Songs like 10K by KB
Based on a tempo of (+/- 10%) and a similar genre
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Trip Lee
Witness
140 bpm • C# Maj • 03:16 • -5.01db
37% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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116
Big Wave
140 bpm • C# Maj • 02:38 • -6.5db
34% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Jean
Wrote you a letter
140 bpm • A# min • 02:17 • -11.47db
50% Popularity • 86% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 86% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Brandon Lake
COUNT 'EM (REMIX)
140 bpm • C min • 04:05 • -5.13db
55% Popularity • 37% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 37% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Lecrae
Any Attack
140 bpm • G Maj • 01:53 • -3.77db
51% Popularity • 87% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 87% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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KB
So Tired
140 bpm • G# Maj • 03:28 • -6.82db
39% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 84% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hulvey
OTHERSIDE
140 bpm • F min • 03:14 • -6.8db
54% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Keith
IGWT
140 bpm • F# min • 02:59 • -8.2db
35% Popularity • 83% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 83% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Andy Mineo
Coming in Hot
140 bpm • G# Maj • 03:20 • -8.81db
54% Popularity • 89% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 89% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Brandon Lake
COUNT 'EM
140 bpm • C# Maj • 03:47 • -4.77db
61% Popularity • 50% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 50% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Lecrae
Celebrate More
140 bpm • F# Maj • 03:11 • -4db
46% Popularity • 68% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 68% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
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KB
10K
140 bpm • F# Maj • 03:16 • -5.35db
58% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 82% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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MTM Isaiah
God Is Love
140 bpm • G# Maj • 03:28 • -9.02db
45% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Forrest Frank
LOW KEY
140 bpm • A Maj • 02:30 • -6.64db
57% Popularity • 81% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 81% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Skema Boy
THE ANTHEM
140 bpm • F# Maj • 01:49 • -7.56db
50% Popularity • 78% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 78% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The One Keon
God's Way
140 bpm • D# min • 02:46 • -7.57db
39% Popularity • 75% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 75% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Lecrae
Take Me Up
140 bpm • D Maj • 03:11 • -7.34db
48% Popularity • 68% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 68% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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KB
Monster
140 bpm • B min • 03:17 • -6.85db
39% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Maverick City Music
Man of Your Word
140 bpm • B Maj • 09:02 • -17db
56% Popularity • 42% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 42% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Tedashii
Step Into Love
140 bpm • D# min • 02:47 • -4.29db
38% Popularity • 69% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 69% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Swoope
All the Time
139 bpm • D Maj • 03:43 • -8db
37% Popularity • 77% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 77% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Alex Jean
Breaking my lusts
140 bpm • C min • 02:40 • -7.02db
49% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Andy Mineo
Paganini
141 bpm • C# Maj • 03:33 • -3.47db
32% Popularity • 72% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 72% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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1K Phew
Back Soon
139 bpm • D Maj • 04:07 • -9.63db
32% Popularity • 79% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 79% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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KB
This Is Life
141 bpm • G min • 03:27 • -5.89db
45% Popularity • 55% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 55% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Maverick City Music
Closer
139 bpm • B Maj • 06:40 • -15db
57% Popularity • 36% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 36% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hulvey
WALK
138 bpm • F Maj • 02:45 • -3.9db
60% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alex Jean
Right Over Wrong
139 bpm • C min • 02:28 • -9.24db
56% Popularity • 54% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 54% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Caleb Gordon
Mmmmm
142 bpm • A# min • 02:17 • -5.29db
49% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Lake
TEAR OFF THE ROOF
138 bpm • C Maj • 04:23 • -4.9db
55% Popularity • 45% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 45% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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KB
We Right Here
142 bpm • D Maj • 02:58 • -6.75db
40% Popularity • 66% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 66% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
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Aaron Cole
Allegiance
138 bpm • C# Maj • 03:03 • -7.45db
38% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Transformation Worship
Eagle
142 bpm • C# min • 03:30 • -6.93db
44% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Faith Child
New Era
