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16th Avenue
Songs like
16th Avenue
by
Lacy J. Dalton
Based on a tempo of (+/- 10%) and a similar genre
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Lacy J. Dalton
16th Avenue
144 bpm • G Maj • 03:09 • -13db
42% Popularity • 54% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Hank Williams, Jr.
There's A Tear In My Beer
143 bpm • C# Maj • 02:52 • -11.62db
53% Popularity • 57% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Mandy Barnett
Baby Don't You Know
143 bpm • C Maj • 03:18 • -9db
16% Popularity • 75% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Baillie & The Boys
Long Shot
145 bpm • C# Maj • 02:52 • -15db
27% Popularity • 72% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tom T. Hall
Country Is
145 bpm • C Maj • 02:09 • -13.4db
50% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Red Sovine
Phantom 309
145 bpm • C Maj • 03:29 • -11db
46% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Lacy J. Dalton
16th Avenue
143 bpm • F# Maj • 03:19 • -8.19db
9% Popularity • 56% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Overstreet
Sowin' Love
143 bpm • E Maj • 03:48 • -13.73db
26% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Gary P. Nunn
Why Don't You Meet Me Down In Corpus
143 bpm • D Maj • 03:21 • -14db
21% Popularity • 63% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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The Derailers
More Of Your Love
145 bpm • G Maj • 03:01 • -5.91db
27% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Lefty Frizzell
Saginaw, Michigan
145 bpm • A# Maj • 03:06 • -14db
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Heather Myles
Nashville's Gone Hollywood
143 bpm • G# Maj • 02:57 • -5.69db
31% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Lacy J. Dalton
Let 'em Run
145 bpm • A# Maj • 03:43 • -8.21db
6% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Tom T. Hall
Ravishing Ruby - Single Version
145 bpm • C# Maj • 02:29 • -16db
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Rogers
Lucille
142 bpm • F Maj • 03:40 • -11.95db
61% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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David Frizzell
Something ‘Bout You
143 bpm • D Maj • 03:27 • -13.45db
14% Popularity • 70% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Vern Gosdin
Dim Lights, Thick Smoke (And Loud, Loud ...
142 bpm • E Maj • 03:30 • -13.01db
32% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Crystal Gayle
Why Have You Left The One You Left Me Fo...
146 bpm • A# Maj • 02:56 • -8.11db
42% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Gene Watson
Should I Come Home (Or Should I Go Crazy...
142 bpm • G# Maj • 02:32 • -9.51db
40% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Moe Bandy
Here I Am, I'm Drunk Again
146 bpm • A Maj • 02:33 • -11.22db
29% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Becky Hobbs
Jones On The Jukebox
146 bpm • C# Maj • 02:58 • -13.93db
22% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Marty Stuart
Little Things
146 bpm • G Maj • 03:10 • -9.19db
31% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Sweethearts of the Rodeo
If I Never See Midnight Again
142 bpm • D Maj • 03:13 • -9db
22% Popularity • 71% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Lacy J. Dalton
Walk That Line
142 bpm • A# Maj • 02:48 • -9.67db
20% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Lee
Country Party
141 bpm • D Maj • 03:18 • -11.85db
24% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Moe Bandy
Hank Williams, You Wrote My Life
142 bpm • D Maj • 03:10 • -13db
29% Popularity • 60% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Southern Pacific
Thing About You
147 bpm • A Maj • 03:51 • -5.85db
25% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Marty Stuart
Hillbilly Rock
141 bpm • F min • 02:38 • -14.62db
46% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Highway 101
Honkey Tonk Heart
141 bpm • C Maj • 03:27 • -10db
25% Popularity • 61% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Janie Fricke
Pride
147 bpm • D Maj • 02:20 • -10.87db
21% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Gail Davies
Waiting Here For You
147 bpm • E Maj • 02:08 • -7db
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Brooks & Dunn
My Next Broken Heart
140 bpm • G Maj • 02:53 • -4.54db
43% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Highway 101
Walkin', Talkin', Cryin', Barely Beatin'...
141 bpm • D# Maj • 02:35 • -12.25db
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Lacy J. Dalton
Dream Baby (How Long Must I Dream)
140 bpm • G Maj • 02:53 • -13.99db
11% Popularity • 71% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Eddy Raven
Johnny's Got A Pistol
148 bpm • C Maj • 02:47 • -9.9db
27% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Amber Digby
Close Up The Honky Tonks
140 bpm • E Maj • 02:41 • -5.69db
19% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Becky Hobbs
Talk Back Tremblin' Lips
148 bpm • E Maj • 02:56 • -5db
20% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Marty Stuart
Sundown In Nashville
140 bpm • G# Maj • 03:00 • -7db
18% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Highway 101
Baby, I'm Missing You
148 bpm • G Maj • 02:53 • -8.65db
25% Popularity • 68% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Lacy J. Dalton
16th Avenue
148 bpm • G Maj • 03:01 • -15.74db
6% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sons of the Pioneers
Wine Me Up
140 bpm • A Maj • 02:24 • -16.95db
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Danni Leigh
Ol' Lonesome
148 bpm • C Maj • 02:35 • -5db
27% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Barbara Mandrell
Sleeping Single In A Double Bed - Single...
