Songs like 2,5-Dimethoxy-4-Ethyl-Amphetamine: (DOET/Hecate) by Coil
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Köner
Nival
143 bpm • F# Maj • 05:56 • -36db
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Coil
2,5-Dimethoxy-4-Ethyl-Amphetamine: (DOET...
143 bpm • D# Maj • 13:20 • -27.77db
18% Popularity • 13% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 2% Positiveness
18% Popularity • 13% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 2% Positiveness
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Celer
Rains Lit By Neon
144 bpm • D min • 08:26 • -24.3db
23% Popularity • 19% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Vatican Shadow
Ziad Jarrah Studied Mathematics
142 bpm • A min • 04:50 • -14.44db
17% Popularity • 50% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 50% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Aphex Twin
Icct Hedral
142 bpm • G# Maj • 06:07 • -10.24db
33% Popularity • 41% Danceability • 88% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 41% Danceability • 88% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
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Geographic North House Band
Chapter 1: The Fang of a Parting Mist
142 bpm • A min • 01:51 • -23.82db
11% Popularity • 20% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 13% Positiveness
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Merzbow
Plasma Birds
142 bpm • D min • 09:29 • -1.48db
10% Popularity • 14% Danceability • 99% Energy • 28% Liveness
77% Instrumentalness • 1% Positiveness
10% Popularity • 14% Danceability • 99% Energy • 28% Liveness
77% Instrumentalness • 1% Positiveness
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Biosphere
Times When I Know You'll Be Sad
144 bpm • C min • 03:44 • -28db
28% Popularity • 45% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
28% Popularity • 45% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
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Tim Hecker
Shipyards of La Ceiba
142 bpm • F min • 01:56 • -27.02db
45% Popularity • 20% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 66% Positiveness
45% Popularity • 20% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 66% Positiveness
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Debit
1st Night
141 bpm • G Maj • 03:28 • -17.81db
12% Popularity • 14% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Oval
Textuell
141 bpm • C Maj • 07:23 • -19db
15% Popularity • 86% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
15% Popularity • 86% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Coil
Teenage Lightning 2005 - Remastered
140 bpm • G# min • 07:11 • -11.28db
22% Popularity • 57% Danceability • 48% Energy • 70% Liveness
88% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 48% Energy • 70% Liveness
88% Instrumentalness • 40% Positiveness
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Body Sculptures
On The Flowers Face
146 bpm • B Maj • 04:52 • -11.54db
9% Popularity • 13% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Helm
Eliminator
146 bpm • F min • 03:26 • -18.65db
21% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
21% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Christian Cosmos
Behold, A Sower Went Out To Sow
146 bpm • B min • 03:42 • -14.13db
10% Popularity • 59% Danceability • 91% Energy • 19% Liveness
95% Instrumentalness • 47% Positiveness
10% Popularity • 59% Danceability • 91% Energy • 19% Liveness
95% Instrumentalness • 47% Positiveness
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Bark Psychosis
Pendulum Man
146 bpm • E min • 09:53 • -28.46db
36% Popularity • 24% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ford Proco
Expansión Naranja
140 bpm • G min • 07:03 • -9.39db
1% Popularity • 74% Danceability • 70% Energy • 11% Liveness
40% Instrumentalness • 39% Positiveness
1% Popularity • 74% Danceability • 70% Energy • 11% Liveness
40% Instrumentalness • 39% Positiveness
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Coil
Triple Sun - Remastered
140 bpm • F Maj • 03:46 • -13db
32% Popularity • 55% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 55% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Fennesz
The Other Face
146 bpm • C# Maj • 03:25 • -12.15db
16% Popularity • 13% Danceability • 58% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 58% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Catlynn Klarisse
Monastery unchanged
140 bpm • G Maj • 01:08 • -11.09db
22% Popularity • 54% Danceability • 69% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 69% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
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Puce Mary
Slouching Uphill
140 bpm • F# min • 04:41 • -10.09db
9% Popularity • 35% Danceability • 52% Energy • 87% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 35% Danceability • 52% Energy • 87% Liveness
83% Instrumentalness • 4% Positiveness
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Aphex Twin
#5
140 bpm • C# min • 08:55 • -29.19db
37% Popularity • 25% Danceability • 10% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 10% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
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The Body Lovers
(5:32)
146 bpm • E min • 05:32 • -15.62db
15% Popularity • 37% Danceability • 8% Energy • 38% Liveness
61% Instrumentalness • 35% Positiveness
15% Popularity • 37% Danceability • 8% Energy • 38% Liveness
61% Instrumentalness • 35% Positiveness
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Coil
Lorca Not Orca
140 bpm • D# min • 02:04 • -10.76db
14% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Deux Filles
Prayer for Vince
140 bpm • B min • 02:09 • -18.04db
14% Popularity • 16% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Prurient
Let's Make A Slave
