Songs like 12:59 Lullaby by Bedouin Soundclash
Based on a tempo of (+/- 10%) and a similar genre
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Rob Fevas
Don't
97 bpm • A Maj • 01:20 • -11.42db
10% Popularity • 75% Danceability • 35% Energy • 10% Liveness
20% Instrumentalness • 92% Positiveness
10% Popularity • 75% Danceability • 35% Energy • 10% Liveness
20% Instrumentalness • 92% Positiveness
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Kid Icarus
She's Got Mono
97 bpm • G Maj • 01:36 • -9.28db
9% Popularity • 48% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 48% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Red Valley
Grown Up Thing
96 bpm • A Maj • 02:36 • -6.5db
12% Popularity • 74% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 74% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Osbaldo Howell
Love Me
96 bpm • B min • 04:24 • -9.74db
26% Popularity • 54% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 54% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Travellers of Old
Mantra
96 bpm • G Maj • 02:30 • -11.34db
7% Popularity • 55% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 55% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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Andrew Neil
Dog Without a Bone
96 bpm • C min • 03:23 • -9.13db
16% Popularity • 70% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sarah Louise
Sorry Not Sorry
96 bpm • D Maj • 03:03 • -6.67db
8% Popularity • 67% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 67% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Nostalgic Spoilers
Hellbound
96 bpm • G Maj • 03:15 • -9.87db
8% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Sound of Monday
Spiderman Theme - Red Pill Remix
96 bpm • D Maj • 01:39 • -5.09db
10% Popularity • 69% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 69% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Dan and Dani
Dan & Dani
98 bpm • D Maj • 01:53 • -10.15db
11% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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A Boy Named Sue
I Give
96 bpm • C min • 04:11 • -18.32db
9% Popularity • 72% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 72% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Forever Susan
What I Got
96 bpm • D Maj • 02:32 • -5.95db
9% Popularity • 83% Danceability • 81% Energy • 17% Liveness
4% Instrumentalness • 76% Positiveness
9% Popularity • 83% Danceability • 81% Energy • 17% Liveness
4% Instrumentalness • 76% Positiveness
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Dave Raleign
No Need For
96 bpm • D# min • 02:43 • -16.42db
30% Popularity • 64% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 64% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Jochen Oosting
Keep on runnin
95 bpm • A# min • 01:21 • -4.29db
29% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Rhodes Violet
Painting With A Smile
99 bpm • C Maj • 02:17 • -7.35db
7% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Burning Heads
Hey You
95 bpm • B min • 03:06 • -5.24db
9% Popularity • 83% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 87% Positiveness
9% Popularity • 83% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 87% Positiveness
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M
Please, Come In
95 bpm • A Maj • 03:55 • -7.79db
10% Popularity • 79% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 79% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Omaira Falcon
Let Me Be Free
95 bpm • C Maj • 02:11 • -14.89db
13% Popularity • 73% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 73% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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VI Peeps
Good Morning, Good Afternoon, Good Night
95 bpm • G Maj • 04:05 • -8.43db
10% Popularity • 77% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 77% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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JONVS
Be Alright
95 bpm • E Maj • 04:20 • -13.13db
24% Popularity • 69% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 69% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Music for Aardvarks and Other Mammals
Head to Toe
99 bpm • D Maj • 01:21 • -5.25db
11% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Clement Tennyson
Alien
95 bpm • G# Maj • 03:02 • -13.63db
7% Popularity • 72% Danceability • 49% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
7% Popularity • 72% Danceability • 49% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
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The Monotones
The Great Escape
95 bpm • A min • 02:15 • -4.48db
15% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mr Henzig
Longing Fondling
94 bpm • D Maj • 01:11 • -14db
28% Popularity • 64% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Bad Jokes
Wherever You May Go - Acoustic Version
99 bpm • A min • 01:17 • -9.21db
25% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jeremy Abbott
Take Your Weekends
100 bpm • G Maj • 04:24 • -9.1db
8% Popularity • 78% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 78% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Yellow Umbrella
Run Run Run
100 bpm • F Maj • 02:50 • -10.86db
7% Popularity • 86% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 86% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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The Woods Between The Worlds
Days of Heaven on the Earth
100 bpm • D Maj • 02:50 • -3.92db
15% Popularity • 73% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 73% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
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Fredi Kayaman Official
Mushroom
100 bpm • E Maj • 03:59 • -5.83db
9% Popularity • 95% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 95% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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PRESTIDGE
Jungle Walk
100 bpm • E Maj • 02:02 • -16db
9% Popularity • 70% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 70% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Dulcimer Dan
Mask Of A Thousand Faces
100 bpm • G Maj • 02:18 • -10.63db
18% Popularity • 62% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 62% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Ill Rendition
Last Stand
100 bpm • A Maj • 03:32 • -6.97db
8% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Sasquatch
I Need My Pain
100 bpm • C Maj • 04:10 • -14.62db
8% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Jo Valentine
A Hand to Hold
100 bpm • C Maj • 02:59 • -7.46db
15% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 78% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Spiraling Reverb
Idols of Memory
100 bpm • E Maj • 03:06 • -13.76db
15% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Danny Weinkauf
Springtime
94 bpm • C# Maj • 02:40 • -8.08db
13% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Joseph
Princess
94 bpm • F# Maj • 03:21 • -18.75db
