Songs like 3-1-2 by Joel Ross
Based on a tempo of (+/- 10%) and a similar genre
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Joel Lyssarides
Cloudberry Hill
85 bpm • G min • 04:36 • -21.77db
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Sullivan Fortner
In A Sentimental Mood
85 bpm • C min • 03:24 • -20.25db
25% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
25% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Baptiste Herbin
Gemeos
85 bpm • G# min • 06:24 • -6.27db
16% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
16% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
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Billy Childs
The Winds of Change
85 bpm • D Maj • 10:32 • -13.89db
29% Popularity • 32% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
29% Popularity • 32% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Ulysses Owens Jr.
London Towne
85 bpm • F# min • 07:06 • -11.32db
17% Popularity • 42% Danceability • 50% Energy • 71% Liveness
27% Instrumentalness • 65% Positiveness
17% Popularity • 42% Danceability • 50% Energy • 71% Liveness
27% Instrumentalness • 65% Positiveness
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Johnathan Blake
Lament For Lo
85 bpm • C Maj • 01:13 • -33.78db
32% Popularity • 47% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 47% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 52% Positiveness
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Joel Ross
3-1-2
85 bpm • E min • 05:01 • -10.19db
9% Popularity • 32% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
9% Popularity • 32% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Ancient Infinity Orchestra
Greeting
84 bpm • F Maj • 03:13 • -9.91db
18% Popularity • 10% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
18% Popularity • 10% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
36% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
36% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Kit Downes
EB
84 bpm • E Maj • 01:41 • -13.69db
26% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
26% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Johnathan Blake
Muna & Johna’s Playtime
84 bpm • G# Maj • 09:37 • -14.32db
17% Popularity • 38% Danceability • 43% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
17% Popularity • 38% Danceability • 43% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
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Joel Ross
The Nurturer
84 bpm • F# min • 03:17 • -10.29db
9% Popularity • 36% Danceability • 53% Energy • 8% Liveness
83% Instrumentalness • 45% Positiveness
9% Popularity • 36% Danceability • 53% Energy • 8% Liveness
83% Instrumentalness • 45% Positiveness
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Darcy James Argue's Secret Society
Last Waltz for Levon
84 bpm • C# Maj • 06:54 • -11.58db
11% Popularity • 35% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
11% Popularity • 35% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Axel Mårdsjö
Gamla allén
84 bpm • C Maj • 03:50 • -17.12db
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Julian Lage
South Mountain
87 bpm • F Maj • 05:14 • -17.56db
35% Popularity • 36% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 12% Positiveness
35% Popularity • 36% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 12% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Johnathan Blake
In The Beginning Was The Drum
86 bpm • F# Maj • 00:59 • -23.23db
32% Popularity • 39% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
32% Popularity • 39% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Joel Ross
Harmonee
84 bpm • D min • 01:55 • -13.15db
10% Popularity • 32% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
10% Popularity • 32% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Anni Kiviniemi Trio
Judy
83 bpm • G Maj • 03:50 • -11.86db
13% Popularity • 59% Danceability • 33% Energy • 11% Liveness
45% Instrumentalness • 34% Positiveness
13% Popularity • 59% Danceability • 33% Energy • 11% Liveness
45% Instrumentalness • 34% Positiveness
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Ancient Infinity Orchestra
Arc of the Sun
87 bpm • F min • 06:11 • -14.04db
12% Popularity • 20% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Vijay Iyer
Compassion
83 bpm • C# Maj • 04:50 • -27.37db
30% Popularity • 21% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 7% Positiveness
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Marcin Wasilewski Trio
Glimmer Of Hope
87 bpm • F# Maj • 08:33 • -20.22db
32% Popularity • 29% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
32% Popularity • 29% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
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Johnathan Blake
On The Break
84 bpm • D# min • 01:03 • -20.95db
35% Popularity • 59% Danceability • 20% Energy • 5% Liveness
89% Instrumentalness • 57% Positiveness
35% Popularity • 59% Danceability • 20% Energy • 5% Liveness
89% Instrumentalness • 57% Positiveness
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Joel Ross
WAIL
87 bpm • A min • 10:20 • -14.08db
13% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
13% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Moses Yoofee Trio
AT EASE
83 bpm • C# Maj • 03:27 • -10.37db
35% Popularity • 35% Danceability • 55% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
35% Popularity • 35% Danceability • 55% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
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Søren Bebe Trio
Echoes II
83 bpm • A# min • 04:08 • -19db
