets
112 bpm • G Maj • 01:30 • -3.62db
22% Popularity • 51% Danceability • 88% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 51% Danceability • 88% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
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Rozwell Kid
Total Mess
112 bpm • C# Maj • 03:44 • -5.87db
23% Popularity • 56% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 56% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Nervous Dater
Vominos
113 bpm • B Maj • 04:03 • -7.06db
8% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Good Luck
1001 Open Hands
112 bpm • E Maj • 04:11 • -4.93db
16% Popularity • 50% Danceability • 90% Energy • 27% Liveness
26% Instrumentalness • 58% Positiveness
16% Popularity • 50% Danceability • 90% Energy • 27% Liveness
26% Instrumentalness • 58% Positiveness
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The Ergs!
A Very Pretty Song for a Very Special Yo...
111 bpm • B Maj • 01:46 • -3.92db
23% Popularity • 37% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 37% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Onsind
Magnolia
111 bpm • C Maj • 02:10 • -4.73db
14% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hop Along
Sally II
113 bpm • D Maj • 02:32 • -6db
37% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Weakerthans
Exiles Among You
113 bpm • E Maj • 05:11 • -6.33db
20% Popularity • 34% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 17% Positiveness
20% Popularity • 34% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 17% Positiveness
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The Arrogant Sons Of Bitches
So Let's Go Nowhere
113 bpm • A Maj • 02:20 • -3.95db
37% Popularity • 62% Danceability • 98% Energy • 48% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 62% Danceability • 98% Energy • 48% Liveness
0% Instrumentalness • 69% Positiveness
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Rainer Maria
Lost, Dropped and Cancelled
110 bpm • B Maj • 02:45 • -7.83db
19% Popularity • 51% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 51% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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The Ergs!
Aja
114 bpm • F# Maj • 01:14 • -8db
25% Popularity • 44% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
25% Popularity • 44% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
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Blowout
Indiana
110 bpm • D Maj • 02:08 • -3.58db
20% Popularity • 55% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 55% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Hop Along
I Saw My Twin
113 bpm • E Maj • 03:23 • -6.51db
27% Popularity • 56% Danceability • 78% Energy • 15% Liveness
19% Instrumentalness • 70% Positiveness
27% Popularity • 56% Danceability • 78% Energy • 15% Liveness
19% Instrumentalness • 70% Positiveness
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The Weakerthans
Relative Surplus Value
110 bpm • F# min • 02:37 • -3.64db
24% Popularity • 50% Danceability • 91% Energy • 11% Liveness
48% Instrumentalness • 46% Positiveness
24% Popularity • 50% Danceability • 91% Energy • 11% Liveness
48% Instrumentalness • 46% Positiveness
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The Arrogant Sons Of Bitches
Kill the President
110 bpm • C Maj • 04:25 • -3.94db
28% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Jeff Rosenstock
Hey Allison!
115 bpm • A Maj • 01:51 • -4.25db
42% Popularity • 37% Danceability • 96% Energy • 70% Liveness
1% Instrumentalness • 42% Positiveness
42% Popularity • 37% Danceability • 96% Energy • 70% Liveness
1% Instrumentalness • 42% Positiveness
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Dismemberment Plan
The Ice Of Boston
110 bpm • E Maj • 04:55 • -7.98db
29% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Bomb the Music Industry!
You Still Believe in Me?
