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3 AM
Songs like
3 AM
by
We Three
Based on a tempo of (+/- 10%) and a similar genre
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We Three
3 Am
105 bpm • G min • 02:30 • -6db
37% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Rachel Grae
Outsider
105 bpm • G# Maj • 02:56 • -6.9db
64% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
52% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Jenna Raine
us
105 bpm • A# Maj • 03:16 • -8db
31% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Benson Boone
Let Me Go
105 bpm • G Maj • 02:39 • -6db
67% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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We Three
Superman
105 bpm • A# Maj • 03:21 • -8.2db
35% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
56% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cate
All Talk
106 bpm • C Maj • 02:21 • -7.4db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
52% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Pittman
Pam and Jim
106 bpm • D Maj • 03:10 • -14.64db
30% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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gavn!
hit the dirt
104 bpm • D Maj • 02:18 • -10.21db
61% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jillian Rossi
Like A Boy
104 bpm • C# Maj • 02:43 • -8.3db
45% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Kerr
I Didn't Love You
104 bpm • B Maj • 02:59 • -10db
28% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
46% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Wrabel
hurts like hell
106 bpm • C Maj • 03:59 • -7db
38% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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ROSIE
Something I Hate
103 bpm • A# Maj • 02:51 • -10db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
46% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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BLÜ EYES
break up with a friend
103 bpm • D Maj • 02:51 • -11.56db
34% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Frawley
Middle Of Nowhere
103 bpm • E Maj • 02:33 • -6db
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sara Kays
Rich Boy
107 bpm • G Maj • 02:57 • -8.71db
38% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Livingston
Superkid
107 bpm • C# Maj • 03:21 • -5.12db
53% Popularity • 70% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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JORDY
i get high
103 bpm • G Maj • 02:04 • -11.07db
33% Popularity • 56% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
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Camylio
sometimes
103 bpm • C# Maj • 02:36 • -8.73db
54% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
50% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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We Three
In Therapy
108 bpm • E Maj • 03:39 • -4.91db
38% Popularity • 28% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Warren
Screaming Underwater
107 bpm • E min • 02:26 • -6.29db
51% Popularity • 55% Danceability • 62% Energy • 41% Liveness
1% Instrumentalness • 71% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
38% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
35% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Short
Faulty Wiring
108 bpm • D Maj • 02:28 • -7.09db
40% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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We Three
Bad Guy
108 bpm • C min • 02:32 • -5.52db
43% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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gavn!
in the dark
102 bpm • A# Maj • 02:41 • -13.05db
55% Popularity • 65% Danceability • 38% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Andi
Devil's Work
108 bpm • D# Maj • 03:30 • -8db
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Abe Parker
Stupid Face
102 bpm • A# Maj • 02:47 • -5.59db
43% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
60% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
49% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Vincent Lima
Terrified
109 bpm • G min • 02:39 • -12db
53% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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We Three
So They Say
109 bpm • C Maj • 03:21 • -5.71db
33% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Munn
YOU KILLED ME
110 bpm • C Maj • 02:50 • -7db
25% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Andi
Get Your Attention
110 bpm • F min • 03:17 • -7db
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
53% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
48% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
44% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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We Three
Bad at Love
101 bpm • G Maj • 02:49 • -6db
38% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
61% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Brynn Cartelli
Love You in My Mind
110 bpm • E Maj • 03:44 • -7.35db
40% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Stevie Howie
nameless
110 bpm • A Maj • 03:18 • -9.71db
58% Popularity • 68% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Livingston
Fairytale
100 bpm • A# Maj • 02:49 • -5.78db
65% Popularity • 70% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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We Three
Machine - R Cushnan Mix
110 bpm • F min • 03:02 • -7.94db
24% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Hood
neon skies
100 bpm • E min • 02:31 • -7.62db
47% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Alexa Cappelli
SAY SOMETHING
100 bpm • C# Maj • 02:55 • -5db
41% Popularity • 80% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Abe Parker
Puppet On Your String
100 bpm • D Maj • 03:08 • -9.55db
35% Popularity • 64% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lost Stars
Here's To Being Single
111 bpm • C# Maj • 02:55 • -6.2db
47% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Livingston
Echo
111 bpm • B Maj • 02:54 • -3db
52% Popularity • 70% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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We Three
Sara
110 bpm • C Maj • 03:31 • -9.81db
61% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
61% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
50% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
76% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sody
Bitch (I Said It)
112 bpm • C min • 03:11 • -6.07db
46% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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New Rules
Cheers
112 bpm • C Maj • 02:29 • -5.96db
44% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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We Three
Lifeline
112 bpm • B min • 03:11 • -4.81db
45% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Conrique
pieces
98 bpm • D Maj • 02:27 • -7.86db
48% Popularity • 59% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jamie Grey
If I Never Said Goodbye
112 bpm • A Maj • 03:22 • -8db
36% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan
No Romeo
98 bpm • D Maj • 03:11 • -4.13db
58% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Clendening
bad again
98 bpm • A Maj • 02:14 • -6db
44% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
59% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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We Three
insecure
98 bpm • C# min • 03:20 • -3.74db
29% Popularity • 77% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Riley Roth
Stranger
98 bpm • G# Maj • 02:30 • -4db
44% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Andi
Reasons to Stay
98 bpm • A Maj • 02:55 • -5.23db
38% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
71% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
45% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
40% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Frawley
Just Like That
97 bpm • F Maj • 03:05 • -7db
54% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Bickett
Break My Own
97 bpm • A Maj • 03:23 • -5.32db
39% Popularity • 66% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
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Anson Seabra
It's Raining, It's Pouring
114 bpm • D min • 03:03 • -9db
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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We Three
Broke in two
114 bpm • C# Maj • 03:38 • -7.23db
29% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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JESSIA
Nobody Hates You
114 bpm • E Maj • 02:46 • -7.17db
46% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
43% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jillian Rossi
Hurt Again
96 bpm • A Maj • 02:06 • -5.88db
52% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Matt Hansen
WHERE YOU BELONG
96 bpm • A min • 02:56 • -5.48db
66% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
55% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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ROSIE
Good For Me
96 bpm • E Maj • 03:30 • -8.35db
42% Popularity • 61% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Brent Morgan
The Fixer
115 bpm • F# Maj • 03:08 • -11.55db
49% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zach Hood
30
96 bpm • G Maj • 02:30 • -7db
43% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jillian Rossi
Gemini
96 bpm • F# min • 02:42 • -7.27db
33% Popularity • 63% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
39% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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We Three
Timeless
115 bpm • A Maj • 03:30 • -5.77db
33% Popularity • 66% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie Grey
Water
95 bpm • B Maj • 02:54 • -11.07db
38% Popularity • 50% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
53% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Caryl
Tears Come From The Heart
95 bpm • D Maj • 03:29 • -15.31db
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Jessica Baio
best friends with your girlfriend
95 bpm • G# Maj • 02:03 • -6.43db
53% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
42% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Jamie Grey
What You're Running From
116 bpm • D# min • 02:29 • -9.36db
66% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rachel Grae
Hope You're Proud
116 bpm • D Maj • 03:08 • -10.84db
54% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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3 AM