Songs like 341 by Agent Blue
Based on a tempo of (+/- 10%) and a similar genre
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Fuzzbubble
Out There
163 bpm • G Maj • 02:49 • -3db
15% Popularity • 30% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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The Datsuns
Messin' Around
163 bpm • G# Maj • 03:39 • -2.62db
17% Popularity • 31% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 31% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Arlo
Runaround
163 bpm • A Maj • 02:59 • -4db
18% Popularity • 34% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 34% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Agent Blue
341
163 bpm • A min • 03:27 • -2.8db
0% Popularity • 23% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 23% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Riverboat Gamblers
On Again Off Again
162 bpm • C Maj • 03:14 • -5.77db
22% Popularity • 18% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 18% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Grand Theft Audio
Dead Man Leaving
162 bpm • A# min • 10:04 • -5db
9% Popularity • 11% Danceability • 0% Energy • 66% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 0% Energy • 66% Liveness
94% Instrumentalness • 4% Positiveness
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The D4
Come On
164 bpm • E Maj • 02:23 • -4.27db
25% Popularity • 39% Danceability • 94% Energy • 74% Liveness
3% Instrumentalness • 97% Positiveness
25% Popularity • 39% Danceability • 94% Energy • 74% Liveness
3% Instrumentalness • 97% Positiveness
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Sahara Hotnights
Hot Night Crash
162 bpm • C# Maj • 02:41 • -3.33db
37% Popularity • 38% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 38% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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The Black Pacific
The System
162 bpm • C# min • 02:43 • -5.41db
33% Popularity • 37% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 37% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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The Outline
Shotgun
164 bpm • B min • 02:44 • -3.23db
39% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Dinosaur Pile-Up
Barce-Loner
162 bpm • C Maj • 03:15 • -4.43db
26% Popularity • 37% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 37% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Bullets And Octane
Holdin' On
164 bpm • F min • 03:09 • -3.18db
16% Popularity • 39% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 39% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Electric Six
I Don't Like You
162 bpm • C Maj • 02:53 • -2.39db
36% Popularity • 47% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 47% Danceability • 100% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Finch
Ink
165 bpm • C# min • 03:35 • -4.67db
39% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 47% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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The Datsuns
System Overload
165 bpm • F# Maj • 02:31 • -4.5db
19% Popularity • 45% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 45% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Von Bondies
Broken Man
165 bpm • A Maj • 02:08 • -3.73db
27% Popularity • 35% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 97% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Clutch
Power Player
165 bpm • G Maj • 03:04 • -3.67db
30% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Faint
Dropkick the Punks
161 bpm • G Maj • 02:28 • -6db
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Sleeping
Listen Close
165 bpm • C# min • 02:43 • -5db
30% Popularity • 49% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 49% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The Killer Barbies
Down the Street
165 bpm • D Maj • 03:35 • -6.16db
14% Popularity • 35% Danceability • 81% Energy • 13% Liveness
38% Instrumentalness • 24% Positiveness
14% Popularity • 35% Danceability • 81% Energy • 13% Liveness
38% Instrumentalness • 24% Positiveness
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Pennywise
Can't Be Ignored
165 bpm • A Maj • 03:35 • -5.03db
32% Popularity • 42% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 60% Positiveness
32% Popularity • 42% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 60% Positiveness
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Neon Plastix
On Fire
161 bpm • G min • 03:54 • -6db
39% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Snapcase
Skeptic
165 bpm • G# Maj • 02:23 • -3.39db
41% Popularity • 35% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 41% Positiveness
41% Popularity • 35% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 41% Positiveness
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Year Long Disaster
Leda Atomica
165 bpm • F min • 03:55 • -3.05db
34% Popularity • 26% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 23% Positiveness
34% Popularity • 26% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 23% Positiveness
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Local H
Everyone Alive (live)
161 bpm • A# min • 04:22 • -3db
32% Popularity • 24% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 24% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Agent Blue
Something Else
165 bpm • C Maj • 02:21 • -3.62db
19% Popularity • 43% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 43% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sugarcult
Dead Living
160 bpm • C# Maj • 03:38 • -3.72db
41% Popularity • 40% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 40% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Turbowolf
A Rose for the Crows
166 bpm • F min • 03:46 • -3.5db
21% Popularity • 15% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 15% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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No Connection
Burnin'
160 bpm • C Maj • 02:43 • -2.18db
22% Popularity • 38% Danceability • 100% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
22% Popularity • 38% Danceability • 100% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Ima Robot
A Is For Action
160 bpm • F# min • 02:21 • -4.89db
32% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 42% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Blindside
Swallow
160 bpm • F# min • 02:25 • -3.47db
37% Popularity • 32% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 32% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Sum 41
Pain For Pleasure
160 bpm • D# min • 01:43 • -7db
48% Popularity • 46% Danceability • 88% Energy • 4% Liveness
13% Instrumentalness • 37% Positiveness
48% Popularity • 46% Danceability • 88% Energy • 4% Liveness
13% Instrumentalness • 37% Positiveness
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Bullets And Octane
I Aint Your Savior
160 bpm • D# Maj • 03:11 • -2.88db
34% Popularity • 39% Danceability • 99% Energy • 13% Liveness
30% Instrumentalness • 8% Positiveness
34% Popularity • 39% Danceability • 99% Energy • 13% Liveness
30% Instrumentalness • 8% Positiveness
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Templeton Pek
Call To Disarm
160 bpm • D# min • 03:50 • -3.61db
11% Popularity • 41% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 41% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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KillRadio
Scavenger (Dave Cobb Session)
166 bpm • C# min • 02:41 • -3.34db
40% Popularity • 34% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 34% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Against Me!
Occult Enemies
166 bpm • E Maj • 02:37 • -1.41db
20% Popularity • 40% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 40% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Offspring
Change The World
166 bpm • B Maj • 06:23 • -5.32db
41% Popularity • 36% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 36% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
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Iggy Pop
Private Hell
166 bpm • E min • 02:50 • -3.42db
30% Popularity • 50% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 50% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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We Are Wolves
Psychic Kids
166 bpm • G Maj • 04:17 • -6.27db
18% Popularity • 38% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 38% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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CSS
Odio Odio Odio Sorry C.
160 bpm • B Maj • 02:54 • -5.22db
29% Popularity • 45% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 45% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew W.K.
She Is Beautiful
166 bpm • D Maj • 03:33 • -4.02db
48% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dinosaur Pile-Up
Mona Lisa
160 bpm • A min • 04:00 • -4.65db
20% Popularity • 35% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 35% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Hushpuppies
You're Gonna Say Yeah
166 bpm • D Maj • 03:11 • -3db
42% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The F-Ups
Told You So
160 bpm • G# Maj • 02:34 • -3.41db
12% Popularity • 49% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 49% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Spiderbait
5th Set
167 bpm • G Maj • 03:26 • -6.34db
29% Popularity • 41% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
29% Popularity • 41% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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the vacation
I'm No Good
167 bpm • A Maj • 02:50 • -1.61db
28% Popularity • 28% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 28% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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The Konks
29 Fingers
159 bpm • C Maj • 02:51 • -2.12db
21% Popularity • 21% Danceability • 91% Energy • 10% Liveness
45% Instrumentalness • 58% Positiveness
21% Popularity • 21% Danceability • 91% Energy • 10% Liveness
45% Instrumentalness • 58% Positiveness
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Beatsteaks
Atomic Love
167 bpm • G min • 02:33 • -6.12db
29% Popularity • 23% Danceability • 94% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
29% Popularity • 23% Danceability • 94% Energy • 21% Liveness
81% Instrumentalness • 33% Positiveness
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![Bad Motherfucker (I.O.E.2 Version) [feat. Dasha Charusha] cover art](https://i.scdn.co/image/ab67616d00001e02f8c87d00d83e548ad795127b)
Biting Elbows
Bad Motherfucker (I.O.E.2 Version)
168 bpm • E Maj • 04:30 • -7.63db
24% Popularity • 49% Danceability • 88% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
24% Popularity • 49% Danceability • 88% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
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The Subways
Holiday
168 bpm • C# Maj • 01:52 • -3.71db
25% Popularity • 17% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 17% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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The F-Ups
Crack Ho
168 bpm • G# Maj • 02:36 • -3.55db
9% Popularity • 42% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
9% Popularity • 42% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Hot Hot Heat
Pickin' It Up
158 bpm • A# Maj • 02:34 • -3db
29% Popularity • 36% Danceability • 93% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
29% Popularity • 36% Danceability • 93% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
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The Photo Atlas
Red Orange Yellow
168 bpm • A Maj • 03:09 • -5.34db
31% Popularity • 26% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 26% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Ordinary Boys
Over the Counterculture
168 bpm • D min • 03:15 • -3.07db
36% Popularity • 36% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 36% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Biting Elbows
Bad Motherfucker
168 bpm • B Maj • 03:26 • -6.63db
44% Popularity • 54% Danceability • 93% Energy • 17% Liveness
8% Instrumentalness • 54% Positiveness
44% Popularity • 54% Danceability • 93% Energy • 17% Liveness
8% Instrumentalness • 54% Positiveness
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Bullets And Octane
Professional Victim
168 bpm • F# min • 02:14 • -4.34db
20% Popularity • 36% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
20% Popularity • 36% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Andrew W.K.