110 bpm • G Maj • 03:59 • -3.04db
30% Popularity • 44% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 44% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Hop Along
Diamond Mine
114 bpm • E Maj • 05:32 • -9.84db
28% Popularity • 32% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 32% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Cursive
The Rhyme Scheme - Remastered
109 bpm • G min • 03:45 • -6.68db
12% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Promise Ring
Happiness Is All The Rage
115 bpm • A Maj • 02:55 • -5.18db
26% Popularity • 46% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 46% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Jeff Rosenstock
Darkness Records
109 bpm • G# Maj • 03:23 • -6.84db
28% Popularity • 32% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
28% Popularity • 32% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Chumped
Dear Emily Dickinson
109 bpm • D Maj • 04:06 • -5.27db
11% Popularity • 43% Danceability • 75% Energy • 20% Liveness
13% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 75% Energy • 20% Liveness
13% Instrumentalness • 31% Positiveness
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Blowout
Guts Grown Up
115 bpm • A Maj • 02:57 • -4.01db
17% Popularity • 63% Danceability • 89% Energy • 35% Liveness
13% Instrumentalness • 22% Positiveness
17% Popularity • 63% Danceability • 89% Energy • 35% Liveness
13% Instrumentalness • 22% Positiveness
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Algernon Cadwallader
Foggy Mountain
109 bpm • D Maj • 03:12 • -6.46db
25% Popularity • 29% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 29% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Summer Vacation
Super Orgy
116 bpm • C# min • 01:47 • -6.33db
12% Popularity • 31% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 31% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 70% Positiveness
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Emperor X
Sincerely, H. C. Pregerson
109 bpm • B min • 03:11 • -6.21db
18% Popularity • 62% Danceability • 69% Energy • 15% Liveness
3% Instrumentalness • 46% Positiveness
18% Popularity • 62% Danceability • 69% Energy • 15% Liveness
3% Instrumentalness • 46% Positiveness
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Rozwell Kid
Smear Me
116 bpm • D# Maj • 03:00 • -4.67db
19% Popularity • 40% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 40% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jets To Brazil
Starry Configurations
116 bpm • D Maj • 04:03 • -6db
27% Popularity • 41% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 41% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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LVL UP
Soft Power
116 bpm • C Maj • 02:54 • -5.39db
29% Popularity • 36% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 36% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Piebald
Fat and Skinny Asses
116 bpm • D Maj • 03:54 • -4.49db
7% Popularity • 38% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 38% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Cursive
Some Red-Handed Sleight of Hand
108 bpm • D min • 01:52 • -6.08db
42% Popularity • 38% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 38% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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The Thermals
Born Dead
116 bpm • D Maj • 01:43 • -3.29db
10% Popularity • 31% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 31% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Hop Along
Texas Funeral
117 bpm • F Maj • 04:28 • -5.59db
29% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The Weakerthans
Confessions Of A Futon-Revolutionist
117 bpm • A Maj • 02:15 • -6db
29% Popularity • 42% Danceability • 91% Energy • 24% Liveness
4% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 91% Energy • 24% Liveness
4% Instrumentalness • 67% Positiveness
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Bomb the Music Industry!
Saddr Weirdr
107 bpm • C Maj • 02:37 • -4.47db
23% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Emperor X
False Metal
107 bpm • G Maj • 02:55 • -8.49db
19% Popularity • 47% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 47% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Cursive
Big Bang
108 bpm • F Maj • 03:56 • -7.06db
16% Popularity • 33% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 33% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lemuria
Buzz
117 bpm • D Maj • 03:02 • -4.5db
14% Popularity • 34% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 34% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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The Thermals
St. Rosa and the Swallows
116 bpm • B Maj • 03:34 • -2db
26% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 56% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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The Sidekicks
Win Affection
118 bpm • F Maj • 03:02 • -4.33db
14% Popularity • 54% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Nervous Dater
Fun Dumpster
107 bpm • E Maj • 02:42 • -6db
16% Popularity • 49% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 49% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Joyce Manor
These Kind of Ice Skates
118 bpm • A min • 01:19 • -4.62db
28% Popularity • 62% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 62% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 75% Positiveness
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Kind of Like Spitting
Born Beautiful
106 bpm • D Maj • 02:19 • -6.76db
9% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Ergs!
Saturday Night Crap-O-Rama
106 bpm • D min • 02:13 • -3.83db
16% Popularity • 31% Danceability • 98% Energy • 80% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 31% Danceability • 98% Energy • 80% Liveness
0% Instrumentalness • 9% Positiveness
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Jets To Brazil
Perfecting Loneliness
106 bpm • C# min • 05:46 • -8db
19% Popularity • 43% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
19% Popularity • 43% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 32% Positiveness
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Laura Stevenson
Happier, Etc.
