Songs like 13 Catalan Folksongs: La nit de Nadal (El Desembre congelat) by Miguel Llobet Solés
Based on a tempo of (+/- 10%) and a similar genre
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Michael Nicolella
Suite No. 2 in A Minor (Orig. D Minor), ...
96 bpm • A min • 02:08 • -19.43db
13% Popularity • 33% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 85% Positiveness
13% Popularity • 33% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 85% Positiveness
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Luis de Narváez
Los seys libros del Delphin de musica de...
96 bpm • A min • 02:10 • -28db
9% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
96 bpm • A min • 02:17 • -31db
13% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Jaume Torrent
Lo Fill del Rei (Llobet)
96 bpm • C# Maj • 01:44 • -18.82db
2% Popularity • 63% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
2% Popularity • 63% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
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Bret Williams
Film Grain
96 bpm • A Maj • 03:07 • -27.22db
24% Popularity • 41% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
24% Popularity • 41% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Raul Borges
Borges: El criollito
96 bpm • A# Maj • 01:45 • -23.25db
10% Popularity • 34% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 92% Positiveness
10% Popularity • 34% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 92% Positiveness
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Renata Tarragó
Fernando Sor : Estudio en si menor, no. ...
96 bpm • C min • 02:23 • -21db
14% Popularity • 44% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
14% Popularity • 44% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Mikis Theodorakis
Epitaphs: 6. At The Window
96 bpm • E Maj • 01:21 • -24.15db
12% Popularity • 36% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: La nit de Nadal (E...
96 bpm • E Maj • 01:33 • -18.19db
14% Popularity • 55% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
14% Popularity • 55% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
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Jason Vieaux
Recuerdos de viaje, Op. 71: No. 8. Rumor...
97 bpm • A min • 04:14 • -21db
25% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
25% Popularity • 36% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Joaquin Clerch
Preludios de primavera: I. Primavera
97 bpm • C Maj • 02:50 • -27.22db
12% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Martín y Coll
El Villano
97 bpm • C Maj • 01:45 • -14.83db
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 85% Positiveness
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Joaquín Turina
Sonata, Op. 61: III. Allegro vivo
97 bpm • G Maj • 03:24 • -16.29db
15% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
15% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Jorge Cardoso
Milonga
97 bpm • A Maj • 02:23 • -12.19db
12% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
12% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Stefano Scodanibbio
Quattro Pezzi Spagnoli: El Testament d�...
95 bpm • D min • 03:31 • -36db
2% Popularity • 22% Danceability • 0% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
2% Popularity • 22% Danceability • 0% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
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Leo Brouwer
Hika (In Memoriam Toru Takemitsu)
95 bpm • D min • 06:25 • -18.29db
11% Popularity • 33% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 33% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Fernando Bustamante
Misionera (arr. J. Morel for guitar)
97 bpm • A min • 03:01 • -21.17db
11% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
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Miguel Llobet Solés
Estudio Capricho
97 bpm • D Maj • 02:01 • -23db
21% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
21% Popularity • 36% Danceability • 16% Energy • 12% Liveness
81% Instrumentalness • 58% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: IV. Allegretto
95 bpm • E Maj • 01:09 • -24db
29% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
29% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Antonio Lauro
El marabino
97 bpm • A Maj • 01:26 • -12.19db
17% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
17% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Napoléon Coste
16 Valses favorites de Johann Strauss, O...
95 bpm • A Maj • 01:12 • -28.53db
18% Popularity • 41% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
18% Popularity • 41% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 1b in E Ma...
97 bpm • E Maj • 04:43 • -20.38db
5% Popularity • 38% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 40% Positiveness
5% Popularity • 38% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 40% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
97 bpm • A min • 02:33 • -30.32db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: Lo fill del rey
97 bpm • D Maj • 01:34 • -25.95db
21% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
21% Popularity • 44% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Hermann Ambrosius
Suite Galante (Arr. for 2 Guitars by Ano...
97 bpm • C Maj • 02:26 • -19.46db
15% Popularity • 52% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
15% Popularity • 52% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
95 bpm • A Maj • 04:47 • -23.06db
18% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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Jaume Torrent
La Pastoreta (Llobet)
97 bpm • C# Maj • 01:49 • -17.03db
3% Popularity • 67% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 88% Positiveness
3% Popularity • 67% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 88% Positiveness
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John Dowland
Melancholy Galliard
94 bpm • F Maj • 03:41 • -26.99db
10% Popularity • 44% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
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Mario Castelnuovo-Tedesco
Escarramán, Op. 177: IV 'Pesame dello a...
95 bpm • G min • 04:04 • -31.49db
1% Popularity • 35% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
1% Popularity • 35% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Walter Heinze
Concordancias: IV --
94 bpm • C# min • 01:43 • -33db
14% Popularity • 28% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 58% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 58% Positiveness
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Miguel Llobet Solés
4 Folksongs: Estilo popular argentino in...
95 bpm • E min • 02:00 • -26db
6% Popularity • 42% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 24% Positiveness
6% Popularity • 42% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 24% Positiveness
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Julián Aguirre
Huella, Op. 49 (Arr. for Guitar)
98 bpm • C# min • 02:04 • -23.57db
0% Popularity • 56% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
0% Popularity • 56% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Teresa de Rogatis
Sonatina 4. a Capriccio
98 bpm • A Maj • 02:12 • -19.45db
18% Popularity • 47% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
18% Popularity • 47% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Manos Hadjidakis
The Urchins Down in the Meadow (Arr. O. ...
