Songs like 4 Anthems to the Blessed Virgin Mary Op. 9: No. 4 Salve Regina by Herbert Howells
Based on a tempo of (+/- 10%) and a similar genre
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
13% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • G# Maj • 02:47 • -24db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
23% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
77 bpm • A min • 03:14 • -23.98db
8% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
35% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
17% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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David Wikander
Förvårskväll
78 bpm • C Maj • 04:22 • -29db
8% Popularity • 16% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
12% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: IX. Salve regina
78 bpm • A Maj • 04:36 • -19.34db
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: V. Lord, Now Le...
78 bpm • F# Maj • 04:57 • -25.17db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Herbert Howells
Pavane & Galliard: I. Pavane
78 bpm • G# Maj • 05:08 • -24.55db
0% Popularity • 43% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 43% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
12% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
11% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Musikalische Exequien, Op. 7: III. Canti...
76 bpm • G min • 05:01 • -22.6db
8% Popularity • 10% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
8% Popularity • 10% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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Herbert Howells
Phantasy
78 bpm • C# min • 05:03 • -22.75db
2% Popularity • 28% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
God Is Our Refuge
76 bpm • G min • 01:06 • -29.35db
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All-night Vigil, Op. 44: Svete tihiy
78 bpm • D min • 03:54 • -23.77db
9% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Piano Sonatina (Ed. M. Schellhorn): II. ...
76 bpm • G min • 05:40 • -29.26db
0% Popularity • 38% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Richard Farrant
Lord, for thy tender mercy's sake
78 bpm • G# Maj • 01:49 • -30db
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
78 bpm • C min • 04:11 • -28.46db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Philip Stopford
Do Not Be Afraid
78 bpm • D Maj • 05:05 • -31.38db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sieben Lieder, Op. 62: No. 3, Waldesnach...
76 bpm • D Maj • 02:27 • -25.98db
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
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Samuel Barber
Under the Willow Tree
76 bpm • A Maj • 03:09 • -27.79db
8% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Josu Elberdin
Ave Maria, Gratia Plena
78 bpm • D Maj • 04:21 • -27.73db
13% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
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Benjamin Britten
Five Flower Songs, Op. 47: IV. The Eveni...
79 bpm • B Maj • 02:42 • -33.03db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
7% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
2 Sacred Songs: No. 2, Ave Maria
79 bpm • F Maj • 04:39 • -35.82db
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
12% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: I Heard a Voice from Heaven
79 bpm • D Maj • 04:01 • -29db
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
11% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Peace I Leave With You
79 bpm • D# Maj • 01:48 • -25.82db
11% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Enigma Variations. Nimrod: Lux Aeterna
79 bpm • C# Maj • 04:11 • -19.5db
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Spotless Rose
79 bpm • G Maj • 02:55 • -25db
17% Popularity • 18% Danceability • 20% Energy • 28% Liveness
17% Instrumentalness • 21% Positiveness
17% Popularity • 18% Danceability • 20% Energy • 28% Liveness
17% Instrumentalness • 21% Positiveness
► Preview
Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
London Philharmonic Choir
O For The Wings Of A Dove
79 bpm • G Maj • 02:33 • -26.21db
13% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Melody
79 bpm • F# Maj • 02:37 • -25.85db
0% Popularity • 32% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
0% Popularity • 32% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
25% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Fanny Mendelssohn
Neue Liebe, neues Leben (Arr. Rouger for...
75 bpm • A# Maj • 02:21 • -25.41db
8% Popularity • 30% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Processional to Calvary...
80 bpm • A min • 10:00 • -22.45db
9% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Herbert Howells
All my hope on God is founded (Michael: ...
75 bpm • F Maj • 05:05 • -16.09db
27% Popularity • 12% Danceability • 24% Energy • 10% Liveness
70% Instrumentalness • 7% Positiveness
27% Popularity • 12% Danceability • 24% Energy • 10% Liveness
70% Instrumentalness • 7% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
9% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Herbert Howells
Finzi "His Rest"
74 bpm • C Maj • 04:29 • -34.69db
0% Popularity • 51% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
7% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Alexander Glazunov
Plotipu usnuv (Having Fallen Asleep)
74 bpm • C Maj • 01:48 • -30db
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
9% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
