Songs like 3 Gymnopédies: I. Lent et douloureux by Erik Satie
Based on a tempo of (+/- 10%) and a similar genre
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
40% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Two Dialogues with Postscript: I. Weddin...
77 bpm • F# Maj • 04:57 • -28db
11% Popularity • 13% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Jules Massenet
ThaĂŻs / Act 2: MĂ©ditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Orchestra of the Swan
The Yellow Cake Review: I. Farewell to S...
77 bpm • D Maj • 05:08 • -21.63db
10% Popularity • 9% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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AntonĂn Dvořák
Dvorák: Legends for Orchestra, Op. 59, ...
77 bpm • C# Maj • 05:47 • -26.41db
14% Popularity • 9% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Erik Satie
3 Gymnopédies: I. Lent et douloureux
77 bpm • E min • 03:12 • -32.49db
7% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
7% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Alexander Glazunov
Glazunov: 2 Pieces for Cello, Op. 20: No...
77 bpm • D Maj • 08:16 • -25.73db
16% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
77 bpm • F Maj • 04:16 • -22db
17% Popularity • 7% Danceability • 6% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
77 bpm • A min • 07:55 • -22.92db
8% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
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Johannes Brahms
FĂĽnf Lieder fĂĽr eine Stimme, Op. 49: G...
77 bpm • G Maj • 02:14 • -29.59db
15% Popularity • 32% Danceability • 2% Energy • 16% Liveness
4% Instrumentalness • 16% Positiveness
15% Popularity • 32% Danceability • 2% Energy • 16% Liveness
4% Instrumentalness • 16% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Romances, Op. 6: None but the Lonely H...
78 bpm • C min • 04:01 • -24.76db
18% Popularity • 20% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 5% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
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Erik Satie
Trois Gymnopédies: l. "Lent et douloure...
76 bpm • G Maj • 03:13 • -38.22db
19% Popularity • 48% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 31% Positiveness
19% Popularity • 48% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 31% Positiveness
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Robert Schumann
Piano Quartet in E-Flat Major, Op. 47: I...
76 bpm • A# Maj • 06:32 • -28db
16% Popularity • 11% Danceability • 4% Energy • 21% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 21% Liveness
81% Instrumentalness • 7% Positiveness
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Johannes Brahms
6 Piano Pieces, Op. 118: No. 2 in A Majo...
78 bpm • A Maj • 06:35 • -29.31db
43% Popularity • 26% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 5% Positiveness
43% Popularity • 26% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 5% Positiveness
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Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
76 bpm • G# Maj • 09:57 • -19.68db
10% Popularity • 11% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri Op. 70
78 bpm • F Maj • 04:50 • -25db
26% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
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Erik Satie
Trois Gymnopédies: lll. "Lent et grave"
78 bpm • A min • 02:26 • -39.7db
41% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
41% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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George Frideric Handel
Menuett in G Minor, HWV 434/4 (Arr. by W...
76 bpm • G min • 04:04 • -26.01db
10% Popularity • 38% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
10% Popularity • 38% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 In G ...
78 bpm • F# Maj • 06:27 • -28.34db
17% Popularity • 18% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Erik Satie
Trois Gymnopédies: Gymnopédie No. 1
76 bpm • G Maj • 03:25 • -33.33db
11% Popularity • 59% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
11% Popularity • 59% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
75 bpm • C min • 06:50 • -42.23db
11% Popularity • 18% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on 'Greensleeves'
79 bpm • C min • 04:15 • -30.44db
9% Popularity • 8% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 17% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 17% Positiveness
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Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Franz Schubert
Schubert: 6 Moments musicaux, Op. 94, D....
79 bpm • F min • 02:13 • -32.43db
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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Erik Satie
Gnossiennes: No. 5
75 bpm • G Maj • 03:49 • -31db
18% Popularity • 38% Danceability • 1% Energy • 19% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 19% Liveness
94% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
79 bpm • C min • 06:45 • -34.2db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
75 bpm • C# min • 05:54 • -36.08db
24% Popularity • 27% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
24% Popularity • 27% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 1, Op. 19b: VI. ...