139 bpm • G# Maj • 04:33 • -7.81db
12% Popularity • 16% Danceability • 71% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 71% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Uboa
Ice Floes
139 bpm • D Maj • 03:46 • -16.24db
14% Popularity • 14% Danceability • 29% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 29% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Ursula Bogner
Uranotypie
139 bpm • E min • 02:42 • -19.76db
11% Popularity • 44% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 44% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Demdike Stare
Suspicious Drone
139 bpm • G# Maj • 06:34 • -16.95db
8% Popularity • 23% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Coil
Teenage Lightning, Pt. 1
140 bpm • E Maj • 01:50 • -6.95db
28% Popularity • 74% Danceability • 99% Energy • 8% Liveness
37% Instrumentalness • 89% Positiveness
28% Popularity • 74% Danceability • 99% Energy • 8% Liveness
37% Instrumentalness • 89% Positiveness
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His Name Is Alive
All The Mirrors In The House
139 bpm • F Maj • 01:27 • -25.21db
12% Popularity • 18% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Anna von Hausswolff
Persefone
138 bpm • A# min • 07:08 • -14db
23% Popularity • 14% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Puce Mary
To Possess Is To Be In Control
148 bpm • E min • 05:31 • -16.18db
17% Popularity • 32% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Prurient
Every Relationship Earthrise
138 bpm • C# Maj • 03:13 • -9.89db
13% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Croatian Amor
Transit
138 bpm • A min • 05:44 • -21.82db
19% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
19% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Coil
Refusal of Leave to Land
140 bpm • G Maj • 07:27 • -17.06db
8% Popularity • 25% Danceability • 69% Energy • 10% Liveness
74% Instrumentalness • 53% Positiveness
8% Popularity • 25% Danceability • 69% Energy • 10% Liveness
74% Instrumentalness • 53% Positiveness
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Oval
Store Check
138 bpm • D# min • 04:00 • -21db
22% Popularity • 45% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Laurie Spiegel
Two Archetypes: Hall of Mirrors - I
149 bpm • B min • 04:24 • -16.43db
10% Popularity • 12% Danceability • 38% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 38% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
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Aaron Dilloway
Yodeling Slits
137 bpm • B Maj • 02:41 • -12.06db
12% Popularity • 35% Danceability • 33% Energy • 27% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 33% Energy • 27% Liveness
86% Instrumentalness • 4% Positiveness
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Nurse With Wound
Two Mock Projections
137 bpm • C Maj • 06:20 • -5.99db
10% Popularity • 23% Danceability • 94% Energy • 59% Liveness
86% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 94% Energy • 59% Liveness
86% Instrumentalness • 8% Positiveness
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7038634357
Centerline
136 bpm • G Maj • 05:12 • -20.69db
9% Popularity • 34% Danceability • 34% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 34% Danceability • 34% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Coil
Caged Birds
147 bpm • F Maj • 01:33 • -33.31db
15% Popularity • 37% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
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Tim Hecker
Night Flight to Your Heart Pt. 2
150 bpm • B min • 01:03 • -27.44db
46% Popularity • 22% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Spk
Alocasia Metallica
136 bpm • C min • 06:03 • -8.67db
8% Popularity • 38% Danceability • 64% Energy • 12% Liveness
23% Instrumentalness • 12% Positiveness
8% Popularity • 38% Danceability • 64% Energy • 12% Liveness
23% Instrumentalness • 12% Positiveness
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William Basinski
For Whom the Bell Tolls
136 bpm • B Maj • 04:10 • -27.78db
26% Popularity • 15% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
26% Popularity • 15% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
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Jefre Cantu-Ledesma
Where I End & You Begin
136 bpm • G Maj • 03:14 • -10.51db
17% Popularity • 15% Danceability • 41% Energy • 27% Liveness
60% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 41% Energy • 27% Liveness
60% Instrumentalness • 4% Positiveness
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sunn O)))
Sin Nanna
150 bpm • A Maj • 02:17 • -21.31db
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Coil
Opium Hum
139 bpm • G min • 02:37 • -19.09db
19% Popularity • 17% Danceability • 7% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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Muslimgauze
Every Grain Of Palestinian Sand (2)
136 bpm • G Maj • 10:53 • -14.1db
15% Popularity • 47% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
15% Popularity • 47% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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Oneohtrix Point Never
Woe is the Transgression I
135 bpm • A# Maj • 08:44 • -24.92db
20% Popularity • 17% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 2% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 2% Positiveness
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B. Lustmord
Delusion Fields
135 bpm • D Maj • 09:31 • -22.11db
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Deathprod
Treetop Drive 3
135 bpm • C# min • 09:32 • -14.19db
9% Popularity • 27% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 23% Positiveness
9% Popularity • 27% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 23% Positiveness
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Ulver
Darling Didn't We Kill You?
134 bpm • D Maj • 08:51 • -11.51db
14% Popularity • 35% Danceability • 68% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 35% Danceability • 68% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Coil
Who'll Fall
148 bpm • G# min • 05:31 • -15.06db
10% Popularity • 31% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
10% Popularity • 31% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Muslimgauze
Every Grain Of Palestinian Sand
136 bpm • F min • 10:32 • -10.54db
28% Popularity • 54% Danceability • 65% Energy • 23% Liveness
80% Instrumentalness • 41% Positiveness
28% Popularity • 54% Danceability • 65% Energy • 23% Liveness
80% Instrumentalness • 41% Positiveness
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Loke Rahbek
Closure
134 bpm • C Maj • 02:19 • -26.16db
12% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia XII
134 bpm • B min • 07:09 • -28.57db
23% Popularity • 23% Danceability • 38% Energy • 15% Liveness
80% Instrumentalness • 13% Positiveness
23% Popularity • 23% Danceability • 38% Energy • 15% Liveness
80% Instrumentalness • 13% Positiveness
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Moin
Elsie
153 bpm • C# Maj • 03:55 • -12.1db
9% Popularity • 46% Danceability • 41% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
9% Popularity • 46% Danceability • 41% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Wolf Eyes
Reaper's Gong
134 bpm • A min • 01:46 • -16.42db
13% Popularity • 34% Danceability • 70% Energy • 20% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 70% Energy • 20% Liveness
86% Instrumentalness • 4% Positiveness
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Coil
An Emergency
138 bpm • C Maj • 01:18 • -18.57db
16% Popularity • 20% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 20% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Muslimgauze
Zindabad
134 bpm • B Maj • 05:50 • -19.3db
14% Popularity • 70% Danceability • 48% Energy • 7% Liveness
72% Instrumentalness • 47% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 7% Liveness
72% Instrumentalness • 47% Positiveness
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Oneohtrix Point Never
Format & Journey North
153 bpm • A# min • 09:45 • -5.7db
16% Popularity • 26% Danceability • 59% Energy • 39% Liveness
56% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 59% Energy • 39% Liveness
56% Instrumentalness • 10% Positiveness
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Yellow Swans
Going Places
133 bpm • A Maj • 09:09 • -12.43db
16% Popularity • 15% Danceability • 54% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 54% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Merzbow
Why Is the Courtesy of the Prey Always C...
153 bpm • A min • 02:55 • -8.43db
24% Popularity • 28% Danceability • 93% Energy • 43% Liveness
89% Instrumentalness • 12% Positiveness
24% Popularity • 28% Danceability • 93% Energy • 43% Liveness
89% Instrumentalness • 12% Positiveness
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Ramleh
Redcap Part 1
133 bpm • C# Maj • 01:02 • -14db
18% Popularity • 51% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
18% Popularity • 51% Danceability • 12% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Coil
The First Five Minutes After Violent Dea...
137 bpm • C Maj • 04:59 • -8.72db
11% Popularity • 20% Danceability • 62% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
11% Popularity • 20% Danceability • 62% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Tomaga
The Inexorable Sadness of Pencils
133 bpm • A min • 04:37 • -10.2db
14% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
14% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Raime
Passed over Trail
133 bpm • G Maj • 04:30 • -19.51db
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Fennesz
Transit
132 bpm • D Maj • 04:59 • -14db
24% Popularity • 31% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 31% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Puce Mary
The Spiral
132 bpm • F min • 05:39 • -11.1db
12% Popularity • 26% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Three Sonic Spaces I
132 bpm • D Maj • 01:36 • -27.82db
28% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 2% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 2% Positiveness
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Coil
Dark River
150 bpm • C# Maj • 06:29 • -13.53db
22% Popularity • 48% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Muslimgauze
Yasser Arafat's Radio
132 bpm • A Maj • 06:10 • -19.81db
13% Popularity • 19% Danceability • 55% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 55% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Scraping Foetus off the Wheel
Theme from Pigdom Come - Instrumental
155 bpm • A min • 01:52 • -8.23db
25% Popularity • 28% Danceability • 45% Energy • 22% Liveness
85% Instrumentalness • 12% Positiveness
25% Popularity • 28% Danceability • 45% Energy • 22% Liveness
85% Instrumentalness • 12% Positiveness
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Yellow Swans
Sovereign
131 bpm • A Maj • 05:44 • -13.79db
17% Popularity • 16% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 27% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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William Basinski
O, My Daughter, O, My Sorrow
131 bpm • C min • 06:43 • -19.51db
24% Popularity • 24% Danceability • 32% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
24% Popularity • 24% Danceability • 32% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Nurse With Wound
Easy Snapping
131 bpm • A# Maj • 02:13 • -13.2db
10% Popularity • 61% Danceability • 70% Energy • 40% Liveness
59% Instrumentalness • 35% Positiveness
10% Popularity • 61% Danceability • 70% Energy • 40% Liveness
59% Instrumentalness • 35% Positiveness
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Coil
A Cold Cell
152 bpm • D Maj • 05:58 • -16.67db
10% Popularity • 18% Danceability • 24% Energy • 57% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 24% Energy • 57% Liveness
80% Instrumentalness • 4% Positiveness
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Muslimgauze
Khan Younis
156 bpm • F# min • 07:12 • -17.82db
22% Popularity • 68% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
22% Popularity • 68% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
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Internazionale
Bells of Addiction (Recalled)
130 bpm • C Maj • 02:51 • -14.24db
16% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Tim Hecker
I'm Transmitting Tonight
130 bpm • C min • 05:16 • -20db
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
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Nocturnal Emissions
T' Cow's Yed
157 bpm • C# Maj • 04:12 • -23.98db
12% Popularity • 10% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
12% Popularity • 10% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
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This Heat
Twilight Furniture
130 bpm • D Maj • 05:06 • -22.19db
16% Popularity • 62% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 62% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Coil
A Cold Cell
152 bpm • B min • 06:22 • -12.95db
8% Popularity • 18% Danceability • 37% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 37% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Steve Roach
Towards The Dream
158 bpm • D min • 07:09 • -16.61db
17% Popularity • 41% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
17% Popularity • 41% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Aaron Dilloway
Ghost
130 bpm • C min • 04:49 • -9.02db
14% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Anna von Hausswolff
Entering
158 bpm • G# Maj • 02:10 • -16.19db
20% Popularity • 15% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
20% Popularity • 15% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 17% Positiveness
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Iannis Xenakis
Persepolis #1
130 bpm • F# min • 04:58 • -16db
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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GAS
Pop 5
129 bpm • A# Maj • 10:46 • -22.49db
29% Popularity • 16% Danceability • 3% Energy • 10% Liveness
100% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 3% Energy • 10% Liveness
100% Instrumentalness • 3% Positiveness
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Coil
Cold Cell - Remastered
132 bpm • B min • 04:08 • -17.42db
23% Popularity • 31% Danceability • 13% Energy • 11% Liveness
27% Instrumentalness • 7% Positiveness
23% Popularity • 31% Danceability • 13% Energy • 11% Liveness
27% Instrumentalness • 7% Positiveness
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Oren Ambarchi
Song of Separation Part 5
129 bpm • C Maj • 01:26 • -20.4db
19% Popularity • 18% Danceability • 1% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
19% Popularity • 18% Danceability • 1% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
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Muslimgauze
Farsi
129 bpm • E min • 06:33 • -17.99db
17% Popularity • 55% Danceability • 85% Energy • 4% Liveness
66% Instrumentalness • 11% Positiveness
17% Popularity • 55% Danceability • 85% Energy • 4% Liveness
66% Instrumentalness • 11% Positiveness
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Pan Daijing
The Goat
129 bpm • C min • 03:46 • -22.36db
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Aphex Twin
Gwely Mernans
159 bpm • D Maj • 05:08 • -28.84db
37% Popularity • 29% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 29% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Lucrecia Dalt
Alien Lullaby
129 bpm • D Maj • 01:22 • -21.48db
19% Popularity • 28% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Coil
Going Up - Remastered
131 bpm • A min • 08:29 • -18.44db
27% Popularity • 18% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Yellow Swans
Limited Space
128 bpm • C min • 06:53 • -10.72db
19% Popularity • 31% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 31% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Ramleh
Spear Flower
127 bpm • A# Maj • 07:22 • -2.53db
13% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