Your Rules
158 bpm • C Maj • 02:27 • -4.18db
20% Popularity • 33% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 33% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Bromheads Jacket
You'll Lose It
158 bpm • G Maj • 02:18 • -9.8db
9% Popularity • 47% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 47% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Autopilot Off
What I Want
168 bpm • E Maj • 02:45 • -4.03db
34% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Supergarage
2nd Try
168 bpm • C# Maj • 03:24 • -4.74db
11% Popularity • 43% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 43% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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We Cry Diamonds
I Like It
158 bpm • B min • 02:42 • -3.67db
32% Popularity • 46% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 46% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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I Hate Kate
Bed of Black Roses
168 bpm • G# Maj • 03:44 • -3.17db
12% Popularity • 39% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 39% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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The Asphalt
From Afar
168 bpm • A min • 03:25 • -4.43db
16% Popularity • 15% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 15% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Strawhorse
Atlanta
169 bpm • F# Maj • 03:01 • -6.12db
31% Popularity • 29% Danceability • 87% Energy • 11% Liveness
38% Instrumentalness • 32% Positiveness
31% Popularity • 29% Danceability • 87% Energy • 11% Liveness
38% Instrumentalness • 32% Positiveness
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The Soundtrack Of Our Lives
Bigtime
169 bpm • C Maj • 04:04 • -5.88db
29% Popularity • 36% Danceability • 89% Energy • 37% Liveness
5% Instrumentalness • 35% Positiveness
29% Popularity • 36% Danceability • 89% Energy • 37% Liveness
5% Instrumentalness • 35% Positiveness
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Feeder
Sweet 16
157 bpm • G Maj • 03:33 • -4.52db
24% Popularity • 35% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 35% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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White Light Parade
Riot In The City
157 bpm • A min • 02:23 • -3db
17% Popularity • 38% Danceability • 96% Energy • 62% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 38% Danceability • 96% Energy • 62% Liveness
1% Instrumentalness • 36% Positiveness
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Bad Religion
Them And Us
157 bpm • F Maj • 02:50 • -4.71db
34% Popularity • 30% Danceability • 100% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 30% Danceability • 100% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Offspring
Way Down The Line
169 bpm • G Maj • 02:36 • -3.22db
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
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Smallwhitelight
Spite
157 bpm • A# min • 01:17 • -5db
35% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Modern Day Zero
Down
170 bpm • A Maj • 03:33 • -5.61db
23% Popularity • 30% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 30% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Skybombers
It Goes Off
157 bpm • G Maj • 03:17 • -2db
7% Popularity • 37% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 37% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Boss Martians
Oppurtunistic Girl
170 bpm • C# min • 03:23 • -5.14db
15% Popularity • 28% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 28% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
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Agent Blue
Snowhill
170 bpm • A Maj • 03:07 • -3.73db
22% Popularity • 42% Danceability • 98% Energy • 36% Liveness
42% Instrumentalness • 26% Positiveness
22% Popularity • 42% Danceability • 98% Energy • 36% Liveness
42% Instrumentalness • 26% Positiveness
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The Confession
Through These Eyes
170 bpm • D min • 04:05 • -4.66db
18% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Black Tide
Shout
170 bpm • C Maj • 03:25 • -2.07db
34% Popularity • 30% Danceability • 99% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 30% Danceability • 99% Energy • 37% Liveness
1% Instrumentalness • 44% Positiveness
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Asherel
Shake The Dust
170 bpm • A Maj • 02:35 • -5.69db
32% Popularity • 34% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 34% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Bullets And Octane
Harder To Breath
170 bpm • G# Maj • 03:03 • -3db
