Songs like 16 Days by Whiskeytown
Based on a tempo of (+/- 10%) and a similar genre
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Bob Weir
Only a River
128 bpm • D Maj • 05:28 • -9db
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Will Stewart
Sipsey
128 bpm • G Maj • 03:27 • -9.13db
30% Popularity • 52% Danceability • 74% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
30% Popularity • 52% Danceability • 74% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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James McMurtry
Just Us Kids
128 bpm • F Maj • 05:08 • -7db
38% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Gourds
Decline-O-Meter
128 bpm • D Maj • 03:08 • -7.15db
14% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Patterson Hood
Pollyanna
128 bpm • C Maj • 04:37 • -4db
16% Popularity • 46% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 46% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Whiskeytown
16 Days
128 bpm • C Maj • 03:54 • -7db
46% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Slobberbone
Lumberlung
128 bpm • G Maj • 04:28 • -9.29db
5% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alejandro Escovedo
Broken Bottle
128 bpm • G Maj • 03:52 • -12.81db
20% Popularity • 56% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 56% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
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The Jayhawks
Tailspin
128 bpm • D Maj • 03:18 • -3db
33% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Trampled by Turtles
Whiskey
129 bpm • C min • 04:25 • -8db
57% Popularity • 60% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
57% Popularity • 60% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Golden Smog
Won't Be Coming Home
129 bpm • C Maj • 03:36 • -7.08db
17% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
17% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
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Whiskeytown
Turn Around
128 bpm • A min • 05:16 • -6.82db
24% Popularity • 42% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 42% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Blue Mountain
Jimmy Carter
129 bpm • G Maj • 02:24 • -10.04db
12% Popularity • 56% Danceability • 88% Energy • 16% Liveness
12% Instrumentalness • 97% Positiveness
12% Popularity • 56% Danceability • 88% Energy • 16% Liveness
12% Instrumentalness • 97% Positiveness
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Lukas Nelson and Promise of the Real
Forget About Georgia
129 bpm • C# Maj • 08:17 • -6.53db
41% Popularity • 62% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
41% Popularity • 62% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
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Levon Helm
The Mountain
129 bpm • G Maj • 03:35 • -6db
38% Popularity • 61% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 61% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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The Band Of Heathens
Shotgun
127 bpm • E Maj • 04:52 • -7.52db
17% Popularity • 47% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 47% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Jay Farrar
No Rolling Back
129 bpm • D Maj • 03:13 • -9.85db
25% Popularity • 67% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
25% Popularity • 67% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
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Rhett Miller
The El
129 bpm • F Maj • 03:09 • -7.25db
25% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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James McMurtry
Childish Things
127 bpm • E Maj • 04:35 • -7db
31% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Alejandro Escovedo
Always A Friend
127 bpm • C Maj • 03:35 • -6db
37% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Whiskeytown
Mirror, Mirror
130 bpm • C# Maj • 03:15 • -9.21db
15% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Golden Smog
V
129 bpm • C Maj • 03:12 • -6db
23% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Robert Ellis
Drivin'
126 bpm • D Maj • 02:46 • -6.28db
23% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
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Kathleen Edwards
Westby
130 bpm • G# Maj • 02:26 • -5db
23% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Railroad Earth
Long Way To Go
126 bpm • G Maj • 04:30 • -6.35db
45% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Alejandro Escovedo
Bottom Of The World
126 bpm • D Maj • 03:04 • -9db
30% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Whiskeytown
Midway Park
126 bpm • D Maj • 03:23 • -7.27db
29% Popularity • 44% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 44% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Golden Smog
Looking Forward to Seeing You
130 bpm • F Maj • 02:47 • -6db
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Lydia Loveless
How Many Women
130 bpm • C Maj • 03:44 • -5.4db
27% Popularity • 42% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 42% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Hiss Golden Messenger
Domino (Time Will Tell)
126 bpm • E Maj • 03:45 • -7.15db
29% Popularity • 62% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 62% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Jay Farrar
These Roads Don't Move
130 bpm • E Maj • 03:05 • -7.99db
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
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The Bottle Rockets
Monday (Everytime I Turn Around)
130 bpm • E Maj • 03:45 • -5.73db
18% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Whiskeytown
The Ballad Of Carol Lynn
126 bpm • C Maj • 03:04 • -10db
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Lukas Nelson and Promise of the Real