75 bpm • G min • 02:08 • -34db
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Arvo Pärt
Spiegel im Spiegel
75 bpm • F Maj • 10:21 • -38db
33% Popularity • 13% Danceability • 0% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
33% Popularity • 13% Danceability • 0% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
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Erik Satie
Deuxième Gymnopédie
75 bpm • D min • 02:44 • -33.42db
10% Popularity • 43% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 34% Positiveness
10% Popularity • 43% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
79 bpm • F# min • 07:37 • -29.58db
18% Popularity • 21% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C Sharp Minor: IV. Ada...
79 bpm • F Maj • 10:45 • -33.26db
11% Popularity • 7% Danceability • 0% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 0% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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John Field
Piano Concerto No. 6: II. Larghetto
79 bpm • E Maj • 06:08 • -32.07db
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2, Scene ...
79 bpm • A# Maj • 02:57 • -45.66db
8% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
8% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Arvo Pärt
Spiegel im Spiegel
79 bpm • F Maj • 09:15 • -41db
8% Popularity • 26% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 17% Positiveness
8% Popularity • 26% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 17% Positiveness
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Erik Satie
Gymnopédie No. 1 (Arr. A. de la Vega fo...
79 bpm • E min • 03:07 • -32.37db
23% Popularity • 18% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
75 bpm • C# min • 06:08 • -40.72db
28% Popularity • 25% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
28% Popularity • 25% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Leonard Bernstein
West Side Story Suite: II. Maria (Versio...
75 bpm • A# Maj • 02:54 • -18.59db
4% Popularity • 12% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
80 bpm • F Maj • 09:34 • -29.87db
16% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 3% Positiveness
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Erik Satie
Gymnopédie No. 2
79 bpm • G Maj • 03:17 • -31.22db
10% Popularity • 13% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
10% Popularity • 13% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
74 bpm • C min • 10:20 • -23.02db
14% Popularity • 14% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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![Ancient Airs And Dances, Suite No. 2, [P. 138]: 3. Campanae parisienses - Aria cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 2, [P...
74 bpm • C Maj • 05:56 • -24.97db
15% Popularity • 7% Danceability • 5% Energy • 20% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 7% Danceability • 5% Energy • 20% Liveness
89% Instrumentalness • 6% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Arvo Pärt
Pärt: Spiegel im Spiegel
80 bpm • F Maj • 08:14 • -33.21db
32% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Pavane, Op.50 (Arr. For Oboe d'amore & O...
80 bpm • A min • 05:54 • -20db
16% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
Gnossienne No. 3
74 bpm • A min • 02:50 • -34.61db
14% Popularity • 28% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Eric Whitacre
The Seal Lullaby (Arr. Parkin)
81 bpm • C# Maj • 03:38 • -24.16db
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
81 bpm • F Maj • 07:47 • -25.98db
33% Popularity • 25% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
33% Popularity • 25% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
► Preview
Erik Satie
Satie: 6 Gnossiennes: No. 1, Lent
74 bpm • F min • 03:25 • -28.02db
32% Popularity • 40% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Spartacus Ballet Suite No. 2: I. Adagio ...
81 bpm • G# Maj • 08:52 • -17.27db
15% Popularity • 9% Danceability • 15% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 15% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Frederick Delius
Florida Suite: II. By the River
81 bpm • D# Maj • 06:42 • -24.06db
13% Popularity • 9% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Takashi Yoshimatsu
Gymnopedie No. 3
74 bpm • A min • 02:42 • -35.95db
24% Popularity • 44% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
24% Popularity • 44% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Sergei Prokofiev
Romeo & Juliet: Act I, Scene XIII, Dance...