98 bpm • A min • 06:32 • -23.06db
9% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
9% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Catharina Josepha Pratten
Fairy Sketches: Puck
98 bpm • A min • 01:22 • -24.51db
11% Popularity • 48% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
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Laura Verdugo del Rey
Dos Brisas de Abril: I. en la Mañana
98 bpm • E min • 01:32 • -16.42db
22% Popularity • 68% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: L'hereu riera
98 bpm • A Maj • 00:56 • -19db
29% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
29% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Andrea Falconieri
Canzone, Libro 1: No. 47, Corriente dich...
98 bpm • F# min • 01:30 • -26.49db
1% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
1% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Antonio Lauro
Suite Venezolano: I Registro (Preludio)
98 bpm • G Maj • 01:52 • -31db
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 3, Ricercare del terz...
94 bpm • A Maj • 01:09 • -24.01db
25% Popularity • 55% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
25% Popularity • 55% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
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Mauro Giuliani
Studio Op.48 N.2 - Moderato
98 bpm • A min • 00:45 • -23.41db
17% Popularity • 25% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
17% Popularity • 25% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Miguel Llobet Solés
El testament d'Amelia
98 bpm • A# Maj • 01:51 • -17.76db
0% Popularity • 44% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
0% Popularity • 44% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Ferdinando Carulli
École de guitare - Arr. for Guitar by S...
94 bpm • D Maj • 01:48 • -24.15db
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Anonymous
Bertoncina
98 bpm • A# min • 01:08 • -27.24db
0% Popularity • 39% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
0% Popularity • 39% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Isaías Sávio
Batucada
99 bpm • E Maj • 03:02 • -23.04db
11% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Antonio Lauro
Ana Florencia
94 bpm • E Maj • 01:47 • -28.25db
17% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
17% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Mauro Giuliani
Vals Allegretto
99 bpm • G Maj • 01:30 • -27.55db
16% Popularity • 55% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
16% Popularity • 55% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Gerardo Támez
Aires de Son: II. Quedo
99 bpm • C Maj • 03:39 • -35db
10% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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劉士堉
法國香頌: 花都的人潮
93 bpm • E min • 03:02 • -20db
10% Popularity • 44% Danceability • 18% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
10% Popularity • 44% Danceability • 18% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.9 Allegretto Grazioso
99 bpm • A Maj • 02:46 • -15db
9% Popularity • 52% Danceability • 40% Energy • 13% Liveness
89% Instrumentalness • 55% Positiveness
9% Popularity • 52% Danceability • 40% Energy • 13% Liveness
89% Instrumentalness • 55% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze la Harpa en la M...
93 bpm • D Maj • 01:54 • -19.27db
11% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
11% Popularity • 35% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Johann Kaspar Mertz
Fantaisie hongroise
99 bpm • A Maj • 01:18 • -20.29db
33% Popularity • 54% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 54% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Andrea Falconieri
Canzone, Libro 1: No. 56, La Benedetta
93 bpm • F# min • 01:52 • -24.8db
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
0% Popularity • 52% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Philip Hemmo
El Maestro: Pavan No. 1
100 bpm • G Maj • 01:17 • -20.51db
19% Popularity • 42% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
19% Popularity • 42% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
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Mario Castelnuovo-Tedesco
Escarramán, Op. 177: III El Villano
99 bpm • G Maj • 02:44 • -24.08db
2% Popularity • 41% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
2% Popularity • 41% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Matteo Carcassi
25 Etudes, Op.60: No.4
93 bpm • D Maj • 01:05 • -19.67db
20% Popularity • 32% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
20% Popularity • 32% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
► Preview
Frederik Rung
Albumsblade: VIII. Idyl
92 bpm • E Maj • 01:13 • -28.73db
16% Popularity • 56% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
16% Popularity • 56% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Alonso Mudarra
Fantasia X
100 bpm • D Maj • 01:51 • -32db
14% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
14% Popularity • 22% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
► Preview
Carlos Bonell
Torroba: Madroños
100 bpm • E Maj • 03:01 • -22db
14% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Miguel Llobet Solés
Variaciones sobre un Tema de Sor, Op. 15...
100 bpm • E Maj • 01:44 • -35.38db
10% Popularity • 39% Danceability • 0% Energy • 13% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 39% Danceability • 0% Energy • 13% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
92 bpm • D Maj • 01:38 • -24.67db
24% Popularity • 40% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
24% Popularity • 40% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23, Act IV: Solveig's san...