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
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Lauren Henderson
Amistad
83 bpm • E min • 05:36 • -15.94db
6% Popularity • 54% Danceability • 30% Energy • 11% Liveness
22% Instrumentalness • 38% Positiveness
6% Popularity • 54% Danceability • 30% Energy • 11% Liveness
22% Instrumentalness • 38% Positiveness
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Brian Blade & The Fellowship Band
Look To The Hills
83 bpm • E min • 04:20 • -12.49db
23% Popularity • 35% Danceability • 44% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 35% Danceability • 44% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Maridalen
Landkjenning
87 bpm • A# Maj • 03:35 • -11.47db
14% Popularity • 37% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
14% Popularity • 37% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Lakecia Benjamin
Rebirth
82 bpm • G# min • 04:23 • -10.99db
15% Popularity • 34% Danceability • 35% Energy • 9% Liveness
54% Instrumentalness • 20% Positiveness
15% Popularity • 34% Danceability • 35% Energy • 9% Liveness
54% Instrumentalness • 20% Positiveness
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Vijay Iyer
Maelstrom
83 bpm • B min • 04:36 • -22.39db
26% Popularity • 27% Danceability • 33% Energy • 9% Liveness
81% Instrumentalness • 60% Positiveness
26% Popularity • 27% Danceability • 33% Energy • 9% Liveness
81% Instrumentalness • 60% Positiveness
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Charles Lloyd
Defiant, Reprise; Homeward Dove
82 bpm • F min • 04:20 • -20.24db
25% Popularity • 50% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 21% Positiveness
25% Popularity • 50% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 21% Positiveness
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Arturo O'Farrill
Dolphin Dance
82 bpm • A Maj • 04:35 • -14.88db
7% Popularity • 32% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
7% Popularity • 32% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
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Immanuel Wilkins
Mary Turner - An American Tradition
82 bpm • C Maj • 04:22 • -12.93db
12% Popularity • 41% Danceability • 35% Energy • 12% Liveness
26% Instrumentalness • 51% Positiveness
12% Popularity • 41% Danceability • 35% Energy • 12% Liveness
26% Instrumentalness • 51% Positiveness
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Joe Chambers
Intermezzo
82 bpm • G min • 02:55 • -23.02db
10% Popularity • 48% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
10% Popularity • 48% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Bobo Stenson Trio
Kingdom of Coldness
88 bpm • C Maj • 07:37 • -24.92db
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Melissa Aldana
Ritual
88 bpm • C Maj • 04:02 • -21.07db
23% Popularity • 32% Danceability • 4% Energy • 10% Liveness
36% Instrumentalness • 9% Positiveness
23% Popularity • 32% Danceability • 4% Energy • 10% Liveness
36% Instrumentalness • 9% Positiveness
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Charles Lloyd
Beyond Darkness
82 bpm • F# min • 07:19 • -18.04db
26% Popularity • 32% Danceability • 24% Energy • 10% Liveness
56% Instrumentalness • 23% Positiveness
26% Popularity • 32% Danceability • 24% Energy • 10% Liveness
56% Instrumentalness • 23% Positiveness
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Mikkel Ploug
Stockholm Night Lights
82 bpm • C# Maj • 05:21 • -13db
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Fergus McCreadie
Stony Gate
88 bpm • G Maj • 05:26 • -13.57db
31% Popularity • 34% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
31% Popularity • 34% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Peter Evans
Double Drone
89 bpm • A min • 10:09 • -9.05db
0% Popularity • 27% Danceability • 70% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
0% Popularity • 27% Danceability • 70% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
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Emma Rawicz
Intro to Viridian
88 bpm • G# Maj • 01:01 • -27db
17% Popularity • 26% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
17% Popularity • 26% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Lluc Casares
The Gentrifier
89 bpm • B Maj • 05:52 • -10.38db
5% Popularity • 40% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
5% Popularity • 40% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Charles Lloyd
Defiant, Tender Warrior
82 bpm • C min • 04:16 • -18.68db
37% Popularity • 50% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
37% Popularity • 50% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Lauren Henderson
Spells
89 bpm • D# min • 04:51 • -13.82db
15% Popularity • 52% Danceability • 39% Energy • 10% Liveness
51% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 39% Energy • 10% Liveness
51% Instrumentalness • 44% Positiveness
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Kenny Garrett
It’s Time to Come Home
89 bpm • A min • 09:48 • -18.44db
23% Popularity • 64% Danceability • 30% Energy • 6% Liveness
54% Instrumentalness • 40% Positiveness
23% Popularity • 64% Danceability • 30% Energy • 6% Liveness
54% Instrumentalness • 40% Positiveness
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Brian Blade & The Fellowship Band
God Be With You
81 bpm • C Maj • 02:33 • -19.02db
35% Popularity • 12% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Joel Ross
The Grand Struggle Against Fear
89 bpm • C# Maj • 06:00 • -9.46db
10% Popularity • 35% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 35% Positiveness