106 bpm • B min • 02:15 • -4.39db
15% Popularity • 31% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 31% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Commander Venus
We'll Always Have Paris
118 bpm • C Maj • 04:44 • -7.92db
17% Popularity • 36% Danceability • 63% Energy • 8% Liveness
36% Instrumentalness • 21% Positiveness
17% Popularity • 36% Danceability • 63% Energy • 8% Liveness
36% Instrumentalness • 21% Positiveness
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Cayetana
Favorite Things
119 bpm • B Maj • 02:41 • -7.43db
27% Popularity • 62% Danceability • 68% Energy • 11% Liveness
7% Instrumentalness • 52% Positiveness
27% Popularity • 62% Danceability • 68% Energy • 11% Liveness
7% Instrumentalness • 52% Positiveness
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The Arrogant Sons Of Bitches
1-800-Alarm-Me
119 bpm • E Maj • 03:31 • -3.36db
28% Popularity • 36% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 36% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 43% Positiveness
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Lemuria
In a World of Ghosts...
119 bpm • E Maj • 01:53 • -3.43db
14% Popularity • 31% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 31% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Jets To Brazil
I Typed For Miles
119 bpm • G# min • 05:33 • -7db
27% Popularity • 36% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 36% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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P.S. Eliot
Troubled Medium
119 bpm • E Maj • 02:41 • -9.65db
17% Popularity • 49% Danceability • 63% Energy • 8% Liveness
8% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 63% Energy • 8% Liveness
8% Instrumentalness • 70% Positiveness
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Rainer Maria
Homeopathy
105 bpm • C Maj • 04:41 • -8.56db
8% Popularity • 33% Danceability • 52% Energy • 14% Liveness
76% Instrumentalness • 25% Positiveness
8% Popularity • 33% Danceability • 52% Energy • 14% Liveness
76% Instrumentalness • 25% Positiveness
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LVL UP
Blur
105 bpm • B min • 01:51 • -6db
33% Popularity • 39% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 39% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Bomb the Music Industry!
Everyone That Loves You
105 bpm • D Maj • 03:12 • -5.4db
25% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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The Sidekicks
Baby, Baby
105 bpm • F Maj • 03:08 • -5.94db
8% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Antarctigo Vespucci
Lifelike
120 bpm • D Maj • 04:17 • -6.67db
16% Popularity • 34% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 34% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
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Sioux Falls
Dom
120 bpm • E Maj • 03:29 • -8db
17% Popularity • 45% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 45% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Lemuria
Fingers
120 bpm • D Maj • 01:43 • -4.68db
12% Popularity • 44% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 37% Positiveness
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The Promise Ring
Emergency! Emergency!
120 bpm • E Maj • 02:56 • -4.61db
22% Popularity • 60% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 60% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Pedro The Lion
Indian Summer
120 bpm • G Maj • 03:21 • -7.23db
27% Popularity • 55% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 55% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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The Sidekicks
1940's Fighter Jet
104 bpm • D Maj • 02:47 • -13.46db
13% Popularity • 40% Danceability • 15% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 40% Danceability • 15% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Rozwell Kid
Blow It
120 bpm • G# Maj • 03:21 • -5.49db
18% Popularity • 54% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 54% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Rainer Maria
Artificial Light
120 bpm • C# Maj • 03:40 • -5.53db
29% Popularity • 29% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 29% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Desaparecidos
Greater Omaha
104 bpm • A Maj • 04:14 • -8db
30% Popularity • 30% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 30% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Chumped
Hot 97 Summer Jam
121 bpm • F Maj • 02:19 • -2.44db
23% Popularity • 48% Danceability • 97% Energy • 16% Liveness
3% Instrumentalness • 48% Positiveness
23% Popularity • 48% Danceability • 97% Energy • 16% Liveness
3% Instrumentalness • 48% Positiveness
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Bomb the Music Industry!
Everybody That You Love
104 bpm • C Maj • 03:19 • -5.12db
29% Popularity • 51% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 51% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 41% Positiveness
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Nana Grizol
Sands
121 bpm • G Maj • 04:51 • -12.9db
15% Popularity • 44% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
15% Popularity • 44% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Kind of Like Spitting
We Are Both Writers
121 bpm • F# min • 02:50 • -7.42db
14% Popularity • 48% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 48% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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The Ergs!
