Songs like 18 by Jeremy Zucker
Based on a tempo of (+/- 10%) and a similar genre
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Tony Ferrari
Let's Buy a House
114 bpm • C Maj • 03:35 • -10.03db
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fischer
Hopeless Romantic
114 bpm • G# Maj • 03:01 • -6.91db
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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ROLE MODEL
cross your mind
114 bpm • A Maj • 02:40 • -4.67db
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Blanks
Higher
114 bpm • E Maj • 03:09 • -5.75db
42% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Jeremy Zucker
18
114 bpm • E Maj • 02:30 • -5.69db
47% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Anson Seabra
It's Raining, It's Pouring
114 bpm • D min • 03:03 • -9db
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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PUBLIC
Honey In The Summer
114 bpm • G# min • 03:20 • -7.55db
45% Popularity • 78% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 78% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Francis Karel
Another
113 bpm • D Maj • 02:50 • -5.97db
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 49% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Rence
Track Shoes
115 bpm • F# Maj • 03:06 • -4db
36% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Isaac Dunbar
love, or the lack thereof
115 bpm • C# Maj • 03:07 • -7.06db
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bazzi
Heaven
115 bpm • F min • 02:33 • -5.49db
54% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 80% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Anson Seabra
Magazines
115 bpm • F Maj • 03:40 • -12.28db
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Attire
Kool-Aid
115 bpm • B Maj • 03:37 • -6.11db
27% Popularity • 86% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 86% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Fiji Blue
Affection
113 bpm • A# min • 02:54 • -8.37db
55% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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almost monday
parking lot view
113 bpm • B min • 02:59 • -4.57db
50% Popularity • 74% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 74% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 95% Positiveness
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HRVY
Golden Hour
113 bpm • G# Maj • 02:38 • -6.18db
43% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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push baby
Wishing We Were More Than Friends
115 bpm • G# Maj • 02:57 • -4db
44% Popularity • 65% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 65% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Ruel
GROWING UP IS _____
113 bpm • C Maj • 03:53 • -6db
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Alec Wigdahl
The Word
112 bpm • F# Maj • 03:03 • -9.52db
27% Popularity • 55% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 55% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mokita
I'm Sorry
112 bpm • F Maj • 02:56 • -8.18db
40% Popularity • 67% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 67% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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shy martin
Feelings
116 bpm • G Maj • 02:49 • -9db
44% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Francis Karel
Fall
112 bpm • G Maj • 03:09 • -6db
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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44phantom
Poison
112 bpm • G# min • 04:03 • -4.17db
40% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Peach Tree Rascals
Mariposa
112 bpm • A Maj • 03:30 • -6.1db
69% Popularity • 69% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 69% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Eighty Ninety
10K Summer Nights
112 bpm • G Maj • 03:08 • -6.68db
31% Popularity • 61% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 61% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Bazzi
dlma
116 bpm • E min • 03:06 • -5.6db
51% Popularity • 60% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 60% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Francis Karel
You're Too Close
112 bpm • F# Maj • 03:37 • -5db
39% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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young friend
SUGARCOATED
112 bpm • F# min • 03:11 • -6.16db
32% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Jeremy Zucker
glisten (interlude)
116 bpm • C# Maj • 01:29 • -14.79db
41% Popularity • 65% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 65% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Wldlfe
You Don't Love Me (Like You Used To)
117 bpm • F min • 04:26 • -8.5db
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Aidan Bissett
Tripping Over Air
117 bpm • B Maj • 03:02 • -4.81db
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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ROLE MODEL
who hurt you
117 bpm • G Maj • 03:28 • -8db
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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New Friends
The Way
117 bpm • C Maj • 03:49 • -7db
17% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Fiji Blue
I Should've Told You
117 bpm • G# Maj • 03:17 • -7db
46% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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JVKE
anxiety.
117 bpm • G Maj • 02:36 • -3.42db
54% Popularity • 67% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 67% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Brandon Mig
Driving in the City
111 bpm • C Maj • 03:30 • -6.04db
37% Popularity • 74% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 74% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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remy
should i get my ears pierced?
111 bpm • E Maj • 02:31 • -7db
21% Popularity • 69% Danceability • 88% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
21% Popularity • 69% Danceability • 88% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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Jonah Kagen
Wish You Did
118 bpm • C# min • 02:50 • -6db
38% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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david hugo
Sleep and Friends
118 bpm • G Maj • 02:54 • -8.24db
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Fiji Blue
Only When I Look into Your Eyes
118 bpm • A# Maj • 03:19 • -5.49db
47% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
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Ūla
Futon
118 bpm • D Maj • 02:36 • -5.86db
58% Popularity • 85% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 85% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Nicky Youre
Sex and Lemonade
110 bpm • G Maj • 02:43 • -13.27db
43% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Motel 7
It's Alright
118 bpm • E Maj • 02:30 • -9.28db
41% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
41% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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david hugo
How to Love Other People
110 bpm • A Maj • 02:40 • -7.75db
23% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Fiji Blue
Butterflies
110 bpm • G# Maj • 02:56 • -7.24db
55% Popularity • 73% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 73% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Valley
There's Still A Light In The House
110 bpm • E Maj • 03:23 • -8.53db
54% Popularity • 62% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 62% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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modernlove.
