Songs like 12 Sonate a tre - Sonata X in E Major, Op. 3: II. Allemanda, Presto by Tomaso Albinoni
Based on a tempo of (+/- 10%) and a similar genre
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Georg Philipp Telemann
Telemann: Oboe Concerto in E Minor, TWV ...
105 bpm • D# min • 02:33 • -17db
28% Popularity • 42% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 27% Positiveness
28% Popularity • 42% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 27% Positiveness
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Tomaso Albinoni
Balletto à 3 in G Major, Op. 3 No. 3: I...
105 bpm • F# Maj • 01:09 • -17.11db
30% Popularity • 21% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 21% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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Han De Vries
Concerti a cinque Op. 9 for oboe and str...
106 bpm • F# min • 04:07 • -17.49db
18% Popularity • 62% Danceability • 21% Energy • 16% Liveness
53% Instrumentalness • 73% Positiveness
18% Popularity • 62% Danceability • 21% Energy • 16% Liveness
53% Instrumentalness • 73% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tomaso Albinoni
Oboe Concerto in B-Flat Major, Op. 9, No...
104 bpm • A# Maj • 04:13 • -17.33db
25% Popularity • 65% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
25% Popularity • 65% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
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Tafelmusik Baroque Orchestra
Concerto For Oboe In D Minor - Presto
104 bpm • C# min • 03:52 • -19.25db
23% Popularity • 50% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
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Giovanni Battista Pergolesi
Concerto for Flute and 2 Violins in G Ma...
104 bpm • G Maj • 04:31 • -18db
32% Popularity • 55% Danceability • 15% Energy • 22% Liveness
75% Instrumentalness • 79% Positiveness
32% Popularity • 55% Danceability • 15% Energy • 22% Liveness
75% Instrumentalness • 79% Positiveness
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Arcangelo Corelli
Oboe Concerto in A Major (arr. J. Barbir...
104 bpm • F Maj • 02:28 • -27db
47% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
47% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Giovanni Benedetto Platti
Oboe Concerto in G Minor: Allegro
104 bpm • G min • 04:01 • -19db
30% Popularity • 45% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
30% Popularity • 45% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: I. Une j...
106 bpm • C# min • 01:42 • -20db
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tomaso Albinoni
Sinfonia for 2 Oboes in G Major (Arr. A....
105 bpm • D Maj • 02:47 • -15.19db
30% Popularity • 60% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 70% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 70% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Giuseppe Torelli
Concerto No 6 in C minor - Allegro
104 bpm • B min • 01:26 • -19db
33% Popularity • 51% Danceability • 21% Energy • 13% Liveness
69% Instrumentalness • 48% Positiveness
33% Popularity • 51% Danceability • 21% Energy • 13% Liveness
69% Instrumentalness • 48% Positiveness
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Giovanni Battista Sammartini
Symphony in A Major, J-C 62: II. Andante...
104 bpm • G# min • 02:12 • -24.5db
35% Popularity • 31% Danceability • 5% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
35% Popularity • 31% Danceability • 5% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, Op. 2, No. 5...
103 bpm • D min • 01:04 • -18db
40% Popularity • 17% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
40% Popularity • 17% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
37% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes in F Major, Op. 9, ...
104 bpm • F Maj • 04:45 • -15.36db
28% Popularity • 65% Danceability • 31% Energy • 20% Liveness
81% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 31% Energy • 20% Liveness
81% Instrumentalness • 81% Positiveness
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Remo Giazotto
Albinoni / Arr Giazotto: Adagio in G Min...
103 bpm • C min • 09:06 • -18.63db
11% Popularity • 15% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Haydn
Haydn, Michael / Arr Stoll : Polonaise i...
107 bpm • C Maj • 03:35 • -27.8db
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
103 bpm • C Maj • 03:30 • -17db
32% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
32% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: II. Cujus anima...
103 bpm • G Maj • 02:07 • -16.32db
35% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
35% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Tomaso Albinoni
Albinoni: Concerto for Two Oboes in D Ma...
104 bpm • D Maj • 01:28 • -13.13db
13% Popularity • 58% Danceability • 33% Energy • 32% Liveness
51% Instrumentalness • 77% Positiveness
13% Popularity • 58% Danceability • 33% Energy • 32% Liveness
51% Instrumentalness • 77% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Jean-Baptiste Lully
Les Folies d'Espagne
108 bpm • C# min • 02:52 • -19.03db
29% Popularity • 39% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
29% Popularity • 39% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: I. Allegro
108 bpm • E Maj • 04:13 • -21db
41% Popularity • 57% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
41% Popularity • 57% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
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Tomaso Albinoni
Albinoni: Concerto for Two Oboes in C Ma...
