Songs like 24 Préludes, Op. 28: No. 20 in C Minor: Largo - Pt. 1 by Frédéric Chopin
Based on a tempo of (+/- 10%) and a similar genre
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Rousseau
Arabesque No. 1
81 bpm • F# min • 04:49 • -26db
46% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
46% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Nathan Milstein
Nocturne No. 20 in C-Sharp Minor, Op. po...
81 bpm • C# min • 04:17 • -24.94db
47% Popularity • 14% Danceability • 6% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
47% Popularity • 14% Danceability • 6% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
52% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
52% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne No. 15 in F Minor, Op. 55 No. 1
80 bpm • F min • 04:40 • -28db
40% Popularity • 25% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
40% Popularity • 25% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Frédéric Chopin
Nocturne No. 9 In B, Op. 32 No. 1
80 bpm • B Maj • 04:08 • -30.59db
44% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
44% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Pianozone
12 Etudes, Op.25: No.2 in F Minor
83 bpm • C# Maj • 01:19 • -18.86db
41% Popularity • 22% Danceability • 28% Energy • 17% Liveness
93% Instrumentalness • 54% Positiveness
41% Popularity • 22% Danceability • 28% Energy • 17% Liveness
93% Instrumentalness • 54% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
55% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
55% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
57% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Ragna Schirmer
No. 1, Allegro, legato
84 bpm • C Maj • 02:01 • -19.9db
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
27% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Rousseau
Prelude in E Minor (Op. 28 No. 4)
78 bpm • E min • 02:52 • -29db
38% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
84 bpm • G# Maj • 01:36 • -33db
56% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
56% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Glinka/Balakirev
Glinka/Balakirev: The Lark (L'Alouette)
77 bpm • A# min • 05:23 • -33db
21% Popularity • 22% Danceability • 1% Energy • 6% Liveness
36% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 1% Energy • 6% Liveness
36% Instrumentalness • 6% Positiveness
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Friedrich Burgmüller
18 Études, Op. 109: No. 7, Berceuse
85 bpm • F Maj • 01:26 • -30db
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossiennes: n° 4
85 bpm • A min • 02:32 • -30.5db
42% Popularity • 31% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 31% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Friedrich Burgmüller
18 Études, Op. 109: No. 13, L'orage
85 bpm • D min • 01:26 • -21.74db
42% Popularity • 21% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
42% Popularity • 21% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Frédéric Chopin
12 Études, Op. 10: No. 1 in C Major "Wa...
86 bpm • C Maj • 01:54 • -15.91db
34% Popularity • 22% Danceability • 28% Energy • 13% Liveness
91% Instrumentalness • 20% Positiveness
34% Popularity • 22% Danceability • 28% Energy • 13% Liveness
91% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Slavonic Dance for Four Hands in E Minor...
77 bpm • C Maj • 03:18 • -24.51db
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
76 bpm • G Maj • 05:21 • -30.94db
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 2 in D Minor, BWV 100...
76 bpm • D min • 05:12 • -22db
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
► Preview
Francis Poulenc
Nocturnes n°7 en mi majeur
87 bpm • D# Maj • 01:52 • -26.04db
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Frédéric Chopin
Chopin: Piano Sonata No. 1 in C Minor, O...
76 bpm • C min • 09:24 • -22db
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Maurice Ravel
A la manière de. . . Chabrier
87 bpm • C Maj • 02:25 • -36db
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Frédéric Chopin
Nocturne No. 1 In B Flat Minor, Op. 9 No...
75 bpm • C# Maj • 04:46 • -27.53db
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Valentina Lisitsa
Etude Op. 25 no. 12 in c minor
75 bpm • F min • 02:34 • -19db
28% Popularity • 8% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Nocturne No. 11 In G Minor, Op. 37 No. 1
75 bpm • A# Maj • 05:21 • -33.28db
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Cécile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
35% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Valentina Lisitsa
Etude Op. 10 no. 1 in C Major
88 bpm • C Maj • 01:55 • -22.63db
44% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
44% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne in C Sharp
87 bpm • F# min • 04:33 • -13.14db
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 1 in E major
74 bpm • F# min • 03:55 • -27.62db
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne No. 14 In F Sharp Minor, Op. 48...
75 bpm • C# Maj • 06:36 • -31.6db
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
