Songs like 30/90 by Andrew Garfield
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Garfield
30/90
176 bpm • C Maj • 04:22 • -5.96db
61% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Tally Hall
The Bidding
175 bpm • A min • 02:40 • -5.26db
72% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Idina Menzel
Take Me or Leave Me
175 bpm • G min • 03:51 • -3.46db
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Christopher Fitzgerald
Never Ever Getting Rid of Me
174 bpm • G min • 02:16 • -6.22db
65% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
65% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Denée Benton
No One Else
178 bpm • F Maj • 04:20 • -9.78db
42% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Sarah Stiles
What's Gonna Happen
178 bpm • B Maj • 03:07 • -8.31db
34% Popularity • 69% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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leo.
despair
174 bpm • C Maj • 02:55 • -6.7db
57% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Amy Adams
That's How You Know
174 bpm • F# min • 03:49 • -4.2db
49% Popularity • 48% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 48% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Mother Mother
Hayloft II
178 bpm • A min • 03:35 • -4.54db
75% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
75% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cast Of Rent
Seasons of Love
178 bpm • A# Maj • 03:03 • -5.42db
53% Popularity • 44% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 44% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jorge Rivera-Herrans
Remember Them
179 bpm • D Maj • 04:08 • -7.77db
60% Popularity • 34% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
60% Popularity • 34% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Katie Ladner
The Smartphone Hour (Rich Set a Fire)
173 bpm • A# Maj • 05:38 • -6db
38% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Alex Brightman
That Beautiful Sound
179 bpm • F Maj • 05:14 • -6.04db
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Gang of Youths
Achilles Come Down
180 bpm • C min • 07:02 • -9.28db
68% Popularity • 22% Danceability • 52% Energy • 22% Liveness
28% Instrumentalness • 15% Positiveness
68% Popularity • 22% Danceability • 52% Energy • 22% Liveness
28% Instrumentalness • 15% Positiveness
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Andrew Garfield
Louder Than Words
179 bpm • D# Maj • 04:53 • -5.5db
39% Popularity • 29% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 29% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 41% Positiveness
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Jessica Darrow
Surface Pressure
180 bpm • D Maj • 03:22 • -8.3db
58% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Louderman
World Burn
180 bpm • G# min • 03:23 • -4.83db
63% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Bo Burnham
Comedy
180 bpm • F Maj • 05:19 • -8db
55% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Leslie Grace
Breathe
172 bpm • A Maj • 04:06 • -9.02db
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Will Wood
I / Me / Myself
172 bpm • B min • 04:51 • -5.27db
64% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Andrew Rannells
Four Jews in a Room Bitching
172 bpm • B Maj • 03:23 • -4.79db
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Corey Hawkins
96,000
172 bpm • G Maj • 05:45 • -7db
49% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Whitty
The Pants Song
172 bpm • C# Maj • 03:16 • -6db
27% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Ricky Allan
Take Things into Our Own Hands
172 bpm • B min • 03:30 • -9db
23% Popularity • 42% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Blaemire
One of These Days
171 bpm • C Maj • 03:25 • -7.69db
16% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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StarKid Productions
What If Tomorrow Comes
171 bpm • C# Maj • 03:26 • -11.66db
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Lin-Manuel Miranda
In the Heights
171 bpm • F Maj • 07:38 • -7.15db
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Hunter Foster
Fine
181 bpm • A Maj • 03:29 • -10.14db
43% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Elijah Kelley
You Can't Stop The Beat
170 bpm • G Maj • 05:24 • -4.72db
58% Popularity • 52% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 52% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Melina KB
I've Had Enough
170 bpm • A# min • 03:30 • -5.74db
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Cavetown
Meteor Shower
170 bpm • F Maj • 04:25 • -10.31db
66% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
66% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Brobecks
Better Than Me
170 bpm • G Maj • 04:27 • -7.39db
65% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
65% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Jeanine Tesori
Anyone Would Do (Reprise)
170 bpm • A Maj • 01:46 • -11.85db
7% Popularity • 56% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 56% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
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Crazy Ex-Girlfriend Cast
It Was a Shit Show
170 bpm • E min • 03:21 • -7.81db
34% Popularity • 38% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Lewberger
It's A Stupid Idea (To Put On A Broadway...