Perennial Bloom (Back To You)
126 bpm • A Maj • 03:16 • -5.49db
32% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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The Gourds
Hooky Junk
126 bpm • F Maj • 04:43 • -9.11db
18% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Nikki Lane
Send The Sun
126 bpm • G# Maj • 02:57 • -6.12db
34% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Uncle Tupelo
The Long Cut
130 bpm • G Maj • 03:20 • -9db
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
30% Popularity • 44% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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The Bottle Rockets
When I Was Dumb
130 bpm • A Maj • 03:26 • -6.47db
15% Popularity • 73% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
15% Popularity • 73% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Whiskeytown
Inn Town
130 bpm • D Maj • 05:51 • -8.88db
28% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ryan Adams & The Cardinals
Cold Roses
125 bpm • E Maj • 04:36 • -5.63db
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Alejandro Escovedo
Velvet Guitar
131 bpm • E Maj • 04:23 • -5.84db
22% Popularity • 25% Danceability • 70% Energy • 12% Liveness
13% Instrumentalness • 48% Positiveness
22% Popularity • 25% Danceability • 70% Energy • 12% Liveness
13% Instrumentalness • 48% Positiveness
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Wilco
Box Full of Letters - 2017 Remaster
125 bpm • E Maj • 03:04 • -5db
27% Popularity • 46% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 46% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Uncle Tupelo
New Madrid
125 bpm • A Maj • 03:31 • -11.16db
40% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Dave Alvin
Fourth Of July
131 bpm • F Maj • 04:35 • -12db
25% Popularity • 43% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 43% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Whiskeytown
Dancing With The Women At The Bar
125 bpm • A min • 04:38 • -8db
31% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Slobberbone
Barrel Chested
125 bpm • D Maj • 04:14 • -5.61db
4% Popularity • 41% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 41% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Cracker
King Of Bakersfield
125 bpm • A Maj • 04:57 • -7.9db
18% Popularity • 63% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 63% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ray Wylie Hubbard
Drunken Poet's Dream
125 bpm • G Maj • 04:20 • -7.76db
40% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Jayhawks
Save It For A Rainy Day
125 bpm • B Maj • 03:07 • -3.54db
45% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Chuck Prophet
Ford Econoline
124 bpm • A Maj • 03:41 • -2.87db
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Whiskeytown
Choked Up
125 bpm • E Maj • 03:08 • -8.95db
14% Popularity • 72% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 72% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Slobberbone
Trust Jesus
131 bpm • G Maj • 04:14 • -7.41db
6% Popularity • 65% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 65% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Sarah Shook & the Disarmers
Dwight Yoakam
132 bpm • D Maj • 03:40 • -8.28db
31% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Caitlin Cary
The Battle
124 bpm • G Maj • 03:00 • -9.73db
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ray Wylie Hubbard
Tell the Devil I'm Gettin' there as Fast...
124 bpm • D Maj • 05:47 • -7.68db
34% Popularity • 62% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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James McMurtry
Levelland
132 bpm • C Maj • 05:23 • -7.93db
30% Popularity • 52% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 52% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Whiskeytown
Black Arrow, Bleeding Heart
131 bpm • D Maj • 02:20 • -6.86db
13% Popularity • 38% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Slobberbone
Front Porch
125 bpm • G Maj • 03:32 • -5.91db
6% Popularity • 51% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 51% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Adams
Oh My Sweet Carolina
132 bpm • D Maj • 04:56 • -14.65db
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Uncle Tupelo
No Sense in Lovin'
124 bpm • E Maj • 03:46 • -10db
20% Popularity • 67% Danceability • 77% Energy • 11% Liveness
5% Instrumentalness • 73% Positiveness
20% Popularity • 67% Danceability • 77% Energy • 11% Liveness
5% Instrumentalness • 73% Positiveness
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Blue Mountain
Lakeside
133 bpm • G Maj • 03:11 • -6.5db
12% Popularity • 48% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Levon Helm
Tennessee Jed
133 bpm • C Maj • 05:58 • -5.78db
35% Popularity • 64% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 64% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Whiskeytown
Drank Like A River
131 bpm • G Maj • 02:57 • -5.06db
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 51% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Alejandro Escovedo
Anchor
123 bpm • C Maj • 03:30 • -6db
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Ryan Adams
Come Pick Me Up
124 bpm • A# Maj • 05:18 • -10.96db
51% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Chuck Prophet
Tell Me Anything (Turn to Gold)
123 bpm • G min • 03:22 • -2.45db
26% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Uncle Tupelo
Watch Me Fall
123 bpm • G Maj • 02:12 • -11.1db
28% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Son Volt
Tear Stained Eye - 2015 Remaster
133 bpm • E Maj • 04:20 • -8db
36% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Whiskeytown
Excuse Me While I Break My Own Heart Ton...
124 bpm • G Maj • 03:14 • -4.84db
41% Popularity • 54% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 54% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Blue Mountain
Blue Canoe
133 bpm • A Maj • 04:39 • -10.61db
30% Popularity • 55% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
30% Popularity • 55% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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Sarah Shook & the Disarmers
Fuck Up
133 bpm • A Maj • 03:21 • -5.34db
42% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Dawes
All Your Favorite Bands
133 bpm • G Maj • 03:35 • -8db
46% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jay Farrar
All Of Your Might
123 bpm • D min • 03:48 • -8db
22% Popularity • 39% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
22% Popularity • 39% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Dave Alvin
King Of California
133 bpm • D# Maj • 04:50 • -12db
36% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Whiskeytown
16 Days - Album Version (Baseball Park S...
132 bpm • C Maj • 03:45 • -4.62db
12% Popularity • 39% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 39% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Caitlin Cary
Second Option
133 bpm • G Maj • 03:15 • -7.06db
9% Popularity • 61% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Slobberbone
Pinball Song
133 bpm • D# Maj • 04:36 • -8.21db
16% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Blue Mountain
Black Dog
123 bpm • E Maj • 02:34 • -6db
13% Popularity • 55% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 55% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Lukas Nelson and Promise of the Real
Set Me Down On A Cloud
123 bpm • F# Maj • 07:16 • -6.03db
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Whiskeytown
Mining Town
124 bpm • C Maj • 02:34 • -8.55db
15% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Adams
Firecracker
133 bpm • F min • 02:51 • -6.83db
26% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Townes Earle
Champagne Corolla
133 bpm • C# Maj • 03:38 • -8.58db
25% Popularity • 62% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
25% Popularity • 62% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Gillian Welch
Look at Miss Ohio
123 bpm • C Maj • 04:14 • -12.65db
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Son Volt
Windfall - 2015 Remaster
134 bpm • A Maj • 02:59 • -8db
43% Popularity • 39% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 39% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jeffrey Foucault
Lodi
122 bpm • F# Maj • 02:53 • -14db
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Whiskeytown
Excuse Me While I Break My Own Heart Ton...
123 bpm • G Maj • 02:43 • -8.32db
10% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alejandro Escovedo
Five Hearts Breaking
122 bpm • E Maj • 04:10 • -10.71db
17% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Justin Townes Earle
Ain't Waitin'
134 bpm • A Maj • 02:16 • -6.87db
49% Popularity • 71% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 71% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Gourds
I Want It So Bad
122 bpm • C Maj • 03:37 • -5.9db
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Cracker
Something You Ain't Got
122 bpm • C Maj • 05:17 • -7.15db
17% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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John Fullbright
Jericho
122 bpm • G Maj • 06:34 • -10.07db
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Whiskeytown
Desperate Ain't Lonely
133 bpm • D Maj • 02:16 • -10.04db
12% Popularity • 49% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 49% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Alejandro Escovedo
Sister Lost Soul
122 bpm • A# Maj • 04:16 • -5db
31% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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Justin Townes Earle
Can't Hardly Wait
134 bpm • A Maj • 02:48 • -6.53db
47% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Fred Eaglesmith
What It Takes
122 bpm • A min • 03:57 • -7.91db
25% Popularity • 64% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 64% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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The Gourds
Pushed Her Down
122 bpm • G Maj • 03:11 • -7.95db
12% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Golden Smog
Until You Came Along
122 bpm • D Maj • 04:59 • -5db
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