138 bpm • A Maj • 03:40 • -5.32db
25% Popularity • 70% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 70% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Jean
Dying To Self
138 bpm • C Maj • 02:33 • -10.45db
49% Popularity • 84% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 84% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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ELEVATION RHYTHM
Over & Over
138 bpm • D Maj • 04:50 • -7db
59% Popularity • 39% Danceability • 41% Energy • 62% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 39% Danceability • 41% Energy • 62% Liveness
0% Instrumentalness • 13% Positiveness
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KB
Too God - Pt. 2
138 bpm • G# min • 02:35 • -7.05db
40% Popularity • 71% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 71% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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TobyMac
Help Is On The Way (Maybe Midnight)
142 bpm • A Maj • 03:01 • -4.34db
60% Popularity • 74% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 74% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Cole
Glory
138 bpm • G# Maj • 02:30 • -5db
54% Popularity • 75% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 75% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Forrest Frank
Fly Away
138 bpm • F min • 02:35 • -6.67db
61% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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808 BEEZY
Heaven Came Down
143 bpm • B Maj • 03:32 • -4.77db
35% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tedashii
Texas Pete
142 bpm • A min • 04:04 • -4.67db
41% Popularity • 77% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 77% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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KB
Too God
138 bpm • F# Maj • 02:47 • -6.68db
43% Popularity • 72% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 72% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Jean
Walking In Peace
143 bpm • C# min • 01:48 • -6.96db
56% Popularity • 61% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 61% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Torey D'Shaun
Scam Likely
143 bpm • A Maj • 02:35 • -7.74db
38% Popularity • 92% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 92% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Wande
Blessed Up
137 bpm • A# min • 03:01 • -5.79db
44% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Mineo
It Could Be Worse
137 bpm • D Maj • 02:24 • -8.02db
49% Popularity • 81% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 81% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
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Red Tips
Good
137 bpm • G Maj • 02:58 • -11db
53% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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KB
Long Live the Champion
138 bpm • G# min • 04:23 • -4.08db
44% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Faith Child
New Era - GIDI Remix
143 bpm • E Maj • 03:31 • -5.35db
2% Popularity • 74% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 74% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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ELEVATION RHYTHM
Back Then
137 bpm • D min • 04:26 • -4.89db
42% Popularity • 76% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 76% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Wande
Blessed Up (Remix)
137 bpm • A# min • 03:04 • -4.14db
39% Popularity • 89% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 89% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Cody Carnes
Run To The Father
137 bpm • C Maj • 05:08 • -6.8db
61% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
61% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Red Tips
Good, Pt. 2
137 bpm • G Maj • 03:37 • -6.17db
48% Popularity • 82% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 82% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Josiah Queen
Fishes and Loaves
144 bpm • C# Maj • 03:36 • -6.36db
62% Popularity • 46% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 46% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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KB
Talk to Me Nice
142 bpm • A Maj • 03:27 • -6.15db
40% Popularity • 71% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 71% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Colton Dixon
Build a Boat
144 bpm • C# Maj • 02:50 • -4.65db
61% Popularity • 61% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 61% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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for KING & COUNTRY
God Only Knows
144 bpm • D Maj • 03:49 • -7.95db
67% Popularity • 60% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 60% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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NXT Move
STAND BY...
144 bpm • D min • 02:58 • -4.65db
45% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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JStu
Blessed
136 bpm • B min • 02:27 • -9.44db
25% Popularity • 76% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 76% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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ELEVATION RHYTHM
PRAISES (remix)
144 bpm • C# Maj • 02:50 • -5.92db
64% Popularity • 68% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 68% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Steven Malcolm
On Point
136 bpm • C# Maj • 02:32 • -4.33db
20% Popularity • 82% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 82% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Christopher Syncere
UP!
144 bpm • D Maj • 02:46 • -8db
48% Popularity • 78% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 78% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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nobigdyl.
SLEEPIN!