Liquorice
110 bpm • D Maj • 03:55 • -5.26db
32% Popularity • 65% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 65% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Francis Karel
I Don't Like How Much I Like You
110 bpm • F# Maj • 02:44 • -6.86db
31% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 71% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Devin Kennedy
No Worries
110 bpm • D Maj • 02:41 • -11.05db
50% Popularity • 77% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 77% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Greyson Chance
Nobody
110 bpm • C# min • 03:09 • -7db
37% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Wldlfe
Somebody's Gonna Love You
110 bpm • G# Maj • 03:55 • -5.44db
42% Popularity • 64% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 64% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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david hugo
Lying to Myself
110 bpm • A# Maj • 03:06 • -7.06db
24% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Attire
Girls Like You
119 bpm • E min • 02:43 • -6.53db
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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The Band CAMINO
Song About You
119 bpm • G# Maj • 02:38 • -5.77db
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jeremy Zucker
Sinking
109 bpm • C Maj • 03:34 • -8.64db
31% Popularity • 74% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 74% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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ROLE MODEL
life is funny
109 bpm • G# Maj • 03:26 • -7.93db
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Claire Rosinkranz
Real Life
109 bpm • G Maj • 02:57 • -7.58db
37% Popularity • 85% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 85% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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OVERSTREET
Man on the Moon
109 bpm • B Maj • 03:28 • -6db
29% Popularity • 67% Danceability • 56% Energy • 6% Liveness
4% Instrumentalness • 46% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 6% Liveness
4% Instrumentalness • 46% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Claire Rosinkranz
Frankenstein
120 bpm • D Maj • 03:22 • -6.09db
60% Popularity • 83% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 83% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Marc E. Bassy
Bowie
120 bpm • C# min • 04:41 • -5.99db
36% Popularity • 79% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 79% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Dominic Fike
Chicken Tenders
120 bpm • B Maj • 02:50 • -5.46db
58% Popularity • 75% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 75% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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Devin Kennedy
Loose Change
120 bpm • B Maj • 02:43 • -14.7db
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Cherry Pools
Turn You On
120 bpm • E Maj • 03:28 • -6db
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Valley
Last Birthday
120 bpm • G# Maj • 03:57 • -7.77db
36% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Band CAMINO
I Think I Like You
120 bpm • B min • 03:02 • -5.66db
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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almost monday
don't say you're ordinary
120 bpm • C Maj • 02:59 • -4.93db
38% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ori Rose
Casey
120 bpm • D Maj • 03:03 • -7.26db
33% Popularity • 71% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 71% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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sundial
i just want someone to love me
120 bpm • C Maj • 02:25 • -12.37db
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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GRACEY
Empty Love
120 bpm • D Maj • 03:27 • -9db
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Jeremy Zucker
lakehouse
120 bpm • D Maj • 03:42 • -9db
37% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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David Alexander
Heartbeat
108 bpm • C# Maj • 03:31 • -7db
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Fiji Blue
Waves
108 bpm • F# Maj • 02:13 • -8.16db
61% Popularity • 84% Danceability • 34% Energy • 6% Liveness
2% Instrumentalness • 93% Positiveness
61% Popularity • 84% Danceability • 34% Energy • 6% Liveness
2% Instrumentalness • 93% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Jeremy Zucker
Keep My Head Afloat
108 bpm • G Maj • 03:26 • -8.03db
35% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Valley
SOCIETY
108 bpm • F# Maj • 03:41 • -6db
41% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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david hugo
Home Away
108 bpm • F Maj • 03:26 • -9.19db
30% Popularity • 68% Danceability • 49% Energy • 10% Liveness
15% Instrumentalness • 42% Positiveness
30% Popularity • 68% Danceability • 49% Energy • 10% Liveness
15% Instrumentalness • 42% Positiveness
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Porsh Bet$
Peanut Butter
108 bpm • F Maj • 02:12 • -8.09db
34% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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LANY
up to me
121 bpm • C# Maj • 02:47 • -9db
58% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Jacob Noah
If It Wasn't (For You)
107 bpm • E Maj • 03:22 • -6db
27% Popularity • 62% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 62% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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nodisco.
Moonlight in my Bedroom
107 bpm • C# Maj • 03:31 • -7db
36% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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PUBLIC
Splash
107 bpm • C Maj • 02:50 • -5.33db
42% Popularity • 79% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 79% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