Jazz Is Like the New Coke
104 bpm • B Maj • 02:17 • -4.06db
22% Popularity • 24% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 24% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Dogs On Acid
The Prick
121 bpm • C Maj • 02:59 • -4db
12% Popularity • 34% Danceability • 92% Energy • 17% Liveness
15% Instrumentalness • 52% Positiveness
12% Popularity • 34% Danceability • 92% Energy • 17% Liveness
15% Instrumentalness • 52% Positiveness
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Hard Girls
Plan
121 bpm • C# min • 02:30 • -4db
9% Popularity • 45% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 45% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Bomb the Music Industry!
Struggler
121 bpm • D Maj • 04:56 • -5.86db
25% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Remember Sports
Otherwise
103 bpm • G Maj • 02:37 • -6.97db
16% Popularity • 28% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 28% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Teenage Halloween
Clarity
122 bpm • G Maj • 02:06 • -6.29db
21% Popularity • 50% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 50% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Chumped
Something About Geography
122 bpm • D Maj • 03:11 • -2.76db
12% Popularity • 34% Danceability • 96% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
12% Popularity • 34% Danceability • 96% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
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Emperor X
Wasted on the Senate Floor
103 bpm • G Maj • 02:50 • -6.85db
28% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Lemuria
Pants
122 bpm • E Maj • 02:40 • -4.14db
29% Popularity • 32% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 32% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Bear Vs. Shark
Buses/No Buses
103 bpm • B min • 03:11 • -5db
26% Popularity • 36% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 36% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Jeff Rosenstock
Beers Again Alone
123 bpm • C Maj • 03:14 • -5.01db
32% Popularity • 27% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 27% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Schneeweis
King Kong Vs. The U.S. Army
102 bpm • F# Maj • 02:36 • -4.73db
19% Popularity • 56% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 56% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Chumped
Old And Tired
122 bpm • D# Maj • 04:11 • -5.38db
11% Popularity • 53% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
11% Popularity • 53% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Antarctigo Vespucci
So Vivid!
123 bpm • E Maj • 04:40 • -3.97db
21% Popularity • 39% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 39% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Titus Andronicus
Richard II Or Extraordinary Popular Dime...
123 bpm • G Maj • 05:06 • -4.3db
22% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Swearin'
Fat Chance
123 bpm • B Maj • 02:24 • -8.82db
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
69% Instrumentalness • 70% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
69% Instrumentalness • 70% Positiveness
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The Promise Ring
Jersey Shore
101 bpm • A Maj • 02:39 • -7.09db
20% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Blowout
Thrashy
124 bpm • G Maj • 03:57 • -6.89db
12% Popularity • 60% Danceability • 80% Energy • 26% Liveness
23% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 80% Energy • 26% Liveness
23% Instrumentalness • 26% Positiveness
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Chumped
Let Him Lie
124 bpm • B Maj • 04:55 • -4.35db
9% Popularity • 30% Danceability • 97% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
9% Popularity • 30% Danceability • 97% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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OWLS
Everyone Is My Friend
101 bpm • E Maj • 03:26 • -8db
24% Popularity • 53% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 53% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Bomb the Music Industry!
25!
101 bpm • A Maj • 02:46 • -4.98db
27% Popularity • 55% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 55% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 9% Positiveness
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The Arrogant Sons Of Bitches
Disappointment at the Taco Bell
101 bpm • C Maj • 03:39 • -3db
24% Popularity • 54% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 54% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Hop Along
Young and Happy!
125 bpm • B Maj • 04:53 • -6.87db
26% Popularity • 44% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 44% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Antarctigo Vespucci
Another Good Thing
125 bpm • D Maj • 03:00 • -3.76db
24% Popularity • 59% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 59% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Cursive
Tall Tales, Telltales
125 bpm • A min • 05:08 • -7.87db
12% Popularity • 33% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 33% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Swearin'
Movie Star
125 bpm • E Maj • 03:38 • -8.62db
21% Popularity • 38% Danceability • 66% Energy • 9% Liveness
17% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 66% Energy • 9% Liveness
17% Instrumentalness • 26% Positiveness
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Bomb the Music Industry!
Stand There Until You're Sober
125 bpm • D Maj • 04:15 • -4.62db
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Their / They're / There
Curtain Call
100 bpm • F Maj • 03:35 • -5db
15% Popularity • 23% Danceability • 97% Energy • 82% Liveness
65% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 97% Energy • 82% Liveness
65% Instrumentalness • 16% Positiveness