144 bpm • C# Maj • 02:40 • -7.81db
52% Popularity • 92% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 92% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Hulvey
Altar
144 bpm • F min • 03:34 • -4.95db
69% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Cody Carnes
Christ Be Magnified
144 bpm • A Maj • 05:02 • -8db
54% Popularity • 42% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 42% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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ELEVATION RHYTHM
PRAISES
144 bpm • C# Maj • 02:48 • -4db
60% Popularity • 59% Danceability • 85% Energy • 79% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 59% Danceability • 85% Energy • 79% Liveness
0% Instrumentalness • 63% Positiveness
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Andy Mineo
The Saints
144 bpm • C# Maj • 03:58 • -5.13db
50% Popularity • 76% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 76% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Maverick City Music
Bless Me
136 bpm • F Maj • 04:32 • -6.24db
57% Popularity • 67% Danceability • 91% Energy • 88% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 67% Danceability • 91% Energy • 88% Liveness
0% Instrumentalness • 46% Positiveness
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Wande
WINNING
136 bpm • C Maj • 02:18 • -5.22db
42% Popularity • 92% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 92% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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FLAME
Start Over
136 bpm • A min • 03:16 • -3.92db
62% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cody Carnes
Nothing Else
136 bpm • C Maj • 06:33 • -12.92db
60% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Brandon Lake
COAT OF MANY COLORS
136 bpm • D Maj • 04:31 • -6.17db
56% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Mineo
Young
136 bpm • G# Maj • 03:57 • -4.96db
25% Popularity • 82% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 82% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Ty Brasel
Praying Hands
145 bpm • F min • 03:37 • -5.56db
39% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Maverick City Music
Rest on Us
144 bpm • A# Maj • 05:37 • -9.81db
64% Popularity • 39% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 39% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Alex Jean
Heaven Bound
145 bpm • C# Maj • 02:10 • -8.28db
50% Popularity • 78% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 78% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Forrest Frank
Nothing But The Blood
145 bpm • F Maj • 03:08 • -7.56db
61% Popularity • 58% Danceability • 57% Energy • 61% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 57% Energy • 61% Liveness
0% Instrumentalness • 41% Positiveness
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ELEVATION RHYTHM
IYKYK
145 bpm • A# Maj • 02:34 • -5.06db
51% Popularity • 68% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 68% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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KB
Imagine That
145 bpm • B min • 02:22 • -5.46db
43% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Henrik
REAL LOVE
145 bpm • C Maj • 02:52 • -7.85db
37% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Lecrae
I'll Find You
135 bpm • F min • 03:37 • -5.86db
60% Popularity • 74% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 74% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 17% Positiveness
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Hulvey
Love Like That
145 bpm • G# Maj • 02:46 • -7.9db
60% Popularity • 73% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 73% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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indie tribe
STILL HOLY
135 bpm • G Maj • 02:57 • -7.85db
54% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Tedashii
God Flex
135 bpm • D Maj • 03:29 • -5.22db
46% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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KB
Intro to Glory
135 bpm • D Maj • 03:26 • -6.66db
39% Popularity • 59% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 59% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 22% Positiveness
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Trip Lee
Manolo
135 bpm • A Maj • 04:08 • -7.07db
44% Popularity • 88% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 88% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Jean
Just Like That
135 bpm • A# min • 01:42 • -3.2db
47% Popularity • 84% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 84% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Hulvey
More Of You
135 bpm • D Maj • 02:08 • -6.14db
51% Popularity • 74% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 74% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
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GAWVI
Jesus You Are
135 bpm • B Maj • 03:22 • -8.02db
41% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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WHATUPRG
HOLLYWOOD
135 bpm • F# min • 02:50 • -10db
49% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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116
Hectic
135 bpm • D Maj • 02:30 • -8.25db
43% Popularity • 80% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Joey Vantes
Loose Change Remix
135 bpm • C# Maj • 03:00 • -6.69db
26% Popularity • 86% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 86% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Alex Jean
Skress Bout Dat
135 bpm • C Maj • 02:36 • -7.21db
49% Popularity • 94% Danceability • 56% Energy • 32% Liveness
5% Instrumentalness • 50% Positiveness
49% Popularity • 94% Danceability • 56% Energy • 32% Liveness
5% Instrumentalness • 50% Positiveness
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Hulvey
Closer
135 bpm • C# min • 02:44 • -11.49db
56% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Brenno
God Got My Back
135 bpm • C# min • 02:59 • -6.12db
38% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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![Firm Foundation (He's Gonna Make A Way) [feat. Bobbi Storm & Wande] cover art](https://i.scdn.co/image/ab67616d00001e02b6be490d63a421c009280a3c)
Maverick City Music
Firm Foundation (He's Gonna Make A Way)
135 bpm • C# Maj • 08:55 • -7.17db
37% Popularity • 41% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 41% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
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Crowder
Come As You Are
135 bpm • C Maj • 04:49 • -8.84db
63% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
63% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