104 bpm • C Maj • 04:12 • -14.82db
5% Popularity • 59% Danceability • 38% Energy • 8% Liveness
95% Instrumentalness • 81% Positiveness
5% Popularity • 59% Danceability • 38% Energy • 8% Liveness
95% Instrumentalness • 81% Positiveness
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George Frideric Handel
Handel / Arr. Mackerras & Rothwell: Oboe...
108 bpm • A# Maj • 03:52 • -15.76db
19% Popularity • 36% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 37% Positiveness
19% Popularity • 36% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 37% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": I. ...
108 bpm • D Maj • 03:41 • -20db
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
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Francesco Geminiani
Concerto grosso in C Minor, Op. 2, No. 1...
108 bpm • C min • 01:57 • -18.3db
30% Popularity • 20% Danceability • 12% Energy • 48% Liveness
31% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 12% Energy • 48% Liveness
31% Instrumentalness • 11% Positiveness
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Arcangelo Corelli
Concerto Grosso In C Minor, Op. 6, No. 3...
108 bpm • F min • 01:29 • -22.94db
50% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
50% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
Concerto a 5 in D Minor, Op. 9, No. 2 fo...
106 bpm • D min • 02:54 • -15.68db
16% Popularity • 65% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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Giuseppe Torelli
Torelli: Trumpet Concerto in D Major, G....
102 bpm • D Maj • 02:01 • -14.66db
29% Popularity • 57% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 75% Positiveness
29% Popularity • 57% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 75% Positiveness
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George Frideric Handel
Oboe Concerto No. 3 in G Minor, HWV 287:...
101 bpm • G min • 02:29 • -23.94db
33% Popularity • 44% Danceability • 6% Energy • 37% Liveness
81% Instrumentalness • 35% Positiveness
33% Popularity • 44% Danceability • 6% Energy • 37% Liveness
81% Instrumentalness • 35% Positiveness
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William Boyce
Symphony in D Major, Op. 2 No. 5 "St. Ce...
101 bpm • D Maj • 02:01 • -19db
31% Popularity • 51% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 51% Positiveness
31% Popularity • 51% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 51% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in G Major, K 13 (L 486)
101 bpm • G Maj • 02:17 • -19.76db
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
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Tomaso Albinoni
12 Concerti a 5, Op. 5 - Concerto a5, Op...
107 bpm • A min • 02:22 • -18.77db
7% Popularity • 54% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
7% Popularity • 54% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K.32: Aria
110 bpm • D min • 01:57 • -31.37db
38% Popularity • 55% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 42% Positiveness
38% Popularity • 55% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 42% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
103 bpm • C Maj • 03:19 • -16.65db
35% Popularity • 60% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
35% Popularity • 60% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 87% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: II. Rondeau
100 bpm • D min • 01:33 • -17.02db
45% Popularity • 57% Danceability • 7% Energy • 22% Liveness
26% Instrumentalness • 34% Positiveness
45% Popularity • 57% Danceability • 7% Energy • 22% Liveness
26% Instrumentalness • 34% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: II. Allegro
100 bpm • G Maj • 01:04 • -19db
35% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Francisco António de Almeida
Il trionfo d'amore, Introduzione: Introd...
111 bpm • A Maj • 04:08 • -28.27db
17% Popularity • 28% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
17% Popularity • 28% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
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Tomaso Albinoni
Albinoni: Concerto for Two Oboes in F Ma...
103 bpm • F Maj • 04:49 • -12.54db
8% Popularity • 54% Danceability • 37% Energy • 15% Liveness
11% Instrumentalness • 73% Positiveness
8% Popularity • 54% Danceability • 37% Energy • 15% Liveness
11% Instrumentalness • 73% Positiveness
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Henry Purcell
I. Overture: II. Rondo
100 bpm • D min • 01:16 • -15db
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor - Allegro
100 bpm • C min • 03:01 • -12.82db
19% Popularity • 60% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 76% Positiveness
19% Popularity • 60% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 76% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
111 bpm • F# min • 01:58 • -17.75db
32% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
99 bpm • A# Maj • 02:10 • -17.14db
35% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
49% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
49% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
► Preview
William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
99 bpm • B Maj • 01:31 • -23.57db
43% Popularity • 55% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 71% Positiveness
43% Popularity • 55% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 71% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in G Minor, Op. 1, No. 1...