100 bpm • D Maj • 05:18 • -29.95db
8% Popularity • 47% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
8% Popularity • 47% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
John Dowland
Captain Digorie Piper’s Galliard
100 bpm • D min • 03:00 • -25db
10% Popularity • 43% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 21% Positiveness
10% Popularity • 43% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Vincenzo Galilei
26 Ricercares: No. 8, Ricercare del otta...
92 bpm • E Maj • 01:03 • -20.15db
14% Popularity • 66% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
14% Popularity • 66% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Instrumental genius
Whispers in Strings
92 bpm • D min • 01:01 • -23.52db
27% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
27% Popularity • 55% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Trần Hoài Phương
Đời Gọi Em Biết Bao Lần
92 bpm • E min • 05:15 • -20.16db
3% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
3% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Miguel Llobet Solés
13 Catalan Folksongs: Le preco de Lleida
92 bpm • D min • 01:59 • -28db
19% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
► Preview
Georges Bizet
Carmen Suite: III. Seguidilla (Arr. W. K...
101 bpm • G Maj • 01:45 • -28.15db
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
► Preview
Andrea Falconieri
Villanelle, Libro 1: Occhietti amati
92 bpm • B Maj • 01:26 • -27.68db
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
► Preview
Vincenzo Galilei
26 Ricercares: No. 22, Ricercare del dec...
91 bpm • A min • 01:13 • -21.47db
16% Popularity • 66% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
16% Popularity • 66% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
► Preview
Joaquin Clerch
Preludios de primavera: VI. Souvenir de ...
91 bpm • F Maj • 01:49 • -27.44db
12% Popularity • 24% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
12% Popularity • 24% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
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Dimitri Illarionov
7 Canciones populares espanolas (arr. M....
91 bpm • A min • 01:16 • -19.66db
1% Popularity • 35% Danceability • 14% Energy • 10% Liveness
59% Instrumentalness • 17% Positiveness
1% Popularity • 35% Danceability • 14% Energy • 10% Liveness
59% Instrumentalness • 17% Positiveness
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Jaume Torrent
Cançó del Lladre (Llobet)
101 bpm • C# Maj • 01:52 • -20.38db
2% Popularity • 45% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 65% Positiveness
2% Popularity • 45% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 65% Positiveness
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Joaquín Turina
Hommage a Tarrega: II. Soleares
91 bpm • D Maj • 02:20 • -19.33db
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Book 6: No. 1. Tar...
101 bpm • A min • 03:53 • -25.58db
8% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
8% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Marcus Paus
Weserübung (9. april 2020)
101 bpm • A Maj • 03:16 • -24.48db
11% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 45% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Manuel de Falla
El sombrero de 3 picos (The 3-Cornered H...
91 bpm • D Maj • 01:58 • -22.91db
15% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: Plany
102 bpm • D min • 02:00 • -27.54db
11% Popularity • 45% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
11% Popularity • 45% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Domenico Cimarosa
Keyboard Sonata No. 9 In D Minor: Andant...
91 bpm • D min • 02:44 • -18db
11% Popularity • 69% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 57% Positiveness
11% Popularity • 69% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 57% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
27% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
27% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Johann Kaspar Mertz
Deutsche Weise (German Air)
101 bpm • F Maj • 04:19 • -31.71db
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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John Dowland
Fortune
91 bpm • F# min • 02:54 • -26.74db
10% Popularity • 36% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Leo Brouwer
El decameron negro: La huida de los aman...
90 bpm • F# min • 04:47 • -29db
12% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
12% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Miguel Llobet Solés
Mazurka for Federico Bufaletti
90 bpm • D Maj • 05:55 • -22.61db
4% Popularity • 43% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
4% Popularity • 43% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Jaume Torrent
El Testament d'Amèlia (Llobet)
90 bpm • A Maj • 02:05 • -23.09db
3% Popularity • 69% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
3% Popularity • 69% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 2 in C Major: Sch...
90 bpm • E min • 01:07 • -28db
29% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
29% Popularity • 29% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Joaquín Rodrigo
Tres piezas espanolas: Fandango
90 bpm • A Maj • 03:40 • -22.79db
13% Popularity • 38% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
13% Popularity • 38% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Jorge Morel
Little Rhapsody
103 bpm • E min • 05:26 • -24.86db
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Julio Cesár Oliva
Imágenes de Yucatán: II. Paseo Montejo
90 bpm • G Maj • 05:11 • -32.76db
11% Popularity • 30% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Miguel Llobet Solés
4 Folksongs: Leonesa
90 bpm • D Maj • 02:06 • -30.14db
4% Popularity • 47% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
4% Popularity • 47% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Dionisio Aguado
Nuevo método, Op. 6: Estudio No. 18 in ...
103 bpm • A Maj • 01:10 • -20.32db
3% Popularity • 49% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
3% Popularity • 49% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Andrea Falconieri
Canzone, Libro 1: No. 6, Sinfonia second...
103 bpm • B Maj • 03:21 • -26.26db
0% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 67% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 67% Positiveness
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Thomas Viloteau
El Noi de la Mare
103 bpm • D Maj • 01:28 • -35.3db
2% Popularity • 28% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
2% Popularity • 28% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Turibio Santos
Carioca 1
103 bpm • A# Maj • 01:45 • -15db
10% Popularity • 47% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
10% Popularity • 47% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