7% Popularity • 82% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 82% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Bet on Red
Rudie Can't Fail
94 bpm • A Maj • 03:14 • -4.84db
9% Popularity • 44% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 44% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Ill Rendition
We're Not Friends On Facebook Anymore
94 bpm • B Maj • 02:38 • -7.16db
11% Popularity • 59% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 59% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Erén
Days Are Gone
101 bpm • F# min • 01:54 • -8.92db
21% Popularity • 74% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 74% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Martin Chaparro
One Way Ticket
93 bpm • B min • 03:04 • -5.64db
17% Popularity • 37% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 37% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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A Boy Named Sue
All I Want Is You
93 bpm • D Maj • 04:17 • -19.61db
9% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Illicitizen
Nothing
101 bpm • B Maj • 04:31 • -5.24db
12% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 67% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Phoenix Juggernaut
Daughters of Zion
93 bpm • G Maj • 03:26 • -9.61db
13% Popularity • 90% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 90% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Above Jupiter
Midnight Sun
93 bpm • C Maj • 02:17 • -6.02db
15% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Steets of Jupiter
Dinner at the Kaul’s
93 bpm • C Maj • 04:17 • -4.69db
19% Popularity • 82% Danceability • 75% Energy • 47% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 82% Danceability • 75% Energy • 47% Liveness
0% Instrumentalness • 86% Positiveness
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Sequoia Elias
The Rain
93 bpm • F min • 02:12 • -13.26db
15% Popularity • 42% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 42% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Taufik Nurtosyid
Petualangan - Acoustic
101 bpm • A Maj • 01:46 • -10.34db
17% Popularity • 66% Danceability • 42% Energy • 15% Liveness
69% Instrumentalness • 56% Positiveness
17% Popularity • 66% Danceability • 42% Energy • 15% Liveness
69% Instrumentalness • 56% Positiveness
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SUMPP
Having A Good Time On A Sunday Night
101 bpm • G Maj • 00:59 • -7.44db
25% Popularity • 76% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 76% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Beautiful Nubia
Chariot of Melody
102 bpm • C# min • 04:42 • -15.37db
12% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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A Boy Named Sue
I Don't Care
102 bpm • F# Maj • 03:36 • -17.83db
9% Popularity • 81% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 81% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ho Jo Johnson and Last Year At This Time
Crazy Mary Anne
92 bpm • G Maj • 02:53 • -14.01db
9% Popularity • 56% Danceability • 60% Energy • 2% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 56% Danceability • 60% Energy • 2% Liveness
0% Instrumentalness • 63% Positiveness
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Eoin Delaney
Freeze Frame Paradise
102 bpm • F# min • 03:25 • -9db
23% Popularity • 90% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 90% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Dream Jam Band
My Buddy, My Pal, Mi Amigo
92 bpm • E min • 02:45 • -10.09db
13% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Awesome Cutlery
Good News Family
92 bpm • G Maj • 03:34 • -5.18db
13% Popularity • 66% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 66% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Klaas Versteeg
Today
92 bpm • A# Maj • 03:12 • -8.54db
19% Popularity • 80% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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A Boy Named Sue
Quest, Pt. 1 (The Fool)
102 bpm • A# min • 02:40 • -17.47db
9% Popularity • 72% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 57% Positiveness
9% Popularity • 72% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 57% Positiveness
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Humble Humans
Shit Done
92 bpm • D min • 03:56 • -12.68db
8% Popularity • 71% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 71% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Patou Power
The Ganja Was Flowing
92 bpm • F Maj • 02:06 • -7.55db
19% Popularity • 74% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 74% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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The Trees
When I Call Your Name
92 bpm • D Maj • 03:28 • -7.22db
7% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Clapham
The Perfect World
92 bpm • F# Maj • 03:59 • -10.55db
8% Popularity • 51% Danceability • 72% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
8% Popularity • 51% Danceability • 72% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
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John Wheeler
Window Time
102 bpm • C Maj • 04:24 • -7.84db
8% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Nick Moorcroft
Right Back in the Line (Give & I Give)
92 bpm • F Maj • 03:49 • -9.34db
8% Popularity • 69% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 69% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Nguru
The Die Is Cast
91 bpm • C min • 03:10 • -3.68db
11% Popularity • 62% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 62% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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RAC
Street Signs and Pipe Dreams
103 bpm • A# min • 05:57 • -5.82db
16% Popularity • 53% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 53% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Gumbo
Dance With The Devil
103 bpm • G Maj • 03:34 • -5.81db
22% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Daniel Tom
The Sugar Bee
103 bpm • G Maj • 01:56 • -14.54db
24% Popularity • 56% Danceability • 79% Energy • 31% Liveness
84% Instrumentalness • 64% Positiveness
24% Popularity • 56% Danceability • 79% Energy • 31% Liveness
84% Instrumentalness • 64% Positiveness
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The Late Freddie Price
Looking Right Through
91 bpm • D Maj • 02:39 • -12.8db
8% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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The Chains
My Baby Is A Hooligan
91 bpm • B min • 01:39 • -5.25db
15% Popularity • 67% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 82% Positiveness
15% Popularity • 67% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 82% Positiveness
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Nguru
Indian Summer
103 bpm • D Maj • 03:20 • -3.13db
10% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Twist Unsightly
Develop
104 bpm • B min • 02:39 • -8.08db
16% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Mr. Elephant
Wake Up!