81 bpm • C Maj • 05:11 • -26.17db
21% Popularity • 17% Danceability • 4% Energy • 53% Liveness
9% Instrumentalness • 18% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 53% Liveness
9% Instrumentalness • 18% Positiveness
► Preview
John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Erik Satie
Gnossiennes: No. 1 - Lent
74 bpm • F min • 04:34 • -31.16db
32% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Franz Liszt
Années de pèlerinage / 3ème année, S...
81 bpm • F# Maj • 07:37 • -22.45db
9% Popularity • 22% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Peter Maxwell Davies
The Yellow Cake Revue: Farewell to Strom...
73 bpm • D Maj • 05:36 • -31db
19% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Teresa Carreño
Nocturne, Op. 10, "Souvenirs de mon pays...
73 bpm • G# Maj • 07:12 • -25db
11% Popularity • 24% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: No. 4, Lent
74 bpm • A min • 02:21 • -31.77db
25% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince a...
73 bpm • G Maj • 09:22 • -28.36db
4% Popularity • 11% Danceability • 6% Energy • 18% Liveness
72% Instrumentalness • 9% Positiveness
4% Popularity • 11% Danceability • 6% Energy • 18% Liveness
72% Instrumentalness • 9% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Joseph Haydn
Keyboard Concerto in F Major, Hob. XVIII...
73 bpm • C Maj • 06:12 • -30.69db
1% Popularity • 27% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
1% Popularity • 27% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Philip Glass
I'm Going to Make a Cake
81 bpm • A min • 03:04 • -24db
28% Popularity • 17% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossiennes: I. Lent
73 bpm • F min • 03:55 • -28.24db
17% Popularity • 41% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 41% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 1 in G Major, ...
73 bpm • G Maj • 01:37 • -35.18db
23% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
23% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
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Giacomo Puccini
Minuetto I
73 bpm • A Maj • 04:05 • -31.21db
12% Popularity • 9% Danceability • 4% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
12% Popularity • 9% Danceability • 4% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
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BĂ©la BartĂłk
Piano Concerto No. 3, BB 127, Sz. 119: I...
81 bpm • C# Maj • 07:33 • -24.27db
4% Popularity • 26% Danceability • 11% Energy • 26% Liveness
84% Instrumentalness • 9% Positiveness
4% Popularity • 26% Danceability • 11% Energy • 26% Liveness
84% Instrumentalness • 9% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
82 bpm • G# Maj • 08:13 • -19.19db
8% Popularity • 25% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Erik Satie
Satie: 3 Gymnopédies: No. 1, Lent et do...
81 bpm • G Maj • 03:09 • -27.83db
30% Popularity • 59% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
30% Popularity • 59% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Melodie (Arr....
82 bpm • D min • 03:04 • -31.67db
26% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
82 bpm • B Maj • 08:04 • -29db
14% Popularity • 24% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Johannes Brahms
6 Piano Pieces, Op. 118: 2. Intermezzo i...
82 bpm • A Maj • 05:13 • -26.46db
7% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: 2. Ad...
82 bpm • C# Maj • 06:43 • -30db
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
81 bpm • G Maj • 03:33 • -33db
13% Popularity • 44% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
13% Popularity • 44% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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Clara Schumann
Piano Sonata in G Minor: II. Adagio: Con...
72 bpm • A# Maj • 03:01 • -31db
17% Popularity • 41% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
17% Popularity • 41% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Christian Sinding
The Rustle of Spring, Op. 32, No. 3
82 bpm • F min • 02:56 • -26.64db
20% Popularity • 26% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 26% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 in F, Op. 102: 2. A...
72 bpm • C min • 07:35 • -41.72db
10% Popularity • 11% Danceability • 1% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 1% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
2 Rhapsodies, Op. 79: No. 1 in B Minor, ...
82 bpm • F# Maj • 09:00 • -19.35db
0% Popularity • 25% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré / Orch. Ducros: Pavane, Op. 50
82 bpm • F# min • 06:21 • -29db
19% Popularity • 12% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 12% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Gerald Finzi
Eclogue, Op. 10
72 bpm • F min • 11:00 • -20db
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