10% Popularity • 35% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 35% Positiveness
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Emma Rawicz
Viridian
89 bpm • G# Maj • 06:33 • -12.57db
21% Popularity • 43% Danceability • 45% Energy • 15% Liveness
92% Instrumentalness • 25% Positiveness
21% Popularity • 43% Danceability • 45% Energy • 15% Liveness
92% Instrumentalness • 25% Positiveness
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Charles Lloyd
The Water Is Rising
82 bpm • C# Maj • 05:08 • -13.45db
37% Popularity • 29% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
37% Popularity • 29% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Lauren Henderson
Fuego
81 bpm • C# Maj • 02:35 • -15.19db
15% Popularity • 62% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
15% Popularity • 62% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
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Dutch Williams
Fargo Monastery - Mono Mix
81 bpm • C# Maj • 05:00 • -4.96db
0% Popularity • 27% Danceability • 96% Energy • 9% Liveness
10% Instrumentalness • 33% Positiveness
0% Popularity • 27% Danceability • 96% Energy • 9% Liveness
10% Instrumentalness • 33% Positiveness
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Benjamin Lackner
Where Do We Go From Here
81 bpm • F min • 03:49 • -22.79db
39% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
39% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Ant Law
Vivid
81 bpm • B min • 05:53 • -12.24db
3% Popularity • 48% Danceability • 41% Energy • 10% Liveness
67% Instrumentalness • 17% Positiveness
3% Popularity • 48% Danceability • 41% Energy • 10% Liveness
67% Instrumentalness • 17% Positiveness
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Makaya McCraven
Black Lion
81 bpm • E min • 02:56 • -13.03db
21% Popularity • 52% Danceability • 57% Energy • 5% Liveness
98% Instrumentalness • 65% Positiveness
21% Popularity • 52% Danceability • 57% Energy • 5% Liveness
98% Instrumentalness • 65% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Joel Ross
CHOICES
81 bpm • F Maj • 07:44 • -17.3db
13% Popularity • 19% Danceability • 14% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 14% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
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Maciej Obara Quartet
Frozen Silence
89 bpm • D min • 07:15 • -18.04db
11% Popularity • 35% Danceability • 31% Energy • 11% Liveness
51% Instrumentalness • 50% Positiveness
11% Popularity • 35% Danceability • 31% Energy • 11% Liveness
51% Instrumentalness • 50% Positiveness
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Emma Rawicz
Xanadu I
81 bpm • F# Maj • 02:16 • -13.93db
13% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Makaya McCraven
When Your Lover Has Gone
89 bpm • C# Maj • 02:11 • -7.75db
39% Popularity • 55% Danceability • 79% Energy • 9% Liveness
89% Instrumentalness • 75% Positiveness
39% Popularity • 55% Danceability • 79% Energy • 9% Liveness
89% Instrumentalness • 75% Positiveness
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James Brandon Lewis
Within You Are Answers
90 bpm • A# min • 05:46 • -15db
9% Popularity • 43% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Joel Ross
Is It Love That Inspires You?
81 bpm • A# min • 04:11 • -10.06db
9% Popularity • 33% Danceability • 80% Energy • 18% Liveness
60% Instrumentalness • 75% Positiveness
9% Popularity • 33% Danceability • 80% Energy • 18% Liveness
60% Instrumentalness • 75% Positiveness
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Amanda Whiting
Strut Your Stuff
81 bpm • C# Maj • 01:36 • -18db
27% Popularity • 49% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
27% Popularity • 49% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Mikkel Ploug
Monet
90 bpm • D Maj • 06:24 • -12.64db
35% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
35% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Jason Fabus
The Vibe
90 bpm • G# Maj • 03:04 • -9.09db
3% Popularity • 72% Danceability • 51% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
3% Popularity • 72% Danceability • 51% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
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Billy Childs
The Black Angel
90 bpm • C# Maj • 06:45 • -13.39db
12% Popularity • 37% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
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Sullivan Fortner
I Didn't Know What Time It Was
90 bpm • F min • 09:24 • -18.5db
16% Popularity • 48% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
16% Popularity • 48% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Joel Ross
When My Head Is Cold
90 bpm • A min • 06:44 • -12.12db
8% Popularity • 42% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 42% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Lauren Henderson
Noche de Paz
80 bpm • D# Maj • 04:26 • -19.93db
4% Popularity • 36% Danceability • 13% Energy • 10% Liveness
16% Instrumentalness • 20% Positiveness
4% Popularity • 36% Danceability • 13% Energy • 10% Liveness
16% Instrumentalness • 20% Positiveness
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Zoe Rahman
Dance of Time
90 bpm • C# Maj • 05:47 • -10.8db
13% Popularity • 33% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
13% Popularity • 33% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
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Cyrus Chestnut
Son binocle
91 bpm • C Maj • 04:04 • -23.71db
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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John Coltrane
The Theme - Dusseldorf March 1960 - Rest...