104 bpm • A Maj • 03:03 • -11.26db
9% Popularity • 72% Danceability • 51% Energy • 24% Liveness
2% Instrumentalness • 45% Positiveness
9% Popularity • 72% Danceability • 51% Energy • 24% Liveness
2% Instrumentalness • 45% Positiveness
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Tony Venuto
40th Day Of Rain
91 bpm • G Maj • 03:09 • -7.33db
10% Popularity • 67% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 67% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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A Boy Named Sue
Stories
104 bpm • E Maj • 02:55 • -17.1db
9% Popularity • 74% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 74% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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The Conductors
I've Been Working on the Railroad
104 bpm • F# Maj • 01:49 • -6.45db
8% Popularity • 69% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 69% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Regez Band
Stove Blues
90 bpm • G Maj • 03:04 • -16.58db
8% Popularity • 75% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
8% Popularity • 75% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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The Soulshine Co.
Sweet Montgomery Sky
90 bpm • G Maj • 02:46 • -7.85db
12% Popularity • 55% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Mr Roberelli
The Romans
90 bpm • F Maj • 02:06 • -13.78db
11% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Deano Yipadee
Mary Has A Little Lamb
90 bpm • C Maj • 01:11 • -5.58db
7% Popularity • 73% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 73% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Patois Brothers
Chat-Chat Men
90 bpm • C Maj • 03:31 • -10.04db
12% Popularity • 80% Danceability • 69% Energy • 10% Liveness
17% Instrumentalness • 90% Positiveness
12% Popularity • 80% Danceability • 69% Energy • 10% Liveness
17% Instrumentalness • 90% Positiveness
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Sasquatch
Make Me a Maple Bar
90 bpm • G Maj • 03:15 • -14.82db
8% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Dub-321
Cowboys Don't Cry
90 bpm • G# Maj • 02:36 • -9.38db
20% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Beautiful Nubia
No Words
105 bpm • F# min • 03:59 • -16db
12% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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kirsten
sunkissed
90 bpm • G Maj • 02:52 • -8.68db
25% Popularity • 91% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 91% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Frager
Lovalova
90 bpm • E Maj • 05:07 • -6.93db
10% Popularity • 52% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 52% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Zoot Suit Riot
Just Go Away
90 bpm • B Maj • 02:52 • -7.38db
18% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Black Bear Weekend
4 Years For This?
90 bpm • D Maj • 02:01 • -27.26db
10% Popularity • 62% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 62% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dread Zeppelin
Friend Bob Marley
90 bpm • B min • 02:43 • -8.01db
7% Popularity • 72% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 47% Positiveness
7% Popularity • 72% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 47% Positiveness
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Nick Neblo
Fluorescent Adolescent (Acoustic Version...
105 bpm • E Maj • 02:53 • -8.71db
13% Popularity • 86% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 86% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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sig.
Please Leave
105 bpm • B min • 03:52 • -15.31db
7% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Joanna and Mark Kids Songs
The Winter Song
105 bpm • G Maj • 01:36 • -8.85db
8% Popularity • 77% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 77% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Pony Baby
Steady Like A Train
105 bpm • E Maj • 03:35 • -11.41db
14% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Scott Lyman & The Wandering Buckaroos
Old Chisholm Trail
89 bpm • D Maj • 01:17 • -10.16db
20% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Scapegoat
Original Trust
106 bpm • G Maj • 04:01 • -4.94db
18% Popularity • 53% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 53% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Deficiente
Calentame Global
106 bpm • C Maj • 02:29 • -6.53db
9% Popularity • 84% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 84% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Chris Regez Band
Jeans On
106 bpm • E Maj • 03:23 • -16.4db
8% Popularity • 76% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 76% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Eoin Delaney
The Whistle Song
106 bpm • C Maj • 03:16 • -13.6db
9% Popularity • 70% Danceability • 47% Energy • 17% Liveness
23% Instrumentalness • 58% Positiveness
9% Popularity • 70% Danceability • 47% Energy • 17% Liveness
23% Instrumentalness • 58% Positiveness
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Akim Elliot Pinter
Don't Love Me
106 bpm • C Maj • 03:39 • -11.29db
19% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