170 bpm • C Maj • 03:12 • -5.48db
17% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Andrew Rannells
You Gotta Die Sometime
182 bpm • E min • 03:03 • -8.86db
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Reeve Carney
Come Home with Me
184 bpm • A Maj • 01:47 • -10.74db
53% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Lin-Manuel Miranda
In The Heights
168 bpm • G Maj • 07:41 • -7.45db
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Derek Klena
In a Crowd of Thousands
185 bpm • E Maj • 03:45 • -13db
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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SIX
Don't Lose Ur Head
166 bpm • A# Maj • 04:51 • -9.73db
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Menken
Once And For All
168 bpm • E min • 04:01 • -10.35db
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Sushi Soucy
Average
165 bpm • C Maj • 02:00 • -13.1db
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Joshua Henry
Soliloquy
164 bpm • C Maj • 06:47 • -10.53db
22% Popularity • 43% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 43% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Ross Lynch
Cruisin' for a Bruisin'
164 bpm • B Maj • 03:15 • -4.62db
64% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
64% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Mountain Goats
Only Takes a Few - bonus track
164 bpm • F Maj • 04:09 • -6.03db
32% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Daphne Rubin-Vega
No Me Diga
164 bpm • G# Maj • 02:24 • -6.96db
48% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jorge Rivera-Herrans
My Goodbye
163 bpm • G# Maj • 03:19 • -5.25db
62% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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The Gregory Brothers
The Last Goodbye
163 bpm • D Maj • 03:18 • -8db
47% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Stephanie Beatriz
Waiting On A Miracle
190 bpm • C# min • 02:41 • -8.15db
67% Popularity • 48% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 48% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Patti Murin
Like You Like It
162 bpm • A Maj • 05:29 • -4.45db
2% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Guy Who Didn't Like Musicals Cast
Let It Out
192 bpm • A Maj • 03:27 • -6.74db
41% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Michelle Williams
Tightrope
162 bpm • A Maj • 03:54 • -10.32db
67% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Leslie Kritzer
What I Know Now
161 bpm • G Maj • 03:34 • -6.09db
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Garfield
No More
193 bpm • D Maj • 03:11 • -5.06db
45% Popularity • 25% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 25% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Bo Burnham
Look Who’s Inside Again
160 bpm • D Maj • 01:23 • -9.24db
69% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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CollegeHumor's Dropout
Welcome To Mountport
159 bpm • D# Maj • 02:03 • -11db
30% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Ariana DeBose
America
159 bpm • F Maj • 04:57 • -12.54db
45% Popularity • 52% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 52% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 83% Positiveness
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Constantine Germanacos
Stay, I Pray You
197 bpm • D# min • 03:26 • -12.54db
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Bo Burnham
1985
156 bpm • E min • 02:26 • -7.47db
68% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
68% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Chris McCarrell
Son of Poseidon
155 bpm • D Maj • 03:49 • -6.23db
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Neil Bartram
The End of the Line
155 bpm • G# Maj • 03:42 • -10.91db
42% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 40% Positiveness
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Mike Faist
Tonight (Quintet)
158 bpm • A Maj • 03:28 • -13.24db
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Joey Richter
One Step Ahead
155 bpm • A# Maj • 03:25 • -12.82db
33% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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36 Questions
For the Record
156 bpm • G min • 05:04 • -8.75db
50% Popularity • 72% Danceability • 40% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
50% Popularity • 72% Danceability • 40% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
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Melina KB
Friends to Lovers
155 bpm • C# Maj • 02:23 • -6.61db
46% Popularity • 74% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 74% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Crazy Ex-Girlfriend Cast
Settle For Me
155 bpm • C Maj • 03:11 • -5.6db
36% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Original Broadway Cast Of School Of Rock
When I Climb to the Top of Mount Rock
154 bpm • D Maj • 03:27 • -3.24db
39% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hugh Jackman
The Other Side
154 bpm • C Maj • 03:34 • -8.45db
72% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Ariana DeBose
A Boy Like That / I Have a Love
154 bpm • E min • 05:25 • -15db
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Rob Rokicki
Pick a Side - Bonus Track
153 bpm • F min • 02:33 • -4.12db
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Schwartz
What Is This Feeling?
152 bpm • C Maj • 03:32 • -8.69db
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Gizel Jiménez
Sextet Montage - Music from the Netflix ...
152 bpm • F Maj • 03:32 • -8.38db
38% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Garfield
Green Green Dress - bonus track
152 bpm • A# Maj • 02:32 • -5.84db
49% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Carolina Gaitán - La Gaita
We Don't Talk About Bruno
206 bpm • C min • 03:36 • -8.52db
75% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
75% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Regina Spektor
Two Birds
151 bpm • C Maj • 03:15 • -8.88db
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