80 bpm • C min • 03:30 • -16.24db
38% Popularity • 57% Danceability • 57% Energy • 95% Liveness
71% Instrumentalness • 62% Positiveness
38% Popularity • 57% Danceability • 57% Energy • 95% Liveness
71% Instrumentalness • 62% Positiveness
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Arild Andersen
Fifth Winter
79 bpm • C Maj • 04:58 • -16.35db
34% Popularity • 40% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
34% Popularity • 40% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Joel Ross
BENEDICTION
80 bpm • G# Maj • 05:44 • -21db
40% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 40% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Chambers
Easy To Love
91 bpm • C Maj • 03:52 • -14.51db
16% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Sullivan Fortner
Pep Talk
91 bpm • A Maj • 04:24 • -13.52db
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
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Joe Chambers
Dance Kobina
79 bpm • B min • 06:24 • -13.73db
27% Popularity • 26% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 26% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 56% Positiveness
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Michel Portal
Summer Swing
92 bpm • A min • 02:17 • -17.75db
34% Popularity • 58% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
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Julian Lage
Castle Park
92 bpm • G min • 03:57 • -12.23db
39% Popularity • 51% Danceability • 37% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
39% Popularity • 51% Danceability • 37% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Joel Ross
GUILT
79 bpm • A Maj • 09:22 • -18.97db
17% Popularity • 26% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
17% Popularity • 26% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Kenny Wheeler
Part 2 - For H. / Part 3 - For Jan
79 bpm • A min • 10:07 • -16.57db
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Sean Mason
Lavender
92 bpm • G Maj • 04:54 • -14.5db
19% Popularity • 62% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
19% Popularity • 62% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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Joel Lyssarides
Down and Out
92 bpm • F# min • 03:10 • -26.34db
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Oded Tzur
Isabela
78 bpm • D# Maj • 10:50 • -18.33db
39% Popularity • 20% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Brian Blade & The Fellowship Band
People's Park
92 bpm • G# min • 05:23 • -15.72db
19% Popularity • 42% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Joel Ross
Calling
92 bpm • G# min • 01:01 • -29db
25% Popularity • 57% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
25% Popularity • 57% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Musicmusicmusic
Stablemates
78 bpm • C# Maj • 05:03 • -17db
4% Popularity • 56% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
4% Popularity • 56% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
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Sean Mason
Lullaby
78 bpm • C# min • 03:39 • -16.74db
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
40% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
40% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Lauren Henderson
Walking
92 bpm • B Maj • 05:11 • -14.5db
17% Popularity • 48% Danceability • 38% Energy • 17% Liveness
47% Instrumentalness • 58% Positiveness
17% Popularity • 48% Danceability • 38% Energy • 17% Liveness
47% Instrumentalness • 58% Positiveness
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Myele Manzanza
Something Old Something New
93 bpm • C# Maj • 06:36 • -15.05db
16% Popularity • 28% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
16% Popularity • 28% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
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Charles Lloyd
The Ghost of Lady Day
92 bpm • A min • 06:43 • -15.73db
28% Popularity • 31% Danceability • 26% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
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Dutch Williams
96% Stardust, Pt. 2
93 bpm • G Maj • 05:30 • -11.74db
0% Popularity • 42% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 42% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brian Blade & The Fellowship Band
Catalysts
93 bpm • C# min • 05:04 • -11.41db
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
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Julian Lage
76
93 bpm • G Maj • 04:36 • -10.46db
32% Popularity • 52% Danceability • 51% Energy • 14% Liveness
80% Instrumentalness • 60% Positiveness
32% Popularity • 52% Danceability • 51% Energy • 14% Liveness
80% Instrumentalness • 60% Positiveness
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ARTEMIS
Penelope
78 bpm • B Maj • 05:42 • -17.79db
8% Popularity • 24% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness