Songs like 1776: Sit Down, John by Sherman Edwards
Based on a tempo of (+/- 10%) and a similar genre
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Steven Booth
Some Kinda Time
98 bpm • F# min • 04:03 • -5db
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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Newsies Ensemble
The World Will Know
98 bpm • A# Maj • 03:20 • -13.48db
37% Popularity • 63% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 63% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Gwen Verdon
Nowadays
99 bpm • C Maj • 04:47 • -17.29db
22% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
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Bernadette Peters
Doin' What Comes Natur'lly
97 bpm • A Maj • 02:14 • -7.02db
22% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Brad Oscar
Der Guten Tag Hop-Clop
97 bpm • C# min • 02:16 • -13db
23% Popularity • 65% Danceability • 37% Energy • 79% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 65% Danceability • 37% Energy • 79% Liveness
0% Instrumentalness • 69% Positiveness
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Sutton Foster
Thoroughly Modern Millie
99 bpm • C Maj • 02:57 • -8.42db
30% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Burke Moses
Maison Des Lunes
97 bpm • D# Maj • 02:24 • -17db
29% Popularity • 54% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 54% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Gwen Verdon
Funny Honey
97 bpm • G Maj • 03:26 • -18.32db
23% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mary Elizabeth Mastrantonio
What Does He Want of Me?
96 bpm • F Maj • 02:22 • -14.81db
22% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Sherman Edwards
1776: Cool, Cool, Considerate Men
96 bpm • C min • 04:29 • -11.86db
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Scarlet Pimpernel
Storybook
100 bpm • G# Maj • 03:08 • -10.25db
22% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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John Cameron Mitchell
Wick
96 bpm • F Maj • 04:11 • -13.67db
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Marin Mazzie
Journey On
100 bpm • B Maj • 04:13 • -11db
23% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Chad Kimball
Prayer
96 bpm • D Maj • 03:25 • -10db
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Charles Strouse
Annie: Tomorrow (Reprise)
101 bpm • C# Maj • 02:23 • -13.84db
25% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Sherman Edwards
1776: Finale
95 bpm • G min • 01:34 • -13.08db
15% Popularity • 39% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 39% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Joel Grey
Friendship
95 bpm • A# Maj • 03:29 • -8.21db
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Kirby Ward
I Can't Be Bothered Now
102 bpm • D Maj • 04:14 • -18.47db
22% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Gloria Grahame
All Er Nuthin'
95 bpm • C Maj • 02:54 • -15db
24% Popularity • 62% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 62% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Roger Miller
The Boys - 1985 Original Broadway Cast
94 bpm • A Maj • 01:57 • -16db
14% Popularity • 80% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 80% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Stephen Lee Anderson
Firmer Hand / Do Right
102 bpm • C# Maj • 02:15 • -8.32db
28% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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John Williams
Anatevka
94 bpm • D min • 03:38 • -16.17db
31% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Norbert Leo Butz
Moving Too Fast
102 bpm • F Maj • 04:46 • -9db
30% Popularity • 61% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Ann-Margret
My Lovey-Dovey Baby
94 bpm • C Maj • 01:30 • -22.12db
28% Popularity • 65% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 65% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Rick Lyon
School for Monsters / The Money Song (Re...
103 bpm • C# min • 01:59 • -8.69db
7% Popularity • 64% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 64% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gwen Verdon
Funny Honey
94 bpm • C# Maj • 03:10 • -12.26db
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Roger Bart
The Brain
103 bpm • F min • 04:57 • -9.68db
25% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Douglas Sills
The Creation of Man
94 bpm • B Maj • 03:41 • -11.03db
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
6% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Annie Get Your Gun - 1999 Broadway Cast
I Got The Sun In The Morning
94 bpm • G min • 04:30 • -6.15db
19% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Parrish
Alas for You
93 bpm • D# Maj • 01:49 • -7.67db
27% Popularity • 40% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 40% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Douglas Sills
Believe
93 bpm • G Maj • 02:08 • -11.6db
20% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Leonard Bernstein
West Side Story : Act I: Something's Com...
93 bpm • G Maj • 02:36 • -19db
24% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Annie Get Your Gun - 1999 Broadway Cast
My Defenses Are Down
103 bpm • A# Maj • 03:52 • -7.39db
16% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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John Tartaglia
What Do You Do with a B.A. in English / ...