9% Popularity • 41% Danceability • 98% Energy • 30% Liveness
1% Instrumentalness • 64% Positiveness
9% Popularity • 41% Danceability • 98% Energy • 30% Liveness
1% Instrumentalness • 64% Positiveness
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Bromheads Jacket
Fight Music for the Fight
156 bpm • C Maj • 02:30 • -3.28db
32% Popularity • 36% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 36% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Agent Blue
Get Garlanded - Off Ya Tits Mix
170 bpm • C Maj • 06:36 • -4.27db
0% Popularity • 63% Danceability • 91% Energy • 5% Liveness
91% Instrumentalness • 39% Positiveness
0% Popularity • 63% Danceability • 91% Energy • 5% Liveness
91% Instrumentalness • 39% Positiveness
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H-Blockx
Gazoline
170 bpm • B min • 03:11 • -5db
33% Popularity • 41% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 41% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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American Sixgun
Friends And Lovers
170 bpm • G min • 04:18 • -1.91db
9% Popularity • 37% Danceability • 100% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 37% Danceability • 100% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sweatmaster
Maggots
156 bpm • F# min • 02:44 • -3.23db
12% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 59% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Spiderbait
Take Me Back
170 bpm • A min • 04:38 • -6.34db
20% Popularity • 23% Danceability • 79% Energy • 34% Liveness
76% Instrumentalness • 26% Positiveness
20% Popularity • 23% Danceability • 79% Energy • 34% Liveness
76% Instrumentalness • 26% Positiveness
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Finger Eleven
Stay In Shadow
156 bpm • F# min • 03:15 • -3.95db
51% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Agent Blue
Sister Of Someone
170 bpm • B min • 01:53 • -3.36db
0% Popularity • 22% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
0% Popularity • 22% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
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Andrew W.K.
Tear It Up
171 bpm • E Maj • 03:55 • -3.87db
24% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 26% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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This Is Menace
Cover Girl Monument
171 bpm • G Maj • 03:23 • -2.22db
17% Popularity • 39% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 39% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Unwritten Law
Get Up
155 bpm • C# Maj • 04:12 • -4db
27% Popularity • 47% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 47% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Authority Zero
On Edge
171 bpm • G Maj • 02:47 • -4.22db
35% Popularity • 48% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 48% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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The Outline
Death to Our Enemies (We'll Make 'em Sor...
155 bpm • D Maj • 03:19 • -4.1db
12% Popularity • 41% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Agent Blue
Out With The New
156 bpm • D Maj • 03:57 • -2.84db
0% Popularity • 21% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 21% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Valley Lodge
Naked City
155 bpm • G# Maj • 03:00 • -5db
12% Popularity • 32% Danceability • 97% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
12% Popularity • 32% Danceability • 97% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
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Me My Head
White Lights
155 bpm • E min • 03:38 • -4.76db
16% Popularity • 34% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 34% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Luna Halo
I'm Alright
155 bpm • B min • 02:35 • -2.18db
33% Popularity • 40% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 40% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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The Offspring
Huck It
155 bpm • E min • 02:38 • -5.1db
30% Popularity • 45% Danceability • 92% Energy • 19% Liveness
22% Instrumentalness • 75% Positiveness
30% Popularity • 45% Danceability • 92% Energy • 19% Liveness
22% Instrumentalness • 75% Positiveness
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USS (Ubiquitous Synergy Seeker)
Anti-Venom
172 bpm • G# Maj • 03:47 • -5.43db
34% Popularity • 37% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 37% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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Donots
Saccharine Smile
172 bpm • F# Maj • 03:18 • -3.68db
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
