Songs like 2000 Light Years from Home by The Strap-Ons
Based on a tempo of (+/- 10%) and a similar genre
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Sin 34
American America
84 bpm • A# min • 01:09 • -11.18db
8% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Patty Smith
F.U.L.A.
84 bpm • G Maj • 02:14 • -11.48db
10% Popularity • 44% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 44% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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The Strap-Ons
2000 Light Years from Home
84 bpm • A Maj • 01:55 • -3.84db
0% Popularity • 36% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 36% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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The Parasitix
Pogo on a Politician
85 bpm • F# Maj • 02:45 • -7.16db
9% Popularity • 24% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 24% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Youth Brigade
Modest Proposal
85 bpm • F Maj • 01:46 • -12.66db
8% Popularity • 18% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 18% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Barbara Pollitt
Come Back Tonight
83 bpm • C Maj • 01:35 • -3.68db
22% Popularity • 30% Danceability • 81% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
22% Popularity • 30% Danceability • 81% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
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Bad Objection
Rotten World
85 bpm • A min • 02:02 • -5.47db
19% Popularity • 32% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 32% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Girth Control
Mass Pike Fuck You
85 bpm • F# Maj • 01:29 • -5.58db
8% Popularity • 58% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 58% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Baron Carpenter
Okay
83 bpm • F# Maj • 01:40 • -8.36db
20% Popularity • 27% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 27% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Choose Happy
BLOODY MURDER!
82 bpm • E Maj • 01:38 • -8.41db
9% Popularity • 28% Danceability • 72% Energy • 46% Liveness
23% Instrumentalness • 42% Positiveness
9% Popularity • 28% Danceability • 72% Energy • 46% Liveness
23% Instrumentalness • 42% Positiveness
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Craig John Davidson
Olivia
85 bpm • A# min • 01:09 • -9.8db
16% Popularity • 30% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 30% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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G.S.Franco
Distortion Lover
82 bpm • E Maj • 04:14 • -6.75db
38% Popularity • 20% Danceability • 89% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
38% Popularity • 20% Danceability • 89% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Shot Boys
FUN
86 bpm • A min • 01:13 • -7db
11% Popularity • 36% Danceability • 90% Energy • 28% Liveness
88% Instrumentalness • 33% Positiveness
11% Popularity • 36% Danceability • 90% Energy • 28% Liveness
88% Instrumentalness • 33% Positiveness
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Darren Schmidt
Frightening Boi Crew
82 bpm • D Maj • 02:07 • -10.96db
26% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Strap-Ons
Corner Date
81 bpm • E Maj • 02:27 • -2db
0% Popularity • 24% Danceability • 96% Energy • 17% Liveness
5% Instrumentalness • 19% Positiveness
0% Popularity • 24% Danceability • 96% Energy • 17% Liveness
5% Instrumentalness • 19% Positiveness
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Randolph Wakley
The Broken World
87 bpm • D min • 03:54 • -15.35db
30% Popularity • 33% Danceability • 52% Energy • 12% Liveness
60% Instrumentalness • 29% Positiveness
30% Popularity • 33% Danceability • 52% Energy • 12% Liveness
60% Instrumentalness • 29% Positiveness
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Antony Broad
My Eyes
87 bpm • C# Maj • 01:43 • -14.63db
25% Popularity • 41% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 41% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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The Pist
Dead In Its Tracks
81 bpm • E Maj • 01:41 • -8.01db
8% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Alger Taylor
Aufziehender Soldat
87 bpm • C Maj • 02:52 • -13.99db
23% Popularity • 24% Danceability • 57% Energy • 59% Liveness
64% Instrumentalness • 54% Positiveness
23% Popularity • 24% Danceability • 57% Energy • 59% Liveness
64% Instrumentalness • 54% Positiveness
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Rancor
Thanks for Nothing
81 bpm • E Maj • 02:05 • -3.09db
8% Popularity • 40% Danceability • 96% Energy • 42% Liveness
1% Instrumentalness • 35% Positiveness
8% Popularity • 40% Danceability • 96% Energy • 42% Liveness
1% Instrumentalness • 35% Positiveness
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Demetrius Jacobs
Heterodox
81 bpm • F# Maj • 02:26 • -2.08db
29% Popularity • 24% Danceability • 98% Energy • 30% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 24% Danceability • 98% Energy • 30% Liveness
93% Instrumentalness • 8% Positiveness
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Valerie Thomas
Tired oneself
87 bpm • F# Maj • 01:56 • -6.7db
22% Popularity • 39% Danceability • 80% Energy • 56% Liveness
1% Instrumentalness • 52% Positiveness
22% Popularity • 39% Danceability • 80% Energy • 56% Liveness
1% Instrumentalness • 52% Positiveness
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No Guard
Boot Boy
88 bpm • D Maj • 01:58 • -2.58db
15% Popularity • 41% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 41% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Pist
Ideas Are Bulletproof
81 bpm • D Maj • 01:54 • -8.33db
8% Popularity • 35% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 35% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Evershock
Superbrain
88 bpm • C# min • 03:31 • -13.98db
8% Popularity • 39% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 39% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Andre Hicks
Unnecessary Nude
80 bpm • D Maj • 02:36 • -11.83db
28% Popularity • 28% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 28% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Baron Carpenter
Reindeer Boy
79 bpm • E Maj • 01:28 • -10.55db
23% Popularity • 27% Danceability • 97% Energy • 9% Liveness
55% Instrumentalness • 6% Positiveness
23% Popularity • 27% Danceability • 97% Energy • 9% Liveness
55% Instrumentalness • 6% Positiveness
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Dropouts
Sick for You
89 bpm • C Maj • 02:02 • -1.98db
14% Popularity • 36% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 36% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Dom 65
Fake Entertainer Showdown
89 bpm • E Maj • 04:58 • -5.92db
9% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The Pist
Street Punk
81 bpm • D Maj • 02:26 • -8.06db
9% Popularity • 41% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 41% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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The Templars
Easy Way Out
89 bpm • F Maj • 01:55 • -8.15db
12% Popularity • 67% Danceability • 75% Energy • 13% Liveness
2% Instrumentalness • 91% Positiveness
12% Popularity • 67% Danceability • 75% Energy • 13% Liveness
2% Instrumentalness • 91% Positiveness
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Zenevieve Pamirez
Young
89 bpm • F Maj • 02:15 • -10.29db
22% Popularity • 41% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 41% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
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Natacha Monay
Promise Land
90 bpm • B min • 02:21 • -7.23db
19% Popularity • 42% Danceability • 79% Energy • 48% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 42% Danceability • 79% Energy • 48% Liveness
0% Instrumentalness • 72% Positiveness
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Minor Side FX
To The Grave
79 bpm • D# min • 04:07 • -11.11db
13% Popularity • 29% Danceability • 52% Energy • 26% Liveness
10% Instrumentalness • 33% Positiveness
13% Popularity • 29% Danceability • 52% Energy • 26% Liveness
10% Instrumentalness • 33% Positiveness
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Black Smoke Snakes
Time to Ride
90 bpm • A min • 02:38 • -7.48db
8% Popularity • 27% Danceability • 85% Energy • 85% Liveness
50% Instrumentalness • 19% Positiveness
8% Popularity • 27% Danceability • 85% Energy • 85% Liveness
50% Instrumentalness • 19% Positiveness
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Skism
Trying To Get On
90 bpm • C Maj • 01:46 • -11.6db
24% Popularity • 45% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 45% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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No Guard
Are We Clear
90 bpm • A# min • 02:19 • -6.15db
16% Popularity • 46% Danceability • 98% Energy • 6% Liveness
69% Instrumentalness • 82% Positiveness
16% Popularity • 46% Danceability • 98% Energy • 6% Liveness
69% Instrumentalness • 82% Positiveness
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Left On High
Pit Monster
90 bpm • F Maj • 02:13 • -10.29db
7% Popularity • 32% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 32% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Baron Carpenter
Spit Across the U.s.a
78 bpm • F# Maj • 01:30 • -9.11db
20% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Meanderthal
In the Moment
90 bpm • C# min • 02:24 • -5.57db
13% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Madeline Robert
Crazy Escape
90 bpm • G# Maj • 02:48 • -14.64db
28% Popularity • 25% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 25% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Clit 45
Dead Ends and Debauchery
90 bpm • F# min • 01:55 • -2.04db
7% Popularity • 37% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 37% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Alvis Craigie
No Way
91 bpm • C# Maj • 04:57 • -14.48db
23% Popularity • 21% Danceability • 59% Energy • 25% Liveness
1% Instrumentalness • 21% Positiveness
23% Popularity • 21% Danceability • 59% Energy • 25% Liveness
1% Instrumentalness • 21% Positiveness
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Demetrius Jacobs
Never
78 bpm • A# min • 01:54 • -2.52db
29% Popularity • 12% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 50% Positiveness
29% Popularity • 12% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 50% Positiveness
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Baron Carpenter
Born in Judge
78 bpm • C# Maj • 01:33 • -9.89db
20% Popularity • 17% Danceability • 99% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 99% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Andre Hicks
County Prison Riot
77 bpm • G# Maj • 02:07 • -11.36db
28% Popularity • 36% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 36% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 74% Positiveness
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THE OFFICIAL
J.B. Riot
77 bpm • D min • 02:33 • -12.36db
9% Popularity • 33% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 33% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Defiance
Fodder
91 bpm • G Maj • 02:33 • -5.93db
11% Popularity • 32% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 32% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Pist
P.I.S.T.
91 bpm • A min • 03:14 • -10.55db
11% Popularity • 35% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 35% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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NO RAILS
CANT THINK STRAIGHT
77 bpm • D Maj • 02:12 • -3.98db
9% Popularity • 25% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 25% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Violent Times
Blue Pigs In Uniforms
92 bpm • A Maj • 03:21 • -2.84db
9% Popularity • 48% Danceability • 96% Energy • 21% Liveness
71% Instrumentalness • 77% Positiveness
9% Popularity • 48% Danceability • 96% Energy • 21% Liveness
71% Instrumentalness • 77% Positiveness
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Karen Hall
Brown
92 bpm • G Maj • 03:18 • -10.38db
31% Popularity • 32% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 32% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Strap-Ons
I Can't Explain
76 bpm • A Maj • 01:50 • -3.74db
0% Popularity • 46% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 46% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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The Response
Bojangles BJ
93 bpm • F# min • 03:13 • -6.91db
20% Popularity • 32% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
20% Popularity • 32% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
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The Left Alones
Warbrain
93 bpm • C Maj • 03:12 • -11.2db
16% Popularity • 14% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 14% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Beck Maxwell
The Cherry Pie Girl
93 bpm • F# Maj • 03:02 • -2.62db
22% Popularity • 32% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 32% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Rally Cry
Upshot
93 bpm • C# min • 03:52 • -4.6db
13% Popularity • 56% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 56% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Square Tugs
Everything's Been Said
93 bpm • B min • 01:10 • -6.17db
17% Popularity • 37% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 37% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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The Strap-Ons
Wicca chicka
93 bpm • A Maj • 01:22 • -5.8db
0% Popularity • 33% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 33% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Rübenschneider
I Don´t
94 bpm • D min • 01:33 • -7.82db
16% Popularity • 48% Danceability • 84% Energy • 13% Liveness
2% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 84% Energy • 13% Liveness
2% Instrumentalness • 80% Positiveness
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Simon Strachey
Klant
94 bpm • A min • 02:07 • -16.2db
20% Popularity • 65% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 65% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Meanderthal
No Hurry
94 bpm • C# min • 02:09 • -5.68db
9% Popularity • 55% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 55% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Nip Drivers
Elephant Man
75 bpm • A Maj • 01:09 • -11.24db
9% Popularity • 40% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 40% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Roderick Kellogg
Player Piano
94 bpm • G# Maj • 04:33 • -11.66db
26% Popularity • 35% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 35% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Strap-Ons
Johnny's motel
94 bpm • B min • 02:39 • -5.22db
0% Popularity • 30% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 30% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Zenevieve Pamirez
Bring
95 bpm • F Maj • 03:20 • -11.65db
22% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Coma Beach
Extreme Masochist
95 bpm • A# min • 03:02 • -9.33db
11% Popularity • 41% Danceability • 91% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
11% Popularity • 41% Danceability • 91% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Knock Off
Lowerarchy
95 bpm • B min • 02:51 • -5.17db
8% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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The CB Dogs 膣屄狗
Honda Civic Type-R
95 bpm • A Maj • 01:21 • -2.55db
12% Popularity • 45% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 45% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Ghosts of Babylon
Independent Days
95 bpm • A min • 03:24 • -8.78db
12% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Excuses
Territorial Pissings
95 bpm • D Maj • 02:08 • -9.96db
14% Popularity • 28% Danceability • 81% Energy • 29% Liveness
1% Instrumentalness • 47% Positiveness
14% Popularity • 28% Danceability • 81% Energy • 29% Liveness
1% Instrumentalness • 47% Positiveness
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Zenevieve Pamirez
Feel So Bad
95 bpm • G Maj • 02:52 • -10.56db
22% Popularity • 28% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 28% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Carr Tony
What's Wrong With You
95 bpm • G# Maj • 01:52 • -6.1db
23% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Rupert Addison
Juryle
95 bpm • C# Maj • 02:55 • -17.23db
30% Popularity • 69% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Steward Middleton
Take Another Path
96 bpm • G Maj • 02:17 • -3.71db
22% Popularity • 14% Danceability • 90% Energy • 65% Liveness
29% Instrumentalness • 56% Positiveness
22% Popularity • 14% Danceability • 90% Energy • 65% Liveness
29% Instrumentalness • 56% Positiveness
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Barbara Pollitt
Dear Andy
96 bpm • A# Maj • 01:57 • -2.9db
22% Popularity • 29% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 75% Positiveness
22% Popularity • 29% Danceability • 95% Energy • 21% Liveness
86% Instrumentalness • 75% Positiveness
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Fair Call
StickiTu DaMan
96 bpm • G Maj • 02:31 • -11.44db
9% Popularity • 48% Danceability • 57% Energy • 13% Liveness
18% Instrumentalness • 76% Positiveness
9% Popularity • 48% Danceability • 57% Energy • 13% Liveness
18% Instrumentalness • 76% Positiveness
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Zenevieve Pamirez
Delete This
95 bpm • G Maj • 03:21 • -12.2db
22% Popularity • 35% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 35% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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60/40
Quarter Drinkin'
96 bpm • G# Maj • 01:32 • -5.8db
15% Popularity • 44% Danceability • 91% Energy • 6% Liveness
61% Instrumentalness • 78% Positiveness
15% Popularity • 44% Danceability • 91% Energy • 6% Liveness
61% Instrumentalness • 78% Positiveness
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The Strap-Ons
Blacksheep of society
96 bpm • C Maj • 01:37 • -6.77db
0% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Arthropoda
Fucking Hell
96 bpm • A Maj • 02:00 • -5.83db
9% Popularity • 41% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 41% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Andre Hicks
I Don't Want You
73 bpm • A# Maj • 01:42 • -11.3db
28% Popularity • 30% Danceability • 74% Energy • 40% Liveness
1% Instrumentalness • 62% Positiveness
28% Popularity • 30% Danceability • 74% Energy • 40% Liveness
1% Instrumentalness • 62% Positiveness
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The Skinflicks
Posh Cannibals
97 bpm • D# Maj • 02:23 • -6.86db
15% Popularity • 47% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 47% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 80% Positiveness
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Emphasize Singer
Initiate Complaint
97 bpm • E Maj • 02:39 • -4.5db
17% Popularity • 30% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 30% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Zenevieve Pamirez
Before
97 bpm • D# Maj • 02:55 • -11.8db
22% Popularity • 29% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 29% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Grimple
Vivisick
97 bpm • D Maj • 01:38 • -11.88db
10% Popularity • 31% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 48% Positiveness
10% Popularity • 31% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 48% Positiveness
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Triple Word Score
2 Ska 4 U
98 bpm • B min • 02:15 • -8.29db
39% Popularity • 48% Danceability • 82% Energy • 6% Liveness
4% Instrumentalness • 89% Positiveness
39% Popularity • 48% Danceability • 82% Energy • 6% Liveness
4% Instrumentalness • 89% Positiveness
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The Strap-Ons
Just Like You
98 bpm • C Maj • 01:48 • -3.25db
0% Popularity • 26% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 26% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Drew Pollitt
Muddy
98 bpm • C min • 04:05 • -10.38db
25% Popularity • 25% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 25% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Simon Strachey
Beautiful Dream
98 bpm • A# min • 03:35 • -18.93db
19% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Zenevieve Pamirez
Return The Favor
98 bpm • D Maj • 02:46 • -10.41db
22% Popularity • 25% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 25% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Pinky's Brains
On My Own
98 bpm • G Maj • 04:10 • -9.38db
12% Popularity • 44% Danceability • 76% Energy • 17% Liveness
53% Instrumentalness • 46% Positiveness
12% Popularity • 44% Danceability • 76% Energy • 17% Liveness
53% Instrumentalness • 46% Positiveness
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Detestation
Trash
99 bpm • B Maj • 02:31 • -7.97db
13% Popularity • 33% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
13% Popularity • 33% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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The Strap-Ons
Dying nation
98 bpm • C Maj • 01:11 • -6db
0% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Grimple
Think
99 bpm • C# Maj • 01:31 • -11.52db
8% Popularity • 29% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 29% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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John Smith
Tell You
99 bpm • D Maj • 03:46 • -12.41db
20% Popularity • 31% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 31% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Minor Side FX
The Plan
99 bpm • A# min • 04:40 • -11.62db
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Violent Times
New Force Of Oi!
99 bpm • G Maj • 03:18 • -2.67db
15% Popularity • 49% Danceability • 96% Energy • 6% Liveness
27% Instrumentalness • 63% Positiveness
15% Popularity • 49% Danceability • 96% Energy • 6% Liveness
27% Instrumentalness • 63% Positiveness