104 bpm • D Maj • 05:55 • -10db
15% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble
Nine to Five
104 bpm • D Maj • 04:52 • -7.36db
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Barrett Doss
If I Had My Time Again
92 bpm • B min • 04:59 • -6db
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
33% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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Karen Prunczik
We're in the Money
104 bpm • C Maj • 03:08 • -13db
24% Popularity • 54% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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John Williams
Matchmaker
105 bpm • F# min • 03:56 • -15db
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Cady Huffman
Willamania
105 bpm • B min • 06:12 • -11.12db
14% Popularity • 68% Danceability • 55% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 68% Danceability • 55% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Daniel Radcliffe
I Believe In You
91 bpm • C Maj • 03:15 • -12.56db
20% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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David Delve
That's Your Funeral
91 bpm • E min • 02:39 • -16.89db
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Kelli O'Hara
Honey Bun
91 bpm • D# Maj • 02:35 • -13.28db
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Richard Adler
The Pajama Game: I'm Not at All in Love
106 bpm • A Maj • 03:52 • -10.8db
19% Popularity • 63% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 63% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Roy Reams
Young and Healthy
91 bpm • C Maj • 02:15 • -20.47db
19% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Charles Strouse
Annie: Little Girls
106 bpm • F min • 02:42 • -13.6db
32% Popularity • 61% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 61% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Guardino
Everybody Says Don't
106 bpm • C Maj • 02:17 • -10db
19% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Preston
The Sadder But Wiser Girl
106 bpm • G Maj • 01:49 • -13.87db
34% Popularity • 65% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 65% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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James Saxon
Oliver!
106 bpm • C min • 03:11 • -15.16db
28% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
27% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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The Original Broadway Cast Of 'Curtains'
It's A Business
106 bpm • F min • 04:42 • -14db
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Pirates Of Penzance
Pour, O Pour the Pirate Sherry
107 bpm • A# Maj • 03:13 • -11db
22% Popularity • 48% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 48% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Christine Lakin
Listen to Jesus, Jimmy
107 bpm • G# Maj • 03:57 • -7.17db
19% Popularity • 56% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Sieber
What's Up, Duloc?
90 bpm • B min • 04:25 • -7.01db
41% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 55% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Jeff McCarthy
Cop Song
107 bpm • C# Maj • 02:43 • -10.15db
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Kushnier
I Can't Stand Still
108 bpm • A# Maj • 02:10 • -9.16db
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Pirates Of Penzance
Oh, Better Far to Live and Die
107 bpm • F# Maj • 05:54 • -13.14db
23% Popularity • 49% Danceability • 41% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 49% Danceability • 41% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan James
Turn Back, O Man
108 bpm • C Maj • 04:07 • -9.83db
32% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Benjamin Walker
I'm Not That Guy
89 bpm • E min • 02:29 • -8.02db
22% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Miller
Muddy Water - 1985 Original Broadway Cas...
108 bpm • G Maj • 02:34 • -15.23db
22% Popularity • 68% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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John Williams
Do You Love Me?
108 bpm • B Maj • 03:13 • -19db
36% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sutton Foster
Blow, Gabriel, Blow
109 bpm • C min • 07:32 • -7.8db
33% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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The Pirates Of Penzance
Stop, Ladies, Pray!
109 bpm • A# min • 01:33 • -15.92db
21% Popularity • 50% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 50% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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'[title of show]' Original Cast
Nine People's Favorite Thing
88 bpm • C Maj • 04:39 • -8.39db
19% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Bloody Bloody Andrew Jackson Original Cast
The Corrupt Bargain
109 bpm • E Maj • 02:11 • -8.64db
18% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
88 bpm • D Maj • 02:53 • -11.94db
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Newsies Ensemble
High Times, Hard Times
110 bpm • F# Maj • 02:54 • -13.39db
29% Popularity • 60% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 60% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Judy Garland
The Jitterbug
110 bpm • G Maj • 03:26 • -9.4db
11% Popularity • 47% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 47% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Lee Anderson
Can You Find It in Your Heart? - Reprise
87 bpm • C Maj • 00:59 • -23.8db
24% Popularity • 45% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 45% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Kelli O'Hara
A Cockeyed Optimist
110 bpm • C Maj • 01:36 • -17.18db
21% Popularity • 62% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness