Songs like 24/7 by Marlon
Based on a tempo of (+/- 10%) and a similar genre
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Paula Mattheus
La Hipoteca
156 bpm • A# Maj • 03:38 • -6db
51% Popularity • 81% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 81% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Bombai
Te conozco desde siempre
156 bpm • D Maj • 02:52 • -3.15db
52% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Morochos
Vivir para mí
155 bpm • G Maj • 03:57 • -7db
46% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Paula Koops
mejores amigos
157 bpm • F Maj • 02:53 • -2.89db
52% Popularity • 60% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 60% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Malmö 040
Lo Que Hay Dentro de Mí
155 bpm • G# Maj • 03:10 • -5.67db
49% Popularity • 57% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 57% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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Íñigo Merino
Dudo y Tiemblo
155 bpm • G# Maj • 03:16 • -5.26db
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Paula Mattheus
La Hipoteca - Remix
156 bpm • A# Maj • 03:37 • -6db
47% Popularity • 79% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 79% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Pol 3.14
Lo bueno de lo malo
155 bpm • C Maj • 03:25 • -6.3db
40% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Pignoise
Cama Vacía
158 bpm • C# Maj • 03:59 • -3.88db
49% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Nil Moliner
NADA QUE DECIR
158 bpm • E Maj • 03:33 • -5.39db
50% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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BER
El Último Portazo
154 bpm • E Maj • 03:01 • -8db
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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India Martinez
No Me Basta
154 bpm • C# min • 02:42 • -4.47db
52% Popularity • 79% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 79% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Mercedes Cañas
Como diciembre a enero
159 bpm • C# Maj • 02:50 • -9.57db
51% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Pole.
Rotos
159 bpm • D Maj • 03:51 • -3.42db
60% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Pignoise
Nada que perder
154 bpm • G Maj • 03:17 • -2.35db
57% Popularity • 55% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 55% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Arde Bogotá
La Salvación
160 bpm • B Maj • 04:23 • -5.56db
67% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Melendi
Sé lo que hicisteis - 2006 Remastered V...
160 bpm • E Maj • 03:48 • -6.37db
61% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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84
Gravedad
160 bpm • G# Maj • 02:54 • -3.81db
35% Popularity • 56% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 56% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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BER
Sevilla
160 bpm • A Maj • 02:47 • -5.29db
39% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Hens
Hensito
160 bpm • A Maj • 02:40 • -4.76db
42% Popularity • 60% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 60% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Paula Mattheus
Ya No Me Joden La Fiesta
152 bpm • C# Maj • 03:17 • -3.12db
48% Popularity • 59% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 59% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Pol 3.14
Amor Intermitente
160 bpm • E Maj • 03:30 • -6.02db
34% Popularity • 47% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
34% Popularity • 47% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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Melendi
Lágrimas desordenadas
160 bpm • A Maj • 03:49 • -3.52db
64% Popularity • 64% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 64% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Marlon
Superman
152 bpm • C# Maj • 02:47 • -5.06db
30% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 59% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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MARLENA
bailamorena
152 bpm • C# Maj • 02:48 • -4.98db
61% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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IZAL
La Mujer de Verde
152 bpm • G Maj • 05:04 • -5.66db
62% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Siloé
Que Merezca la Pena
150 bpm • G Maj • 03:34 • -5.98db
54% Popularity • 36% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 36% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Pol 3.14
Guardar como
162 bpm • D Maj • 03:02 • -6.19db
39% Popularity • 48% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
39% Popularity • 48% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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DePol
Ibiza
162 bpm • F# Maj • 02:59 • -5.06db
66% Popularity • 57% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 57% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Beret
Si por mi fuera
150 bpm • D Maj • 03:28 • -5.72db
56% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Arnau Griso
Desamortil
150 bpm • C Maj • 03:01 • -6.25db
45% Popularity • 63% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
45% Popularity • 63% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Vicco
Puedes contar conmigo
150 bpm • C# Maj • 02:48 • -5.56db
45% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Siloé
Todos los Besos
150 bpm • C# Maj • 04:27 • -4.47db
52% Popularity • 55% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 55% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Funzo & Baby Loud
CONTRA TODO(S)
150 bpm • C min • 03:18 • -5.95db
58% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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DePol
Quién Diría
150 bpm • G min • 03:03 • -2.8db
66% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
66% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Enol
TE TRAJE FLORES
150 bpm • G Maj • 03:04 • -4.74db
46% Popularity • 61% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 61% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Melendi
Hablando En Plata
150 bpm • F Maj • 03:08 • -5.7db
53% Popularity • 63% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 63% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Alex Wall
antinirvana
150 bpm • G# Maj • 03:23 • -2.76db
27% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 56% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Nil Moliner
ARA
150 bpm • C# Maj • 03:06 • -6.41db
55% Popularity • 63% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 63% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 66% Positiveness
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BER
Vuelo
150 bpm • G# Maj • 02:54 • -3.93db
31% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Marlon
Bésame
162 bpm • D Maj • 04:31 • -7.47db
22% Popularity • 37% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 37% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Enol
LA PRIMERA
150 bpm • G Maj • 02:32 • -5.67db
44% Popularity • 65% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 65% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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Ana Mena
Un Clásico
150 bpm • C# Maj • 02:52 • -5.31db
61% Popularity • 53% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 53% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Andrés Suárez
VALIENTES
163 bpm • G# Maj • 03:23 • -5.04db
41% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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ERRE
Me pongo a brillar
149 bpm • A Maj • 02:34 • -8.2db
33% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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BER
Colmillos
150 bpm • G Maj • 03:40 • -6db
29% Popularity • 45% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Wall
el último tren
164 bpm • C# Maj • 03:04 • -7.3db
29% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Melendi
Con la luna llena
164 bpm • E Maj • 03:48 • -6.52db
62% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie USG
Estamos a un beso
148 bpm • F Maj • 03:12 • -4.62db
44% Popularity • 68% Danceability • 89% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 68% Danceability • 89% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
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Veintiuno
La Ruina
148 bpm • D# Maj • 03:23 • -3.12db
39% Popularity • 50% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 50% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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La La Love You
Himno (para los que están jodidos)
148 bpm • A Maj • 03:05 • -3.01db
59% Popularity • 57% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 57% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Siloé
Si Me Necesitas, Llámame
148 bpm • C# Maj • 04:02 • -4.84db
51% Popularity • 49% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 49% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Wall
memorias de un borracho
148 bpm • E Maj • 03:07 • -5db
21% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Álvaro De Luna
PORTARSE MAL
147 bpm • G# Maj • 03:12 • -3db
50% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Paula Koops
b.o.b.o.
147 bpm • C# min • 02:22 • -3.84db
57% Popularity • 72% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 72% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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Dani Fernández
Clima Tropical
147 bpm • E Maj • 03:29 • -5.97db
55% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lérica
Espinita Clavá
147 bpm • E Maj • 02:46 • -4db
54% Popularity • 69% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 69% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Marlon
De L.A. a Nueva York!!
166 bpm • D# Maj • 03:34 • -4.37db
25% Popularity • 51% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 51% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Wall
el amor no está de moda
165 bpm • A Maj • 02:41 • -4.18db
37% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Bombai
Tú Me Has Cambiado
166 bpm • D Maj • 02:56 • -5.09db
58% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Paula Koops
Línea 7
166 bpm • D Maj • 02:55 • -4db
55% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Pol 3.14
Jóvenes Eternamente
146 bpm • B Maj • 04:27 • -5.8db
51% Popularity • 49% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 49% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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La La Love You
No se te puede dejar nada
146 bpm • E min • 03:13 • -2.19db
58% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Pignoise
Una sensación
146 bpm • A# Maj • 03:17 • -3.41db
41% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Wall
dulce veneno
166 bpm • F# Maj • 02:47 • -5.1db
23% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Paula Mattheus
Me Pasaste Tú
146 bpm • C Maj • 03:13 • -4.6db
45% Popularity • 65% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 65% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Paula Koops
Tal Vez
146 bpm • D Maj • 03:07 • -4.18db
38% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Omar Montes
Camarón
146 bpm • A Maj • 02:55 • -5.62db
46% Popularity • 68% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 68% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Pole.
Quédate conmigo
146 bpm • C# Maj • 03:36 • -4.74db
57% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Marlon
Volveré
146 bpm • A Maj • 03:39 • -5.02db
36% Popularity • 52% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 52% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Mercedes Cañas
Ángel Malo
145 bpm • A Maj • 03:02 • -8db
37% Popularity • 52% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
37% Popularity • 52% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
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Marmi
Bonnie & Clyde
167 bpm • A Maj • 03:00 • -5.75db
46% Popularity • 60% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 60% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Marta Santos
Me Sabe a Sal
145 bpm • G Maj • 02:32 • -8.26db
64% Popularity • 83% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 83% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Enol
COMO TE QUIERO YO
145 bpm • F Maj • 02:57 • -6.2db
54% Popularity • 88% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 88% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Veintiuno
Leona
145 bpm • F Maj • 03:33 • -3.67db
37% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Marlon
XAO
145 bpm • D# Maj • 02:20 • -4.6db
40% Popularity • 54% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 54% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Malmö 040
Inmortal
145 bpm • G# Maj • 03:35 • -4.44db
51% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Besmaya
Matar la Pena
145 bpm • G Maj • 02:32 • -7.05db
60% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
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Shinova
Te debo una canción
168 bpm • F min • 03:31 • -6.5db
54% Popularity • 51% Danceability • 78% Energy • 18% Liveness
11% Instrumentalness • 80% Positiveness
54% Popularity • 51% Danceability • 78% Energy • 18% Liveness
11% Instrumentalness • 80% Positiveness
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Enol
Limón
145 bpm • D# Maj • 03:04 • -8.65db
38% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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ERRE
Por qué???
145 bpm • F# min • 02:45 • -7.91db
34% Popularity • 60% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 60% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 65% Positiveness
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Marlon
Mi maldición
145 bpm • B Maj • 03:06 • -3.29db
24% Popularity • 54% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 54% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Sofia Ellar
Tal y Cual
168 bpm • D# Maj • 03:20 • -6.11db
33% Popularity • 48% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 48% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Pereza
Todo
168 bpm • C Maj • 04:20 • -4.09db
56% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Taburete
Roto y Elegante
145 bpm • C# Maj • 03:43 • -4.92db
51% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 50% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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MARLENA
Último Baile
144 bpm • B min • 02:59 • -2.94db
60% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Leiva
Como Si Fueras a Morir Mañana
144 bpm • D# Maj • 04:00 • -6.58db
63% Popularity • 46% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 46% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Marlon
Con uñas y dientes
168 bpm • F Maj • 03:39 • -4db
41% Popularity • 47% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 47% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Veintiuno
Chihiro
170 bpm • C# min • 02:55 • -7.43db
35% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Vicco
tequiero
170 bpm • C# min • 03:05 • -4.93db
66% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Taburete
Madame Ayahuasca
144 bpm • A# Maj • 04:10 • -3.95db
49% Popularity • 51% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 51% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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mafalda cardenal
si tiene que ser será.
170 bpm • D Maj • 03:21 • -10.21db
51% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Nena Daconte
En Que Estrella Estara
170 bpm • F Maj • 02:20 • -7.44db
64% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Marlon
Comértelo todo
168 bpm • C# min • 03:32 • -3.59db
32% Popularity • 48% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 48% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Pignoise
Quiero
170 bpm • B Maj • 02:39 • -4.49db
53% Popularity • 46% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 46% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Íñigo Merino
Si No Estáis
143 bpm • B Maj • 03:48 • -7.89db
20% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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David Rees
Radio 2000
142 bpm • G Maj • 03:33 • -6.65db
40% Popularity • 65% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 65% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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BER
Flechazo
172 bpm • G Maj • 03:16 • -3.69db
29% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