139 bpm • C Maj • 02:19 • -9.2db
45% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Desert Rose Band
She Don't Love Nobody
139 bpm • G Maj • 02:59 • -12.5db
26% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Highway 101
Bridge Across Forever
140 bpm • G Maj • 03:11 • -13db
20% Popularity • 65% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Lacy J. Dalton
Tennessee Waltz
139 bpm • F Maj • 03:05 • -10.9db
20% Popularity • 48% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Kathy Mattea
Eighteen Wheels And A Dozen Roses
139 bpm • G# Maj • 03:23 • -13.63db
56% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eddy Raven
COWBOYS DON'T CRY
149 bpm • C Maj • 03:12 • -8.7db
28% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Joy Lynn White
Little Tears
139 bpm • C Maj • 02:24 • -9.77db
19% Popularity • 58% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Highway 101
(Do You Love Me) Just Say Yes
140 bpm • A# Maj • 03:40 • -12db
29% Popularity • 59% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Lacy J. Dalton
Hard Times
149 bpm • C# Maj • 02:33 • -12.53db
18% Popularity • 61% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Gail Davies
Unwed Fathers
150 bpm • A Maj • 03:20 • -9db
18% Popularity • 62% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Ricky Skaggs
Something in My Heart
138 bpm • F Maj • 02:59 • -9.22db
27% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Highway 101
Long Way Down
139 bpm • G Maj • 04:05 • -11db
23% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie Rabbitt
Plain as the Pain on My Face - 2008 Vers...
138 bpm • C# min • 02:23 • -8.86db
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Lacy J. Dalton
Have I Got a Heart for You
138 bpm • C Maj • 02:15 • -11.94db
6% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Lee
Cherokee Fiddle
151 bpm • D Maj • 04:05 • -12.42db
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Country's Family Reunion
16th Avenue - Live
137 bpm • F Maj • 03:03 • -14db
3% Popularity • 50% Danceability • 20% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
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Ricky Skaggs
I Wouldn't Change You If I Could
138 bpm • F Maj • 02:59 • -10.94db
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Moe Bandy
Just Good Ol' Boys
151 bpm • A# Maj • 02:38 • -14db
47% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Highway 101
The Bed You Made for Me
138 bpm • G# Maj • 03:29 • -12.59db
40% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lacy J. Dalton
Standin' Knee Deep
138 bpm • A Maj • 04:53 • -10.65db
14% Popularity • 56% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
50% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Locklin
The Country Hall of Fame
137 bpm • A Maj • 03:15 • -6.34db
28% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hoyt Axton
Boney Fingers
152 bpm • A Maj • 03:08 • -8.9db
30% Popularity • 64% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 62% Positiveness
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Ricky Skaggs
Let It Be You
152 bpm • G# Maj • 02:42 • -10db
30% Popularity • 61% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Earl Thomas Conley
Somewhere Between Right and Wrong
136 bpm • A Maj • 04:08 • -10.98db
33% Popularity • 66% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Lacy J. Dalton
Lay A Little Love On Me
137 bpm • G Maj • 03:33 • -9.48db
5% Popularity • 65% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Dawn Sears
Half As Much
136 bpm • A Maj • 02:54 • -11.72db
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Gail Davies
Tell Me Why
154 bpm • C Maj • 02:45 • -8.07db
10% Popularity • 63% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Pirates Of The Mississippi
Honky Tonk Blues
154 bpm • D Maj • 03:03 • -8.6db
42% Popularity • 62% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Becky Hobbs
Mama Was A Working Man
135 bpm • A Maj • 03:49 • -13.31db
6% Popularity • 66% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Dawn Sears
Close Up the Honky Tonks
135 bpm • F Maj • 02:45 • -8.73db
35% Popularity • 64% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Charly McClain
Who's Cheatin' Who
135 bpm • C Maj • 02:14 • -11.56db
40% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Dan Seals
Big Wheels In The Moonlight
134 bpm • G Maj • 03:53 • -12.53db
41% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Steve Earle
Nowhere Road
155 bpm • C# Maj • 02:48 • -13db
40% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Hal Ketchum
I Miss My Mary
154 bpm • A Maj • 03:13 • -8db
29% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Lacy J. Dalton
Take These Chains From My Heart
134 bpm • F# Maj • 02:43 • -11.71db
10% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Marty Stuart
Tempted
134 bpm • F Maj • 03:13 • -10.32db
48% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Moe Bandy
Cowboys Ain't Supposed To Cry - 2012 Rec...
133 bpm • C Maj • 02:46 • -5.97db
29% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Sweethearts of the Rodeo
Everywhere I Turn
134 bpm • B Maj • 03:09 • -9.61db
17% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Vern Gosdin
Mother Country Music
133 bpm • A Maj • 02:53 • -13db
34% Popularity • 56% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ricky Skaggs
He Was On To Somethin' (So He Made You)
157 bpm • E Maj • 02:38 • -7db
17% Popularity • 63% Danceability • 67% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Lacy J. Dalton
Late Night Kind of Lonesome
132 bpm • G Maj • 02:34 • -10.3db
9% Popularity • 59% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Hal Ketchum
She Found The Place
157 bpm • D Maj • 03:11 • -14.04db
20% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Pam Tillis
Don't Tell Me What To Do
132 bpm • G Maj • 03:11 • -6db
43% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Sweethearts of the Rodeo
Don't Look Down
157 bpm • D# Maj • 02:53 • -8.56db
19% Popularity • 67% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Rodney Hayden
You Don't Talk I Don't Listen
132 bpm • G Maj • 02:26 • -4.5db
28% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Gene Watson
Got No Reason Now For Goin' Home
157 bpm • G Maj • 02:44 • -12.94db
36% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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16th Avenue