Songs like 3 Apuntes: II De un fragmento instrumental by Leo Brouwer
Based on a tempo of (+/- 10%) and a similar genre
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Enrique Granados
Valses poeticos: No. 1. Melodic Waltz
71 bpm • A Maj • 01:25 • -27.02db
33% Popularity • 46% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 46% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Anja Lechner
Alfonsina y el mar
71 bpm • E min • 04:56 • -27.28db
22% Popularity • 17% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
22% Popularity • 17% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Lavinia Meijer
Are You Still Somewhere?
71 bpm • A min • 03:10 • -21.43db
35% Popularity • 49% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
35% Popularity • 49% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Ola Gjeilo
Still
71 bpm • C Maj • 02:22 • -40db
48% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Joaquín Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Leo Brouwer
Cancion de cuna
72 bpm • G Maj • 04:42 • -32db
40% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
40% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Lavinia Meijer
Bruyères, L. 123
70 bpm • G# Maj • 03:05 • -27.36db
27% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Fernando Sor
Sor : Study No.6
70 bpm • D Maj • 01:08 • -22.89db
28% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
28% Popularity • 27% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Friedrich Gulda
Sonatine: II. Ballad
70 bpm • D# Maj • 07:09 • -28db
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Olga Scheps
Armellodie
72 bpm • D Maj • 04:40 • -26.76db
41% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
41% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Sergio Assad
Farewell
70 bpm • A min • 03:38 • -20db
16% Popularity • 40% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
16% Popularity • 40% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3: Lent et grave (arr. f...
70 bpm • A min • 02:45 • -30.26db
32% Popularity • 30% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
32% Popularity • 30% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: La frontera de Dios: V...
70 bpm • E min • 03:30 • -31.38db
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Adam Holzman
Balletto
74 bpm • A Maj • 02:58 • -30.43db
29% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
29% Popularity • 34% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Norbert Kraft
Prelude in D minor, "Endecha": Endecha
68 bpm • D min • 01:21 • -27.45db
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
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William Walton
5 Bagatelles: III. Alla Cubana
74 bpm • B min • 01:39 • -28db
35% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
35% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
58% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
54% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
54% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
68 bpm • D min • 02:29 • -23db
33% Popularity • 32% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
33% Popularity • 32% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Leo Brouwer
Estudios Sencillos: XV. Sarabande
75 bpm • C Maj • 02:52 • -20.01db
3% Popularity • 49% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
3% Popularity • 49% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Norbert Kraft
Recuerdos de la Alhambra : Recuerdos de ...
75 bpm • A Maj • 04:17 • -29.82db
22% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
22% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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François Couperin
Vingt-Sixiéme Ordre - L'Epineuse
75 bpm • A min • 04:36 • -26db
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
67 bpm • F Maj • 04:56 • -29.73db
40% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Federico Mompou
Música callada, Book 1: No. 1, Angelico
67 bpm • A min • 02:05 • -35db
37% Popularity • 54% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
37% Popularity • 54% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 58% Positiveness
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Frederick Delius
Three Piano Preludes: No. 2
75 bpm • A Maj • 01:08 • -35.57db
39% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
39% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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William Grant Still
3 Visions: No. 2, Summerland
67 bpm • F# Maj • 04:53 • -28.12db
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Rosey Chan
Infinity
67 bpm • D# Maj • 07:28 • -29.62db
57% Popularity • 36% Danceability • 1% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
57% Popularity • 36% Danceability • 1% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I Am Laid ...
75 bpm • G min • 04:10 • -18db
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Luciano Berio
6 Encores for Piano (1965): No. 3, Wasse...
75 bpm • C# Maj • 02:19 • -47.9db
54% Popularity • 26% Danceability • 0% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
54% Popularity • 26% Danceability • 0% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
► Preview
Federico Mompou
Suite compostelana: II. Coral
75 bpm • F# min • 03:28 • -34.23db
51% Popularity • 46% Danceability • 0% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 46% Danceability • 0% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
57% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
57% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
John Brunning
Concerto Magna Carta: III. Intense and e...
76 bpm • E Maj • 06:40 • -13.9db
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
Anja Lechner
Vague / E la nave va
67 bpm • C min • 06:58 • -26.61db
38% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Joaquín Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Marco Pereira
Marta
67 bpm • A min • 02:09 • -28db
28% Popularity • 33% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
28% Popularity • 33% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
► Preview
Manuel Ponce
Intermezzo No. 1
67 bpm • E min • 02:41 • -24.2db
38% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
► Preview
Edvard Grieg
Lyrical Pieces, Op. 12: No. 1, Arietta
76 bpm • D# Maj • 01:10 • -35.49db
44% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Carlo Domeniconi
Minyo (Variations on a Japanese Folk Son...
76 bpm • E min • 03:43 • -31.42db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Leo Brouwer
Estudios sencillos: Second Series: VIII
66 bpm • E min • 01:03 • -25.51db
5% Popularity • 33% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
5% Popularity • 33% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
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Leonard Cohen
Famous Blue Raincoat (Arr. Metcalfe, Fos...
76 bpm • A min • 03:29 • -20.24db
33% Popularity • 18% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 18% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Jorge Morel
Prelude (for Olga)
76 bpm • A min • 02:29 • -35.79db
32% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Gidon Kremer
Soledad
76 bpm • E min • 07:46 • -25.18db
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Norbert Kraft
Lagrima : Lagrima
76 bpm • E Maj • 02:02 • -27.35db
30% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
30% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Stanley Myers
Cavatina (Arr. for Guitar by John Willia...
77 bpm • E Maj • 04:02 • -27.51db
31% Popularity • 28% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
31% Popularity • 28% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Gabriel Fauré
Trois Romances sans paroles, Op. 17: 3. ...
65 bpm • G# Maj • 02:45 • -34.75db
52% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
52% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: No. 13. Canco del ...
77 bpm • D Maj • 02:12 • -35.33db
27% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Giya Kancheli
Tune from the Film by Lana Gogoberidze: ...
65 bpm • D min • 02:08 • -39db
40% Popularity • 25% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 25% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Erik Satie
Gymnopédie No. 1 (Arr. for Guitar)
77 bpm • G Maj • 03:27 • -23.15db
10% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Berta Rojas
Un Sueno En La Floresta
77 bpm • G Maj • 07:34 • -19.87db
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
77 bpm • D min • 03:03 • -28.99db
23% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
38% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
38% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Philip Glass
Mad Rush: Part D (Bar 232 - Bar 273)
65 bpm • F Maj • 03:30 • -36.17db
42% Popularity • 21% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Alexis Ffrench
Walk With Us - For Black Lives Matter
65 bpm • A min • 02:00 • -27db
43% Popularity • 37% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 37% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
