Songs like 12 Études, Op. 25: No. 6 in G-Sharp Minor "Thirds" by Frédéric Chopin
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Nathan Bello
Ocean Etude in C minor--Chopin
139 bpm • F min • 02:42 • -19.96db
23% Popularity • 19% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
23% Popularity • 19% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
59% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
59% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Maurice Ravel
Ravel: Gaspard de la nuit, M. 55: I. Ond...
138 bpm • F# Maj • 05:45 • -26.64db
36% Popularity • 27% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
21% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
21% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
137 bpm • G# Maj • 04:53 • -26.8db
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Fritz Kreisler
Liebeslied
136 bpm • A Maj • 03:55 • -26.92db
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 13 in C Minor, Op. ...
136 bpm • C Maj • 05:17 • -21.75db
45% Popularity • 31% Danceability • 6% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 6% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 1 in C-Sharp Mino...
135 bpm • A Maj • 06:05 • -26.84db
13% Popularity • 36% Danceability • 1% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 36% Danceability • 1% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
53% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
53% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Frédéric Chopin
Waltz No. 10 in B Minor, Op. 69, No. 2
155 bpm • B min • 03:58 • -32db
50% Popularity • 33% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
50% Popularity • 33% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
39% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
39% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
30% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Ballade No. 1 in G Minor, Op. 23
133 bpm • D# Maj • 08:52 • -21.4db
47% Popularity • 34% Danceability • 15% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 15% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Pianozone
12 Etudes, Op.25: No.12 in C Minor(Ocean...
159 bpm • F min • 02:12 • -14db
33% Popularity • 14% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 14% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Nocturne No. 2 In E Flat, Op. 9 No. 2
133 bpm • A# Maj • 04:02 • -31db
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Léo Delibes
Lakmé: Flower Duet (Arr. Naoumoff for P...
129 bpm • B Maj • 02:13 • -24.13db
46% Popularity • 43% Danceability • 7% Energy • 10% Liveness
65% Instrumentalness • 11% Positiveness
46% Popularity • 43% Danceability • 7% Energy • 10% Liveness
65% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
► Preview
Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
► Preview
Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Pianozone
12 Etudes, Op.25: No.5 in E minor
126 bpm • E Maj • 02:59 • -21db
21% Popularity • 34% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 22% Positiveness
21% Popularity • 34% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
Chopin: Nocturne No. 20 in C-Sharp Minor...
164 bpm • C# min • 04:19 • -30.93db
67% Popularity • 22% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
67% Popularity • 22% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
33% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Niccolò Paganini
24 Caprices for Violin, Op. 1, MS. 25: N...
167 bpm • A min • 04:22 • -19.3db
37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness
37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Andante spianato
168 bpm • G Maj • 04:46 • -33db
48% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
48% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Sergei Rachmaninoff
Piano Sonata No. 2 in B-Flat Minor, Op. ...
169 bpm • A Maj • 06:54 • -26db
25% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
57% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
57% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6. Allegr...
169 bpm • F# min • 02:56 • -33db
35% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
172 bpm • F min • 03:15 • -18db
42% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
42% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness
