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3am in Chicago
Songs like
3am in Chicago
by
Brendan Bennett
Based on a tempo of (+/- 10%) and a similar genre
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Alec Beretz
Peep This
106 bpm • G# Maj • 02:47 • -6.86db
36% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Healy
Winse
106 bpm • G# Maj • 04:16 • -7.19db
35% Popularity • 89% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ellis Ivory
Expensive Sushi
106 bpm • C Maj • 02:42 • -10.98db
20% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Brendan Bennett
3am in Chicago
106 bpm • C Maj • 03:02 • -7db
34% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Blake and Miles
No Cap
105 bpm • C Maj • 03:20 • -9db
45% Popularity • 85% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Tai Verdes
DRUGS
107 bpm • A# min • 02:39 • -7.54db
61% Popularity • 86% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Ollie Joseph
Mexico
107 bpm • G Maj • 02:54 • -4.99db
35% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Gyyps
Careless
107 bpm • F# min • 03:46 • -10.2db
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Surfaces
Keep It Gold
105 bpm • B Maj • 04:07 • -6.89db
53% Popularity • 79% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Brendan Bennett
OPTIONS
105 bpm • F# Maj • 03:01 • -6.36db
6% Popularity • 77% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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BabyJake
MadHappySad
105 bpm • C# min • 02:48 • -8db
36% Popularity • 94% Danceability • 45% Energy • 36% Liveness
11% Instrumentalness • 76% Positiveness
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Brandon Taylor
Roses
105 bpm • G Maj • 02:28 • -9.18db
31% Popularity • 93% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Porsh Bet$
Peanut Butter
108 bpm • F Maj • 02:12 • -8.09db
34% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Austin Millz
On Read
108 bpm • F# Maj • 02:43 • -5.78db
38% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Nystrom
Margarita
104 bpm • G Maj • 03:46 • -6.16db
23% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Danny Diamonds
For the Record
108 bpm • F min • 03:00 • -9.68db
18% Popularity • 95% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 50% Positiveness
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happytree
Bout you
108 bpm • F# Maj • 02:51 • -9db
31% Popularity • 76% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Pick Patek
Butterflies
104 bpm • E min • 03:28 • -4.66db
33% Popularity • 67% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Fenn
Arizona Summer
104 bpm • E Maj • 02:54 • -4.89db
40% Popularity • 72% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Rapta
Know Your Sign
104 bpm • A Maj • 03:09 • -12.2db
32% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Natey G
Gatsby
108 bpm • B min • 02:55 • -8.86db
13% Popularity • 87% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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C-Dot 416
Funk
104 bpm • C min • 03:17 • -10.35db
44% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Brendan Bennett
DREAMS DIE
109 bpm • C# Maj • 02:39 • -5.12db
17% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Marko Penn
Started from the Mud
110 bpm • F# Maj • 02:32 • -13.23db
35% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jonah Renna
Cupid Tryouts
103 bpm • E Maj • 03:55 • -6.87db
30% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Danny Diamonds
Can't Talk
102 bpm • F# Maj • 03:00 • -12.09db
27% Popularity • 84% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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30
Met Too Young
102 bpm • E Maj • 02:53 • -7.13db
23% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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contradash
favorite color
110 bpm • D Maj • 02:08 • -7.17db
34% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Nicky Youre
Sex and Lemonade
110 bpm • G Maj • 02:43 • -13.27db
43% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rence
Darkside
102 bpm • C Maj • 02:53 • -7.96db
17% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Doze
Get Over It
101 bpm • C# min • 02:55 • -9db
28% Popularity • 86% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Caye
Ear Candy
111 bpm • C Maj • 02:41 • -8db
50% Popularity • 69% Danceability • 53% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
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WizTheMc
Do What I Want
112 bpm • C# Maj • 02:09 • -6.69db
30% Popularity • 95% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lil Noodle
High off You
112 bpm • G# min • 02:51 • -12.95db
36% Popularity • 77% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Brendan Bennett
MEMORIES
112 bpm • C Maj • 01:43 • -6.86db
0% Popularity • 88% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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tone october
why don't i feel the same
100 bpm • D# min • 02:55 • -9db
29% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Col3man
Automatic
100 bpm • A Maj • 03:07 • -4.85db
28% Popularity • 69% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rebels No Savage
Get Right
100 bpm • D Maj • 03:17 • -8.44db
29% Popularity • 90% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Myles Parrish
Kickback
100 bpm • G# Maj • 03:31 • -7.23db
41% Popularity • 87% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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raspy
Cape Cod
100 bpm • F# Maj • 02:45 • -5.26db
20% Popularity • 68% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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contradash
blocked
100 bpm • C# Maj • 02:23 • -6db
31% Popularity • 71% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Zac Greer
crazy
100 bpm • F min • 02:37 • -6.25db
43% Popularity • 69% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Walkabout
Onlysmokecigsontheweekend
100 bpm • F# min • 02:28 • -13.17db
44% Popularity • 86% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Lucus
Malibu
100 bpm • F min • 02:29 • -8.24db
45% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Rapta
Invitation
100 bpm • E min • 02:43 • -8db
16% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Hall
FAST TRACK
100 bpm • D min • 02:40 • -7db
31% Popularity • 82% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny 2 Phones
Second Chance
100 bpm • D# min • 02:33 • -7.52db
39% Popularity • 83% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Cannon
Stan Smiths
100 bpm • C Maj • 03:27 • -5db
36% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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RILEY
SUMMERTIME
100 bpm • G min • 03:48 • -7.05db
32% Popularity • 73% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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contradash
yo-yo
100 bpm • G# Maj • 02:18 • -8db
25% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lui Joseph
Strawberry
100 bpm • D min • 02:53 • -10.28db
44% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Rapta
Dangerous
100 bpm • C Maj • 02:24 • -10.97db
27% Popularity • 82% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Johnny 2 Phones
Back on Base
100 bpm • C# Maj • 02:10 • -5.69db
32% Popularity • 80% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Caye
With U
100 bpm • D# min • 02:55 • -6db
35% Popularity • 81% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The AM
Nothing Til Its Over
100 bpm • E Maj • 03:03 • -4.15db
1% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Yes Please
White Knuckles
100 bpm • F Maj • 04:02 • -6.97db
22% Popularity • 80% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Brendan Bennett
problems
100 bpm • A Maj • 03:55 • -7.18db
0% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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brompton
Stupid Happy
100 bpm • G Maj • 03:03 • -6.6db
33% Popularity • 83% Danceability • 60% Energy • 49% Liveness
0% Instrumentalness • 74% Positiveness
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KP
Crown
100 bpm • F# min • 02:37 • -11db
34% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Justus Bennetts
Replace You
113 bpm • G# min • 02:18 • -4.02db
38% Popularity • 72% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Bennett
Stressing
99 bpm • F Maj • 03:33 • -11.72db
29% Popularity • 73% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Mishaal Tamer
Run Baby
99 bpm • C# Maj • 02:49 • -5.96db
36% Popularity • 75% Danceability • 79% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Brendan Bennett
Next
113 bpm • F# min • 01:23 • -11.66db
1% Popularity • 60% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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K.A.L
The Man
99 bpm • D min • 03:13 • -3.53db
18% Popularity • 85% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Surfaces
Time Zones
99 bpm • D Maj • 03:26 • -6.53db
38% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Dioh
Grapevine
98 bpm • D min • 03:06 • -4.15db
31% Popularity • 64% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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J.Cyrus
Slowly Falling
98 bpm • F# min • 03:57 • -6.08db
29% Popularity • 65% Danceability • 70% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Pell
Pass By
115 bpm • C# min • 03:40 • -8.25db
28% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Brendan Bennett
Sip Slow
98 bpm • C# min • 02:34 • -4.63db
2% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Erik Cain
Up, Up, and Away
115 bpm • F# min • 02:47 • -7.74db
34% Popularity • 88% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Grant Schaffer
Pineapple
97 bpm • F Maj • 03:07 • -7.31db
25% Popularity • 83% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Mystery School
Holographic
97 bpm • F# Maj • 03:37 • -6db
25% Popularity • 75% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Skeez
Sunday Morning
97 bpm • A Maj • 03:17 • -7.54db
37% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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IIAMJUNE
Pretty Pink Room
97 bpm • G min • 03:18 • -9.93db
18% Popularity • 84% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Brendan Bennett
I Can't Make You Happy
98 bpm • E min • 02:12 • -10.31db
14% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Cyrus
Cute
97 bpm • C# Maj • 05:21 • -8.2db
33% Popularity • 83% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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iann dior
Pretty Girls
97 bpm • F# Maj • 02:13 • -6.98db
57% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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DOUBLECAMP
Whenever You Call
116 bpm • A Maj • 03:09 • -5.08db
28% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rence
hate u btw
116 bpm • C Maj • 02:14 • -5.45db
21% Popularity • 80% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Aries
GENIE
116 bpm • E Maj • 03:14 • -2.92db
38% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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J.Lerch
Papercut
116 bpm • A min • 03:02 • -8.29db
29% Popularity • 96% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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BabyJake
My Anxiety
116 bpm • A# min • 02:42 • -7.41db
37% Popularity • 90% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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benny mayne
I AIN'T SHIT
116 bpm • A# min • 03:00 • -12.03db
32% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Maasho
Lemon Baby
96 bpm • F# min • 02:50 • -7.57db
38% Popularity • 70% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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banditism.
Cloned
96 bpm • C# Maj • 03:23 • -4.63db
28% Popularity • 35% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Aries
RACECAR
117 bpm • G# Maj • 02:37 • -7.62db
48% Popularity • 71% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Social House
Magic In The Hamptons
96 bpm • C# Maj • 02:44 • -5.34db
73% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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contradash
cat out the bag
96 bpm • D# Maj • 02:10 • -7.72db
23% Popularity • 46% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny 2 Phones
Into the Sun
96 bpm • A min • 02:15 • -6.53db
57% Popularity • 79% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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No Suits
Boat to Bermuda
96 bpm • F min • 03:10 • -7.35db
41% Popularity • 69% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Enframe
Life Is a Tightrope
96 bpm • F# min • 03:22 • -4.12db
38% Popularity • 88% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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7715
Gone
96 bpm • F# Maj • 02:51 • -4.71db
31% Popularity • 71% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Recess Radio
Luci
96 bpm • G# min • 04:30 • -5.31db
31% Popularity • 80% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Caye
Happy?
96 bpm • G Maj • 02:32 • -8db
56% Popularity • 84% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jake Zimma
On Like 40
96 bpm • C Maj • 03:30 • -8.56db
42% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Rence
Space For You
96 bpm • G# Maj • 02:12 • -9.62db
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Buxton
Caught Up
96 bpm • G# min • 02:22 • -6.81db
10% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Rahn Harper
Hiccups
95 bpm • F# min • 03:43 • -11.44db
10% Popularity • 75% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Alec Wigdahl
Jealous Of Me
118 bpm • B min • 03:07 • -5.97db
20% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Brendan Bennett
twentysum
118 bpm • E min • 02:58 • -9.8db
0% Popularity • 84% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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3am in Chicago