Songs like 3 Latin American Sketches: Paisaje Mexicano by Aaron Copland
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Copland
Quiet City
70 bpm • F Maj • 08:39 • -22.67db
18% Popularity • 8% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
18% Popularity • 8% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Symphony No. 7 "Sinfon...
70 bpm • D Maj • 10:10 • -24.23db
10% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Symphony No.1 in E Major, Op. 26: I. Len...
71 bpm • E Maj • 06:51 • -33db
12% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Aaron Copland
3 Latin American Sketches: Paisaje Mexic...
70 bpm • F# Maj • 03:56 • -36.77db
19% Popularity • 16% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
37% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
37% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
69 bpm • F min • 03:10 • -18.51db
23% Popularity • 12% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 12% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Jean Sibelius
Lemminkäinen Suite, Op. 22: II. The Swa...
69 bpm • E min • 09:07 • -36.52db
3% Popularity • 6% Danceability • 1% Energy • 7% Liveness
16% Instrumentalness • 3% Positiveness
3% Popularity • 6% Danceability • 1% Energy • 7% Liveness
16% Instrumentalness • 3% Positiveness
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Vasily Kalinnikov
Symphony No. 2 in A Major: II. Andante c...
69 bpm • F# min • 08:01 • -18db
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Aaron Copland
Music for the Theater: Interlude
69 bpm • A# Maj • 05:25 • -35.14db
9% Popularity • 16% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: III. ...
69 bpm • C min • 09:01 • -30.27db
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Symphony No. 3, Op. 20, "Pervomayskaya" ...
69 bpm • A min • 02:15 • -39.34db
5% Popularity • 19% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
5% Popularity • 19% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Arnold Bax
Spring Fire, GP 153: IV. Woodland Love. ...
71 bpm • G# min • 08:19 • -27.14db
10% Popularity • 11% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: II...
72 bpm • G Maj • 06:19 • -38db
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 2, Vivace
72 bpm • A# Maj • 02:23 • -29db
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Aaron Copland
In Evening Air
70 bpm • C Maj • 02:41 • -30.35db
12% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
12% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# Maj • 02:03 • -36.26db
34% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm - the triumph of Sche...
68 bpm • E min • 02:42 • -31.54db
28% Popularity • 8% Danceability • 4% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 4% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: IX. Ausklang
72 bpm • D# Maj • 05:50 • -31.3db
16% Popularity • 15% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations: Variation I. C.A.E - ...
72 bpm • G min • 01:54 • -27.84db
23% Popularity • 19% Danceability • 2% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 2% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
72 bpm • C Maj • 08:15 • -22.66db
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Symphony No. 3: III. Andantino ...
71 bpm • E min • 10:17 • -28.21db
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60 (Version for Orche...
68 bpm • C min • 03:05 • -28.69db
0% Popularity • 16% Danceability • 5% Energy • 21% Liveness
72% Instrumentalness • 11% Positiveness
0% Popularity • 16% Danceability • 5% Energy • 21% Liveness
72% Instrumentalness • 11% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Arnold Bax
Summer Music
72 bpm • F Maj • 09:52 • -24.67db
10% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Emma Johnson
Violin Sonata (version for clarinet and ...
73 bpm • D# Maj • 06:08 • -27db
21% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
73 bpm • A min • 03:44 • -32db
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Carl Nielsen
Helios, Op. 17, FS 32: Helios Overture, ...
72 bpm • C Maj • 09:52 • -18.3db
8% Popularity • 9% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 10. Inte...
73 bpm • G Maj • 03:01 • -41db
31% Popularity • 16% Danceability • 0% Energy • 8% Liveness
8% Instrumentalness • 12% Positiveness
31% Popularity • 16% Danceability • 0% Energy • 8% Liveness
8% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Catacombs...
67 bpm • B min • 02:06 • -18.66db
24% Popularity • 19% Danceability • 1% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 1% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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Aaron Copland
Quiet City
72 bpm • F Maj • 09:16 • -22.68db
25% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
35% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
35% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Richard Strauss
Eine Alpensinfonie: VIII. Stille vor den...
73 bpm • F# Maj • 09:06 • -22db
18% Popularity • 9% Danceability • 17% Energy • 15% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 17% Energy • 15% Liveness
48% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Fountains Of Rome, P. 106: 4. The Villa ...
74 bpm • D min • 05:53 • -36.42db
16% Popularity • 7% Danceability • 2% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 2% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
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Aaron Copland
Rodeo: No. 4, Saturday Night Waltz
68 bpm • D# Maj • 05:15 • -30.11db
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
66 bpm • G min • 02:15 • -38db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Fight
74 bpm • E min • 02:11 • -20.9db
30% Popularity • 21% Danceability • 12% Energy • 23% Liveness
14% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 12% Energy • 23% Liveness
14% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
66 bpm • D# Maj • 03:58 • -19.8db
19% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: II. Pini...
74 bpm • B min • 06:39 • -21.32db
8% Popularity • 7% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Aaron Copland
The Tender Land Act II: Finale
66 bpm • F Maj • 05:36 • -20.13db
10% Popularity • 6% Danceability • 10% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 10% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
74 bpm • F Maj • 10:11 • -15db
26% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
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Traditional
Old American Songs Set 2: 5. Ching-a-rin...
75 bpm • D Maj • 01:36 • -20.07db
0% Popularity • 60% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 60% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Ottorino Respighi
Fountains Of Rome, P. 106: 2. The Triton...
74 bpm • C Maj • 02:45 • -17.32db
22% Popularity • 22% Danceability • 14% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Aaron Copland
Letter From Home
74 bpm • C Maj • 06:26 • -23.17db
17% Popularity • 7% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: IX. Das...
66 bpm • B Maj • 05:04 • -27.16db
23% Popularity • 6% Danceability • 2% Energy • 36% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 6% Danceability • 2% Energy • 36% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
66 bpm • D# Maj • 04:19 • -25.32db
22% Popularity • 16% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
► Preview
Uuno Klami
Sea Pictures: IV. Nocturne (Song of the ...
75 bpm • D min • 02:59 • -43db
10% Popularity • 13% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 13% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
66 bpm • D Maj • 04:23 • -31db
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Symphony No. 2 in B Minor: III. Andante
65 bpm • C# Maj • 08:35 • -22.42db
14% Popularity • 6% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Clarinet Concerto: I. Slowly and express...
67 bpm • D min • 06:22 • -22.13db
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Violin Concerto No. 1 In D, Op. 19: 3. M...
65 bpm • G min • 08:16 • -22.01db
18% Popularity • 15% Danceability • 11% Energy • 25% Liveness
56% Instrumentalness • 9% Positiveness
18% Popularity • 15% Danceability • 11% Energy • 25% Liveness
56% Instrumentalness • 9% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: I. Pavane ...
65 bpm • A min • 01:52 • -40.34db
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Paul Dukas
Fanfare pour preceder La Peri
75 bpm • G# Maj • 02:04 • -16.57db
27% Popularity • 36% Danceability • 11% Energy • 17% Liveness
95% Instrumentalness • 5% Positiveness
27% Popularity • 36% Danceability • 11% Energy • 17% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Fanfare for the Common Man
73 bpm • A# Maj • 02:47 • -16.39db
33% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
33% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring, Part 2: I. The Sacri...
75 bpm • D min • 04:46 • -37.16db
20% Popularity • 7% Danceability • 1% Energy • 26% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 1% Energy • 26% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 6. Andan...
65 bpm • C Maj • 01:22 • -33db
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
VÃtÄ›zslav Novák
Slovak Suite, Op. 32: III. The Lovers. A...
76 bpm • D# Maj • 04:16 • -24.12db
15% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: II....
76 bpm • E Maj • 04:56 • -18.93db
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • A Maj • 03:52 • -19.7db
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Aaron Copland
Appalachian Spring - 1945 Suite: 8. Mode...
74 bpm • C Maj • 03:06 • -37.54db
15% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Holberg Suite, opus 40: Prelude (Allegro...
76 bpm • G Maj • 02:43 • -19db
22% Popularity • 28% Danceability • 14% Energy • 26% Liveness
94% Instrumentalness • 21% Positiveness
22% Popularity • 28% Danceability • 14% Energy • 26% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Op. 54 - Orch. by Edvard G...
76 bpm • D Maj • 03:22 • -23.93db
5% Popularity • 29% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
5% Popularity • 29% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Francis Poulenc
Oboe Sonata, FP 185: I. Elegie: Paisible...
76 bpm • G Maj • 04:57 • -24.14db
17% Popularity • 20% Danceability • 4% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Anton Arensky
Egyptian Nights, Op. 50: Charmeuse des s...
76 bpm • G# Maj • 01:15 • -25db
18% Popularity • 31% Danceability • 6% Energy • 50% Liveness
82% Instrumentalness • 8% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 50% Liveness
82% Instrumentalness • 8% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 6. Meno...
66 bpm • G# Maj • 01:57 • -31.4db
15% Popularity • 17% Danceability • 3% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Hut On Fo...
76 bpm • G Maj • 03:53 • -18.55db
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Johannes Brahms
Concerto for Violin and Cello in A Minor...
77 bpm • A min • 08:54 • -21.28db
11% Popularity • 21% Danceability • 9% Energy • 19% Liveness
62% Instrumentalness • 25% Positiveness
11% Popularity • 21% Danceability • 9% Energy • 19% Liveness
62% Instrumentalness • 25% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: The Lo...
76 bpm • F# Maj • 06:31 • -24.85db
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 2. Intermezzo: ...
64 bpm • C min • 03:19 • -28.39db
22% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 12% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Aaron Copland
The Red Pony Suite: IV. Walk To The Bunk...
75 bpm • F Maj • 02:57 • -30.65db
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 1. The Valle ...
63 bpm • C Maj • 04:14 • -36db
21% Popularity • 15% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L. 91: 1. Nuages
77 bpm • C Maj • 07:49 • -37.93db
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: II. Pavane de la ...
63 bpm • E min • 02:21 • -43db
29% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
29% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Suite in A Major "American Suite", Op. 9...
63 bpm • A Maj • 04:48 • -23.86db
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
The Running Set
78 bpm • E min • 06:27 • -20.51db
15% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
15% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
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Aaron Copland
The Red Pony Suite: VI. Happy Ending
76 bpm • F Maj • 03:10 • -17.04db
18% Popularity • 34% Danceability • 32% Energy • 7% Liveness
64% Instrumentalness • 41% Positiveness
18% Popularity • 34% Danceability • 32% Energy • 7% Liveness
64% Instrumentalness • 41% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 2. Min...
78 bpm • G# Maj • 03:13 • -29.86db
9% Popularity • 33% Danceability • 3% Energy • 19% Liveness
86% Instrumentalness • 30% Positiveness
9% Popularity • 33% Danceability • 3% Energy • 19% Liveness
86% Instrumentalness • 30% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
78 bpm • C Maj • 05:34 • -20db
27% Popularity • 28% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 26% Positiveness
27% Popularity • 28% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 26% Positiveness
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Claude Debussy
La mer, L. 109: III. Dialogue of the Win...
78 bpm • C# Maj • 08:08 • -21db
26% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
The Red Pony Suite: I. Morning on the Ra...
76 bpm • F Maj • 04:32 • -13.01db
2% Popularity • 25% Danceability • 32% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
2% Popularity • 25% Danceability • 32% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Hubert Parry
An English Suite: V. Pastoral
78 bpm • C Maj • 02:06 • -28.26db
17% Popularity • 34% Danceability • 2% Energy • 25% Liveness
75% Instrumentalness • 25% Positiveness
17% Popularity • 34% Danceability • 2% Energy • 25% Liveness
75% Instrumentalness • 25% Positiveness
