Songs like 13 Pieces for Piano, Op. 76: II. Etude by Jean Sibelius
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Heitor Villa-Lobos
Suite populaire brésilienne: I. Mazurka...
124 bpm • A min • 03:41 • -32.02db
15% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Franz Liszt
La Campanella
124 bpm • G# min • 04:47 • -17.19db
49% Popularity • 37% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
49% Popularity • 37% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
124 bpm • D Maj • 09:48 • -21db
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Marin Marais
Pièces de viole, Livre IV, Suite d'un g...
126 bpm • B Maj • 03:56 • -35.39db
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Hoagy Carmichael
Georgia on my Mind - Arr. Börje Sandqui...
122 bpm • D Maj • 03:17 • -25db
11% Popularity • 51% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
11% Popularity • 51% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
125 bpm • A min • 01:20 • -23.38db
18% Popularity • 57% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
18% Popularity • 57% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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Johann Anton Logy
Suite - Arranged by Göran Söllscher: 3...
122 bpm • A# Maj • 01:35 • -24.85db
12% Popularity • 37% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
12% Popularity • 37% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Heitor Villa-Lobos
Bachianas Brasileiras No. 5, W389
122 bpm • D min • 04:57 • -26.44db
19% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 25% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
121 bpm • D min • 02:04 • -23db
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Anonymous
Romance d'Amour
120 bpm • E Maj • 02:21 • -23db
20% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 37% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
31% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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AgustÃn Barrios Mangoré
Barrios Mangoré: La Catedral: III. Alle...
128 bpm • B min • 03:01 • -22.47db
20% Popularity • 22% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
20% Popularity • 22% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 67% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
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Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Keyboard Sonata in D Minor, K.1/L.366/P....
120 bpm • D min • 02:17 • -22.73db
28% Popularity • 47% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
28% Popularity • 47% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
119 bpm • D Maj • 07:01 • -25db
26% Popularity • 43% Danceability • 18% Energy • 13% Liveness
18% Instrumentalness • 35% Positiveness
26% Popularity • 43% Danceability • 18% Energy • 13% Liveness
18% Instrumentalness • 35% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Songs, Op. 38: No. 2. PÃ¥ verandan vid...
129 bpm • A# min • 03:06 • -19.38db
1% Popularity • 31% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 31% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
48% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
48% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Suite For Lute In F Sharp Minor - Arr. F...
133 bpm • G min • 02:55 • -23.59db
7% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Jean Sibelius
String Quartet in D minor, Op. 56 "Voces...
115 bpm • D min • 05:52 • -23db
17% Popularity • 30% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 12% Positiveness
17% Popularity • 30% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 12% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
135 bpm • D Maj • 06:40 • -23.12db
47% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
47% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
► Preview
Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Gaspar Sanz
Canarios
136 bpm • D Maj • 02:27 • -12.15db
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
137 bpm • G# Maj • 04:53 • -26.8db
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Etude Op. 76 nr. 2
113 bpm • A min • 01:26 • -30.7db
13% Popularity • 41% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
13% Popularity • 41% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
► Preview
Luigi Boccherini
Cello Concerto In B Flat: 3. Rondo (Alle...
137 bpm • A# Maj • 04:55 • -20db
9% Popularity • 42% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 41% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 41% Positiveness
► Preview
Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Orchestra of the Swan
Gnossiennes No. 1 - Arr. David le Page
137 bpm • F min • 03:26 • -22db
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 17 In D Minor, Op. 31, ...
137 bpm • G min • 07:37 • -24.22db
50% Popularity • 23% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
50% Popularity • 23% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
► Preview
Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: II. Largo
112 bpm • F# min • 02:11 • -33.07db
31% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
31% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
139 bpm • C# min • 06:43 • -41.53db
59% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
59% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Viola d'amore Concerto in A Minor, RV 39...
139 bpm • G# min • 03:10 • -17.66db
46% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Carl Nielsen
Moderen (The Mother), Op. 41, FS 94: Tag...
110 bpm • C Maj • 02:14 • -26.54db
31% Popularity • 28% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
31% Popularity • 28% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
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Jean Sibelius
Étude: Op. 76 No. 2
111 bpm • A min • 01:27 • -20db
33% Popularity • 51% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
33% Popularity • 51% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin, L. 33
110 bpm • F# Maj • 02:27 • -36.58db
50% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
50% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Anton Logy
Suite - Arranged by Göran Söllscher: 1...
109 bpm • A# Maj • 03:32 • -23.35db
11% Popularity • 38% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Claude Debussy
2 Arabesques, L. 66: No. 1 in E Major
109 bpm • E Maj • 04:33 • -31.91db
53% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
141 bpm • E Maj • 10:44 • -24.88db
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
141 bpm • E Maj • 04:13 • -21.69db
49% Popularity • 14% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 14% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
