Songs like 12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro by Giuseppe Tartini
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
Piano Sonata No. 17 in D Minor, Op. 31, ...
123 bpm • G min • 06:15 • -23db
43% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
43% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Heinrich Ignaz Franz von Biber
Passacaglia for solo violin (Biber)
123 bpm • F# min • 09:13 • -20.16db
13% Popularity • 27% Danceability • 9% Energy • 48% Liveness
73% Instrumentalness • 12% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 48% Liveness
73% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Variazioni di bravura, on Caprice No. 24
123 bpm • A min • 04:27 • -15.77db
19% Popularity • 44% Danceability • 22% Energy • 14% Liveness
65% Instrumentalness • 43% Positiveness
19% Popularity • 44% Danceability • 22% Energy • 14% Liveness
65% Instrumentalness • 43% Positiveness
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Giuseppe Tartini
L'arte dell'arco, B. F11: Tema
123 bpm • C Maj • 01:07 • -22db
40% Popularity • 52% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
40% Popularity • 52% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
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Jenő Hubay
Carmen, fantasie brillante, Op. 3, No. 3...
122 bpm • B min • 03:26 • -15.53db
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
41% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Niccolò Paganini
Sonata concertata in A Major, Op. 61, MS...
122 bpm • E Maj • 01:56 • -25db
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
60% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
60% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Niccolò Paganini
Centone di sonate, Op. 64, MS 112: Sonat...
122 bpm • A Maj • 03:20 • -16.56db
35% Popularity • 62% Danceability • 23% Energy • 14% Liveness
45% Instrumentalness • 47% Positiveness
35% Popularity • 62% Danceability • 23% Energy • 14% Liveness
45% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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John Rutter
Suite Antique for flute, strings and har...
125 bpm • E min • 03:13 • -19db
5% Popularity • 24% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Henri Vieuxtemps
Capriccio for Solo Viola, Op. 55
126 bpm • C min • 03:25 • -24db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Antonio Salieri
Salieri : Piano Concerto in C major : II...
126 bpm • C Maj • 07:41 • -33db
14% Popularity • 44% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
14% Popularity • 44% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Giuseppe Tartini
Variations on Gavotte from Corelli's Op....
126 bpm • E Maj • 01:14 • -19.7db
4% Popularity • 58% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
4% Popularity • 58% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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George Frideric Handel
Concerto Grosso in B-Flat Major, Op. 3, ...
120 bpm • G min • 01:24 • -17.94db
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
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Alexander Litvinovsky
Tales of the Magic Tree: IV. Spider Know...
120 bpm • D min • 03:39 • -14.79db
32% Popularity • 47% Danceability • 15% Energy • 40% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 47% Danceability • 15% Energy • 40% Liveness
87% Instrumentalness • 13% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Henry Eccles
Sonata in G Minor: II. Courante: Allegro...
127 bpm • G min • 01:32 • -22.07db
32% Popularity • 54% Danceability • 16% Energy • 20% Liveness
87% Instrumentalness • 59% Positiveness
32% Popularity • 54% Danceability • 16% Energy • 20% Liveness
87% Instrumentalness • 59% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
54% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
54% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Heinrich Wilhelm Ernst
Ernst: Grand Caprice on "Der Erlkönig",...
127 bpm • G min • 04:23 • -17.19db
14% Popularity • 52% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 64% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 64% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
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Charles-Auguste de Bériot
9 Studies: No. 1. Allegro agitato
129 bpm • G Maj • 01:38 • -22db
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Giuseppe Tartini
Variations on Gavotte from Corelli's Op....
117 bpm • E Maj • 01:00 • -29.53db
13% Popularity • 48% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 48% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
37% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Heinrich Wilhelm Ernst
Le roi des aulnes, Op. 26 (after Schuber...
129 bpm • C Maj • 04:11 • -18db
15% Popularity • 47% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 48% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Pietro Locatelli
Violin Concerto in D Major, Op. 3 No. 12...
129 bpm • D Maj • 05:51 • -19.78db
28% Popularity • 41% Danceability • 17% Energy • 16% Liveness
75% Instrumentalness • 48% Positiveness
28% Popularity • 41% Danceability • 17% Energy • 16% Liveness
75% Instrumentalness • 48% Positiveness
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Giuseppe Tartini
26 Sonatas: No. 9, Violin Sonata in A Ma...
130 bpm • A Maj • 01:56 • -16.04db
14% Popularity • 56% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
14% Popularity • 56% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Overture
130 bpm • D Maj • 05:54 • -17db
33% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
33% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
62% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
62% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Pablo de Sarasate
Spanish Dances, Op. 21: No. 1. Malaguena
130 bpm • D Maj • 05:02 • -20.12db
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
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Giuseppe Tartini
26 Sonatas: No. 6, Violin Sonata in E Mi...
130 bpm • E min • 04:50 • -18.09db
16% Popularity • 41% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
131 bpm • D# Maj • 06:23 • -27.04db
32% Popularity • 19% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Giuseppe Tartini
26 Sonatas: No. 9, Violin Sonata in A Ma...
115 bpm • A Maj • 03:31 • -18.34db
14% Popularity • 32% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 32% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
► Preview
Jenő Hubay
Carmen (Bizet) - Fantasie brillante
114 bpm • D Maj • 08:52 • -18db
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
► Preview
Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor the Devil'S Tri...
114 bpm • G min • 04:44 • -16.86db
1% Popularity • 38% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
1% Popularity • 38% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Vladimir Rebikov
Valse Mélancolique
113 bpm • B min • 01:34 • -24db
42% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
42% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Jean Baptiste Senaillé
Allegro spiritoso
113 bpm • D min • 02:31 • -25db
9% Popularity • 50% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 86% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 86% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
37% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
38% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, B.g5 / GT 2.g0...
113 bpm • G min • 06:31 • -15.5db
25% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Eccles
Sonata in G Minor: IV. Vivace
113 bpm • G min • 01:25 • -23db
22% Popularity • 56% Danceability • 28% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
22% Popularity • 56% Danceability • 28% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Mela Tenenbaum
Chopin Mazurka in A Minor, Op.67,No.4: F...
135 bpm • A Maj • 03:03 • -23.36db
26% Popularity • 29% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
26% Popularity • 29% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Giuseppe Tartini
Tartini / Arr. Kreisler: Violin Sonata i...
113 bpm • G Maj • 02:59 • -12.52db
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 37% Positiveness
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 37% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70
136 bpm • D min • 06:53 • -14.93db
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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Franz Schubert
Piano Quintet in A major, D. 667 "The Tr...
111 bpm • A Maj • 03:56 • -20.27db
23% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
23% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
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Friedrich Seitz
Violin Concerto No. 5 in D Major, Op. 22...
111 bpm • D Maj • 03:58 • -18.05db
15% Popularity • 43% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
15% Popularity • 43% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Liebeslied
136 bpm • A Maj • 03:55 • -26.92db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Giuseppe Tartini
Sonata In A Minor, B. a7: III. [Andante]
136 bpm • G# min • 04:53 • -23.44db
4% Popularity • 32% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 32% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