111 bpm • G min • 01:37 • -17db
34% Popularity • 46% Danceability • 7% Energy • 24% Liveness
9% Instrumentalness • 26% Positiveness
34% Popularity • 46% Danceability • 7% Energy • 24% Liveness
9% Instrumentalness • 26% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Giuseppe Torelli
Torelli: Trumpet Concerto in D Major: II...
111 bpm • D Maj • 01:30 • -13.98db
23% Popularity • 50% Danceability • 29% Energy • 8% Liveness
78% Instrumentalness • 84% Positiveness
23% Popularity • 50% Danceability • 29% Energy • 8% Liveness
78% Instrumentalness • 84% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Concerto in D for Two Oboes, O...
107 bpm • D Maj • 01:31 • -16db
21% Popularity • 64% Danceability • 28% Energy • 29% Liveness
92% Instrumentalness • 86% Positiveness
21% Popularity • 64% Danceability • 28% Energy • 29% Liveness
92% Instrumentalness • 86% Positiveness
► Preview
Jean-Marie Leclair
Violin Concerto in B-Flat Major, Op. 10 ...
99 bpm • A Maj • 04:59 • -21.75db
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso In F Minor, Op. 1, No. 8...
99 bpm • A min • 01:42 • -20db
33% Popularity • 45% Danceability • 9% Energy • 20% Liveness
89% Instrumentalness • 28% Positiveness
33% Popularity • 45% Danceability • 9% Energy • 20% Liveness
89% Instrumentalness • 28% Positiveness
► Preview
Wolfgang Amadeus Mozart
Concerto for Flute and Harp in C Major, ...
111 bpm • F Maj • 07:32 • -22db
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
45% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
45% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
103 bpm • G min • 03:57 • -16.59db
25% Popularity • 59% Danceability • 27% Energy • 15% Liveness
90% Instrumentalness • 78% Positiveness
25% Popularity • 59% Danceability • 27% Energy • 15% Liveness
90% Instrumentalness • 78% Positiveness
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Johannes Brahms
Serenade No. 2 in A Major, Op. 16: 2. Sc...
99 bpm • C Maj • 02:43 • -18.74db
32% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
32% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
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Yehudi Menuhin
Violin Concerto in B Minor, Op. 3 No. 10...
98 bpm • B min • 04:14 • -18.41db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
26% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Overture (Suite) in B-Flat Major, TWV 55...
98 bpm • A Maj • 02:32 • -23db
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
112 bpm • F# min • 04:21 • -28.44db
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Tomaso Albinoni
Concerto a 5 in D, Op. 9, No. 12 for 2 O...
102 bpm • D Maj • 01:34 • -15.96db
6% Popularity • 51% Danceability • 26% Energy • 23% Liveness
86% Instrumentalness • 83% Positiveness
6% Popularity • 51% Danceability • 26% Energy • 23% Liveness
86% Instrumentalness • 83% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
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Tomaso Albinoni
12 Concerti a 5, Op. 5 - Concerto a5, Op...
102 bpm • C Maj • 02:36 • -18.1db
6% Popularity • 54% Danceability • 30% Energy • 9% Liveness
64% Instrumentalness • 91% Positiveness
6% Popularity • 54% Danceability • 30% Energy • 9% Liveness
64% Instrumentalness • 91% Positiveness
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Arcangelo Corelli
Concerto Grosso In B Flat Major, Op. 6, ...
97 bpm • A# Maj • 01:08 • -20db
52% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
52% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
37% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
114 bpm • D Maj • 01:35 • -32db
38% Popularity • 62% Danceability • 2% Energy • 64% Liveness
10% Instrumentalness • 32% Positiveness
38% Popularity • 62% Danceability • 2% Energy • 64% Liveness
10% Instrumentalness • 32% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Luigi Boccherini
Symphony No.4 in D Minor, Op.12 No.4, G....
97 bpm • C min • 01:11 • -24db
45% Popularity • 56% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Tomaso Albinoni
12 Concerti a 5, Op. 5 - Concerto a5, Op...
108 bpm • D min • 01:53 • -22db
6% Popularity • 51% Danceability • 23% Energy • 35% Liveness
46% Instrumentalness • 86% Positiveness
6% Popularity • 51% Danceability • 23% Energy • 35% Liveness
46% Instrumentalness • 86% Positiveness
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George Frideric Handel
Suite in G minor: IV. Bourree II (Arr. A...
114 bpm • C min • 01:27 • -25.2db
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
46% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
46% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
34% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Trumpet Sonata in D Major, Z. 8...
97 bpm • A# min • 01:30 • -26db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
